Nicanor Zabaleta, Eichner ∙ Wagenseil

Total Page:16

File Type:pdf, Size:1020Kb

Nicanor Zabaleta, Eichner ∙ Wagenseil Nicanor Zabaleta Nicanor Zabaleta mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Nicanor Zabaleta Country: Germany Released: 1971 Style: Baroque, Classical MP3 version RAR size: 1816 mb FLAC version RAR size: 1542 mb WMA version RAR size: 1623 mb Rating: 4.9 Votes: 594 Other Formats: MMF APE MPC RA TTA AU MP2 Tracklist Hide Credits Konzert Für Harfe Und Orchester Nr. 1 C-dur Composed By – Ernst Eichner A1.a 1. Satz: Allegro A1.b 2. Satz: Andante A1.c 3. Satz: Tempo Di Minuetto Konzert Für Harfe Und Orchester G-dur Composed By – Georg Christoph Wagenseil A2.a 1. Satz: Allegro A2.b 2. Satz: Andante A2.c 3. Satz: Vivace Konzert Für Harfe Und Orchester A-dur Composed By – Carl Ditters von Dittersdorf B1.a 1. Satz: Allegro Molto B1.b 2. Satz: Larghetto B1.c 3. Satz: Rondeau: Allegretto Adagio Und Rondo C-moll KV 617 (Für »Glasharmonika«, Flöte, Oboe, Viola Und Violoncello) B2 Composed By – Wolfgang Amadeus MozartFlute – Christian LardéGlass Harmonica – Nicanor ZabaletaOboe – Gaston MaugrasViola – Roger LepauwVioloncello – Michel Renard Companies, etc. Printed By – Gebrüder Jänecke Recorded At – Polydor Studio Paris Lacquer Cut At – Deutsche Grammophon Gesellschaft Pressing Plant Credits Engineer [Recording] – Hans-Peter Schweigmann Harp – Nicanor Zabaleta Leader [Leiter] – Paul Kuentz Liner Notes – Monika Lichtenfeld Orchestra – Orchestre de Chambre Paul Kuentz Photography By – A. Soulet, Paris* Recording Supervisor – Arthur Goldschmidt Notes Catalog number variations: On front sleeve 139 112 SLPM On back sleeve and labels 139 112 On spine SLPM 39 1121 On front and back sleeve: "Deutsche Grammophon Gesellschaft" On labels: "Deutsche Grammophon" On back sleeve: "Printed in Germany by Gebrüder Jänecke, Hannover" German, English and French liner notes Title on spine: "Nicanor Zabaleta, Harfe" On vinyl: Subtracks are not banded External source: Recorded 24 June 1965 in Paris at Polydor Studio Release date derived from the latest mastering date in runouts (I71 = September 1971). All other indicators also point to this date. Barcode and Other Identifiers Matrix / Runout (Runout side A): 3 ℗ 1965 H5 SCHW◇K AK (AK = sideways) 139112-2 A Matrix / Runout (Runout side B): 1 ℗ 1965 I71 ◇K AD (AD = sideways) 00 139112 = 6 B Other (Public domain declaration, label side A): D. P. Rights Society (Label side B): GEMA Other versions Category Artist Title (Format) Label Category Country Year Nicanor Nicanor Zabaleta - Zabaleta - Orchestre de 139 112 Orchestre de Chambre Paul Kuentz Deutsche 139 112 US 1965 SLPM Chambre Paul • Dir.: Paul Kuentz - Grammophon SLPM Kuentz • Dir.: 18th Century Harp Paul Kuentz Concertos (LP, Album) Nicanor Zabaleta - Nicanor Paul Kuentz Chamber Zabaleta - Paul Deutsche 139 112 Orchestra* - 18th 139 112 Germany Unknown Kuentz Chamber Grammophon Century Harp Orchestra* Concertos (LP, RE) Nicanor Zabaleta - Orchestre de Nicanor Chambre Paul Kuentz Zabaleta - Direction : Paul Orchestre de Kuentz - Concert Pour Deutsche 139 112 Chambre Paul 139 112 France Unknown Harpe Au XVIIIème Grammophon Kuentz Siècle (Concertos de Direction : Paul Eichner • Wagenseil • Kuentz Dittersdorf • Mozart) (LP, Album, Gat) Related Music albums to Nicanor Zabaleta by Nicanor Zabaleta Wolfgang Amadeus Mozart, Joseph Haydn, Christoph Willibald Gluck, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter - Konzert Für Flöte Und Orchester KV 313 • Konzert Für Flöte Und Streichorchester D-dur • Reigen Seliger Geister Aus «Orpheus Und Eury Beethoven, Sviatoslav Richter - Klaviersonaten Nr. 9 E-dur Op. 14,1 - Nr. 10 G-dur Op. 14,2 Mozart, Orquesta Filarmónica De Berlin Solista Y Director Wolfgang Schneiderhan - Obra Completa Para Violín Y Piano Beethoven, Igor Oistrach, Natalia Oistrach - Die Violinsonaten (Gesamtausgabe Nr. 1-10) Wolfgang Amadeus Mozart / Johanna Martzy, Kammerorchester Des Bayerischen Rundfunks, Eugen Jochum - Konzert Für Violine Und Orchester Nr. 4 D-Dur KV 218 Georg Friedrich Händel, Nicanor Zabaleta, Ferenc Fricsay, RIAS Symphonie-Orchester Berlin - Konzert Für Harfe (Orgel Oder Cembalo) Und Orchester Op. 4 Nr.6 B-Dur Wolfgang Amadeus Mozart / Andor Foldes, Carl Seemann - Klavierkonzert C-dur Kv 467 / Konzert Für 2 Klaviere Und Orchester Es-dur Kv 365 Mozart - Das Philharmonische Symphonieorchester New York / Das Columbia-Symphonie-Orchester / Leitung: Bruno Walter - Symphonie C-Dur KV 551 (Jupiter-Symphonie) / Symphonie C-Dur KV 425 (Linzer Symphonie).
Recommended publications
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Performance Practice of Johann Sebastian Bach's Passio
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2008 Performance Practice of Johann Sebastian Bach's Passio Secundum Johannem a Study of 25 Years of Recorded History (1982-2007) as Influenced by Events Surrounding the Historically Informed Performance Movement Michael Troy Murphy Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC PERFORMANCE PRACTICE OF JOHANN SEBASTIAN BACH‟S PASSIO SECUNDUM JOHANNEM – A STUDY OF 25 YEARS OF RECORDED HISTORY (1982-2007) AS INFLUENCED BY EVENTS SURROUNDING THE HISTORICALLY INFORMED PERFORMANCE MOVEMENT By MICHAEL TROY MURPHY A Dissertation submitted to the College of Music In partial fulfillment of the Requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2008 Copyright 2008 Michael Troy Murphy All Rights Reserved The members of the Committee approve the dissertation of Michael Troy Murphy on June 24, 2008. ____________________________________ André J. Thomas Professor Directing Dissertation ____________________________________ Judy K. Bowers Committee Member ____________________________________ Charles Brewer Outside Committee Member ____________________________________ Kevin Fenton Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii Dedicated to my best friend and wife, Claire and my sons William and Colin, for your love, patience and encouragement iii ACKNOWLEDGMENTS I would like to thank my committee members for the encouragement and guidance they have offered me during my graduate studies at The Florida State University College of Music. This dissertation is a synthesis of their influence and my studies while pursuing my degree at Florida State University.
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present A
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-K LOUIS ABBIATE (1866-1933) Born in Monaco. He learned the piano, organ and cello as a child and then attended the Conservatories Turin and Paris where he studied the cello. He worked as a cellist in the Monte Carlo Orchestra and then at Milan's La Scala. He taught the cello at the St. Petersburg Conservatory for some years and after the Russian Revolution returned to Monaco and became the first director of its École Municipale de Musique. He composed orchestral, chamber, instrumental and vocal works. Concerto Italien in A major for Piano and Orchestra, Op. 96 (1922) Maurice Bousquet (piano)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Monaecencis) ECCE MUSICA CM 306 (LP) (1970s) Concerto for Cello and Orchestra in D minor, Op. 35 (1895) Elaine Magnan (cello)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Les Elfes and Le Songe d'Or) ECCE MUSICA CM 312 (LP) (1970s) Monaecencis for Piano and Orchestra, Op. 110 (1925) Maurice Bousquet (piano)/Richard Blareau /Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Concerto Italien) ECCE MUSICA CM 306 (LP) (1970s) JEAN-LOUIS AGOBET (b. 1968) Born in Blois, Loir-et-Cher, Centre. He studied composition and electronic music at the Ecole Normale de Musique in Aix-en-Provence, followed by further studies at the Conservatoire National à Rayonnement in Nice and then with Philippe Manoury at the Conservatoire de Lyon.
    [Show full text]
  • A Select Annotated Discography of the Choral Works of Wolfgang Amadeus Mozart
    A Select Annotated Discography of the Choral Works of Wolfgang Amadeus Mozart by AllenL. Borton making your choice with a little guidance he following discography has of the kind of performance you will been compiled from several encounter in each case." sources; particularly helpful "Clarity is the watchword in this latest have been the journals version" ~Sadie). Period instruments, but Gramophone and Fanfare, with "modern-sounding, slowish tempos." andT the Index to CD and Record Uses Beyer edition. Recorded at a Reviews from 1987 to the present, performance in the Grand Auditorium de published in each issue of Notes, the la Maison de la Radio RTBF, Brussels, on quarterly journal of the Music Library October 6, 1986. Association. In order to limit the scope Reviewed in Gramophone, April, 1987: 1451 (Stanley Sadie). of this article, only recordings released or reviewed since 1986 have been 2. Teresa Zylis-Gara (s); Oralia included (with but few exceptions). Dominguez (m); Peter Schrier (t); Franz Beyond the individual listings of this Crass (b); South German Madrigal Choir; article, it should be noted that in Consortium Musicum; Wolfgang honor of the bicentenary of Mozart's Gonnenwein. Angel CD2-670l4. ADD. From Angers budget Laser series. death, several recording companies are DDD (digital session recording, engaged in large-scale releases of his mixing! editing, and mastering); ADD 3. Patrizia Pace (s); Waltraud Meier (m); music. One of the most ambitious and (analog session recording, digital Frank Lopardo (t); James Morris (b); notable is that of Philips, whose mixing! editing and mastering); and Swedish Radio Choir; Stockholm Chamber Compete Mozart Edition is projected AAD (analog session recording and Choir; Berlin Philharmonic Orchestra; as a 44-volume, 180-CD set.
    [Show full text]
  • Mozart Die Flötenkonzerte KV 313 & 314 = the Flute Concertos = Les
    Mozart Die Flötenkonzerte KV 313 & 314 = The Flute Concertos = Les Concertos Pour Flûte / Rondo KV 184 • Andante KV 315 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Die Flötenkonzerte KV 313 & 314 = The Flute Concertos = Les Concertos Pour Flûte / Rondo KV 184 • Andante KV 315 Country: Europe Released: 1986 Style: Classical MP3 version RAR size: 1717 mb FLAC version RAR size: 1202 mb WMA version RAR size: 1283 mb Rating: 4.9 Votes: 229 Other Formats: MP2 DXD MP4 RA VOC DMF VOX Tracklist Flute Concerto / Konzert Für Flöte / Concerto Pour Flûte / In G / G-dur / En Sol Majeur, K. 313 (285c), Accompaniment: 2 Violins, Viola, Bass, 2 Oboes, 2 Flutes (Adagio), 2 Natural Horns A1 Allegro Maestoso 8:16 A2 Adagio Non Troppo 9:24 A3 Rondeau: Tempo Di Menuetto 7:55 Andante For Flute / Für Flöte / Pour Flûte / In C / C-dur / En Ut Majeur, K. A4 6:35 315, Accompaniment: 2 Violins, Viola, Bass, 2 Oboes, 2 Natural Horns Flute Concerto / Konzert Für Flöte / Concerto Pour Flûte / In D / D-dur / En Ré Majeur, K. 314 (285d), Accompaniment: 2 Violins, Viola, Bass, 2 Oboes, 2 Natural Horns B1 Allegro Aperto 7:20 B2 Andante Ma Non Troppo 6:38 B3 Allegro 5:55 Rondo For Flute / Für Flöte / Pour Flûte / In D / D-dur / En Ré Majeur, K. 184, Apendix , Accompaniment: 2 Violins, Viola, Bass, 2 Oboes, 2 Natural Horns B4 Allegretto Grazioso Companies, etc. Phonographic Copyright (p) – RCA Schallplatten GmbH Phonographic Copyright (p) – RCA/Ariola International Marketed By – RCA Records Distributed By – RCA/Ariola Recorded At – Doopsgezinde Kerk,
    [Show full text]
  • Siual Society
    siual Society Presents PAUL KUENTZ CHAMBER ORCHESTRA OF PARIS PAUL KUENTZ Conductor Soloists MONIQUE FRASCA-COLOMBIER, Violin MAITE NOLHIER, Violin SERGE LANGLET, Violin BARBARA SCHLICK, Soprano ANNICK BOULAY, Violin JEAN-FRANC;OIS DION, Trumpet MONDAY EVENING, JANUARY 17, 1972, AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN PROGRAM Fanfares, First Suite in D major MOURET Rondeau Gracieusement, sans lenteur Gay Allegro Concerto in B minor, Op. 3, No. 10, for Four Violins and Orchestra VIVALDI Allegro Largo, larghetto, largo Allegro Cantata No. 51, "Jauchzet Gatt in allen Landen," BACH for Soprano, Trumpet, and Orchestra BARBARA SCHLICK AND ]EAN-FRANc;OIS DION INTERMISSION Concerto in D major for Trumpet and Orchestra TELEMANN Adagio Allegro Grave Allegro M. DION Serenade for Strings (1954) DANIEL LESUR Deutsche Grammopho1£ and Patlle Marconi Records Eleventh Concert International Presentations in Power Center Complete Concerts 3755 PROGRAM NOTES by MAURICE IMBERT, freely translated Fanfares, First Suite in D major JEAN JOSEPH MOURET (1682-1738) Jean Joseph Mouret was an early eighteenth-century French composer in the service of the Duchess of Maine at the Paris court from about 1707. He was appointed director of the Concerts Spirituels for which he wrote a book of motets, published in 1742; and after the concerts were taken over by the Academie Royale in 1734, he was conductor of the Comedie Italienne. During that time he published about fifty instrumental "divertissements" such as tbis suite of fanfares. Concerto in B minor, Opus 3, No. 10, for Four Violins ANTONIO VIVALDI (1678-1741) Antonio Vivaldi left to posterity well over four hundred instrumental concerti.
    [Show full text]
  • Nicanor Zabaleta: Intérprete Y Docente
    Nicanor Zabaleta: Intérprete y Docente TFM- Máster Universitario en Desarrollo de las Capacidades Musicales Dalia María Márquez Escobedo Director: Dr. Marcos Andrés Vierge “Nicanor Zabaleta no era un erudito, era un sabio. El erudito suele despreciar a los hombres por lo mucho que ignoran. El sabio ama a los seres humanos por lo mucho que le han enseñado” Narciso Yepes A Dios, a mi familia, amigos y a México AGRADECIMIENTOS A Dios por la vida, salud y la oportunidad que me ha dado para vivir y estudiar en Pamplona, España durante este ciclo de octubre 2012 a septiembre 2013. A mis padres por su amor incondicional siempre y por su gran apoyo en cada momento de mi estancia aquí. A mis hermanos porque igualmente han estado presente en muchos momentos a pesar de la distancia. A la Universidad Pública de Navarra por abrirme las puertas a sus enseñanzas y a todos los profesores de quienes pude de aprender. Al Dr. Marcos Anrdés Vierge por su apoyo y guía en la realización de la presente investigación. Al maestro José Enrique Guzmán por siempre apoyarme, enseñarme y guiarme en el maravilloso mundo del arpa, aun a través de la distancia. A los arpistas: Ángel Padilla, Elisa Torres, Ieuan Jones, José Enrique Guzmán, Julie Smith y Mercedes Gómez, por su valiosa ayuda y el tiempo dedicado a la contestación de todos los correos durante el proceso de entrevista y especialmente a la arpista Zoraida Ávila por recibirme en Madrid y llevarme a conocer a doña Graciela viuda de Zabaleta, así como proporcionarme la ayuda y su valiosa información acerca del maestro Zabaleta.
    [Show full text]
  • Decca Classical Discography by David Edwards & Mike Callahan © 2018 by Mike Callahan Decca Classical Discography
    Decca Classical Discography by David Edwards & Mike Callahan © 2018 by Mike Callahan Decca Classical Discography Part 1. 10 Inch LP’s Decca DL-4000 Gold Label Series: DL-4000 – Liszt Hungarian Rhapsody No. 2/Hungarian Rhapsody No. 12 – Bavarian Symphony Orchestra; Edmund Nick, conductor [1952] DL-4001 – Lehar The Merry Widow –Munich Philharmonic Orchestra, Edmund Nick, conductor [195?] DL-4002 – Rossini Overtures – Berlin Philharmonic Orchestra, Paul van Kampen (1st work) and Ferenc Fricsay, (2nd and 3rd work) conductors [195?] William Tell Overture/The Silken Ladder Overture/El Signor Bruschino Overture DL-4003 – Berlioz Overture to Benvenuto Cellini/Auber Overture to Fra Diavolo – Berlin Philharmonic Orchestra, Paul van Kampen, conductor (1st work)/Munich Philharmonic Orchestra, Fritz Lehmann, conductor (2nd work) [195?] DL-4004 – Beethoven Romance No. 1 in G Major, Op. 40/Romance No. 2 in F Major, Op. 50 – Los Angeles Philharmonic Orchestra, Thomas Scherman, conductor [195?] DL-4005 – Renata Tebaldi Sings Arias from La Boheme, Andrea Chenier, La Wally – Renata Tebaldi [1952] Si, Mi Chiamano Mimi/Donde Lieta Usci/La Mamma Morta/Ebben, Ne Andro Lontana DL-4006 – Mendelssohn Overture to a Midsummer’s Night Dream/Carl Maria von Weber Overture to Oberon – The Berlin Philharmonic; Ferenc Fricsay, conductor (1st work); Eugen Jochum, conductor (2nd work) [1952] DL-4007 – Puccini Arias – Camarata and his Orchestra [1952] Un Bel Di Vedremo/O Mio Babbino Caro/Musetta's Waltz Song/Che Gelida Manina DL-4008 – Operatic Arias – Camarata and his Orchestra
    [Show full text]
  • FRENCH CONCERTOS from the 19Th Century to the Present A
    FRENCH CONCERTOS From the 19th Century to the Present A Discography Of CDs And LPs Prepared by Michael Herman Edited by Stephen Ellis Composers A-K LOUIS ABBIATE (1866-1933) Born in Monaco. He learned the piano, organ and cello as a child and then attended the Conservatories Turin and Paris where he studied the cello. He worked as a cellist in the Monte Carlo Orchestra and then at Milan's La Scala. He taught the cello at the St. Petersburg Conservatory for some years and after the Russian Revolution returned to Monaco and became the first director of its École Municipale de Musique. He composed orchestral, chamber, instrumental and vocal works. Concerto Italien in A major for Piano and Orchestra, Op. 96 (1922) Maurice Bousquet (piano)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Monaecencis) ECCE MUSICA CM 306 (LP) (1970s) Concerto for Cello and Orchestra in D minor, Op. 35 (1895) Elaine Magnan (cello)/Louis Frémaux/Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Les Elfes and Le Songe d'Or) ECCE MUSICA CM 312 (LP) (1970s) Monaecencis for Piano and Orchestra, Op. 110 (1925) Maurice Bousquet (piano)/Richard Blareau /Orchestre du Théâtre National de l'Opéra de Monte Carlo ( + Concerto Italien) ECCE MUSICA CM 306 (LP) (1970s) JEAN-LOUIS AGOBET (b. 1968) Born in Blois, Loir-et-Cher, Centre. He studied composition and electronic music at the Ecole Normale de Musique in Aix-en-Provence, followed by further studies at the Conservatoire National à Rayonnement in Nice and then with Philippe Manoury at the Conservatoire de Lyon.
    [Show full text]
  • Department of Music Programs 1991 - 1992 Department of Music Olivet Nazarene University
    Olivet Nazarene University Digital Commons @ Olivet School of Music: Performance Programs Music 1992 Department of Music Programs 1991 - 1992 Department of Music Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/musi_prog Part of the Fine Arts Commons, and the Music Performance Commons Recommended Citation Department of Music, "Department of Music Programs 1991 - 1992" (1992). School of Music: Performance Programs. 25. https://digitalcommons.olivet.edu/musi_prog/25 This Book is brought to you for free and open access by the Music at Digital Commons @ Olivet. It has been accepted for inclusion in School of Music: Performance Programs by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. Olivet Nazarene University Department of Music Programs 1991-1992 Olivet Nazarene University Kankakee, Illinois 60901 Telephone (815) 939-5110 OLIVET NAZARENE UNIVERSITY Department of Music presents Einst traumte meiner sel’Base Carl Maria von Weber Kandace Merryman, soprano Tony Bellomy, piano Sonatina in C Major Aram Khatchaturian Allegro Tamara Spurlock, piano Pieta Signore Alessandro Stradella Pamela Galbreath, soprano Dan Campbell, piano Concerto, Op. VII, No. 6 Tomaso Albinoni Sarah Curry, oboe Rachel Walters, piano Chanson et Passepied Jeanine Rueff Darla Smith, saxophone Paula Pitts, piano Rejoice greatly, O daughter of Zion G.F. Handel Kay Welch, soprano Tony Bellomy, piano 7:30 p.m. Thursday September 19, 1991 Kresge Auditorium Larsen Fine Arts Center COMING EVENTS Oct. 10, 1991 Choral Union, Olivet Orchestra 7:30 p.m. Vesperae de Domenica - Mozart Symphony No. 41 - Mozart Kresge Auditorium Oct. 17 & 18, 1991 Orpheus Choir Variety Show Kresge Auditorium Oct.
    [Show full text]
  • Listening up Close
    Listening up Close Tracks and clips: 1. Introduction 8:43 a. Igor Stravinsky, Le sacre du printemps, Philadelphia Orchestra (PO), Yannick Nézet-Séguin (YNS), Deutsche Grammophon Gesellschaft (DGG) B0019032-02 recorded 3/1/2013.* b. Thomas Aquinas, Adoro Te devote, Schola gregoriana mediolanensis, -DBj5HmTiz0 recorded 10/26/2008.† c. André Danican Philidor l’aîné, Marche à quatre timbales, Paul Kuentz Chamber Orchestra, Archiv 0289 477 7213 2 released 11/1996.* d. Fryderyk Franciszek Chopin, Polonaise in A♭, B. 159, Vladimir Horowitz, Sony 8869760481-2 recorded 5/18/1986. e. Wolfgang Amadeus Mozart, Duo in G, K. 423, Gidon Kremer, Kim Kashkashian, DGG 0289 415 4832 0 released 9/20/1985.* f. Richard Strauss, Metamorphosen, PO, Eugene Ormandy (EO), RCA Victor ARL1-7076 recorded 2/8/1978. g. Nikolay Andreyevich Rimsky-Korsakoff, Capriccio espagnole, Op. 34, PO, EO, Columbia MS-6917 recorded 2/17/1965. h. Ludwig van Beethoven (LvB), Symphony No. 7 in A, Op. 92, PO, Riccardo Muti (RM), EMI 7243 5 72923 2 0 recorded 2/13/1988. 2. Meter & Rhythm 11:48 a. John Philip Sousa, The Stars & Stripes Forever, PO, EO, Columbia MG-32314 recorded 2/24/1963. b. Ibid. but Edward Elgar, Pomp & Circumstance March No. 1, Op. 39, recorded 2/3/1963. c. Franz Schubert, Marche militaire No. 3, D. 733, Robert Levin, Malcolm Bilson, Archiv 0289 453 4912 1 released 11/3/1997.* d. Wolfgang Amadeus Mozart, Symphony No. 35 in D, K. 385, PO, Charles Dutoit (CD), Philadelphia Orchestra private label (POpl) recorded 1/24/2006.‡ e. Pyotr Il’yich Tchaikovsky (PIT), Sleeping Beauty Suite, The Robin Hood Dell Orchestra of Philadelphia, André Kostelanetz, Columbia M-601 recorded 9/22/1945.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman Composers I-Z JACQUES IBERT (1890-1962) Born in Paris. He studied at the Paris Conservatory with André Gédalge and Gabriel Fauré. In addition to composing he had a career as an administrator with his most important post being head of the Académie de France of Rome. He two most popular orchestral works are "Éscales" and "Divertissement" but his output was quite large including operas, ballets, film scores and much else for orchestra, chamber groups, solo instruments and voice. Some lesser-known orchestral pieces are his symphonic poem "Noel en Picardie," "Ballade de la Geôle de Reading" and the symphonic scherzo "Féerique." Symphonie Marine (1931) Louis Frémaux/City of Birmingham Symphony Orchestra ( + Divertissement, Bacchanale, Louisville Concerto, Bostoniana, Flute Concerto, Ouverture de Fête, Escales, Tropismes pour des Amours Imaginaires and Quatre Chansons de Don Quichotte) EMI I 20th CENTURYCLASSICS 0946932(2 CDs) (2011) (original LP release: HMV ASD 3176) (1976) Yutaka Sado/Orchestre des Concerts Lamoureux ( + Divertissement, Escales and Ouverture de Fête) NAXOS 8.554222 (2000) Symphony No. 2 (1st movement) "Bostoniana" (1955-61) Charles Dutoit/Montreal Symphony Orchestra ( + Escales, Flute Concerto, Suite Symphonique "Paris", Bacchanale, Louisville Concerto and Hommage à Mozart) DECCA 440332-2 (1994) Louis Frémaux/City of Birmingham Symphony Orchestra ( + Divertissement, Bacchanale, Louisville Concerto, Symphonie
    [Show full text]