New and Recent Books 2018-19 History 2018-19 Message from the Editors: CONTENTS Welcome to the New History Catalogue
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Ancient Egypt in Africa
i ENCOUNTERS WITH ANCIENT EGYPT Bodjfou$Fhzqu jo$Bgsjdb Institute of Archaeology ii Ancient Egypt in Africa Ujumft$jo$uif$tfsjft Ancient Egypt in Africa Edited by David O’Connor and Andrew Reid Ancient Perspectives on Egypt Edited by Roger Matthews and Cornelia Roemer Consuming Ancient Egypt Edited by Sally MacDonald and Michael Rice Imhotep Today: Egyptianizing architecture Edited by Jean-Marcel Humbert and Clifford Price Mysterious Lands Edited by David O’Connor and Stephen Quirke ‘Never had the like occurred’: Egypt’s view of its past Edited by John Tait Views of Ancient Egypt since Napoleon Bonaparte: imperialism, colonialism and modern appropriations Edited by David Jeffreys The Wisdom of Egypt: changing visions through the ages Edited by Peter Ucko and Timothy Champion iii ENCOUNTERS WITH ANCIENT EGYPT Bodjfou$Fhzqu jo$Bgsjdb Edited by David O’Connor and Andrew Reid Institute of Archaeology iv Ancient Egypt in Africa First published in Great Britain 2003 by UCL Press, an imprint of Cavendish Publishing Limited, The Glass House, Wharton Street, London WC1X 9PX, United Kingdom Telephone: + 44 (0)20 7278 8000 Facsimile: + 44 (0)20 7278 8080 Email: [email protected] Website: www.uclpress.com Published in the United States by Cavendish Publishing c/o International Specialized Book Services, 5824 NE Hassalo Street, Portland, Oregon 97213-3644, USA Published in Australia by Cavendish Publishing (Australia) Pty Ltd 45 Beach Street, Coogee, NSW 2034, Australia Telephone: + 61 (2)9664 0909 Facsimile: + 61 (2)9664 5420 © Institute of Archaeology, University College London 2003 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, without the prior permission in writing of Cavendish Publishing Limited, or as expressly permitted by law, or under the terms agreed with the appropriate reprographics rights organisation. -
2017–18 Annual Review 2017–18 Illustration Acknowledgements
2017–18 Annual Review 2017–18 Illustration acknowledgements Page 4: Sophie Hay. Pages 5–6: Antonio Palmieri. Page 7: Michael Snelling. Page 8: Chris Ward-Jones. Page 9: Michael Snelling (top), Antonio Palmieri (bottom). Page 11: Antonio Palmieri. Page 12: Antonio Palmieri (top and bottom left), Michael Snelling (bottom right). Pages 13–14, 16–19: Antonio Palmieri. Page 20: Antonio Palmieri (top left and right), Agnes and Dora British School at Rome Bulwer photographic collection, dab-V.089 (bottom left). Page Via Gramsci 61 21: Natalie Arrowsmith (left), Michael Snelling (right). Page 22: 00197 Rome, Italy Alice Marsh. Page 24: Antonio Palmieri. Page 25: Antonio Palmieri T +39 06 3264939 (top), Alessandro Carabia (bottom). Page 26: Abigail Graham. F +39 06 3221201 Page 28: Antonio Palmieri. Page 29: Antonio Palmieri (top), E [email protected] Michael Snelling (bottom left and right). Page 30: Elena Pomar. Page 31: A. Turner © The Lateran Project. Pages 32 and 34: BSR London Office Antonio Palmieri. Page 36: Natalie Arrowsmith. Page 38: British School at Rome Antonio Palmieri (left). Page 42: Michael Snelling. Pages 43–4: 10 Carlton House Terrace Antonio Palmieri. London SW1Y 5AH, UK T +44 (0)20 7969 5202 Graphic design by Praline E [email protected] Printed in Belgium by Graphius www.bsr.ac.uk ISSN 2045-1199 ISBN 978-0-904152-82-1 A charity registered in England and Wales (no. 314176) London 2019 Contents 5 Chairman’s Foreword The BSR in 2017–18 7 Director’s Report 38 At a Glance 40 Humanities Award-holders 41 Fine Arts Award-holders INSPIRING -
Annual Review 2016–17 Illustration Acknowledgements Page 4: Sophie Hay
2016–17 Annual Review 2016–17 Illustration acknowledgements Page 4: Sophie Hay. Page 5: Antonio Palmieri. Pages 6–7: Thomas Toti. Page 9: Chris Warde-Jones (top), Antonio Palmieri British School at Rome (bottom). Page 11: Antonio Palmieri. Page 12: Carolina Farina. Via Gramsci 61 Page 13: Antonio Palmieri. Page 14: Giorgio Benni. Page 15: 00197 Rome, Italy Portus Project and Artas Media. Page 16: Stephen Kay. Page 17: T +39 06 3264939 Sophie Hay (left), Antonio Palmieri (right). Page 19: Ashby F +39 06 3221201 Collection XXX.17 (top). Page 21: Vivien Zhang (left), Antonio E [email protected] Palmieri (right). Page 22: Phil Perkins. Page 23: Antonio Palmieri. Page 29: Antonio Palmieri. Page 30: by kind permission of Eredi BSR London Office (for awards, committee, Luigi Ghirri. Page 31: Ellie Johnson. Page 32: Maria del Carmen development and publications enquiries) Moreno Escobar. Page 33: Antonio Palmieri. Page 34: Stephen British School at Rome Kay. Page 35: Carolina Farina. Page 36: Gary Derimendjian. 10 Carlton House Terrace Page 40: Antonio Palmieri (top right). Page 44: Antonio Palmieri. London SW1Y 5AH, UK Page 46: Tim Soar. T +44 (0)20 7969 5202 F +44 (0)20 7969 5401 Graphic design by Praline E [email protected] Printed in Belgium by Graphius www.bsr.ac.uk ISSN 2045-1199 ISBN 978-0-904152-77-7 A charity registered in England and Wales (no. 314176) London 2017 Contents 5 Chairman’s Foreword 7 Director’s Report INSPIRING Creative Research 11 Humanities Programme 13 Fine Arts Programme 14 Architecture Programme 15 Archaeology 18 Library and Archive 21 Supporting Our Award-holders 23 Taught Courses GENERATING Creative Research 25 Our Achievements SHOWCASING Creative Research 29 Showcasing Our Research Themes FUNDING the BSR 38 Development 40 Financial Report The BSR in 2016–17 43 Humanities and Fine Arts Award-holders 44 Activities 47 Publications and Exhibitions by Staff 48 Council and Subcommittees 49 Staff 50 Research Fellows and Honorary Fellows 51 Members of the BSR British School at Rome Patron: HM The Queen President: HRH Princess Alexandra, the Hon. -
The Art of Greece, Rome and the Ancient Near East, the Library of Dr
THE ART OF GREECE, ROME AND THE ANCIENT NEAR EAST The Library of Dr. Jerome M. Eisenberg, Founder-Director of Royal-Athena Galleries, New York-London 3,324 titles in circa 3,520 volumes The Library of Jerome M. Eisenberg, Ph.D. The Dr. Jerome M. Eisenberg library consists of some 3,500 physical volumes dealing with the arts of Ancient Greece, Rome and the Near East. It covers all aspects of Greek, Roman, Etruscan, Hellenistic art and archaeology with great strength in works on sculpture and vase painting as well as the minor arts including an important group of works on seals and cameos. The library includes a comprehensive collection of scholarly catalogues of museum holdings from Europe and America. The library also includes some basic works on late antique, early Christian, Byzantine and early medieval art. Finally, the Eisenberg library contains an exceptional grouping of books on fakes and the forgery of ancient works of art, on cultural property, as well as the legal aspects of the trade in works of art and antiquities. Jerome M. Eisenberg, Ph.D. is the founder-director of Royal-Athena Galleries, New York-London, the internationally renowned gallery specializing in ancient art for over 60 years. Since 1968 Dr. Eisenberg has concentrated on expertise in the ancient arts and has lectured on this subject at New York University and as a visiting professor at the Institute of Classical Archaeology of the University of Leipzig, and presented several scholarly papers at the annual meetings of the Archaeological Institute of America, most recently on the ‘Roman’ Rubens Vase. -
On Archaeology Designed and Typeset by Soapbox, Soapbox.Co.Uk
on Archaeology Designed and typeset by Soapbox, soapbox.co.uk Contents Introduction 4 Research 8 Education 16 Professional practice 24 Public engagement and impact 32 Conclusions 40 Endnotes 44 Annex 46 The Steering Group Professor Graeme Barker FBA Senior Fellow of the McDonald Institute for Archaeological Research, University of Cambridge Professor Charlotte Roberts FBA Professor of Archaeology, Durham University Professor Christopher Gosden FBA Professor of European Archaeology, University of Oxford Professor Audrey Horning Professor of Archaeology, Queen’s University Belfast and Arts and Sciences Distinguished Professor of Anthropology, College of William and Mary Professor Kate Welham Professor of Archaeological Sciences, Bournemouth University and Chair, University Archaeology UK 3 Reflections on Archaeology Introduction Introduction 4 Reflections on Archaeology Introduction Archaeology is usually defined as the study of the human past through material remains, distinguishing it from history, where the human past is studied through written records. The material remains of the past include not just ‘material culture’ like monuments and pottery but also biological remains such as bones, seeds, soils, and ancient DNA. Archaeology is the study of things abandoned, discarded or buried by past generations, and as all human societies leave material traces of their passing, archaeology uses these to address what it means to be human over the full four million years of human history and with a global perspective. Though usually fragmentary and affected by many biases of survival, the archaeological record bears witness to the entirety of the human past at local, national, and international scales, from the actions of individuals to the great revolutions of human prehistory and history. -
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Aegean-Egyptian Relations (C 1900-1400
Aegean - Egyptian relations c 1900 -1400 BC Volume 1 Marsia Bealby University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. i Respice, adspice, prospice ii AEGEAN – EGYPTIAN RELATIONS (c 1900-1400 BC) by MARIA ASPASIA BEALBY * * * A thesis submitted to The University of Birmingham for the degree of DOCTOR OF FILOSOPHY Classics, Ancient History and Archaeology College of Arts and Law The University of Birmingham May 2014 iii ABSTRACT This thesis explores the mechanisms of relations between the Aegean (focusing on Crete and Aegean islands such as Thera) and Egypt (including the Hyksos) from 1900 to 1400 BC. A fundamental tool has been the creation of a searchable database of the portable finds (at the moment, a unique resource) classified as Aegean, Egyptian, Aegeanising, Egyptianising, etc. In addition, the Avaris frescoes and the Aegean processional scenes in Thebes were examined in detail. Two approaches were applied to this evidence of Aegean-Egyptian interactions: World Systems Theory, applied here consistently and in depth (as opposed to earlier, broader discussions of Eastern Mediterranean interactions) and, for the first time in this field, Game Theory. -
Bloomsbury Summer School 2021
Bloomsbury Summer School 2021 ANCIENT HISTORY, ARCHAEOLOGY, AND ANCIENT LANGUAGES ANCIENT EGYPT, ANCIENT NEAR EAST, AND MESOAMERICA 2 3 BSS 2021 PROGRAMME LETTER FROM BSS ANCIENT HISTORY, ARCHAEOLOGY, AND ANCIENT LANGUAGES We’d like to tell you a little bit about Bloomsbury Summer School: = Online = In person See pages 6 – 14 & 21 – 24 for course details Saturday 6 March OR READING HIEROGLYPHS: SPIRITS IN • We offer courses on the ancient history, special access (COVID-permitting) to UCL’s A TASTE OF HIEROGLYPHS CONTEXT Dr José Ramón Pérez-Accino and archaeology, ancient languages, and literature, stunning museum collections and excellent (FOR BEGINNERS) Dr Bill Manley Dr Bill Manley mainly of ancient Egypt and the Near East, university facilities. Our classes taught in the taught by experts working in universities, Petrie Museum of Egyptian Archaeology offer Sat 13 – Sun 14 & Sat 20 – Sun 21 Mar Monday 12 to Friday 16 July museums, and field archaeology; privileged access to this internationally important ART AND ARCHAEOLOGY OF ANCIENT PERSIA: NEW PERSPECTIVES • Most courses run for 3 or 5 days in summer, collection of Egyptian and Sudanese artefacts. MESOAMERICA IN 100 OBJECTS Prof. Lloyd Llewellyn-Jones but we also run 4-day courses split over two The opportunity to handle ancient objects is not Dr Elizabeth Baquedano OR STONE TOOLS AND TECHNOLOGIES weekends and 5-day spring courses; one to be missed; it is an exceptional experience. OR HIEROGLYPHS FOR (ALMOST) IN ANCIENT EGYPT Dr Sarah Doherty and • Normally, we deliver our programme at one of Our Bloomsbury location also allows us to include BEGINNERS Dr Bill Manley Mr Matt Szafran the world’s leading universities, University Col- teaching sessions in the nearby British Museum.