Does Representation Really Matter
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Are You What You Watch?
Are You What You Watch? Tracking the Political Divide Through TV Preferences By Johanna Blakley, PhD; Erica Watson-Currie, PhD; Hee-Sung Shin, PhD; Laurie Trotta Valenti, PhD; Camille Saucier, MA; and Heidi Boisvert, PhD About The Norman Lear Center is a nonpartisan research and public policy center that studies the social, political, economic and cultural impact of entertainment on the world. The Lear Center translates its findings into action through testimony, journalism, strategic research and innovative public outreach campaigns. Through scholarship and research; through its conferences, public events and publications; and in its attempts to illuminate and repair the world, the Lear Center works to be at the forefront of discussion and practice in the field. futurePerfect Lab is a creative services agency and think tank exclusively for non-profits, cultural and educational institutions. We harness the power of pop culture for social good. We work in creative partnership with non-profits to engineer their social messages for mass appeal. Using integrated media strategies informed by neuroscience, we design playful experiences and participatory tools that provoke audiences and amplify our clients’ vision for a better future. At the Lear Center’s Media Impact Project, we study the impact of news and entertainment on viewers. Our goal is to prove that media matters, and to improve the quality of media to serve the public good. We partner with media makers and funders to create and conduct program evaluation, develop and test research hypotheses, and publish and promote thought leadership on the role of media in social change. Are You What You Watch? is made possible in part by support from the Pop Culture Collaborative, a philanthropic resource that uses grantmaking, convening, narrative strategy, and research to transform the narrative landscape around people of color, immigrants, refugees, Muslims and Native people – especially those who are women, queer, transgender and/or disabled. -
Continuity in Color: the Persistence of Symbolic Meaning in Myths, Tales, and Tropes
Georgia Southern University Digital Commons@Georgia Southern University Honors Program Theses 2016 Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes McKinley May Georgia Southern University Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/honors-theses Part of the Children's and Young Adult Literature Commons Recommended Citation May, McKinley, "Continuity in Color: The eP rsistence of Symbolic Meaning in Myths, Tales, and Tropes" (2016). University Honors Program Theses. 170. https://digitalcommons.georgiasouthern.edu/honors-theses/170 This thesis (open access) is brought to you for free and open access by Digital Commons@Georgia Southern. It has been accepted for inclusion in University Honors Program Theses by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. Continuity in Color: The Persistence of Symbolic Meaning in Myths, Tales, and Tropes An Honors Thesis submitted in partial fulfillment of the requirements for Honors in the Department of Literature and Philosophy. By McKinley May Under the mentorship of Joe Pellegrino ABSTRACT This paper examines the symbolism of the colors black, white, and red from ancient times to modern. It explores ancient myths, the Grimm canon of fairy tales, and modern film and television tropes in order to establish the continuity of certain symbolisms through time. In regards to the fairy tales, the examination focuses solely on the lesser-known stories, due to the large amounts of scholarship surrounding the “popular” tales. The continuity of interpretation of these three major colors (black, white, and red) establishes the link between the past and the present and demonstrates the influence of older myths and beliefs on modern understandings of the colors. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Black Heroes in the United States: the Representation of African Americans in Contemporary American Culture
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea Black Heroes in the United States: the Representation of African Americans in Contemporary American Culture Relatore Laureando Prof.ssa Anna Scacchi Enrico Pizzolato n° matr.1102543 / LMLCC Anno Accademico 2016 / 2017 - 1 - - 2 - Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM-38 Tesi di Laurea The Representation of Black Heroism in American Culture Relatore Laureando Prof.ssa Anna Scacchi Enrico Pizzolato n° matr.1102543 / LMLCC Anno Accademico 2016 / 2017 - 4 - Table of Contents: Preface Chapter One: The Western Victimization of African Americans during and after Slavery 1.1 – Visual Culture in Propaganda 1.2 - African Americans as Victims of the System of Slavery 1.3 - The Gift of Freedom 1.4 - The Influence of White Stereotypes on the Perception of Blacks 1.5 - Racial Discrimination in Criminal Justice 1.6 - Conclusion Chapter Two: Black Heroism in Modern American Cinema 2.1 – Representing Racial Agency Through Passive Characters 2.2 - Django Unchained: The Frontier Hero in Black Cinema 2.3 - Character Development in Django Unchained 2.4 - The White Savior Narrative in Hollywood's Cinema 2.5 - The Depiction of Black Agency in Hollywood's Cinema 2.6 - Conclusion Chapter Three: The Different Interpretations -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
ESG Report Viacomcbs 2019
ACTIONEnvironmental, Social, and Governance Report ViacomCBS 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Contents Introduction 3 CEO letter 4 Our approach to ESG 6 About ViacomCBS 9 About this report 10 Our material topics 11 Case study: Responding to a global pandemic 12 Aligning with the UN Sustainable Development Goals 15 Governance 17 ESG governance 19 Corporate governance 20 Data privacy and security 22 Public policy engagement 23 On-screen content and social impact 24 Diverse and inclusive content 26 Responsible content and advertising 31 Using our content platforms for good 33 Expanding our social impact through community projects 35 Workforce and culture 38 A culture of diversity and inclusion 40 Preventing harassment and discrimination 45 Employee attraction, retention, and training 46 Health, safety, and security 48 Labor relations 50 Sustainable production, and operations 51 Climate change 53 Sustainable production 58 Environmental impacts of our operations and facilities 60 Supply chain responsibility 63 Consumer products 66 Reporting indices 68 GRI Index 69 SASB Index 81 COVER IMAGES (FROM LEFT TO RIGHT): CBS, NCIS; CBS Sports; CBS, Super Bowl LIII; CBS News, CBS This Morning ViacomCBS ESG Report 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Introduction Welcome to our first ESG Report, Action: ESG at ViacomCBS. As we unleash the -
Get PDF « the Bad Girls Club
K165WGLOKDMW \ Book # The Bad Girls Club The Bad Girls Club Filesize: 9.76 MB Reviews A very great ebook with perfect and lucid answers. It can be packed with wisdom and knowledge I found out this book from my dad and i encouraged this publication to learn. (Elena McLaughlin) DISCLAIMER | DMCA FAEAACB7XO4B > Kindle » The Bad Girls Club THE BAD GIRLS CLUB Bloomsbury Publishing PLC, 2005. Paperback. Book Condition: New. No.1 BESTSELLERS - great prices, friendly customer service â" all orders are dispatched next working day. Read The Bad Girls Club Online Download PDF The Bad Girls Club IDJLDZJCGCKK # Doc « The Bad Girls Club Relevant Books TJ new concept of the Preschool Quality Education Engineering the daily learning book of: new happy learning young children (3-5 years) Intermediate (3)(Chinese Edition) paperback. Book Condition: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided aer the shipment.Paperback. Pub Date :2005-09-01 Publisher: Chinese children before making Reading: All books are the... Download ePub » TJ new concept of the Preschool Quality Education Engineering the daily learning book of: new happy learning young children (2-4 years old) in small classes (3)(Chinese Edition) paperback. Book Condition: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided aer the shipment.Paperback. Pub Date :2005-09-01 Publisher: Chinese children before making Reading: All books are the... Download ePub » The Day I Forgot to Pray Tate Publishing. Paperback. Book Condition: New. Paperback. 28 pages. Dimensions: 8.7in. x 5.8in. -
Kim Possible – Sie Kann Alles«
PROGRAMM 20/2007/2 11 »Kim Possible – sie kann alles« Ein Gespräch mit Robert Schooley und Mark McCorkle* Die Mitglieder von Team Possible und jetzt ist das tatsächlich im All- tion zu arbeiten. Wenn jemand Kim – sind das Helden? tag der Kinder angekommen. über ihre Website kontaktiert, dann Es sind Helden, aber wir wollten sie hilft sie. nicht zu Superhelden machen, d. h. Welche Rolle spielt Humor in der sie sind nicht unzerstörbar oder etwas Serie? Wie haben Sie die Figur Kim in der Art. Wir wollten, dass Kinder Kim Possible ist ja in erster Linie eine Possible entwickelt? sich in Kim und Ron wiederfinden Comedy-Serie. Die Serie parodiert Wir bekamen die Anfrage von den können. Was Kim macht, ist ziemlich viele der Konventionen von James- Leuten von Disney Channel, die eine fantastisch und unglaublich, aber Bond-Filmen und anderen Filmen neue Serie mit normalen Kindern in trotzdem muss sie sich mit Teenager- dieses Genres. Wir haben die Erfah- außergewöhnlichen Situationen woll- Problemen herumschlagen. Das war rung gemacht, dass Jungen Action ten. Bob und ich waren auf dem Weg es auch, was Disney Channel interes- mögen, auch wenn’s reine Action ist; zurück vom Mittagessen, und da habe sierte: normale Kinder in außerge- Mädchen wollen eher Persönlichkei- ich mich zu ihm umgedreht und ge- wöhnlichen Situationen. Also haben ten sehen und Beziehungen. Was sagt: »Kim Possible, sie kann alles.« wir ganz zu Anfang beschlossen: Kim Mädchen und Jungen vereint, ist, Und dann sagte Bob: »Ron Stopp- ist ein normales Mäd- dass sie gern lachen, able. Er nicht.« Und damit hatten wir chen, aber das, was sie und deswegen wollten praktisch schon das ganze Konzept. -
Record 63 Independent Pilots Selected for the 12Th
Press Note – please find assets at the below links: Photos – https://drive.google.com/drive/folders/0B-lTENXjpYxaWmEtRTIzSVozcFU Trailers – https://www.youtube.com/playlist?list=PLIUPrhfxAzsCs0VylfwQ-PEtiGDoQIKOT FOR IMMEDIATE RELEASE RECORD 63 INDEPENDENT PILOTS SELECTED FOR THE 12TH ANNUAL NEW YORK TELEVISION FESTIVAL *** As Official Artists, Creators will Enjoy Opportunities with Network, Digital, Agency and Studio execs at October TV Fest Independent Pilot Competition Official Selections to be Screened for the Public from October 24-29, Including 42 World Festival Premieres [NEW YORK, NY, August 15, 2016] – The NYTVF (www.nytvf.com) today announced the Official Selections for its flagship Independent Pilot Competition (IPC). A record-high 63 original television and digital pilots and series will be presented for industry executives and TV fans at the 12th Annual New York Television Festival, including 42 world festival premieres, October 24-29, 2016 at The Helen Mills Theater and Event Space, with additional Festival events at the Tribeca Three Sixty° and SVA Theatre. The slate of in-competition projects was selected from the NYTVF's largest pool of pilot submissions ever: up more than 42 percent from the previous high. Festival organizers also noted that the selections are representative of creative voices across diverse demographics, with 59 percent having a woman in a core creative role (creator, writer, director and/or executive producer) and 43 percent including one or more persons of color above the line (core creative team and/or lead actor). “We were blown away by the talent and creativity of this year's submissions – across the board it was a record-setting year and we had an extremely difficult task in identifying the competition slate. -
Tasha Smith Bio
TASHA SMITH BIO Tasha Smith is a multifaceted actress whose work brings style and intensity to the subjects she plays on the big and small screens. She currently stars in the Tyler Perry television series, “FOR BETTER OR WORSE,” on OWN for which she earned an NAACP Image Award nomination as “Outstanding Actress in a Comedy Series.” Smith‟s memorable portrayal of „Angela,‟ in Perry‟s box office hits, “WHY DID I GET MARRIED?” and its sequel, “WHY DID I GET MARRIED, TOO?”, alongside Janet Jackson and Jill Scott, sparked the creation of the spin-off series which is focused around her relationship with onscreen husband, „Marcus,‟ played by Michael Jai White. She will next be seen on the silver screen in Lionsgate‟s upcoming feature, “ADDICTED,” with Sharon Leal and Boris Kodjoe. The film, adapted from the popular erotic fiction novel which follows trials and tribulations of a successful sex-addicted African-American businesswoman, is slated for an October 10, 2014 theatrical release. Additionally, Smith was just tapped for Fox‟s Lee Daniels hip-hop drama pilot, “EMPIRE,” in a recurring role opposite Taraji P. Henson. Smith‟s other film credits include Tyler Perry‟s “DADDY’S LITTLE GIRLS” (Lionsgate), as “Jennifer” opposite Idris Elba and Gabrielle Union. Her performance still resonates with audiences and critics alike. Smith went on to co-star in the #1 box office film, “JUMPING THE BROOM” (Columbia), starring Paula Patton, Laz Alonso and Angela Bassett. She also appeared in the romantic comedy, “COUPLES RETREAT” (Universal), starring opposite Vince Vaughn, Jon Favreau, Jason Bateman and Faizon Love, adding to her already impressive box office resume which includes; “ATL” (Warner Bros.) with T.I. -
An Analysis of the Media Portrayals of Single Black Women Breonna Tindall
Ursidae: The Undergraduate Research Journal at the University of Northern Colorado Volume 2 Article 9 Number 2 McNair Special Issue January 2012 Where is the Black Barbie? An Analysis of the Media Portrayals of Single Black Women BreOnna Tindall Follow this and additional works at: http://digscholarship.unco.edu/urj Part of the Social and Behavioral Sciences Commons Recommended Citation Tindall, BreOnna (2012) "Where is the Black Barbie? An Analysis of the Media Portrayals of Single Black Women," Ursidae: The Undergraduate Research Journal at the University of Northern Colorado: Vol. 2 : No. 2 , Article 9. Available at: http://digscholarship.unco.edu/urj/vol2/iss2/9 This Article is brought to you for free and open access by Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Ursidae: The ndeU rgraduate Research Journal at the University of Northern Colorado by an authorized editor of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. Tindall: Where is the Black Barbie? An Analysis of the Media Portrayals of Single Black WomenWhere is the Black Barbie? Where is the Black Barbie? An Analysis of the Media Portrayals of Single Black Women BreOnna Tindall Mentor: Patricia Jolly, M.A., Anthropology Abstract: This study focuses on the messages that Black women receive about singleness and their ability to maintain a healthy relationship with a Black man from movies that are distributed by mainstream media outlets as well as the implications those messages have on formation of potential relationships. This project analyzes the depictions of Black women in two blockbuster movies and explicates the messages of each character. -
Due Process and the Disappearance of Black Girls in Public Education
#BLACKGIRLMAGIC: DUE PROCESS AND THE DISAPPEARANCE OF BLACK GIRLS IN PUBLIC EDUCATION ERICA YOUNG* TABLE OF CONTENTS INTRODUCTION ............................................................................ 209 II. BACKGROUND ......................................................................... 211 A. #BlackGirlMagic ................................................................ 211 B. Individuals with Disabilities Act ........................................ 212 C. Education for all Handicapped Children Act of 1975 ....... 214 D. Title IX ................................................................................ 215 II. DUE PROCESS .......................................................................... 215 A. Due Process ........................................................................ 215 B. Due Process: Special Education ........................................ 216 C. Due Process: Suspension and Expulsion ........................... 218 III. SPECIAL EDUCATION .............................................................. 219 A. Gender Disparity in Special Education .............................. 219 B. Racial Disparity in Special Education ............................... 222 C. The Intersection of Race and Gender for African AMerican Girls ........................................................................................ 225 IV. SCHOOL DISCIPLINE ............................................................... 226 A. The Impact of the Ghetto Black Girl .................................. 226 B. School Discipline