DARK SHADOWS (PG-13) Ebert: Users: You: Rate This Movie Right Now
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Un Plaisant Déjà Vu / Dark Shadows De Tim Burton, États-Unis, 2012, 113 Min]
Document generated on 10/01/2021 7:16 a.m. Ciné-Bulles Un plaisant déjà vu Dark Shadows de Tim Burton, États-Unis, 2012, 113 min Luc Laporte-Rainville Volume 30, Number 3, Summer 2012 URI: https://id.erudit.org/iderudit/67099ac See table of contents Publisher(s) Association des cinémas parallèles du Québec ISSN 0820-8921 (print) 1923-3221 (digital) Explore this journal Cite this review Laporte-Rainville, L. (2012). Review of [Un plaisant déjà vu / Dark Shadows de Tim Burton, États-Unis, 2012, 113 min]. Ciné-Bulles, 30(3), 55–55. Tous droits réservés © Association des cinémas parallèles du Québec, 2012 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ par Judd Apatow. Ce qui permet à Burton de faire un pied de nez au cinéma actuel, tout en se réappropriant des éléments de ses films antérieurs. CRITIQUES Cette désinvolture est d’autant plus appré- ciable qu’elle n’entache jamais la complexité du tourmenté Barnabus. Distingué mais amoral, l’homme oscille entre haine et désir sexuel pour Angelique. Désir que le vampire assouvit dans une extravagante scène de co- pulation qui fera date dans la filmographie du cinéaste. -
For Release: on Approval Motion Picture Sound Editors to Honor
For Release: On Approval Motion Picture Sound Editors to Honor George Miller with Filmmaker Award 68th MPSE Golden Reel Awards to be held as a global, virtual event on April 16th Studio City, California – February 10, 2021 – The Motion Picture Sound Editors (MPSE) will honor Academy Award-winner George Miller with its annual Filmmaker Award. The Australian writer, director and producer is responsible for some of the most successful and beloved films of recent decades including Mad Max, Mad Max 2: Road Warrior, Mad Max Beyond Thunderdome and Mad Max: Fury Road. In 2007, he won the Academy Award for Best Animated Feature for the smash hit Happy Feet. He also earned Oscar nominations for Babe and Lorenzo’s Oil. Miller will be presented with the MPSE FilmmaKer Award at the 68th MPSE Golden Reel Awards, set for April 16th as an international virtual event. Miller is being honored for a career noteworthy for its incredibly broad scope and consistent excellence. “George Miller redefined the action genre through his Mad Max films, and he has been just as successful in bringing us such wonderfully different films as The Witches of Eastwick, Lorenzo’s Oil, Babe and Happy Feet,” said MPSE President MarK Lanza. “He represents the art of filmmaking at its best. We are proud to present him with MPSE’s highest honor.” Miller called the award “a lovely thing,” adding, “It’s a big pat on the back. I was originally drawn to film through the visual sense, but I learned to recognize sound, emphatically, as integral to the apprehension of the story. -
Dark Shadows.Pdf
abcinema Dark Shadows Un po’ soap e mélo, un po’ fantasy gotico, culture dissonanti produca melodia. la bizzarra serie televisiva creata da Dan In questo contesto Barnabas è un oggetto Curtis sul finire degli Anni ’60 sembrava estraneo, costretto ad arrendersi per giacere negli archivi della memoria in la seconda volta alla megera Angie, attesa di Tim Burton. Se è vero, come che invece le epoche le ha navigate racconta il regista, che Dark Shadows con il vento in poppa, affermando il lo catturò poco più che bambino, sarà proprio ruolo di comandante. La risorsa altrettanto vero che la possibilità di una di Barnabas non può essere se stesso, trasposizione cinematografica era in nonostante tenti di rimanere legato al latenza da tempo. ruolo di aristocratico facoltoso, convinto Dark Shadows Regia Tim Burton - Origine Usa 2012 I mostri di , pur avendo di risollevare i fasti della casata. L’arma Distribuzione Warner Bros. - Durata 113’ - Dai 14 anni parenti antichi e leggendari, scintillano del con cui Barnabas riuscirà ad avere la restyling “made in Tim Burton”, barocco meglio sulla strega sarà la famiglia, non e kitsch, colorato e tetro al tempo stesso. in quanto vessillo da sventolare, ma come Quella che fu la dimora di Barnabas ultimo baluardo credibile in uno spazio adesso nasconde spazi che si accendono dove impera l’eccesso del sé. Dipinti come Rampollo di una ricca famiglia di emigrati inglesi in Maine (Usa), Barnabas Collins vive sorprendentemente, squarciati dagli Anni nucleo scompensato dai frazionamenti sulle spalle dell’impero economico legato alla pesca, costruito dal padre dopo lo sbarco ’60 del Novecento e dalle mode hippies tra i singoli componenti (adulti, ragazzini, nel 1750. -
NT Drama Prospectus AUS-NZ 2020 V2 130819
2020 Drama Aust/NZ Students COURSE PROSPECTUS TABLE OF CONTENTS Section One - Introduction and General Information .................................................................. 3 Section Two - Schools and Course Information .............................................................................. 5 Part 1 - National Theatre Ballet School ............................. Error! Bookmark not defined. Part 3- National Theatre Student Policies ..................................................................................... 12 Section Four - Application Process ................................................................................................... 21 Section Five - RTO information .......................................................................................................... 23 The National Theatre Melbourne RTO: 3600 Page 2 of 23 Cricos 01551E Section One – Welcome to the National Theatre Hello and a very warm welcome to the National Theatre Drama School. Creativity is a natural human expression. It’s a necessity for human evolution. At the National we seek to nurture and encourage this creativity. Einstein said, “It’s not that I’m so smart, it’s just that I stay with the problems longer.” We commit to you and your training over a three year period. Because creative artists need time. Time to grow, develop and mature. You need to invest the time to discover the artist you want to be. Our creative staff have been producing and nurturing artists since 1936, making us Australia’s original actor training academy. We employ working actors, directors and teachers who train our students with knowledge of the real world and all its demands. The caring and supportive nature of our staff is second to none. The training at the National is up-to-date, comprehensive and fresh. You will draw upon the teachings of Stanislavski, Mike Alfreds and Michael Chekhov. Classes include Shakespearean text, Suzuki, American text, Theatre creation, Film, TV and new media training, Yoga, Clown and voice and body work. -
Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960S and Early 1970S
TV/Series 12 | 2017 Littérature et séries télévisées/Literature and TV series Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy Electronic version URL: http://journals.openedition.org/tvseries/2200 DOI: 10.4000/tvseries.2200 ISSN: 2266-0909 Publisher GRIC - Groupe de recherche Identités et Cultures Electronic reference Dennis Tredy, « Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s », TV/Series [Online], 12 | 2017, Online since 20 September 2017, connection on 01 May 2019. URL : http://journals.openedition.org/tvseries/2200 ; DOI : 10.4000/tvseries.2200 This text was automatically generated on 1 May 2019. TV/Series est mis à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. Light Shadows: Loose Adaptations of Gothic Literature in American TV Series o... 1 Light Shadows: Loose Adaptations of Gothic Literature in American TV Series of the 1960s and early 1970s Dennis Tredy 1 In the late 1960’s and early 1970’s, in a somewhat failed attempt to wrestle some high ratings away from the network leader CBS, ABC would produce a spate of supernatural sitcoms, soap operas and investigative dramas, adapting and borrowing heavily from major works of Gothic literature of the nineteenth and early twentieth century. The trend began in 1964, when ABC produced the sitcom The Addams Family (1964-66), based on works of cartoonist Charles Addams, and CBS countered with its own The Munsters (CBS, 1964-66) –both satirical inversions of the American ideal sitcom family in which various monsters and freaks from Gothic literature and classic horror films form a family of misfits that somehow thrive in middle-class, suburban America. -
Smoothing the Wrinkles Hollywood, “Successful Aging” and the New Visibility of Older Female Stars Josephine Dolan
Template: Royal A, Font: , Date: 07/09/2013; 3B2 version: 9.1.406/W Unicode (May 24 2007) (APS_OT) Dir: //integrafs1/kcg/2-Pagination/TandF/GEN_RAPS/ApplicationFiles/9780415527699.3d 31 Smoothing the wrinkles Hollywood, “successful aging” and the new visibility of older female stars Josephine Dolan For decades, feminist scholarship has consistently critiqued the patriarchal underpinnings of Hollywood’s relationship with women, in terms of both its industrial practices and its representational systems. During its pioneering era, Hollywood was dominated by women who occupied every aspect of the filmmaking process, both off and on screen; but the consolidation of the studio system in the 1920s and 1930s served to reduce the scope of opportunities for women working in off-screen roles. Off screen, a pattern of gendered employment was effectively established, one that continues to confine women to so-called “feminine” crafts such as scriptwriting and costume. Celebrated exceptions like Ida Lupino, Dorothy Arzner, Norah Ephron, Nancy Meyers, and Katherine Bigelow have found various ways to succeed as producers and directors in Hollywood’s continuing male-dominated culture. More typically, as recently as 2011, “women comprised only 18% of directors, executive producers, cinematographers and editors working on the top 250 domestic grossing films” (Lauzen 2012: 1). At the same time, on-screen representations came to be increasingly predicated on a gendered star system that privileges hetero-masculine desires, and are dominated by historically specific discourses of idealized and fetishized feminine beauty that, in turn, severely limit the number and types of roles available to women. As far back as 1973 Molly Haskell observed that the elision of beauty and youth that underpins Hollywood casting impacted upon the professional longevity of female stars, who, at the first visible signs of aging, were deemed “too old or over-ripe for a part,” except as a marginalized mother or older sister. -
Change Your Name Change Your Life
Change your Name Change your Life "You are more than who you've become. Remember who you are." © 2015 Redeem the Day 1 Important Note: We trust you’ll find this PDF inspirational. But more than that, we hope you find it instructional too. It’s Truth...and Truth requires a response. We designed this PDF to be used with the upcoming FREE webinar. Please secure your spot now (if you haven’t already). Spots are limited. We’ll use the webinar to help you “fill in the blanks” and prepare you for success. Click on the REGISTER NOW above OR copy and paste this URL into your browser and then register on our special webinar page. http://www.karyoberbrunner.com/ysn-webinar AND now let’s DISCOVER YOUR SECRET NAME © 2015 Redeem the Day 2 The 1 blind spot that plagues 70% of us. According to experts, 70% of people struggle with the Impostor Syndrome. They feel they don’t know themselves—like they’re phonies and frauds. They describe their fears with phrases like: • “I’m a _______________. • “I’m going to be found out.” • “They’ made a __________ and I shouldn’t be here.” Put another way, people who suffer from this syndrome believe a discrepancy exists between how they see themselves and how others see them. Although other people might see them as successful, brilliant, and balanced on the outside, they hardly feel this way on the inside. © 2015 Redeem the Day 3 Fixating on this gap, they feel like ____________. Believing it’s only a matter of time until their cover is blown and the world finds out what they already know to be true–they’re imposters. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Production Notes
A Film by John Madden Production Notes Synopsis Even the best secret agents carry a debt from a past mission. Rachel Singer must now face up to hers… Filmed on location in Tel Aviv, the U.K., and Budapest, the espionage thriller The Debt is directed by Academy Award nominee John Madden (Shakespeare in Love). The screenplay, by Matthew Vaughn & Jane Goldman and Peter Straughan, is adapted from the 2007 Israeli film Ha-Hov [The Debt]. At the 2011 Beaune International Thriller Film Festival, The Debt was honoured with the Special Police [Jury] Prize. The story begins in 1997, as shocking news reaches retired Mossad secret agents Rachel (played by Academy Award winner Helen Mirren) and Stephan (two-time Academy Award nominee Tom Wilkinson) about their former colleague David (Ciarán Hinds of the upcoming Tinker, Tailor, Soldier, Spy). All three have been venerated for decades by Israel because of the secret mission that they embarked on for their country back in 1965-1966, when the trio (portrayed, respectively, by Jessica Chastain [The Tree of Life, The Help], Marton Csokas [The Lord of the Rings, Dream House], and Sam Worthington [Avatar, Clash of the Titans]) tracked down Nazi war criminal Dieter Vogel (Jesper Christensen of Casino Royale and Quantum of Solace), the feared Surgeon of Birkenau, in East Berlin. While Rachel found herself grappling with romantic feelings during the mission, the net around Vogel was tightened by using her as bait. At great risk, and at considerable personal cost, the team’s mission was accomplished – or was it? The suspense builds in and across two different time periods, with startling action and surprising revelations that compel Rachel to take matters into her own hands. -
Wakana Yoshihara Hair and Make up Designer
WAKANA YOSHIHARA HAIR AND MAKE UP DESIGNER FILM & TELEVISION THE MARVELS Director: Nia DaCosta Production Company: Marvel Cast: Brie Larson, Zawe Ashton, Teyonah Parris, Iman Vellani SPENCER Director: Pablo Larraín Production Company: Fabula Films, Komplizen Film, Shoebox Films Cast: Kristen Stewart, Sally Hawkins, Timothy Spall, Sean Harris Official Selection, Venice Film Festival (2021) BELFAST Director: Kenneth Branagh Production Company: Focus Features Cast: Caitriona Balfe, Judi Dench, Jamie Dornan, Ciaran Hinds, Jude Hill Official Selection, Toronto Film Festival (2021) DEATH ON THE NILE Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Annette Bening, Gal Gadot, Armie Hammer, Letitia Wright, Tom Bateman EARTHQUAKE BIRD Director: Wash Westmoreland Production Company: Netflix & Scott Free Productions Cast: Alicia Vikander, Riley Keough, Jack Huston Official Selection, London Film Festival (2019) ARTEMIS FOWL Director: Kenneth Branagh Production Company: Walt Disney Pictures Cast: Judi Dench LUX ARTISTS | 1 FARMING Director: Adewale Akinnuoye-Agbaje Production Company: Groundswell Productions Cast: Kate Beckinsale, Gugu Mbatha-Raw, Adewale Akinnuoye-Agbaje Winner, Michael Powell Award for Best British Feature Film, Edinburgh Film Festival (2019) Official Selection, Toronto Film Festival (2018) MURDER ON THE ORIENT EXPRESS (Head of Hair & Make-up) Director: Kenneth Branagh Production Company: Twentieth Century Fox Film Cast: Johnny Depp, Daisy Ridley, Judi Dench BLACK MIRROR: PLAYTEST Director: Dan Trachtenberg -
Bella Heathcote
JM Agency : 3/17 Martin Street, St. Kilda , VIC 3182, Australia ph: +61 3 9534 1600 [email protected] BELLA HEATHCOTE 2010 Recepient of the Heath Ledger Scholarship FILM & TELEVISION: Production: Role: Dir/Company: 2018/19 Strange Angel Susan Parsons Various, CBS All Access 2018 Relic Sam Natalie Erica James, Carver Films 2017 Professor Marston & The Wonder Women Olive Byrne Angela Robinson, Boxspring Entertainment 2016/17 The Man in the High Castle Nicole Dörmer Various, Amazon 2016 Fifty Shades Darker Leila Williams James Foley, Universal Pride and Prejudice and Zombies Jane Bennet Burr Steers, Lionsgate 2015 The Neon Demon Gigi Nicolan Winding Refn, Space Rocket Nation 2014 The Rewrite Karen Gabney Marc Lawrence, Castle Rock Ent. 2013 The Curse of Downer’s Grove Chrissie Swanson Derick Martini, Myriad Pictures USA 2011 Dark Shadows Victoria Winters Tim Burton, Warner Brothers. Not Fade Away Grace David Chase, Paramount In Time Michele Weis Andrew Niccol, New Regency Pics. 2009 Beneath Hill 60 Majorie Waddell Jeremy Sims. Lucky Country Prodns. Neighbours Amanda Fowler Various, Fremantle Media 2008 G.O.D. (short) Julie Frazer Bailey, Play TV 2007 Acolytes Petra Jon Hewitt, Stewart & Wall Ent. THEATRE: 2009 What You Always Wanted co-lead *Short & Sweet, Dir: Rachel Torrance *Winner People’s Choice Award Training: 2009 Diploma of Arts (Acting) – National Theatre Drama School 2006 Bachelor of Contemporary Arts – Drama, Deakin University, 1st Year 2005 NIDA, Screen Acting short course MTC monologue performance workshop 2004 Received A.T.C.L. Associate Diploma in Speech & Drama 2000-04 Speech & Drama Training – Trinity College London Other: Fluent in German JM Agency 1 . -
Embargoed Until Announced at the Ceremony on Sunday 14 February 2016
EMBARGOED UNTIL ANNOUNCED AT THE CEREMONY ON SUNDAY 14 FEBRUARY 2016 JOHN BOYEGA WINS THE EE RISING STAR AWARD AT THE EE BRITISH ACADEMY FILM AWARDS IN 2016 The Star Wars actor tops the public vote The EE Rising Star Award is the only one at the EE British Academy Film Awards to be voted for by the public The other 2016 nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley Last year’s EE Rising Star Award winner, Jack O’Connell presented this year’s award Previous winners include Will Poulter, Tom Hardy, Kristen Stewart, Noel Clarke, Eva Green and James McAvoy London, Sunday 14 February 2016: EE is proud to announce John Boyega as the winner of the EE Rising Star Award in 2016. The EE Rising Star Award is the only publicly-voted award presented at the EE British Academy Film Awards, and a hotly contested accolade for up and coming acting talent. Boyega was one of five international actors nominated for their exceptional talent and recognised as a true star in the making. The other nominees were: Taron Egerton, Brie Larson, Dakota Johnson and Bel Powley. JOHN BOYEGA was cast as the lead role in Star Wars: Episode VII – The Force Awakens, which premiered at the end of last year. Boyega had his screen debut in the critically acclaimed BBC series, Becoming Human, where he starred as Danny Curtis the school bully in four episodes. His first foray into feature films was playing the lead in cult sci-fi film, Attack the Block, which opened SXSW in 2011, collecting a plethora of international awards.