An Analysis of Factors in the Adoption Or Non-Adoption
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Multimedia Systems DCAP303
Multimedia Systems DCAP303 MULTIMEDIA SYSTEMS Copyright © 2013 Rajneesh Agrawal All rights reserved Produced & Printed by EXCEL BOOKS PRIVATE LIMITED A-45, Naraina, Phase-I, New Delhi-110028 for Lovely Professional University Phagwara CONTENTS Unit 1: Multimedia 1 Unit 2: Text 15 Unit 3: Sound 38 Unit 4: Image 60 Unit 5: Video 102 Unit 6: Hardware 130 Unit 7: Multimedia Software Tools 165 Unit 8: Fundamental of Animations 178 Unit 9: Working with Animation 197 Unit 10: 3D Modelling and Animation Tools 213 Unit 11: Compression 233 Unit 12: Image Format 247 Unit 13: Multimedia Tools for WWW 266 Unit 14: Designing for World Wide Web 279 SYLLABUS Multimedia Systems Objectives: To impart the skills needed to develop multimedia applications. Students will learn: z how to combine different media on a web application, z various audio and video formats, z multimedia software tools that helps in developing multimedia application. Sr. No. Topics 1. Multimedia: Meaning and its usage, Stages of a Multimedia Project & Multimedia Skills required in a team 2. Text: Fonts & Faces, Using Text in Multimedia, Font Editing & Design Tools, Hypermedia & Hypertext. 3. Sound: Multimedia System Sounds, Digital Audio, MIDI Audio, Audio File Formats, MIDI vs Digital Audio, Audio CD Playback. Audio Recording. Voice Recognition & Response. 4. Images: Still Images – Bitmaps, Vector Drawing, 3D Drawing & rendering, Natural Light & Colors, Computerized Colors, Color Palletes, Image File Formats, Macintosh & Windows Formats, Cross – Platform format. 5. Animation: Principle of Animations. Animation Techniques, Animation File Formats. 6. Video: How Video Works, Broadcast Video Standards: NTSC, PAL, SECAM, ATSC DTV, Analog Video, Digital Video, Digital Video Standards – ATSC, DVB, ISDB, Video recording & Shooting Videos, Video Editing, Optimizing Video files for CD-ROM, Digital display standards. -
Supports Optiques Documentaires : Comment S'informer ? Une Approche Bibliographique Pour Les Bibliothecaires
ECOLE NATIONALE UNIVERSITE SUPERIEURE DE CLAUDE BERNARD BIBLIOTHECAIRES LYON 1 DIPLOHE D.E.S.S. SUPERIEUR INFORMATIQUE DE BIBLIOTHECAIRE DOCUMENTAIRE NOTE DE SYNTHESE LES SUPPORTS OPTIQUES DOCUMENTAIRES : COMMENT S'INFORMER ? UNE APPROCHE BIBLIOGRAPHIQUE POUR LES BIBLIOTHECAIRES par Yves Desr ichard sous , la direct ion de Claudine Belayche, Direction du Livre et de la Lecture 1990 . Reproduction interdite y!9jo Xs> 9 Titre du memoire Les supports optiques documentaires : comment s ' informer ? Une approche bibliographigue pour les bibliothecaires. Resume franpais : Bibliographie exhaustive pour les domaines frangais et anglo- saxon des ouvrages et exhaust i ve pour le domaine fran^ais des articles de per iodiques consacres aux supports opt iques non- inscr ipt ibles (videodisque, CDROH, CDI... ) accompagnee d'une breve presentat ion de ces supports, d'un index detai1le et d'une methode de recherche d'informations sur le sujet pour les professionnels des bibliotheques. Descripteurs : Disque optique ; Videodisque* *, CDEOH*. Resume anglais : Exhaust ive bibliography in french and english for books, and exhaustive bi bliography in french for articles, about non inscr i pt i ble optical discs (i. e. videodiscs, CDEOHs, CDI) uith a brief technical presentation of them, a detailed index and a method of informat ion retr ieval on this subject for 1ibrar ians. Descripteurs anglais : Optical disk ; VideodiscX ; CDROH*. NOTE 1 : en accord avec le directeur de memoire, les references n'ont pas ete presentees selon les regles de la norme Z 44-005. La collecte de ces ref erences etait close a. recept ion du document rendant obligato ire 1'ut i1isat ion de cette norme dans la presentation de la bibliographie. -
VHS and VCR (Edited from Wikipedia)
VHS And VCR (Edited from Wikipedia) SUMMARY A videocassette recorder, VCR, or video recorder is an electromechanical device that records analog audio and analog video from broadcast television or other source on a removable, magnetic tape videocassette, and can play back the recording. Use of a VCR to record a television program to play back at a more convenient time is commonly referred to as timeshifting. VCRs can also play back prerecorded tapes. In the 1980s and 1990s, prerecorded videotapes were widely available for purchase and rental, and blank tapes were sold to make recordings. Most domestic VCRs are equipped with a television broadcast receiver (tuner) for TV reception, and a programmable clock (timer) for unattended recording of a television channel from a start time to an end time specified by the user. These features began as simple mechanical counter-based single-event timers, but were later replaced by more flexible multiple-event digital clock timers. In later models the multiple timer events could be programmed through a menu interface displayed on the playback TV screen ("on-screen display" or OSD). This feature allowed several programs to be recorded at different times without further user intervention, and became a major selling point. The Video Home System (VHS) is a standard for consumer-level analog video recording on tape cassettes. Developed by Victor Company of Japan (JVC) in the early 1970s, it was released in Japan in late 1976 and in the United States in early 1977. From the 1950s, magnetic tape video recording became a major contributor to the television industry, via the first commercialized video tape recorders (VTRs). -
NSF-S2b-79-0078E
DOCUMENT RESUME ED 229 236 . SE 041,436 AUTHOR BrandtlAichard C.; Knapp, Barbara H t TITLE Extension'Ibf 11VCAI Project to Inclu e Demonstration of IntelligentFideodisc System. Hardware, Software, and CoursewarltImplementation Component. Final Report. INSTITUTION Utah Univ., Salt Lake City. Dept. of Computer/ .Scidnce. SPONS AGENCY National Science Foundation,'Oashington, D.C. REPORT NO SED-82022 % PUB DATE 82 GRANT NSF-S2b-79-0078e . NOTE 34p. , PUB TYPE Reports - Research/Technicaf (143) EDRS PRICE MF01/PCO2 Plus Postage°. DESCRIPTORS *College Science;, Computer Assisted Instruction; *Computer Oriented Programs; *Computer Programs; Electronics; Higher Education; *Material Developmentr Microcomputers; Physics;'Science Education; *Videodisc Recordings , IDENTIFIERS Science Eddcation Research ABSTRACT This project, stemming from work started under the National Science Foundation grant "Development of a Television Computer Assisted Instruction (TVCAI) System" SER-7806412, called for the transfer to videodisc of some of the.videotape materials developed under the grant. Three efforts were included in the proposal: deSign and development of hardware-and software for the intelligent videodilc system, design and selegtion of courseware for thec-systen,4and coueseware evaluation. This report contains a summary of the work completed in support of-intelligent videodisc systems. Hardware and goftware developed, the videodisc.produced (which contains physics materials), and the demonstrations given of the intelligent videodisc system are discussed. In addition,'the report contains a description of current work.both in extedding the , usefulness of the intelligent videodisc system and in.support of other users..General remarks.concerning the appropriate use of intelligent video systems in education are also included.'Timing differences, Video-computer Courseware Implementation System (VCIS) viddv documentation, and lists of demonstratiods/workshops and publicati-ons are included in appendicei. -
Numerical Modelling of Near Field Optical Data Storage
ESPOO 2005 VTT PUBLICATIONS 570 VTT PUBLICATIONS 570 In this thesis, two future generation optical data storage techniques are studied using numerical models. Direct semiconductor laser readout (DSLR) system employs external cavity configuration and super resolution (SR) technique an optically nonlinear material layer at the optical disc for Numerical modelling of near field optical data storage recording and readout operation. Work with the DSLR system is focused on the studying and optimisation of the writing performance of the system, while work with the SR system has focused on explaining the physical phenomena responsible for SR readout and writing performance. Both techniques enable the writing and readout of the data marks smaller than the resolution limit of the conventional optical pickup head. Using SR technique 4x increase in the data density in comparison to DVD disk can be obtained. Because the studied structures are in the order of the wavelength, ray tracing and scalar methods cannot be used to model the system. But, the solution of Maxwell's vector equations is required in order to study these structures. Moreover, analytical solutions usually do not exist for such complex structures, thus the numerical methods have to be used. In this thesis the main modelling tool has been the Finite Difference Time Domain method. Kari J. Kataja Numerical modelling of near field optical data storage Tätä julkaisua myy Denna publikation säljs av This publication is available from VTT TIETOPALVELU VTT INFORMATIONSTJÄNST VTT INFORMATION SERVICE Kari J. Kataja PL 2000 PB 2000 P.O.Box 2000 02044 VTT 02044 VTT FI–02044 VTT, Finland Puh. -
The Implications of a Mixed Media Network for Information Interchange
DOCUMENT RESUME ED 057 864 LT 003 377 AUTHOR Meaney, John W. TITLE The Implications of a Mixed Media Network for Information Interchange. SPONS AGENCY American Library Association, Chicago, Ill.; Office of Education (DHEW), Washington, D.C. PUB DATE 70 NOTE 25p.;(20 References); Working Group C-5 AVAILABLE FROMIn "Proceedings of the Conference on Interlibrary Communications and Information Networks," edited by Joseph Becker., American Library Association, 50 E. Huron St., Chicago, Ill. 60611 ($15.00) EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS Conferences; Digital Computers; Electronic Data Processing; *Information Dissemination; *Information Networks; *Information Processing; *Library Cooperation; *Library Networks; National Programs; Telecommunication IDENTIFIERS *Interlibrary communications; Mixed Media Network ABSTRACT A mixed media network for information interchangeis what we are always likely to have. Amid the current permutations of the storage and distribution media we see the emergence of twotrends -- toward the common denominatorsof electronic display on the TV system and of digital processing and control. The economic implications of a mixed network include operating cost efficiency through a principle of subsidiarity, some likelihood of materials redundancy, and a more miscellaneous equipment investment at local levels. Administrative implications are the complicated accessing, indexing and control procedures required, but these are accompanied by a decentralized utilization pattern with greater total system reliability. In -
TELEVISION and VIDEO PRESERVATION 1997: a Report on the Current State of American Television and Video Preservation Volume 1
ISBN: 0-8444-0946-4 [Note: This is a PDF version of the report, converted from an ASCII text version. It lacks footnote text and some of the tables. For more information, please contact Steve Leggett via email at "[email protected]"] TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1 October 1997 REPORT OF THE LIBRARIAN OF CONGRESS TELEVISION AND VIDEO PRESERVATION 1997 A Report on the Current State of American Television and Video Preservation Volume 1: Report Library of Congress Washington, D.C. October 1997 Library of Congress Cataloging-in-Publication Data Television and video preservation 1997: A report on the current state of American television and video preservation: report of the Librarian of Congress. p. cm. þThis report was written by William T. Murphy, assigned to the Library of Congress under an inter-agency agreement with the National Archives and Records Administration, effective October 1, 1995 to November 15, 1996"--T.p. verso. þSeptember 1997." Contents: v. 1. Report - ISBN 0-8444-0946-4 1. Television film--Preservation--United States. 2. Video tapes--Preservation--United States. I. Murphy, William Thomas II. Library of Congress. TR886.3 .T45 1997 778.59'7'0973--dc 21 97-31530 CIP Table of Contents List of Figures . Acknowledgements. Preface by James H. Billington, The Librarian of Congress . Executive Summary . 1. Introduction A. Origins of Study . B. Scope of Study . C. Fact-finding Process . D. Urgency. E. Earlier Efforts to Preserve Television . F. Major Issues . 2. The Materials and Their Preservation Needs A. -
CED Digest, Vol. 7
************************************************************************ ************************************************************************ CED Digest Vol. 7 No. 1 1/5/2002 ------------------------------------------------------------------------ 20 Years Ago In CED History: January 6, 1982: * Archbishop Jozef Glemp, the Roman Catholic primate of Poland, tells a congregation in Warsaw's St. John's Cathedral that those who signed oaths renouncing Solidarity were coerced by the government and the oaths have no validity. January 7, 1982: * Presidential counselor Edwin Meese III reads a statement that reverses President Reagan's pre-election stand against the registration of 18-year-old males for a possible future military draft. * The Winter 1982 Consumer Electronics Show begins in Las Vegas, Nevada. While a year earlier the RCA VideoDisc system had been one of the most prominent introductions, at the 1982 show the VHD VideoDisc holds the spotlight with a large display space sporting the slogan "There's More to See on VHD." Other notable video-related introductions include the Technicolor CVC mini-cassette VCR system, the first tubeless consumer video camera, and the first Pioneer LaserDisc player with CX noise reduction. A picture of the VHD booth at the Winter 1982 CES can be seen at this URL: http://www.cedmagic.com/history/vhd-1982-ces.jpg January 8, 1982: * Spokesmen for the American Telephone & Telegraph Company (AT&T) and the U.S. Department of Justice announce the settlement of a seven-year-old antitrust case which will result in AT&T divesting itself of 22 telephone companies, effectively breaking up the monopoly. * Future CED title in widespread theatrical release: Four Friends. January 9, 1982: * A frigid blast of artic air arrives in the United States bringing with it a week of record low temperatures. -
Outrata J.: Úvod Do Informačních Technologií
Úvod do informačních technologií pøedná¹ky Jan Outrata září–prosinec 2009 (aktualizace září–prosinec 2012) Jan Outrata (KI UP) Úvod do informačních technologií září–prosinec 2012 1 / 18 Literatura http://phoenix.inf.upol.cz/~outrata/courses/udit/index.html Jan Outrata (KI UP) Úvod do informačních technologií září–prosinec 2012 2 / 18 Úvod Jan Outrata (KI UP) Úvod do informačních technologií září–prosinec 2012 3 / 18 Úvod Co je to počítač? Počítač je v stroj, který zpracovává data podle pøedem vytvoøeného programu. (Wikipedie) Jan Outrata (KI UP) Úvod do informačních technologií září–prosinec 2012 4 / 18 Úvod Co je to počítač? Počítač je v stroj, který zpracovává data podle pøedem vytvoøeného programu. (Wikipedie) Jan Outrata (KI UP) Úvod do informačních technologií září–prosinec 2012 4 / 18 Úvod (1) Kategorie počítačů (pùvodní, z pohledu hardware): mikropočítač (osobní počítač) { mikroprocesor na 1 èipu, typy: desktop, workstation, server, laptop/notebook, tablet, embedded, většinou 1 uživatel, v¹eobecné použití minipočítač (midrange) { terminálové serverové počítače, větší diskový prostor, více periferií, hotswap hardware, spolehlivé, více uživatelů (I/O zařízení), použití v obchodních systémech, prùmyslu, napø. DEC PDP, VAX, IBM System i, HP 3000, Sun SPARC Enterprise, v pol. 80 let nahrazeny sítěmi serverù a pracovních stanic mainframe (sálový počítač) { velký diskový prostor, mnoho periferií, paralelní architektury, vysoký výkon, použití pro výpoèty (prùmysl), zpracování hromadných dat (statistiky, banky), napø. IBM System/360, System -
Pbcore Handbook Section 7
Controlled Vocabularies PBCore Controlled Vocabularies are sets of predefined, community-standardized terms for concepts related to audiovisual and broadcast collections. These terms can be used as drop-down value lists in a database or spreadsheet to ensure consistency in terminology, formatting and spelling, both internally and when exchanging information with outside organizations. PBCore Controlled Vocabularies include the agreed-upon spelling and formatting for each term, a definition, and a Unique Resource Identifier (or URI). The vocabularies provide only the terms that the community has determined are most widely used and shared, and are not 100% comprehensive. PBCore does not maintain controlled vocabularies for elements that have strong vocabulary options maintained by other authorities. Element definitions contain references to relevant external vocabularies, where applicable. pbcoreAssetTypeVocabulary Usage: for pbcoreAssetType Album Definition: A collection of recordings issued as a single item on CD, record, or another medium. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Album Animation Definition: A moving image production element created from static drawings or objects. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Animation Clip Definition: A short excerpt taken from a moving image or audio resource. A clip may not convey a complete intellectual concept. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Clip Collection Definition: A group of materials with some unifying characteristic. – 2. Materials assembled by a person, organization, or repository from a variety of sources; an artificial collection. URI: http://pbcore.org/pbcore-controlled-vocabularies/pbcoreassettype-vocabulary/#Collection Compilation Definition: A single asset containing multiple different sub-assets; for example, a reel with programs, clips, and raw footage. -
Video and the Origins of Electronic Photography Revised
Video and the Origins of Electronic Photography Peter Sachs Collopy Published in translation as “La vidéo et les origines de la photographie électronique,” Transbordeur: Photographie histoire société 3 (2019): 26–35. Over the last two decades, electronic media have usurped their photochemical predecessors. Most of what we now call photography is produced by light striking a charge-coupled device rather than silver halide crystals. Electronic imaging technology has largely replaced both still and moving image film. We’ve come to associate this technological revolution with digital media, programmable machines capable of reducing many forms of information—including the light captured by electronic sensors—into a single binary representation. “The general digitization of channels and information,” argues Friedrich Kittler, “erases the differences among individual media.… Inside the computers themselves everything becomes a number: quantity without image, sound, or voice.… A total media link on a digital base will erase the very concept of medium.”1 Digitization was not, though, the moment at which photography began to share a medium with sound and quantification. Our current association of the digital with progress can distract us from the historical fact that the most sophisticated electronic technologies have often been analog ones, processing information as continuous variations in voltage or current and recording it as continuous variations in magnetic fields. The discourse of the digital can also obscure continuities between electronic media, preventing us from seeing how much analog and digital modes of representing information have in common. Rather than thinking of the recent decline of film as a process of digitization, we might just as productively see it as a culmination of the rise of electronic photography, a phenomenon that has introduced into our visual experience not only the digital but also the analog. -
CED Digest, Vol. 1
************************************************************************ ************************************************************************ CED Digest Vol 1. No. 1 11/16/96 ------------------------------------------------------------------------ Date: Thu, 07 Nov 96 10:16:59 CST From: Im the Frizzle Fry Subject: Looking for: To: [email protected] I am trying to find the Muppet Movie....The first one, I believe it was copyright '79......Any help would be appreciated..... THANX, DREW ------------------------------------------------------------------------ From: (Neil Wagner) To: [email protected] Subject: WTB: The Kids Are Alright CED Date: Thu, 14 Nov 1996 02:51:20 GMT X-Newsreader: Forte Free Agent 1.0.82 Probably next to impossible to find this one. I'm hoping someone has it and would be willing to sell. Email [email protected] Thanks, Neil. ------------------------------------------------------------------------ Date: Sat, 16 Nov 1996 21:33:57 -0500 (EST) From: return To: [email protected] MIME-Version: 1.0 Yes, I'm looking for CED's to buy. Anyone have any Titles they wish to sell?? I would also be willing to purchase any machines (any type or series or model or Brand). Also, any literature or old owners manuels etc. My e-mail [email protected] Ph# 423-524-4143 Thanx ************************************************************************ ************************************************************************ CED Digest Vol 1. No. 2 11/23/96 ------------------------------------------------------------------------ Date: Sun, 17 Nov 1996 21:16:41 -0500 From: john godillot MIME-Version: 1.0 To: Tom Howe <[email protected]> Subject: Re: CED Digest Vol. 1 No. 1 I know where thereis an RCA CED forsalewith 25 discs. The guy wants $125 for all let me know what you think, John ------------------------------------------------------------------------ Mime-Version: 1.0 Date: Sun, 17 Nov 1996 19:24:00 -0800 To: [email protected] (Tom Howe) From: (Marlin Bates, IV) Subject: CEDs for sale I have the following CED titles for sale/trade.