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MADELINE WALTER SAG FILM The Mad Ones Supporting Aniruddh Pandit The Strangely Normal Lead Jerrika Hinton Alienette Lead Kevin Donovan/CityFilms TELEVISION Childrens Hospital Guest Star Adult Swim The Birthday Boys Guest Star IFC Garfunkel and Oates Guest Star IFC/Dir. Fred Savage Comedy Bang! Bang! Guest Star IFC/ Dir. Ben Berman Weeds Guest Star Showtime The Defenders Guest Star CBS/ Dir. Charlie Haid The Daily Habit Guest Star Fox Sports/Fuel TV WEB SERIES Terror Twins Lead/Writer Nerdist Watching Game of Thrones Lead CollegeHumor Downton Arby’s Lead Yahoo Sketchy Sassy Gay Friend: Black Swan Lead Brian Gallivan/Second City Network COMEDY Upright Citizens Brigade LA: Sketch Maude Team Performer Monthly show on UCB Mainstage Upright Citizens Brigade LA: Improv Harold Team Performer Weekly show on UCB Mainstage I’m Doing Great! (solo show) Writer/Performer Dir. Neil Campbell * Performed at UCB-LA, SF Sketchfest, Comedy Central Stage Mary Brigit Poppleton is Writing a Memoir Writer/Producer New York Fringe Festival * Comedic Play selected to move Off-Broadway THEATRE Mixtape (one-act festival) Writer/Lead LittleBird Productions, LA Writers Workshop Reading Series Lead Center Theatre Group TRAINING Improv: Upright Citizen’s Brigade, LA Improv: The Groundlings- Level 1 Acting for the Camera- John Rosenfeld (John Rosenfeld Studios) SKILLS AND LANGUAGES improvisational comedy, singing (mezzo-soprano), some Spanish/French, clarinet, field hockey, lacrosse, running, dialects (New Jersey, New York, South-Eastern, British), valid CA driver’s license, valid US passport Manager David Gardner (310) 274-4622 9465 Wilshire Blvd. • Suite 900 • Beverly Hills, CA 90212 • 310-274-4474 Los Angeles • New York .

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68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively.
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ARDEN MYRIN Theatrical Resume
ARDEN MYRIN Page 1 of 2 ARDEN MYRIN FILM WRONG COPS Independent Dir: Quentin Dupieux BACHELORETTE Weinstein Company Dir: Leslye Headland WRONG Independent Dir: Quentin Dupieux MORNING GLORY Paramount Pictures Dir: Roger Michell A LITTLE HELP Independent Dir: Michael J. Weithorn THE INFORMANT: A TRUE STORY Warner Bros. Dir: Steven Soderbergh THE LUCKY ONES Lionsgate Dir: Neil Burger EVAN ALMIGHTY Universal Dir: Tom Shadyac KINSEY Fox Searchlight Dir: Bill Condon CHRISTMAS WITH THE KRANKS Columbia Pictures Dir: Joe Roth HEART OF THE BEHOLDER Independent Dir: Ken Tipton DRY CYCLE Independent Dir: Isaac H. Eaton AUTOFOCUS Sony Pictures Classics Dir: Paul Schrader HIGHWAY New Line Cinema Dir: James Cox BUBBLE BOY Buena Vista Dir: Blair Haynes WHAT WOMEN WANT Paramount Pictures Dir: Nancy Meyers DECONSTRUCTING HARRY Fine Line Features Dir: Woody Allen THE IMPOSTERS Fox Searchlight Dir: Stanley Tucci I THINK I DO Independent Dir: Brian Sloan TELEVISION CHELSEA LATELY E! Network Regular Panelist HOLE TO HOLE Adult Swim Series Regular/Creator ORANGE IS THE NEW BLACK Netflix Guest Star INSIDE AMY SCHUMER Comedy Central Guest Star NEXT CALLER NBC Potential Recurring SUBURGATORY WB/ABC Recurring PSYCH USA Recurring UNTITLED ARDEN MYRIN PROJECT MTV/Pilot Series Regular/Creator HUNG HBO Guest Star GARFUNKEL AND OATES HBO/Pilot Recurring DELOCATED Adult Swim Guest Star PSYCH USA Recurring HOT IN CLEVELAND TVLAND Guest Star PARTY DOWN Starz Guest Star ROYAL PAINS USA Guest Star MICHAEL AND MICHAEL HAVE ISSUES Comedy Central Recurring MAD TV FBC Series Regular ON THE SPOT WB Series Regular WHAT'S UP PETER FUDDY? FBC/Pilot Series Regular WORKING NBC Series Regular THE ROYALE AMC Series Regular UNTITLED HBO NBA PROJECT HBO/Pilot Guest Star GILMORE GIRLS WB Guest Star RENO 911 Comedy Central Guest Star FRIENDS NBC Guest Star STAND-UP COMEDY THE PARTY MACHINE Union Hall, NYC Writer/Performer STRAIGHT OUTTA LIL' COMPTON HBO Workspace Writer/Performer STAND-UP COMEDY Various Writer/Performer IMPROV UCB/Groundlings/IOwest Los Angeles/NYC Performer Page 2 of 2 .
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Music and Identity in Comedic Performance
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 Laughing at Ourselves: Music and Identity in Comedic Performance Peter Trigg University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the African American Studies Commons, American Popular Culture Commons, Musicology Commons, and the Performance Studies Commons Recommended Citation Trigg, Peter, "Laughing at Ourselves: Music and Identity in Comedic Performance. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4786 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Peter Trigg entitled "Laughing at Ourselves: Music and Identity in Comedic Performance." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Music, with a major in Music. Rachel Golden, Major Professor We have read this thesis and recommend its acceptance: Leslie Gay, Jacqueline Avila Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) Laughing at Ourselves: Music and Identity in Comedic Performance A Thesis Presented for the Master of Music Degree The University of Tennessee, Knoxville Peter Trigg May 2017 ii Dedication This thesis dedicated to my family for their unending support during my growth as a researcher, musician, and person.
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1 for Immediate Release Ifc Expands Comedy Slate With
FOR IMMEDIATE RELEASE IFC EXPANDS COMEDY SLATE WITH NEW SERIES FROM FRED ARMISEN, BILL HADER & SETH MEYERS NEW SCRIPTED COMEDY STARRING ROB HUEBEL; FIRST-EVER COLLEGEHUMOR COMEDY MUSIC AWARDS IFC Orders an Expanded Fourth Season of Comedy Bang! Bang! Hosted by Scott Aukerman, and a Second Season of The Birthday Boys, Executive Produced by Bob Odenkirk and Ben Stiller Also Developing Projects with Joel McHale and Teri Weinberg NEW YORK, NY – March 20, 2014 – Ahead of its annual Upfront event tonight, IFC announced a slate of new and returning comedy projects, as well as shows currently in development, further aligning the network with some of the biggest names in comedy. Joining IFC’s slate in 2015 is American Documentary (working title), a docu-parody created by Fred Armisen (Portlandia, Late Night with Seth Meyers), Bill Hader (Saturday Night Live) and Seth Meyers (Late Night with Seth Meyers); and American Storage (working title), a scripted half-hour comedy starring Rob Huebel (Childrens Hospital, Human Giant). IFC is also collaborating with CollegeHumor on the first-ever Comedy Music Awards, a satire of traditional awards shows incorporating the best of the comedy and music worlds. Returning to IFC’s alt comedy slate for an expanded fourth season is Comedy Bang! Bang! hosted by Scott Aukerman (co-creator/director/producer, Between Two Ferns with Zach Galifianakis; writer/performer, Mr. Show), and a sophomore season of its original sketch comedy The Birthday Boys, executive produced by Bob Odenkirk (Breaking Bad, Mr. Show) and Ben Stiller (The Secret Life of Walter Mitty, Zoolander), featuring the LA comedy troupe of the same name.
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Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 9: Tossups
Chicago Open Trash 2018: Look at All Those Chickens by Rob Carson, Carsten Gehring, and Andrew Hart Round 9: Tossups 1. Several of these statements are posted on the refrigerator of Mia Hall, a neighbor whom the government-trained assassin Evan Smoak is slowly falling for, in Gregg Hurwitz’s thriller novel Orphan X. The last of these statements is illustrated with references to the discussion of God in The Brothers Karamazov, the Devil’s role as the “adversary of Being” in Goethe’s Faust, the burgeoning mythos necessitated by Superman’s omnipotence, and the juvenile idiopathic arthritis suffered by their formulator’s daughter, Mikhaila. These statements, which were distilled from their formulator’s 40-point response to a Quora inquiry, include “pet a cat when you encounter one on the street.” They are offered as an “antidote to (*) chaos,” which is described as a “feminine” concept and is illustrated at various points as a dragon. “Stand up straight with your shoulders back” is the first of, for 10 points, what numbered guidelines that title a 2018 best seller by a truth-telling, bucko-whispering, extremely intellectual Canadian? ANSWER: Jordan Peterson’s twelve rules for life [accept 12 Rules for Life: An Antidote to Chaos; accept any answer mentioning Jordan Peterson and the idea of rules or twelve rules] <Hart> 2. This character’s announcement of his arrival with the phrase “it’s good to see you” marks the first of three times he says “the word,” which occurs before a journey in which this man’s attendants are eaten.
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DC DXD DJ May 2020 Programming Highlights.Pages
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Parody As a Borrowing Practice in American Music, 1965–2015
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KULAP VILAYSACK Resume .Pages
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Sundance NEXT FEST Boosts Lineup with Comedians, Star-Studded Conversations and Music Video World Premieres
FOR IMMEDIATE RELEASE Media Contact: July 27, 2017 Jenelle Scott 310.360.1981 [email protected] Sundance NEXT FEST Boosts Lineup with Comedians, Star-Studded Conversations and Music Video World Premieres Ava DuVernay │ Larry Wilmore │ Peter Bogdanovich │ Kate Berlant │ Kate Micucci │ Natasha Leggero M83 │ Hundred Waters │ Joey Bada$$ │ Quentin Tarantino │ Dee Rees │ America Ferrera Electric Guest │ Sleigh Bells │ Lizzo Tickets to Music, Movies and Mischief August 10-13 on Sale Now: sundance.org/next Los Angeles, CA — World premiere music videos, conversations between film legends and up-and-coming creatives and three female comedians have been added to the lineup for Sundance NEXT FEST, August 10-13 at The Theatre at Ace Hotel Downtown Los Angeles. They join music acts like Lizzo, Electric Guest and Sleigh Bells, the Los Angeles premieres of some of the Sundance Film Festival’s most talked-about films and NEXT FEST After Dark, Presented by Acura, featuring a 25th anniversary screening of Reservoir Dogs on restored 35mm and ceremony honoring Quentin Tarantino. More info, tickets ($15-35) and ticket packages are at sundance.org/next. CONVERSATIONS Ava DuVernay (13th, Selma) will join a conversation, presented by FilmL.A., Inc., with director Justin Chon after Saturday’s 4:00 p.m. screening of Gook. Also on Saturday, Gente-fied executive producer America Ferrera, director/creator/co-writer Marvin Lemus, co-writer Linda Yvette Chavez and executive producer Aaliyah Williams will be in conversation following the noon screening of all seven episodes of the series. On Sunday, Emmy Award winner Larry Wilmore will join directors Antonio Santini and Dan Sickles and the subject of Dina for a conversation following the afternoon screening.
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Insurrection Media Inks Comedy Pod Deal with Jonathan Stern of Abominable Pictures and Keith Quinn
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36E ÉDITION 14 AU 29 JUILLET 2018 Festival Juste Pour Rire Montréal
BILAN DES ACTIVITÉS 36e ÉDITION 14 AU 29 JUILLET 2018 Festival Juste pour rire Montréal 2101, boulevard St-Laurent Montréal (Québec) H2X 2T5 (514) 845-3155 www.hahaha.com @justepourrire @justforlaughs @Juste_pour_rire @justforlaughs Juste pour rire Just For Laughs PERSONNE RESSOURCE Noémi Lebel, Chargée de projet, Affaires publiques [email protected] TABLE DES MATIÈRES Sommaire ······································· ·5 Bilan artistique ··································· ·8 Juste pour rire / Programmation en salle · · · · · · 10 Galas JPR/JFL · · · · · · · · · · · · · · · 18 Just For Laughs / Programmation en salle · · · · · 24 Programmation extérieure · · · · · · · · · · · 30 Achalandage et tourisme ··························· ·40 Rayonnement & Retombées médiatiques ················ · 42 Équipes ········································ · 50 Partenaires ····································· ·52 Développement durable ···························· ·54 Sécurité ······································· ·56 Conclusion ····································· ·58 3 4 SOMMAIRE La 36e édition du Festival Juste pour Rire a souligné la persistance et la pertinence de sa marque, à l’aube d’un grand processus de réflexion. Conçue comme une édition de transition, cette itération du Festival a prouvé la détermination et la force de ses employés et l’engagement de l’industrie de l’humour envers cet événement culturel pour les artistes. Cette édition du Festival a prouvé que sa force résidait dans sa proximité avec les artistes et le public. À la suite de la nomination du nouveau vice-président aux contenus francophones du groupe, Patrick Rozon, en juillet 2018, une réinvention inspirante du festival a été lancée, pour capitaliser d’abord sur son potentiel de rassemblement et de divertissement public. Spectacles en salle : un pari réussi En pré-ouverture du Festival, dès le 7 juin, la spectaculaire comédie musicale FAME, mise en scène par Serge Postigo, a conquis quelque 50 000 spectateurs au Théâtre Saint-Denis I avec ses chorégraphies endiablées.
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Simon Holm.PDF
Faculty of Audiovisual Media and Creative Technologies Simon Holm Master’s thesis From Corpus to Canon: (De)Constructing the Genre of Musical Television Film- og fjernsynsvitenskap Year 5 1 Abstract Since the first musical TV series aired in 1968, the genre has developed in sporadic fashion. The series belonging to the genre have often been commercial failures, but, as this thesis strives to prove, that does not mean they are without aesthetic value. By first clearly defining and delimiting the genre to establish a corpus and then subjecting the corpus to diverse means of analysis, this thesis presents an evaluative canon of TV musicals. This canon is in no way objective or representational of any views other than the author’s but is nonetheless an attempt to legitimate the genre as an aesthetically valuable mode of expression. The thesis claims that even though TV musicals are victims of a duality of condescension, they should not be: Musical TV series have the potential to be valuable, not only in the context of television but in the context of art as a whole. Through aesthetic criteria and the concept of camp, this thesis seeks to legitimate not necessarily the genre as a whole, but those selected works which comprise its evaluative canon. 2 Contents 1 Introduction ............................................................................................................................. 6 2 Methodology, part one ............................................................................................................ 8 3 Defining
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