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Introduction 1 Theorizing Women's Singleness: Postfeminism
Notes Introduction 1. See Ringrose and Walkerdine’s work on how the boundaries of femininity are policed, constituting some subject positions – those against which normative femininity comes to be defined – ‘uninhabitable’ (2008, p. 234). 1 Theorizing Women’s Singleness: Postfeminism, Neoliberalism, and the Politics of Popular Culture 1. Lewis and Moon (1997) have observed that women’s singleness is at once glamorized and stigmatized, however I suggest, and explore how, this is a particular feature of postfeminist media culture. 2. As Jill Reynolds argues, ‘the cultural context today incorporates new repre- sentations of singleness while continuing to draw on older, more devalued notions that being single is a problem for women: generally to be resolved through commitment to a heterosexual relationship’ (2008, p. 2). 3. In early feminist studies of how women were represented in the media, the ‘images of women’ style criticism dominated, arguing that women were mis- represented in and through the mainstream media and that such ‘negative’ rep- resentations had deleterious effects on the women who consumed them. This is a position that has been thoroughly critiqued and replaced by more nuanced approaches to both signification and consumption. See Walters’ chapter ‘From Images of Women to Woman as Image’ for a rehearsal of these debates (1995). 4. For example, in her critical text Postfeminisms, Ann Brooks (1997) conceptual- izes it in terms of the intersections of feminism, poststructuralism, postmod- ernism, and postcolonialism. Others have theorized it primarily as a popular manifestation which effectively represents an updated form of antifeminism (Faludi, 1991; Walters, 1995; Kim, 2001). 5. The idea that postfeminism is itself constituted by contradiction, ‘the product of competing discourses and interests’ (Genz & Brabon, 2009, p. -
Does New York Love Me? Shannon B
Journal of International Women's Studies Volume 10 | Issue 2 Article 3 Nov-2008 I Love New York: Does New York Love Me? Shannon B. Campbell Steven S. Giannino Chrystal R. China Christopher S. Harris Follow this and additional works at: http://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Campbell, Shannon B.; Giannino, Steven S.; China, Chrystal R.; and Harris, Christopher S. (2008). I Love New York: Does New York Love Me?. Journal of International Women's Studies, 10(2), 20-28. Available at: http://vc.bridgew.edu/jiws/vol10/iss2/3 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2008 Journal of International Women’s Studies. I Love New York: Does New York Love Me? By Shannon B. Campbell1, Steven S. Giannino, Chrystal R. China, Christopher S. Harris2 Abstract This article seeks to highlight reality television’s most popular rearticulation of the Jezebel and the Sapphire stereotypes while assessing its implications for African American women. Nearly eight decades after their inception in mass mediated culture, the Jezebel and Sapphire stereotypes have been reborn in the form of Tiffany Pollard, better known as “New York”, and her mother “Sister Patterson” (respectively). Television acts as a powerful socialization agent, and thus plays a significant role in how audiences shape their racially stratified and gendered world. -
Acclaimed Singer, Songwriter, Actor and Hollywood 'Bad Boy,' Ray J Teams up with VH1 to Find a True Leading Lady
Acclaimed Singer, Songwriter, Actor and Hollywood 'Bad Boy,' Ray J Teams Up With VH1 to Find a True Leading Lady "For the Love of Ray J" Premieres on VH1 on Monday, February 2 at 10:30 PM* All Following New Episodes Will Air at 10:00 PM VH1.com to Sneak Peek the First Episode Beginning Tuesday, January 27 SANTA MONICA, Calif., Jan. 29 -- Ray J's success in the entertainment business has brought him fame, fortune, and a never- ending supply of gorgeous girls. After years of hookups and rocky relationships he's ready to break away from the gold-diggers and groupies and find a unique lady capable of restoring his faith in women. VH1 is teaming up with Ray J in hopes of finding him a true "ride or die chick" among a group of 14 beautiful women from across the country. "For the Love of Ray J" premieres on VH1 on Monday, February 2 at 10:30 PM* "For the Love of Ray J" will catch every exciting moment as Ray J follows in the footsteps of his boys Flavor Flav and Bret Michaels. Fourteen lovely ladies will move into Ray J's bachelor mansion and go through a series of challenges, dates, and heart-breaking eliminations until he finds the one woman he's been waiting for. Not only will the ladies have to prove their love for Ray J, but they must also show him they can keep up with his fast-paced lifestyle. "For the Love of Ray J" follows Ray J and his entourage of female suitors to the hottest hangouts in Los Angeles, to Sin City where they'll party with his famous friends, and to Ray's childhood home where they'll meet his family and big sister Brandy. -
The Heterosexual Economies of Emotion and Romance in the Bachelorette
An Investment in Love: The Heterosexual Economies of Emotion and Romance in The Bachelorette Louisa Grenham Sociology and Anthropology Department of Swarthmore College April 30th, 2019 Acknowledgements I would like to thank Professor Farha Ghannam for her kind encouragement and overall brilliance, Professor Maya Nadkarni for her guiding hand, Professor Fraga for watching the show, and finally Dietrich and Chaleo for their unwavering motivation and support. Table of Contents Introduction: Positioning Oneself Toward Feeling ......................................... 1-14 Tracing the Shadows of Affect ............................................................... 15-30 Marketed Selves, Invested Objects .......................................................... .31-51 Performance, Gender and The Emotive Economy ........................................ 52-70 Conclusion: In Exchange for Love ....................................................................................... 71-77 Introduction: Positioning Oneself Toward Feeling Mythologies around love and romance have long structured our comprehension of intimacy and connection. Love is probably one of the first emotions we made aware of, it is positioned as the thing that binds together the family, that is the reason for being brought into the world. Romantic love in particular is set as the creator of families, the reason for procreation and marriage. Love as an emotion has shifted into a fantastical realm where it is the reason behind our very creation, it is a nice thing to think we are born because of love. Love holds both status as an emotion and as a structure. I understand love, the felt emotion to be shaped by Love, the product of social and cultural power systems and hegemony which arranges our relationships. The latter is the piece I am most interested in, the ways that love has become co opted as a means to structure and regulate relationships, inextricably tied with sexuality and social position. -
JEREMY RUBIN Producer • Line Producer Staff Positions Producer/Head of Production [On Staff]…………………………………………..…… …….……….…Sixth Way Prods
JEREMY RUBIN Producer • Line Producer Staff Positions Producer/Head of Production [on Staff]…………………………………………..…… …….……….…Sixth Way Prods. Partners: DJ Paul, Inman Young, Jeremy Rubin (L.A.) March ’05 – April ‘06 Oversee Development thru Delivery on all projects within the company. Senior Director of Production [on Staff]………………………………………… ………………………Burkhardt/Griffith Prods. Partners: Scott Burkhardt and Chuck Griffith (L.A.) April ’01 – Dec ‘01 Oversee Development thru Delivery on all projects within the company. Feature Films Suffering Man’s Charity [Co-Producer / Post Supervisor].…… …………………………………………Director: Alan Cumming Producers: DJ Paul, Alan Cumming, Sixth Way Productions, Inc. 2005 (Los Angeles, CA) Tied Up [Producer/Director].…… ……………………………………………………………………...…Director: Jeremy Rubin Producers: Inman Young, Jeremy Rubin, x3 Entertainment Group, Inc. 2004 (Los Angeles, CA) Stress, Orgasms and Salvation [Line Producer].…… ……………………………………………………Director: Carlos Riccelli Producer: Carlos Riccelli, Cheap Movies, LLC. 2003/2004 (Los Angeles, CA) Cast: Julie Brown, Bruna Lombardi Melvin Goes to Dinner [Post Production Consultant].…… ……………………..……………………….Director: Bob Odenkirk Prods: DJ Paul, Jeff Sussman, Michael Blieden, LeFoole Inc., Dist: Sundance Channel/Showtime, 2003 (Los Angeles, CA) Cast: Bob Odenkirk, David Cross, Jack Black, Michael Blieden, Maura Tierney All You Can Do [ Line Producer/Co-Producer].…… ……………………………………………….…….Director: TBD Producers: Chuck Griffith, Scott Burkhardt, Jeremy Rubin Goin’ Back Productions, 2002 (Minneapolis, -
Scripted Ensemble Drama Series "DTLA" Makes U.S. Television Premiere on Logo
Scripted Ensemble Drama Series "DTLA" Makes U.S. Television Premiere on Logo The First Kickstarter Funded Television Series to Receive Domestic and International Distribution, "DTLA" Premieres on Logo Wednesday, October 24th at 11 PM ET/PT To Tweet this Release: http://logo.to/SlGLt3 NEW YORK, Sept. 27, 2012 /PRNewswire/ -- Logo announced today that the independently financed, scripted ensemble drama series "DTLA" will make its U.S. television premiere on Logo. From the executive producer of the "The L Word" and the star of "Noah's Arc," "DTLA" depicts the relationships and sex lives of eight friends with varied ethnic, cultural, and sexual orientations that work and live in the vibrant community of Downtown Los Angeles. Starring Darryl Stephens ("Noah's Arc") and a cavalcade of notable supporting cast including Golden Globe winning, and Academy Award nominated Melanie Griffith, Sandra Bernhard and Leslie Jordan, it's a story of love, friendship, loyalty, and being true to oneself — no matter what the cost. "DTLA" kicks off with an hour-long U.S. television premiere on Wednesday, October 24th at 11 PM ET/PT on Logo, followed by seven, 30-minute weekly episodes. "DTLA" tells the story of a diverse group of friends, all at crossroads in their lives. Darryl Stephens ("Noah's Arc") stars as Lenny, a civil litigation attorney who reunites with his college friend SJ (Marshelle Fair) during the breaking point in her marriage and while his own long-term relationship with Bryan (Matthew Stephen Herrick) starts to crumble. Also in the mix are Kai (Hiro Tanaka), a young teacher obsessed with hooking up with his celeb crush; Marky (Scott Pretty), a young Marine cadet, and his boyfriend Matthew (Patrick McDonald), a newcomer to LA who will stop at nothing to make it as an actor; and Stefan (Ernest Pierce), an outspoken lawyer struggling to make his relationship work with his much younger boyfriend Trey (JC Jones) after finding out about his secret life. -
Download Doyoureallylovenewyork
Page 1 2 of 16 DOCUMENTS Copyright (c) 2008 Regents of the University of California Berkeley Journal of African-American Law & Policy 2008 10 Berkeley J. Afr.-Am. L. & Pol'y 92 LENGTH: 8673 words ARTICLE & ESSAY: Do You Really Love New York?: Exposing the Troubling Relationship Between Popular Racial Imagery and Social Policy in the 21st Century NAME: Imani Perry* BIO: * Professor of Law, Rutgers School of Law-Camden, Distinguished Visitor, Princeton University Center for Af- rican American Studies 2007-2008. SUMMARY: ... In today's post-welfare reform society one can see the reconstitution of popular stereotypic images that were so critical in the political arguments about pre-1996 welfare state brokenness. ... Given that the majority of black children are currently born out of wedlock (62% in 2004), what is the potential impact of images like those in the paternity test shows on our perceptions of black parents, children, and families? ... If, instead, one drew a dividing line based upon level of parental involvement and engagement, there might evolve one category composed of investment bankers and street corner hustlers, with low levels of engagement, and another category composed of teachers and unemployed stay-at-home-fathers, who engage more substantially with their children. ... In contrast, the images reinforced by real- ity shows such as The Maury Povich Show, rely on a belief that single parents ought to live unassisted with the conse- quences of their own misdeeds. ... Reality television not only coincides with the behavioralist narrative (sometimes in grotesque fashion, as in the instance on Flavor of Love in which a black female contestant defecated on the floor be- cause she couldn't figure out how to make the appropriate decision to leave the room and go to the bathroom, an exam- ple of extreme inability to make the most basic of decisions or behave in an appropriate manner) but also gives it cre- dence in a way perhaps impossible in any other media venue. -
Elegirá a Su'príncipe'
eSTELAR Miércoles 22 de Agosto de 2007 EXPRESO 3D ANTES BUSCA ENTRE 20... AL AMOR DE SU VIDA Y DESPUÉS ELEGIRÁ A SU‘PRÍNCIPE’ Inicia por VH1 el “reality La aspirante a actriz les pon- Soy una mujer show” I Love NY, donde drá distintos retos, tanto físicos como emocionales a los compe- “muy dedicada, Tifanny Pollard quiere tidores, para determinar cuál es el que tiene más madera de comprometida, encontrar pareja triunfador y darle el sí al fi nal entregada a lo que ANTES DESPUÉS de la serie. Por Juan Carlos García “Habrá pruebas muy duras, me gusta hacer. Soy Agencia Reforma de mucha resistencia. Tienen una mujer de cocina, SOLEIL MOON FRYE CI U DA D DE M É X ICO.- No pu- que saber que quieren ganar”. do quedarse con el amor de Fla- Y las cualidades que ella me gusta preparar A mediados de los años ochenta, vor Flav, por quien se derretía ofrece a sus pretendientes van en el reality Flavor of Love, pero desde una buena cocinera hasta comida rica, en la Soleil Moon Frye fue conocida a ahora, Tiffany Pollard obtuvo ser una buena amante. recámara soy una nivel internacional como Penélope una segunda oportunidad para New York contó que es busc a r a l hombre de su v id a , y lo buena preparando alimentos mujer entregada en la serie “Punky Brewster”, hará en la serie I Love NY. condimentados y clásicos de la la cual duró varias temporadas Pollard, quien se hizo co- gastronomía estadounidense, también, en todos nocida como “New York” en como macarrones con queso, los sentidos hay que al aire. -
Completeandleft
MEN WOMEN 1. TA Trace Adkins=American country music Tatyana Ali=American actress, singer=189,828=14 singer=75,397=34 Tracey Adams=American actress=51,363=69 Thomas Anders+Stooges=Singer, composer, Traci Adell=American, Model=27,406=138 producer=13,843=176 Tehmeena Afzal=American, Model Tom Araya=Bassist and Vocalist in (Adult/Glamour)=19,212=188 Slayer=12,284=192 Trini Alvarado=American, Actress=11,871=266 Tim Armstrong=American, Musician=10,617=220 Tori Amos=American singer=47,293=74 Troy Aikman=All-American college football player, Teresa Ann+Savoy=British, Actress=19,452=184 professional football player, quarterback, College Football Hall of Fame member=67,868=39 Taís Araújo=Brazilian actress=32,699=109 Travis Alexander=American, Victim=9,178=243 Tina Arena=Australian, Personality=30,067=126 Tim Allen=Voice-over artist, character actor, Tichina Arnold=American, Actress=59,349=60 comedian=7,902=263 Taylor Atelian=American actress=64,061=54 Trace Ayala+Pistols=American, Fashion Thayla Ayala=Actress=12,284=260 Designer=12,100=196 ……………… Twin Atlantic COMPLETEandLEFT Tina Arena TA,Taro Aso Tori Amos TA,Taylor Abrahamse Tiffany Alvord TA,Tim Allen Tonight Alive TA,Tom Arnold Tommy ,Aaron ,Golf ,Winner, 1973 Masters Tournament TA,Tori Amos Trace ,Adkins ,Country Musician ,Ladies Love Country Boys TA,Tracy Austin Theodor ,Adorno ,Philosopher ,Dialectic of Enlightenment TA,Troy Aikman Troy ,Aikman ,Football ,Cowboys all-time passing yards leader Todd ,Akin ,Politician ,Congressman, Missouri 2nd Tony ,Alamo ,Religion ,Tony Alamo Ministries -
An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010 Danielle E
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by ScholarWorks @ Georgia State University Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication Fall 12-7-2012 Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010 Danielle E. Williams Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Williams, Danielle E., "Black Public Creative Figures in the Neo-Racial Moment: An Analysis of Tyra Banks, Tyler Perry and Shonda Rhimes, 2005-2010." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/communication_diss/39 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. BLACK PUBLIC CREATIVE FIGURES IN THE NEO-RACIAL MOMENT: AN ANALYSIS OF TYRA BANKS, TYLER PERRY AND SHONDA RHIMES, 2005-2010 by DANIELLE E. WILLIAMS Under the Direction of Alisa Perren ABSTRACT This dissertation examines how Tyra Banks, Shonda Rhimes, and Tyler Perry negotiate blackness in terms of racial representation both in their interactions with the press and public as well as in their final product. Banks, Rhimes, and Perry are among the few prominent African American executive producers working in an industry of inequality. Each is the creative figure behind a prominent prime-time television show. This project contributes to the discussion of race and representation in the field of television studies. -
Sonya Fix Dissertation September 15(1)
“Dark-Skinned White Girls”: Linguistic and Ideological Variation Among White Women with African American Ties in the Urban Midwest by Sonya Fix A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Linguistics, New York University September, 2011 _______________________________ Renée A. Blake Sonya Fix All Rights Reserved, 2011. ii Dedication To my brother Eric Byron Fix. You shone brilliantly in your life and expected me to also. When I lost you, I realized I wanted to finish for you. iii Acknowledgements I first and foremost would like to thank my dissertation chair and advisor, Renée Blake. Renée, you constantly challenged me in the best of ways by making me consider what was at stake in the research questions that I chose to pursue. You supported me and my ideas and had confidence in me as a scholar when I was lacking it. You showed me how one can be an academic, educator, and mentor with a unique and authentic style and voice. I also would like to thank John Singler—John, you always were there to offer guidance in times of crisis, share a Midwesternism, and nosh with. You helped me to think through issues of language with regard to region, race, and place. You showed me the import of careful scholarship, and modeled how to be a historian as well as a sociolinguist. To the rest of my dissertation committee— thank you Greg Guy for all your quantitative guidance, your support along the way, and your wonderfully optimistic spirit; thank you Rudi Gaudio for your keen social insights into and enthusiasm for my topic, and for your always productive feedback; I am thrilled to have been able to have you on my committee. -
Kristen”K.O.” Olmo
4143 Via Marina Apt 418 Marina Del Rey, CA 90292 To Whom It May Concern: Enclosed I have provided my resume as a first step in exploring exciting and new possibilities with your company. As a member of your team my main focus will be on providing efficient and quality service, as well as a friendly work environment. Furthermore, I adapt quickly to new surroundings & situations, and am well trained in the areas of Audio, Camera, and Production. I appreciate your time and effort put forth into this inquiry. Again, thank you for your consideration. Sincerely, Kristen”K.O.” Olmo Kristen “K.O.” Olmo Kristen “K.O.” Olmo C: 954.258.9834 E: [email protected] EMPLOYMENT • Television Chef Wanted w/ Anne Burrell I & II Audio Supervisor Smart Dog Prod. / Food Ntwk Chasing the Music w/ Steve Aoki Audio Supervisor All In Prod. / Fuse TV Horse Players (Pilot) Audio Supervisor Smart Dog Prod. / Food NBC G by Guess Audio Supervisor All In Prod. / Internet Style Rules w/ Rachel Zoe Audio Supervisor All In Prod. / Internet The Man Audio Supervisor Furious Lobster / PlayboyTV Hollyscoop (Pilot) Audio Supervisor 44 Blue / Style Extreme Chef II Audio Supervisor Smart Dog Prod. / Food Ntwk Dale con Ganas (finale) Audio Supervisor 25/7 Productions / Univision Extreme Chef Audio Supervisor Smart Dog Prod. / Food Ntwk Dale con Ganas Audio Supervisor 25/7 Productions / Univision Q’Viva!: The Chosen Audio Supervisor XIX Ent. / FOX & Univision World’s Strictest Parents Audio Supervisor Shed Media / CMT Must Love Kids Audio Supervisor WOW Prod. / TLC Dancing With The Stars – Group Dance Audio Supervisor BBC America / NBC Meltdown Audio Supervisor Jupiter Ent.