Nancy Cunard
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Walks Along the Banks of the Dordogne M/A
FRANCE - THE DORDOGNE WALKS ALONG THE BANKS OF THE DORDOGNE M/A Martel Souillac Saint-Vincent- de-Cosse Meyronne Carsac TRIP HIGHLIGHTS • Exclusive Rep Service • Unspoilt scenery, woodland valleys, well- marked tranquil riverside paths • Pretty mediaeval villages, traditional Meyronne Périgourdine markets, fairytale châteaux • Wonderful river wildlife: coypu, heron, kites, kingfishers, buzzards and dragonflies YOUR HOLIDAY DAY-BY-DAY WINE SERVICE • La Roque Gageac, one of Les Plus Beaux Villages de France DAY 01 ARRIVE IN MARTEL Arrive at Le Relais Sainte-Anne in Martel, a picturesque town also known as ‘la ville aux sept tours’ or the town of seven towers. Dinner is included at all hotels this week. DAY 02 MARTEL TO MEYRONNE 10KM/6.5MI/2.5HR Before leaving Martel, enjoy its mediaeval streets, in particular the Palais de la Raymondie and the Place de la Halle. Enjoy 360° views of the Dordogne Valley from the summit of Mont Mercou, before arriving at the Hôtel La Terrasse for two nights. DAY 03 AT MEYRONNE You could walk to Rocher Sainte-Marie and the Grottes de Lacave or head to the town of Rocamadour, home to the shrine of the Black Madonna. Alternatively, travel by taxi to the Gouffre de Padirac, an enormous underground chasm. DAY 04 MEYRONNE TO SOUILLAC 19KM/12MI/5HR Follow the path along the Roc de Monges with spectacular panoramic views then take the GR6 through sleepy hamlets and lush farmland to rejoin the river at Château de la Treyne. Continue to the small town of Souillac and La Vieille Auberge, where you’ll stay for two nights. -
SECTEURS ERS 2020-2021 Dans Le Lot CRESSENSAC-SARRAZAC CAVAGNAC
SECTEURS ERS 2020-2021 dans le Lot CRESSENSAC-SARRAZAC CAVAGNAC (Enseignants Référents de Scolarité) Le VIGNON GIGNAC en QUERCY CONDAT ST-MICHEL STRENQUELS DE-BANNIERES SECTEUR 6 SECTEUR 7 CUZANCE CAHUS LACHAPELLE VAYRAC LAVAL- AUZAC MARTEL ST-DENIS GAGNAC DE-CÈRE LES-MARTEL BETAILLE BIARS S/CÈRE S/CÈRE SECTEUR 3 COUDERT Catherine MILLAC Isabelle GIRAC BALADOU PUYBRUN GLANES DSDEN du Lot CARENNAC ESTAL COMIAC FLOIRAC TAURIAC BRETENOUX SOUSCEYRAC GARRIGUE-PHILIP Florence LEROUX Céline MAYRAC CREYSSE CORNAC en-QUERCY : 05.67.76.55.49 SOUILLAC BELMONT CLG La garenne - GRAMAT PRUDHOMAT BRETENOUX CLG léo Ferré - GOURDON GINTRAC ST-MICHEL 06.03.99.35.20 ST-SOZY LOUBEJOU ST-LAURENT : 06.03.99.79.42 LANZAC MONTVALENT : 06.28.03.57.77 LES-TOURS FRAYSSINHES ROC LOUBRESSAC : [email protected] PINSAC MEYRONNE ST-MÉDARD : fl[email protected] MIERS ST-JEAN DE-PRESQUE LATOUILLE : [email protected] NADAILLAC LESPINASSE LENTILLAC LE-ROUGE PADIRAC ST-CÉRÉ ST-PAUL AUTOIRE DE-VERN : [email protected] LACAVE École élém Teysseyre - CAHORS MASCLAT LAMOTHE ST-VINCENT SENAILLAC Établissement médico-sociaux LOUPIAC ST-JEAN LATRONQUIERE FENELON ALVIGNAC LAGINESTE DU-PENDIT LABASTIDE-DU THÉGRA HAUT-MONT CLG et lycée St É�enne - CAHORS MAYRINHAC- IME Fons FAJOLES MAYRINHAC LADIRAT CLG Ste Thérèse - LALBENQUE ROCAMADOUR RIGNAC LENTOUR BANNES BESSONIES PAYRAC CALES ROUFFILHAC LAVERGNE LATRONQUIÈRE Lycée C. Marot - CAHORS ST CIRQ MILHAC MADELON SAIGNES AYNAC MOLIERES ANGLARS-NOZAC GORSES ST-HILAIRE BIO LEYME TERROU REILHAGUET -
Les Sous-Entites Paysageres 1
Conseil d'Architecture, d'Urbanisme et de l'Environnement LES SOUS-ENTITES PAYSAGERES 1 - Les Causses MAI 1997 CITE DES TABACS, 304 RUE VICTOR HUGO - 46000 - CAHORS. Tél. : 05 65 30 14 35. Fax : 05 65 22 18 12 LES SOUS-ENTITES PAYSAGERES -Les Causses du Quercy INTRODUCTION 1 - Un document de base qui permette : • de situer les principaux repères naturels et culturels dont les empreintes sont encore visibles aujourd'hui dans le paysage et fondent son originalité . • de comprendre le fonctionnement des paysages : les divers éléments qui les composent, les éléments forts, les éléments redondants, les modes de perception. • d'estimer la valeur des paysages au sein de chaque entité et par rapport aux autres entités. • de repérer les mutations, les problématiques, les nouveaux paysages qui se dessinent. • de définir des enjeux : qu'est-ce qui est affecté par les changements, quelles sont les valeurs à maintenir? 2 - Un document actualisable Ce document sera nourri au fur et à mesure : • du retour critique des destinataires du document • des publications historiques susceptibles d'enrichir ou de modifier l'interprétation de la formation des paysages, • des évolutions constatées dans le temps, de l'impact des actions en cours, des échanges et des débats avec les acteurs du paysage. 3 - pour un public large Les destinataires sont précisément tous les acteurs du paysage : les élus, les professionnels, les partenaires administratifs, les scolaires, les étudiants et tout public. Le document ci-joint constitue un document de fond dans lequel sera puisé ultérieurement le matériel nécessaire pour réaliser des outils de communication propres à chaque interlocuteur. -
Beckett in Black and Red: the Translations for Nancy Cunard's Negro
University of Kentucky UKnowledge French and Francophone Literature European Languages and Literatures 2000 Beckett in Black and Red: The Translations for Nancy Cunard's Negro Alan Warren Friedman University of Texas Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Friedman, Alan Warren, "Beckett in Black and Red: The Translations for Nancy Cunard's Negro" (2000). French and Francophone Literature. 10. https://uknowledge.uky.edu/upk_french_and_francophone_literature/10 IRISH LITERATURE, HISTORY, AND CULTURE Jonathan Allison, General Editor Advisory Board George Bornstein, University of Michigan Elizabeth Butler Cullingford, University of Texas James S. Donnelly Jr., University ofWisconsin Marianne Elliott, University of Liverpool Roy Foster, Hertford College, Oxford David Lloyd, Scripps College Weldon Thornton, University of North Carolina This page intentionally left blank BECI<ETT . In BLACIZ and The Translations for RED Nancy Cunard's NEGRO (1934) EDITED BY ALAN WARREN FRIEDMAN THE UNIVERSrrY PRESS OF KENIUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 2000 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. -
Lights and Shadows in George Orwell's Homage to Catalonia
Paul Preston Lights and shadows in George Orwell's Homage to Catalonia Article (Accepted version) (Refereed) Original citation: Preston, Paul (2017) Lights and shadows in George Orwell's Homage to Catalonia. Bulletin of Spanish Studies. ISSN 1475-3820 DOI: 10.1080/14753820.2018.1388550 © 2017 The Author This version available at: http://eprints.lse.ac.uk/85333/ Available in LSE Research Online: November 2017 LSE has developed LSE Research Online so that users may access research output of the School. Copyright © and Moral Rights for the papers on this site are retained by the individual authors and/or other copyright owners. Users may download and/or print one copy of any article(s) in LSE Research Online to facilitate their private study or for non-commercial research. You may not engage in further distribution of the material or use it for any profit-making activities or any commercial gain. You may freely distribute the URL (http://eprints.lse.ac.uk) of the LSE Research Online website. This document is the author’s final accepted version of the journal article. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. Lights and Shadows in George Orwell’s Homage to Catalonia PAUL PRESTON London School of Economics Despite its misleading title, Orwell’s Homage to Catalonia is almost certainly the most sold and most read book about the Spanish Civil War. It is a vivid and well-written account of some fragments of the war by an acute witness. -
Carte Touristique Du
PENDANT VOTRE NOS PLUS BEAUX SÉJOUR DANS LE LOT Villages DEMANDEZ CONSEIL ! Ils sont 8. Huit villages à s’être vu décerner le titre tant convoité de « Plus Beaux Villages de France » : Les applications et sites q Rendez-vous sur Carennac, Loubressac, Autoire, Saint-Cirq-Lapopie, Dublin mobiles des offices de les sites mobiles Capdenac-le-Haut, Cardaillac mais aussi Collonges- Saint-Cirq-Lapopie Birmingham tourisme du Lot sont là pour des offices de la-Rouge et Curemonte. Parce que leurs toits de tuiles Amsterdam Berlin vous conseiller : tourisme du Grand brunes, leurs pierres ocres, leurs fenêtres sculptées Antwerpen Figeac ou de Lot Vignoble. ou encore leurs pigeonniers carrés leur donnent un London q Téléchargez les Brussel cachet exceptionnel, ces villages incarnent à eux seuls l’esprit du Lille Need tourist information for a Carte Touristique applications dédiées Frankfurt Lot. Beaucoup d’autres méritent largement le détour et si tous sont « Mobitour » pour des infos particular territory ? Apps from Paris différents, le charme reste incontestablement leur atout commun : Rennes Luxembourg en Vallée de la Dordogne ou the tourist offices are there ! Marcilhac-sur-Célé, Martel, Puy-l’Évêque, Gourdon sans oublier 2019 Stuttgart entre Cahors et Saint-Cirq- ¿ Necesita información LE LOT Nantes Strasbourg turística en un territorio SANS VOITURE Rocamadour ! Mnchen Lapopie. determinado ? Aplicaciones de Sans voiture, impossible de découvrir le Lot ? Clermont- Genève las oficinas de turismo están allí ! « Que nenni »… Le Lot rime avec contemplation, There are eight of them. Eight villages which have been awarded Bordeaux Ferrand Lyon rêverie, liberté, et sans utiliser la voiture c’est vraiment the much-coveted title « One of the Most Beautiful Villages in France » Milano (Carennac, Loubressac, Autoire, Saint-Cirq-Lapopie, Capdenac- Cahors LE LOT TÉLÉCHARGEZ L’APPLICATION ça. -
Modem Women's Poetry 1910—1929
Modem Women’s Poetry 1910—1929 Jane Dowson Submitted for the degree of Doctor of Philosophy at the University of Leicester. 1998 UMI Number: U117004 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U117004 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Modern Women9s Poetry 1910-1929 Jane Dowson Abstract In tracing the publications and publishing initiatives of early twentieth-century women poets in Britain, this thesis reviews their work in the context of a male-dominated literary environment and the cultural shifts relating to the First World War, women’s suffrage and the growth of popular culture. The first two chapters outline a climate of new rights and opportunities in which women became public poets for the first time. They ran printing presses and bookshops, edited magazines and wrote criticism. They aimed to align themselves with a male tradition which excluded them and insisted upon their difference. Defining themselves antithetically to the mythologised poetess of the nineteenth century and popular verse, they developed strategies for disguising their gender through indeterminate speakers, fictional dramatisations or anti-realist subversions. -
Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue. -
Télécharger Le Calendrier De Passage Du Car Des Services Publics Itinérant
CAR CAUVALDOR SERVICES VOS CONSEILLERS Mathilde COSTE : 06 49 22 13 65 Vous souhaitez venir à une permanence ? Mathilde et Frédéric vous accueillent sans Frédéric BONNEVAL : rendez-vous aux dates de passage et aux 06 49 22 13 64 horaires d’ouverture dans la commune de [email protected] votre choix. LES SERVICES 9h15 à 12h30 14h à 17h Carennac : 03/05, 31/05 LUNDIS Carlucet : 19/04, 17/05, 14/06 PUBLICS PRÈS DE Calès : 06/04, 04/05, Pinsac : 06/04, 20/04, 01/06 04/05, 18/05, 01/06, 15/06 En dehors du passage du car vous Miers : 13/04, 27/04, Alvignac : 13/04, 27/04 MARDIS pouvez également CHEZ VOUS ! 11/05, 25/05, 08/06, 22/06 11/05, 25/05, 08/06, 22/06 nous rejoindre dans Meyronne : 20/04, 18/05, 15/06 les structures Cauvaldor services Loubressac : 07/04, 21/04, Rocamadour : 07/04, Biars sur Cère, 05/05, 19/05, 02/06, 16/06 21/04, 05/05, 19/05, 02/06, 16/06 Gramat, Martel et MERCREDIS prochainement Padirac : 14/04, 12/05, Saignes : 14/04, 12/05, 09/06 09/06 Saint-Céré. Lacave : 28/04, 26/05, 23/06 Puybrun : 08/04, 22/04, Gintrac : 08/04, 06/05, 06/05, 20/05, 03/06, 17/06 03/06 Floirac : 15/04, 13/05, Montvalent : 15/04, 10/06 13/05, 10/06 *NOUVEAU : permanences du JEUDIS St-Jean Lagineste : 22/04, 20/05, 17 /06 service d’Application du Droit des Sols. St-Sozy : 29/04, 27/05 24/06, 29/04*, 27/05*, - Imprimé sur papier PEFC/10-31-2512 : Imprimerie Messages, Toulouse - Impression 24/06* CAUVALDOR Couzou : 09/04, 07/05, Le Bastit : 30/04, 28/05, 04/06 25/06 Communauté de communes Mayrinhac-Lentour : 16/04, Causses et Vallée 30/04, 14/05, 28/05, 11/06, VENDREDIS de la Dordogne 25/06, 16/04*, 14/05*, Bramefond 11/06* 46200 SOUILLAC Tauriac : 23/04, 21/05, 05 65 27 02 10 18/06 www.cauvaldor.fr graphiqque : service communication Conception et réalisation avril/mai/juin 2021 informations Des réponses à vos besoins .. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Nancy Cunard: Collector, Cosmopolitan by Jenny Greenshields Dissertation submitted for the degree of Doctor of Philosophy in English Literature University of Sussex February 2015 2 I hereby declare that this thesis has not been and will not be submitted in whole or in part to another university for the award of any other degree. Signed ....................................................... 3 Nancy Cunard: Collector, Cosmopolitan Jenny Greenshields Dissertation submitted for the degree of Doctor of Philosophy in English Literature, University of Sussex, February 2015 Summary of Thesis Part One of my thesis reads Nancy Cunard (1896-1965) as a modernist collector, situating her material and literary collections in relation to the vogue nègre of the 1920s and 30s, when European fascination with black expressive culture reached unprecedented heights. It also looks at how Cunard’s collecting practices translate into an ‘aesthetic of assemblage’ in her work as an anthologist, and shows how the African sculpture section of her Negro anthology (1934) reflects the collecting cultures of early twentieth-century Europe. -
Nancy Cunard
Lois Gordon NANCY CUNARD Heiress, Muse, Political Idealist Columbia University Press • New York Contents List of Illustrations ix Preface xi Acknowledgments xv 1 Golden Girl 1 2 Coming of Age During a Revolution in the Arts 20 3 Counterpoint of War in London 51 4 Postwar Breakdown 71 5 Return to the World in Paris 90 6 Reluctant Icon 125 7 Nancy as Publisher 140 8 Prelude to Negro 156 9 Negro 181 10 Nancy as Journalist: Scottsboro, Ethiopia, Spain 196 11 On the Front Lines in the Spanish Civil War 220 12 Exposing the Concentration Camps After Franco's Victory 13 Exile and Resistance in World War II 269 14 Surviving Reanville 300 15 Escaping La Mothe 322 16 The Last Great Glare 343 Epilogue 372 Notes 377 Index 429 Illustrations Following page 70 1. Nancy, holding Buster 2. Nevill Holt 3. Irish patriot Robert Emmet, Nancy's "great-granduncle" 4. Maud and Bache Cunard 5. Nancy, at school 6. Iris Tree 7. The menu of the Eiffel Tower 8. Augustus John, self-portrait 9. Wyndham Lewis xo. Blast, the voice of Vorticism 11. Edward, Prince of Wales 12. Ezra Pound 13. T.S.Eliot 14. Virginia Woolf 15. Nancy and her friends volunteer for war charity 16. Nancy in a tableau vivant at a war-bond event 17. The announcement of Nancy's engagement 18. Sydney Fairbairn, Nancy's husband 19. Outlaws is published Following page 124 20. Nancy and Tristan Tzara at a ball in Paris, as photographed by Man Ray 21. Louis Aragon 22. Janet Flanner 23. -
Nancy Cunard's Negro and the Transnational Politics of Race." Modernism/Modernity 13.3 (2006): 507-530
UNIVERSITY OF CALIFORNIA Los Angeles “I Seem To Be Thinking Of Africa All The Time”: Nancy Cunard’s Negro: An Anthology A thesis submitted in partial satisfaction of the requirements for the degree Masters of Art in Afro American Studies by Thabisile Griffin 2014 © Thabisile Griffin All Rights Reserved, 2014 ABSTRACT OF THE THESIS “I Seem To Be Thinking Of Africa All The Time”: Nancy Cunard’s Negro: An Anthology by Thabisile Griffin Masters of Art in Afro American Studies University of California, Los Angeles, 2014 Professor Robin D.G Kelley, Chair The appearance of Nancy Cunard’s 1934 massive Negro: An Anthology represented a significant rupture in the literary and socio-political worlds of the interwar era. This collection of over 150 Black voices from around the world, along with a few notable white contributors, symbolized an important breach in Black radical literature at that time. Although Cunard’s interest in Black people and culture occasionally adopted a slightly exotic cast, her investment in Negro: An Anthology was essentially political. This thesis attempts to situate the anthology within a broader context of global contingencies and historical convergences of the 1930s, with the understanding that Cunard was indeed a product of the networks of power of that time. Today, Negro: An Anthology is considered a major contribution to the intellectual and cultural history of 20th century African diasporic history. ii The thesis of Thabisile Griffin is approved. Yogita Goyal Scot D. Brown Robin D.G Kelley, Committee Chair University