Ethan Frome (Questions)
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“Garden-Magic”: Conceptions of Nature in Edith Wharton's Fiction
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2021 “Garden-Magic”: Conceptions of Nature in Edith Wharton’s Fiction Jonathan Malks Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the American Art and Architecture Commons, American Literature Commons, Literature in English, North America Commons, Other Environmental Sciences Commons, Theory and Philosophy Commons, United States History Commons, and the Women's Studies Commons Recommended Citation Malks, Jonathan, "“Garden-Magic”: Conceptions of Nature in Edith Wharton’s Fiction" (2021). Undergraduate Honors Theses. Paper 1603. https://scholarworks.wm.edu/honorstheses/1603 This Honors Thesis -- Open Access is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Malks 1 “Garden-Magic”: Conceptions of Nature in Edith Wharton’s Fiction A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from William & Mary by Jonathan M. Malks Accepted for Honors ________________________________________ Melanie V. Dawson, Thesis Advisor Elizabeth Barnes ________________________________________ Elizabeth Barnes, Exam Chair ________________________________________ Alan C. Braddock Francesca Sawaya ________________________________________ Francesca Sawaya Williamsburg, VA May 12, 2021 Malks 2 Land’s End It’s strangely balmy for November. I feel the heat and pluck a noxious red soda apple off of its brown and thorny stem. Many people here are bent on keeping “unwanteds” out, but these weeds grow ferally. They go without direction, and you can’t restrain them with a rusty, old “no photo” sign. -
The Reflection of Naturalism in Ethan's Life As Seen In
THE REFLECTION OF NATURALISM IN ETHAN’S LIFE AS SEEN IN EDITH WHARTON’S ETHAN FROME AN UNDERGRADUATE THESIS Presented as Partial Fulfilment of the Requirements for the Degree of Sarjana Sastra in English Letters By INTEN PUSPITO Student Number: 014214139 ENGLISH LETTERS STUDY PROGRAMME DEPARTMENT OF ENGLISH LETTERS SANATA DHARMA UNIVERSITY YOGYAKARTA 2009 ii iii iv v ACKNOWLEDGEMENTS My greatest gratitude first and foremost goes to Jesus Christ. I thank Him for the blessing. I thank my mom and dad for their tender love. I dedicated this thesis for them. I thank my dearly annoying brothers and lovely sisters for always walking me through the ‘rain’ and for their unconditional love. Next, my huge gratitude goes to my Advisor and Co-Advisor, Modesta Luluk Artika W., S.S. and Drs. Hirmawan Wijanarka,M.Hum. whose guidance and support have made this thesis possible to be finished. I can never thank them enough for the wisdom, knowledge and especially patience that they have shown me. To my friends I called best friends; mbak Ary, Donna and Key, Dian and Yose, Arul and Villa. I thank them for their patience for listening my grumbling. My unforgettable ‘cipika cipiki’: Anis, Irin, Puput, Vitun, Novel. I thank them for coloring my days, and showing me what friendship means. I love you all. Last but not least, my gratitude goes to Samurai R. I thank him for his unexplained support and whatever! Thank you. That means a lot. vi TABLE OF CONTENTS TITLE PAGE ................................................................................................. i APPROVAL PAGE ....................................................................................... ii ACCEPTANCE PAGE .................................................................................. iii STATEMENT OF WORK’S ORIGINALTIY ........................................... -
Edith Wharton. Ethan Frome
ETHAN FROME 2 which he put without a glance into his sagging pocket. At intervals, Edith WARTON . however, the post-master would hand him an envelope addressed to Mrs. Zenobia–or Mrs. Zeena–Frome, and usually bearing conspi- Ethan Frome (1911) cuously in the upper left-hand corner the address of some manufactur- er of patent medicine and the name of his specific. These documents my neighbour would also pocket without a glance, as if too much used I had the story, bit by bit, from various people, and, as generally to them to wonder at their number and variety, and would then turn happens in such cases, each time it was a different story. away with a silent nod to the post-master. If you know Starkfield, Massachusetts, you know the post-office. If Every one in Starkfield knew him and gave him a greeting tem- you know the post-office you must have seen Ethan Frome drive up to pered to his own grave mien; but his taciturnity was respected and it it, drop the reins on his hollow-backed bay and drag himself across the was only on rare occasions that one of the older men of the place de- brick pavement to the white colonnade: and you must have asked who tained him for a word. When this happened he would listen quietly, he was. his blue eyes on the speaker’s face, and answer in so low a tone that his It was there that, several years ago, I saw him for the first time; and words never reached me; then he would climb stiffly into his buggy, the sight pulled me up sharp. -
The Limits of Charity: Motherhood, Feminine Roles, and Autobiography in Edith Wharton's Summer Eric J
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1998 The limits of charity: motherhood, feminine roles, and autobiography in Edith Wharton's Summer Eric J. Kerkove Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the American Literature Commons, Literature in English, North America Commons, and the Women's Studies Commons Recommended Citation Kerkove, Eric J., "The limits of charity: motherhood, feminine roles, and autobiography in Edith Wharton's Summer" (1998). Retrospective Theses and Dissertations. 268. https://lib.dr.iastate.edu/rtd/268 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The limits of Charity: Motherhood, feminine roles, and autobiography in Edith Wharton's Summer by Eric John Kerkove A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF ARTS Major: English (Literature) Major Professor: Brenda 0. Daly Iowa State University Ames, Iowa 1998 ii Graduate College Iowa State University This is to certify that the Master's thesis of Eric John Kerkove has met the thesis requirements of Iowa State University Fl{r the Major Program iii TABLE OF CONTENTS PREFACE vi INTRODUCTION 1 CHAPTER ONE: THE LIMITS OF CHARITY: MOTHERHOOD, FEMININE ROLES, AND AUTOBIOGRAPHY IN EDITH WHARTON'S SUMMER 27 CHAPTER TWO: PEDAGOGICAL CONSIDERATIONS 64 BIBLIOGRAPHY OF THE MAJOR WRITINGS OF EDITH WHARTON 67 SOURCES 70 vi PREFACE When I began preparing for my thesis, I was not sure exactly what I wanted to focus on. -
Architecture and Society in Edith Wharton's the Age of Innocence
"The Intolerable Ugliness of New York": Architecture and Society in Edith Wharton's The Age of Innocence Cynthia G. Falk Edith Wharton's novel The Age of Innocence was written in and about an era characterized in the United States by immense political, economic, and cul tural change, which led many Americans to reevaluate how they defined their country and themselves. As an expatriate, Wharton worked on the manuscript in France in the years just after World War I amidst ongoing debates about the Treaty of Versailles, wartime reparations, and the creation of the League of Nations. The work was received by the American public first in the summer of 1920, when it appeared in serial form in the magazine Pictorial Review, and again later that fall, when it was published as a novel. The story was set almost fifty years earlier in the New York and Newport, Rhode Island, of Wharton's youth. Through her descriptions of that earlier period's built environment and social conventions, Wharton drew conclusions about American society that car ried added weight in her own day. Wharton's assessment of architecture, inte rior design, and codes of conduct in late-nineteenth-century America distanced her from many of her American contemporaries by demonstrating her disillu sionment with her increasingly influential homeland. From the conclusion of the Civil War to the conclusion of World War I, Americans saw their country transformed. At the beginning of the period, the United States was still recovering from the destruction and division that resulted from sectional crisis. Violent conflicts with American Indians regularly threat- 0026-3079/2001/4202-019$2.50/0 American Studies, 42:2 (Summer 2001): 19-43 19 20 Cynthia G. -
Collected Stories 1911-1937 Ebook, Epub
COLLECTED STORIES 1911-1937 PDF, EPUB, EBOOK Edith Wharton | 848 pages | 16 Oct 2014 | The Library of America | 9781883011949 | English | New York, United States Collected Stories 1911-1937 PDF Book In "The Mission of Jane" about a remarkable adopted child and "The Pelican" about an itinerant lecturer , she discovers her gift for social and cultural satire. Sandra M. Marion Elizabeth Rodgers. Collected Stories, by Edith Wharton ,. Anson Warley is an ageing New York bachelor who once had high cultural aspirations, but he has left them behind to give himself up to the life of a socialite and dandy. Sort order. Michael Davitt Bell. A Historical Guide to Edith Wharton. With this two-volume set, The Library of America presents the finest of Wharton's achievement in short fiction: 67 stories drawn from the entire span of her writing life, including the novella-length works The Touchstone , Sanctuary , and Bunner Sisters , eight shorter pieces never collected by Wharton, and many stories long out-of-print. Anthony Trollope. The Edith Wharton Society Old but comprehensive collection of free eTexts of the major novels, stories, and travel writing, linking archives at University of Virginia and Washington State University. The Library of America series includes more than volumes to date, authoritative editions that average 1, pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries. Elizabeth Spencer. Inspired by Your Browsing History. Books by Edith Wharton. Hill, Hamlin L. This work was followed several other novels set in New York. -
The Power of Words: the Use of Language in Ethan Frome
i The Power of Words: The Use of Language in Ethan Frome Heather Faye Spear Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Masters of Arts in the Department of English, Liberty University December 2009 ii To my husband, Scott—thank you for your endless support and encouragement throughout the completion of this thesis, and thank you for not allowing me to take the alternative route. I would also like to dedicate this thesis to my daughter, Ava, who completed the entirety of the thesis process with me. iii Table of Contents Dedication…………………………………………………………………………………ii Table of Contents………………………………………………………………………....iii Chapter 1: Introduction……………………………………………………………………1 Chapter 2: Zeena and Ethan ……………………………………………………………..24 Chapter 3: Ethan and Mattie …………………………………………………………….41 Chapter 4: Zeena and Mattie ……………………………………………………………..59 Conclusion……………………………………………………………………………….79 Endnotes…...……………………………………………………………………………..85 Bibliography.…………………………………………………………………………….87 Spear 1 The Power of Words: The Use of Language in Ethan Frome Chapter 1: Introduction Language is significant as a basis for and the advancement of civilization, influencing all facets of life: trade, religion, education, and predominantly, communication. Written and spoken words are mediums of communication rooted deeply in human nature and are intricately connected to the Divine nature of God, the institutor and originator of language. Due to man’s sinfulness, there is a complex relationship between one’s language and one’s intended meaning. Perfect communication cannot exist, but this reality and man’s finiteness do not purge language and words of their meaning; rather, it makes the relationship between the author, the text, the reader, and the world more complex. -
Ethan Frome (Questions)
Ethan Frome (Questions) 1. Discuss the three characters. Do you find Zeena's shrewishness believable? Does Ethan control his life, or do life's events control him? Is Mattie a sympathetic character or not? 2. What does the name Starkfield suggest about the setting? How does Herman Gow corroborate this later (p. 5). 3. What role do the townsfolk play in Ethan Frome? 4. Mattie wears red when we readers first see/meet her. What does the red signify? 5. Discuss Mattie's and Ethan's decision in the sleigh—an act of desperation, clearly. Is it justified, immoral, unethical, irresponsible? Or the only honorable way out of an untenable situation? 6. hat is the significance of Ruth Varnum and Ned Hale's relationship. 7. Which character, Mattie or Ethan, holds the power in their relationship? 8. How does Ethan's confrontation with Zeena in Chapter 7 act as a turning point for his character? 9. In what ways is fear the driving force that keeps Ethan from eloping with Mattie in Chapter 9? 10. Ruth Varnum gets the last word in the story. Why? Do you agree with her statement that Ethan, Mattie, and Zeena would be better off dead? 11. How is Zeena’s reaction to Mattie’s departure a contrast to Ethan’s? What are the implications of her behavior? 12. Discuss the ending—in what way is it ironic? How do you feel about Ethan's final situation? 13. What might the story look like from Zeena's point of view? From Mattie's? Do you think the narrator does a good job of showing us Ethan's point of view? 14. -
Wharton - Wikipedia
4/27/2020 Edith Wharton - Wikipedia Edith Wharton Edith Wharton (/ hw rtən/; born Edith Newbold Jones; January 24, 1862 – August 11, 1937) was an American Edith Wharton novelist, short story writer, playwright, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she was the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996.[1] Contents Biography Early life Early writing Socialite and debutante 1880s Travels and life abroad Edith Wharton, c. 1895 Later years Death Born Edith Newbold Writing Jones Career January 24, 1862 Themes in writings New York City Influences Died August 11, 1937 Works (aged 75) Novels Saint-Brice-sous- Novellas and novelette Forêt, France Poetry Short story collections Resting Cimetière des place Non-fiction Gonards As editor Occupation Novelist, short story Adaptations writer, designer. Film Notable Pulitzer Prize for Television awards Literature Theater 1921 The Age of In popular culture Innocence References Spouse Edward Robbins Citations Bibliography Wharton (1885– 1913) Further reading https://en.wikipedia.org/wiki/Edith_Wharton 1/16 4/27/2020 Edith Wharton - Wikipedia External links Online editions Signature Biography Early life Edith Wharton was born Edith Newbold Jones on January 24, 1862 to George Frederic Jones and Lucretia Stevens Rhinelander at their brownstone at 14 West Twenty-third Street in New York City.[2][3] To her -
The Limits of the Cosmopolitan Experience in Wharton's The
The Limits of the Cosmopolitan Experience in Wharton’s The Buccaneers Melanie Dawson Legacy: A Journal of American Women Writers, Volume 31, Number 2, 2014, pp. 258-280 (Article) Published by University of Nebraska Press For additional information about this article https://muse.jhu.edu/article/562502 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Th e Limits of the Cosmopolitan Experience in Wharton’s Th e Buccaneers Melanie Dawson Th e College of William and Mary dith Wharton’s final, unfinished novel, The Buccaneers, published posthu- Emously in 1938, charts the great excitement of its eponymous characters’ initial journey to England and examines what happens when the exhilaration of travel ends and the reality of living abroad begins. Five young American women cross the Atlantic, marry, and settle into the storied homes of the Brit- ish gentry. Playfully termed “buccaneers” by two older women who advise them and smooth the way for their social entrée, the young women are hardly, as the title implies, pirates, much less plunderers of traveling vessels. Rather than operating as rootless raiders free to transport their spoils across the globe, Wharton’s buccaneers are invaders who, upon settling into marriage, must confront the cultural expectations of their adopted home: “I think I’m tired of trying to be English,” [Nan] pronounced. The Dowager rose also, drawing herself up to her full height. “Trying to be? But you are English. When you became my son’s wife you acquired his national- ity. Nothing can change that now.” “Nothing?” “Nothing.” (413) Near the end of Th e Buccaneers, this conversation between the Dowager Duch- ess of Tintagel and Nan, her young daughter- in- law and the current duchess, signals the end of a cosmopolitan fantasy wherein characters move easily be- tween cultures. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
EOUH WHARTON's FICTION by Bachelor of Arts
THE USE OF DRAMATIC IRO!tt IN EOUH WHARTON'S FICTION By WILLIAM RICHARD BRO\il (l\ Bachelor of Arts Phillipe Umver&i ty Enid, Oklahoma 1952 Submitted to the ta.cul ty of the Graduate School of the Oklahoma Agricultural and Mechanical. Collage in partial fulfillment of the requirements for the degre• of MASTER or ARTS Hay, 19'J'l lllAIIJlfA ...TIIAl &MfCffAHfCAl eoum LIBRARY AUG l 219 f5 7 THE USE OF' DRAMATIC IR017Y IM l!DITH WHARTON'S FICTIO!'I Thesis Approvecb Thesis Adviser Dean of the Graduate School 383038 ii PREFACE Though critics differ about the signif.ieance or :Edith Wharton's material, they are agreed that she is a consummate literary craftsman, a "disciple of form." This study of her .fiction is limited to one aspect of her literary virtuosity, her use of drama.tic irony to contribute to the form i n her fiction. Such a otudy presents a two-fold problem. In the first place, the writer must show how drama.tic irony can contribute to form; thus, he must involve himself in aest hetics, a study very difficult to document. In the second place, he must show that dramatic irony contributed to the form of Ed.1th Wharton's fiction. In order to deal \Ii.th this two-headed problem in a unified essay, I decided that the best approach would be to give a short explanation of my idea that dramatic iroizy can contribute to form and then to illustrate the explanation by giving specific examples from Mrs. Wharton's fiction.