The Power of an Inspired Few to Unleash Creativity

Total Page:16

File Type:pdf, Size:1020Kb

The Power of an Inspired Few to Unleash Creativity THE 2015 BANFF CENTRE MIDSUMMER BALL “CREATIVITY CIRCLE” THE POWER OF AN INSPIRED FEW TO UNLEASH CREATIVITY THE 36TH BANFF CENTRE WE INVITE YOU TO JOIN CREATIVITY CIRCLE IMPACT MIDSUMMER BALL WEEKEND THE CREATIVITY CIRCLE Artists tell us their lives are transformed by their experience at The Banff Centre. Our alumni are A FUNDRAISING EVENT The Banff Centre is the largest arts and more likely to receive at least one or two awards creativity incubator on the planet. We believe after being in Banff than graduates, more than UNLIKE ANY OTHER in the power of the arts to affect positive any other arts training program in Canada. Over change. The arts enable us to tell meaningful On July 24 – 26, 2015, a group 90 percent of Banff Centre alumni are working stories that connect us. Through the creative professionally in their field, and 81 percent of of the arts’ most ardent supporters process, artists not only entertain, but also will journey to Banff for one of the most them secured a role or exhibition within a year provoke thoughtful conversations that act to of participating in a Banff Centre program. spectacular social events of the season, inspire and enrich our lives. The 36th Banff Centre Midsummer Ball Banff Centre programs are unique and of Weekend. This exclusive event is an The Midsummer Ball plays a critical role exceptional quality, attracting extraordinary opportunity to celebrate the importance annually in raising funds that allow artists to people who thrive in our multidisciplinary of the arts and experience The Banff attend Banff Centre professional development environment. Our goal is to provide full Centre and the creativity it inspires in a programs. As a visionary leader and friend of funding for artists based upon ability, uniquely intimate way. The Banff Centre, we invite you to champion not financial capacity, and we cannot the arts and become a catalyst for creativity by do this without your support. joining our Midsummer Ball Creativity Circle. Funds raised through the Midsummer The Ball Creativity Circle is a group of Ball Weekend ensure both accessibility and supporters who recognize the crucial role affordability of our life changing programs. “At The Banff Centre, I was given that arts and culture play in our society and Our programs make a significant impact on step forward to support the Ball Artists’ Fund artists’ careers by: an identity card that had my in a significant way. Your investment in the picture on it and underneath it Creativity Circle will support artists from • Focusing on artistic growth, independent Canada and around the world in creating new study and the creation, production, and said, ‘Artist.’ You can’t imagine works, enriching our cultural repertoire and dissemination of new works; how important that is ... We inspiring our communities. • Providing a safe environment for are treated with respect, given experimentation and risk-taking; and freedom to work, and support MADE IN BANFF, • Encompassing exceptional mentorship services to help us along. It is a by leading artists and peer-to-peer learning SHARED WITH THE WORLD with built-in opportunities to showcase, gift that I will cherish.” exhibit and perform. Works created at The Banff Centre light — Michael S. Armstrong, BC writer, up stages, reverberate through concert halls, Artists’ Fund recipient grace galleries, and fill books shelves across Canada and around the world. Last year, over 7,000 participants attended Banff Centre programs. Over 400 performances, concerts, readings, exhibitions, and public presentations were produced for more than 81,000 audience members. Published January 15, 2015 CREATIVITY CIRCLE SUPPORTER BENEFITS AND RECONGITION The 36th Banff Centre Midsummer Ball Weekend (July 24-26, 2015) Diamond Platinum Gold Silver Bronze Jade SPONSOR LEVELS: $50k+ $35k+ $25k+ $15k+ $10k+ $6k+ per year per year per year per year per year per year IMPACT: Number of artists who benefit at each level of support. 10 7 5 3 2 1 Reserved VIP seats for Friday Night LIVE performance 3 Legendary Leaders VIP ticket/package purchase opportunity 3 Platinum Name recognition in any Ball promotional advertising 3 $35k+ Gold Optional opportunity to have a Banff Centre artist 3 3 seated at your Ball Gala table (pending artist availability). $25k+ * COMPLIMENTARY BALL WEEKEND TICKETS with superior on-site accommodation for 2 nights valued at $2,580 per couple 4 4 2 Silver (see below for option to purchase additional tickets in advance) $15k+ Prime seating at Saturday’s gala Ball, dinner & silent auction Premium+ Premium Preferred+ Preferred * “Be Our Guest” Packages: Each package includes 2 tickets to a Banff Centre production or talk, and 1 night of on-site 4 3 2 1 Bronze accommodation (excluding the Ball Weekend) $10k+ Jade Invitation to exclusive Banff Centre events throughout the year 3 3 3 3 3 $6k+ Artist Award(s) in your name - in recognition of your support 4 3 2 2 1 1 ADVANCE BALL WEEKEND TICKET PURCHASE prior to March 30 6 4 4 4 2 2 Creativity Circle membership and pin 3 3 3 3 3 3 * Rolex & Bonus Draw Entries: Each $1,500 donation gets you a chance to win 1 of 2 Rolex watches (total value $25,000) and each Up to Up to Up to Up to Up to Up to $3,000 donation gets you a chance to win a bonus piece (value 49 34 19 15 9 6 $8,000). Each entry valued at $100 (total prize value $33,000). Name recognition by level in Ball Weekend printed materials: 1,400+ invitations (March 15 print deadline), 300+ gala programs, 3 3 3 3 3 3 and on-site signage (subject to print deadlines) Name recognition on Banff Centre website and donor wall; 3 3 3 3 3 3 also in The Banff Centre annual report if received by March 30 * SUSTAINING THE CREATIVE CYCLE: 3-YEAR PLEDGE Ongoing support provides the stability of funding to help us recruit the best and brightest artists to Banff while tripling the impact of your gift. In addition to the above yearly benefits, 3-year 8 6 4 4 4 2 supporters can receive one Banff Centre VIP evening during People People People People People People their pledge, including: > Exclusive behind-the-scenes Banff Centre tour * > Tickets to a Banff Centre production (based on availability) * > One night of on-site accommodation at 4 3 2 2 The Banff Centre Breakfast in our Vistas dining room rooms rooms rooms rooms 8 6 > 3-course dinner and wine pairings at Three Ravens restaurant * people people * Tax Receipt: Per Canada Revenue Agency, tax receipts can be issued for the value of your contribution less the value of goods and services received. Items with an asterisk in blue are optional and can be waived in lieu of a tax receipt for the full value of the contribution. SHARE YOUR PASSION FOR CREATIVITY, INNOVATION, AND THE ARTS “We proudly support 2014 BANFF CENTRE MIDSUMMER BALL The Banff Centre as it provides ARTISTS’ FUND SPONSORS & SUPPORTERS a learning environment unlike Presenting Sponsor Bronze $10,000 Darrell & Debra Law any other. Thousands of the Husky Energy Inc. Anonymous Harvey Locke Showcase ATB Corporate Financial Services Stephen & Mary Lougheed most talented professional Performances Sponsor Blake, Cassels & Graydon LLP Jeffrey & Vanessa Mackie RBC Capital Markets Julie & Rick George Andy & Wendy Mah artists from Canada, and around Rebecca Hotchkiss Gerry & Anna Maier the world, attend the Centre Lead Print Media Sponsor Jeff Kovitz, QC Cal & Leanne Malhiot The Globe and Mail Jamie & Brenda Mackie Marilyn & Jeff McCaig every year and bring inspiration Friday Night LIVE Sponsor Maclab Enterprises Rod & Karen McCann and creativity back to their Shaw Communications McAra Printing Marc & Michelle Mereau Diamond $50,000 Jeri-Lynn & Lauren Robertson Geri & Alan Moon communities. RBC invests in Andrea Brussa Sidley Austin LLP Alan Murdock Progress Energy Canada Ltd. Jade $6,000 Sherri & Derek Neldner The Banff Centre as a meaningful Kim & Jeff van Steenbergen Anonymous Jacqueline Nowak & Adam & Jan Waterous Alfred & Phyllis Balm Murray Malley way to contribute to a rich and Kathleen Cowick & Dave Sorensen Gordon & Judy Paterson Platinum $35,000 Robert & Melissa Pockar vibrant Canadian culture.” Larry & Jan Fichtner Heather & Michael Culbert Ed Eberts Brian Porter Chris & Mary Fong David & Deb Potter — Derek Neldner, Head of KERN Partners Ltd. Glenn & Claire Gradeen Gary & Terry Guidry Ivor & Deborah Ruste Canadian Investment Banking, John & Sheilagh Langille Margaret Southern Norton Rose Fulbright Debra & Brian Heald RBC Capital Markets Glenda Hess Kim Thomassin OneWest Greg & Shirley Turnbull Gordon & Robyn Ritchie Elmer & Hilda Hildebrand Leanne & George Lewis Henry & Sharon Van Der Sloot Platinum $35,000 Gay Mitchell & Archie McIntosh Monique & Gary Weilinger In-Kind Sponsors Dennis O’Rourke Bill Williams J. Vair Anderson Jewellers Kathy & Richard Sendall Rolex Canada Ltd. James Rick Sinneave & Mountain Galleries at the Fairmont Brune Sinneave Gold $20,000 Tim Watson Asim & Sanjukta Ghosh Darcy Will Dick & Lois Haskayne Nancy & Andrew Wiswell Gold $20,000 Supporters In-Kind Sponsors John Abbott Canada House Gallery Gail Andrew & Richard Haagsma House of Persian Rugs Bruce & Carol Bentley Loch Gallery Inc. Margaret Clarke Masters Gallery Ltd. Carrie & Kent Ferguson Silver $15,000 John & Bunny Ferguson ARC Resources Ltd. Trevor & Cindy Gardner Canadian Natural Resources Ltd. James Gillespie & Shauna Miller Alice Chan & Dr. Chen Fong Doug & Joanne Goss Barbara & Gerald Chipeur Ross & Nancy Hayes Ledcor Group of Companies Dan & Kathy Hays Sheila Wappel-McLean & Beth Reimer-Heck & Barry Heck Brent Mclean Jeffrey & Sheryl Hotchkiss
Recommended publications
  • The Banff Centre Have a Long and Distinguished History
    ARTS at The Banff Centre have a long and distinguished history. For almost 75 years, The Banff Centre has provided professional career development and lifelong learning for artists and cultural leaders in performing, literary, new media, and visual arts. Work is showcased throughout the year in public concerts, exhibitions, and events, culminating in the Banff Summer Arts Festival. LEADERSHIP DEVELOPMENT at The Banff Centre offers customized and public programs in the corporate, government, Aboriginal arts, and not- for-profit sectors that enable and support fundamental At The Banff Centre I hear of The Banff Centre’s transformation in individuals, organizations, and particular genius every time communities. I discovered the joy I speak to an artist, scientist, MOUNTAIN CULTURE programming at The and the discipline of Banff Centre promotes understanding and appreciation or any individual who has of the world’s mountain places by creating opportunities music. The impact lives had the great fortune to for people to share and find inspiration in mountain with me every day. experiences, ideas, and visions. have been a resident. CONFERENCE SERVICES at The Banff Centre pianist Jon Kimura Parker Alberta visual artist Christopher Cran provides superb meeting and accommodation facilities for organizations from all over the world, featuring over 400 guest rooms, and 60 exceptional meetings spaces, lecture theatres, and auditoriums to accommodate groups from five to 1,000 people. FAST FACTS The Banff Centre Founded: 1933 Location: Banff, Alberta, Canada Annual program participants: 4,000–5,000 Scholarships, support, and financial assistance provided: $3.8 million Original performances, concerts, and exhibitions Inspiring Creativity per year: over 400 The Banff Centre is a catalyst for creativity and a globally respected Audience for the Banff Summer Arts Festival: 34,250 post-secondary educational institution and conference facility.
    [Show full text]
  • Michael Schade at a Special Release of His New Hyperion Recording “Of Ladies and Love...”
    th La Scena Musicale cene English Canada Special Edition September - October 2002 Issue 01 Classical Music & Jazz Season Previews & Calendar Southern Ontario & Western Canada MichaelPerpetual Schade Motion Canada Post Publications Mail Sales Agreement n˚. 40025257 FREE TMS 1-01/colorpages 9/3/02 4:16 PM Page 2 Meet Michael Schade At a Special Release of his new Hyperion recording “Of ladies and love...” Thursday Sept.26 At L’Atelier Grigorian Toronto 70 Yorkville Ave. 5:30 - 7:30 pm Saturday Sept. 28 At L’Atelier Grigorian Oakville 210 Lakeshore Rd.E. 1:00 - 3:00 pm The World’s Finest Classical & Jazz Music Emporium L’Atelier Grigorian g Yorkville Avenue, U of T Bookstore, & Oakville GLENN GOULD A State of Wonder- The Complete Goldberg Variations (S3K 87703) The Goldberg Variations are Glenn Gould’s signature work. He recorded two versions of Bach’s great composition—once in 1955 and again in 1981. It is a testament to Gould’s genius that he could record the same piece of music twice—so differently, yet each version brilliant in its own way. Glenn Gould— A State Of Wonder brings together both of Gould’s legendary performances of The Goldberg Variations for the first time in a deluxe, digitally remastered, 3-CD set. Sony Classical celebrates the 70th anniversary of Glenn Gould's birth with a collection of limited edition CDs. This beautifully packaged collection contains the cornerstones of Gould’s career that marked him as a genius of our time. A supreme intrepreter of Bach, these recordings are an essential addition to every music collection.
    [Show full text]
  • Hockey Night in Canada
    16 Primary 17 Study Guide The Toronto Symphony Orchestra’s Student Concerts are generously supported by Mrs. Gert Wharton and an anonymous donor. Table of Contents Concert Overview Concert Preparation Program Notes 3 4 - 6 7 - 17 Lesson Plans Artist Biographies Musical Terms Glossary 18 - 27 28 - 29 30 - 31 Instruments in Musicians Teacher & Student the Orchestra of the TSO Evaluation Forms 32 - 43 44 - 47 48 - 49 The Toronto Symphony Orchestra gratefully acknowledges Robin Malach for preparing the lesson plans included in this guide Concert Overview The Hockey Sweater Primary: Suitable for students in grades K–4 Alain Trudel, conductor Roch Carrier, narrator Christopher Gongos, horn Abigail Richardson-Schulte, host The beloved Canadian story The Hockey Sweater is brought to life through music in the TSO co-commissioned work of the same name. Just in time for the 2017 Stanley Cup playoffs, this charming winter classic will be narrated by author Roch Carrier. Program to include excerpts from*: Abigail Richardson-Schulte The Hockey Sweater Howard Cable Regatta Day in St. John's André Jutras Suite Fantastique Howard Cable "Point Pelee" from Ontario Pictures Traditional , arr. Marc Bélanger Chicken Reel Douglas Schmidt Rush! Traditional, arr. Mitch Clarke Way Up the Yucletaw (Sing-Along) John Estacio Borealis Dolores Claman, arr. Howard Cable Hockey Night in Canada *Program subject to change 3 Concert Preparation Let's Get Ready! Your class is coming to Roy Thomson Hall to see and hear the Toronto Symphony Orchestra! Here are some suggestions
    [Show full text]
  • UBC High Notes
    UBC High Notes Fall 2011 Newsletter of the School Music at the University of British Columbia Director’s Welcome Welcome to the thirteenth edition of High Notes, our annual chronicle of the recent activities and major achievements of faculty, students, and alumni of the UBC School of Music. The variety, quality, and international impact of these contributions to scholarship and public life are inspiring and impressive, and each year brings a stream of new work and echoing accolades. After our exciting “year of renewal” in 2010/2011, we are now taking full advantage of our revitalized facilities. The handsomely renovated Roy Barnett Recital Hall is acoustically brilliant and well equipped, and is the heart of our teaching and performing activities every day. The beautiful and historic Old Auditorium has been thoroughly modernized as a teaching, rehearsal, and performance space perfect for classical opera, and also for concerts, recitals, and other events. The splendid Chan Centre, with its contemporary design and acoustic radiance, is home for our Symphony Orchestra, Symphonic Wind Ensemble, Concert Winds, University Singers, and Choral Union, plus one fully staged opera each season by the UBC Opera Ensemble. The Chan Centre also features its own programming and numerous community partnerships. These three wonderful venues add depth and richness to the musical life of UBC. Thanks to significant investments by the Province, University, Faculty of Arts, the School of Music itself, and the support of many generous private donors, our faculty and students enjoy facilities that few institutions Photo credit: Martin Dee can match. We are always delighted to welcome the community to our many performances in these three superb venues.
    [Show full text]
  • The Music Scene December 2002 — February 2003 Contents E N E C
    FREE www.scena.org December 2002 - February 2003 Issue 02 yo-yo Ma An Invitation to Explore Holidays Classical Music Calendar Southern Ontario & Western Canada AVE MARIA BEETHOVEN HANDEL MOZART Sacred Arias And Choruses Symphony No. 9 “Choral” The Messiah (Highlights) Requiem ORFF PETER AND THE WOLF RACHMANINOV TCHAIKOVSKY Carmina Burana Narrated by Piano Concerto No. 2 Nutcracker/Swan Lake Dame Edna Everage Bank/Sparks Ottawa Carrefour Laval Laval Cataraqui Town Centre Kingston Devonshire Mall Windsor Fairview Mall Willowdale First Canadian Place Toronto Halifax Halifax Laurier Ste-Foy Market Mall Calgary Mayfair Victoria Montreal Megastore Montréal Park Royal Vancouver Pointe-Claire Pointe- Claire Polo Park Winnipeg Portage Place Winnipeg Richmond Centre Richmond Rideau Ottawa Scarborough Town Centre Scarborough Sherway Gardens Etobicoke Square One Mississauga St Vital Winnipeg Stone Road Guelph TD Square Calgary Toronto Superstore Toronto Upper Canada Mall Newmarket West Edmonton Edmonton Yonge & Bloor Toronto Yonge & Eglinton Centre Toronto Yorkdale Toronto 3 CDs for $20 offer in effect at participating HMV locations only until December 24, 2002. Offer applies to specially stickered CD selections only. Individually priced at 7.99 each. HMV reserves the right to limit quantities and cease offer at any time. Offer valid only while quantities last. One HMV Coupon Booklet per transaction. HMV reserves the right to limit quantities. Minimum $40 purchase before taxes required. ATMAclassique Introducing the Pacific Baroque Orchestra recognized
    [Show full text]
  • The Programming of Orchestral Music by Canadian Composers, 1980-2005
    The Programming of Orchestral Music by Canadian Composers, 1980‐2005 by Robert John Fraser B.Mus. (Music Ed.), Brandon University, 1990 Licentiate in Music, McGill University, 1990 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Musicology with Performance School of Music, Faculty of Fine Arts © 2008 by Robert John Fraser University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ISBN:978-0-494-47348-1 ii The Programming of Orchestral Music by Canadian Composers, 1980‐2005 by Robert John Fraser B.Mus. (Music Ed.), Brandon University, 1990 Licentiate in Music, McGill University, 1990 Supervisory Committee Dr. Susan Lewis Hammond, Supervisor School of Music, Faculty of Fine Arts Christopher Butterfield School of Music, Faculty of Fine Arts Dr. Jennifer Wise, Outside Member Department of Theatre, Faculty of Fine Arts iii Supervisory Committee Dr. Susan Lewis Hammond, Supervisor School of Music, Faculty of Fine Arts Christopher Butterfield School of Music, Faculty of Fine Arts Dr. Jennifer Wise, Outside Member Department of Theatre, Faculty of Fine Arts Abstract This thesis catalogues performances of orchestral music written by Canadian composers, performed between 1980 and 2005 by six Canadian professional symphony orchestras (Victoria, Calgary, Winnipeg, London, Toronto and Montreal). This catalogue, referred to as the Main Repertoire Table (MRT), lists 1574 performances. Using the results of the MRT, I identify 63 composers who have contributed five or more works to the repertoire, and 44 composers who have had at least ten performances.
    [Show full text]
  • A Canadian Opera Aria Anthology for Soprano
    A CANADIAN OPERA ARIA ANTHOLOGY FOR SOPRANO by Stephanie Eiko Nakagawa M.M., Indiana University, 2011 B.Mus., The University of British Columbia, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2017 © Stephanie Eiko Nakagawa, 2017 Abstract A problem that Canadian opera faces is that once works are premiered, they rarely receive any further performances. Singers must overcome numerous barriers to sing these works due to limited score accessibility and lack of aria adaptations and recordings. Even if singers feel passionately about Canadian opera, such obstacles may impede their motivation to perform Canadian repertoire. This thesis aims to increase the awareness and accessibility of Canadian opera through the creation of a “Canadian Opera Aria Anthology for Soprano.” The anthology includes background information about the operas, composer and librettist biographies, opera synopses, and aria adaptations. In addition, performance and interpretive guides have been formed from the author’s own research in performing these works, available recordings, and from information gathered from the author’s interviews with the composers and librettists. Hopefully the arias within this anthology will not only provide singers with useful arias for auditions, but also give them and their audience a lens through which they may better understand Canadian opera and culture. Ultimately, this research aims to increase the recognition of Canadian opera and to develop a greater interest and appreciation for these works so that one day, they may become a part of the standard operatic repertoire and reach both Canadian and international stages.
    [Show full text]
  • Putting the Accent on Education Robert Rival, Resident Composer of the ESO
    IN CONCERT Putting the accent on education Robert Rival, resident composer of the ESO “For a composer writing concert music, thorough process, involving many organi- Of course, central to Rival’s two-year there’s nothing more exciting than being zational layers of the orchestra.” residency appointment is composing for the resident composer of a professional Already, Rival has a promising composi- the ESO: his job requires him to write orchestra.” tional résumé: his music has been played by two pieces a year for the orchestra. His These are the words of Robert Rival, Toronto’s Gryphon Trio, it’s been broad- commitment to the orchestra doesn’t who’s been the resident composer of cast on CBC radio, and he was a featured currently allow him much time for other the Edmonton Symphony Orchestra composer last year at the Windsor projects. Just before he took up his new since last September. Symphony Orchestra’s Canadian Music position in September, he finished a string “For one thing,” the 36-year-old sextet that was commissioned by the composer continues, “the fact that you’re “There’s nothing more CBC. Then he plunged into the world of on-site for all the rehearsals and perfor- orchestral composition. mances gives these events more weight.” exciting than being the Since then he’s finished a tone-poem Rival is the third person to serve as resident composer of a called Achilles and Scamander, to be pre- resident composer of the ESO, succeeding miered at Edmonton’s Winspear Centre Allan Gilliland and John Estacio.
    [Show full text]
  • The Programming of Orchestral Music by Canadian Composers, 1980-2005
    The Programming of Orchestral Music by Canadian Composers, 1980‐2005 by Robert John Fraser B.Mus. (Music Ed.), Brandon University, 1990 Licentiate in Music, McGill University, 1990 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in Musicology with Performance School of Music, Faculty of Fine Arts © 2008 by Robert John Fraser University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permission of the author. ii The Programming of Orchestral Music by Canadian Composers, 1980‐2005 by Robert John Fraser B.Mus. (Music Ed.), Brandon University, 1990 Licentiate in Music, McGill University, 1990 Supervisory Committee Dr. Susan Lewis Hammond, Supervisor School of Music, Faculty of Fine Arts Christopher Butterfield School of Music, Faculty of Fine Arts Dr. Jennifer Wise, Outside Member Department of Theatre, Faculty of Fine Arts iii Supervisory Committee Dr. Susan Lewis Hammond, Supervisor School of Music, Faculty of Fine Arts Christopher Butterfield School of Music, Faculty of Fine Arts Dr. Jennifer Wise, Outside Member Department of Theatre, Faculty of Fine Arts Abstract This thesis catalogues performances of orchestral music written by Canadian composers, performed between 1980 and 2005 by six Canadian professional symphony orchestras (Victoria, Calgary, Winnipeg, London, Toronto and Montreal). This catalogue, referred to as the Main Repertoire Table (MRT), lists 1574 performances. Using the results of the MRT, I identify 63 composers who have contributed five or more works to the repertoire, and 44 composers who have had at least ten performances. I also identify 47 works that have been performed five times or more.
    [Show full text]
  • The Power of an Inspired Few to Unleash Creativity
    THE 2016 BANFF CENTRE MIDSUMMER BALL “CREATIVITY CIRCLE” THE POWER OF AN INSPIRED FEW TO UNLEASH CREATIVITY WE INVITE YOU TO JOIN CREATIVITY CIRCLE IMPACT THE 37TH BANFF CENTRE MIDSUMMER BALL WEEKEND THE CREATIVITY CIRCLE Artists tell us their lives are transformed by their experience at The Banff Centre. Our alumni are A FUNDRAISING EVENT The Banff Centre’s mission is “inspiring more likely to receive at least one or two awards creativity”. We believe in the power of the after being in Banff than graduates, more than UNLIKE ANY OTHER arts to affect positive change. The arts enable any other arts training program in Canada. Over us to tell meaningful stories that connect 90 percent of Banff Centre alumni are working On July 22 - 24, 2016, a group of us. Through the creative process, artists not professionally in their field, and 81 percent of the arts’ most ardent supporters will only entertain, but also provoke thoughtful them secured a role or exhibition within a year journey to Banff for one of the most conversations that act to inspire and enrich of participating in a Banff Centre program. spectacular social events of the season, our lives. The 36th Banff Centre Midsummer Ball Banff Centre programs are unique and of Weekend. This exclusive event is an The Midsummer Ball plays a critical role exceptional quality, attracting extraordinary opportunity to celebrate the importance annually in raising funds that allow artists to people who thrive in our multidisciplinary of the arts and experience The Banff attend Banff Centre professional development environment. Our goal is to provide the Centre and the creativity it inspires in programs.
    [Show full text]
  • Groundbreaking
    Annual Report 2015–2016 GROUNDBREAKING ROLE Created by the Parliament of Canada as a Centennial project during the 1960s, the National Arts Centre raised its curtains for the first time in 1969. Today the NAC collaborates with artists and arts organizations across Canada to help create a national stage for the performing arts, and acts as a catalyst for performance, creation and learning across the country. A home for Canada’s most creative artists, the NAC strives to be artistically adventurous in each of its programming streams — the NAC Orchestra, English Theatre, French Theatre and Dance, as well as Scene festivals and NAC Presents, which showcase established and emerging Canadian artists. The organization is at the forefront of youth and educational activities, offering artist training, programs for children and youth, and resources for teachers in communities across Canada. The NAC is also a pioneer in new media, using technology to teach students and young artists around the globe, creating top-rated podcasts, and providing a wide range of NAC Orchestra concerts on demand. The NAC is the only bilingual, multidisciplinary performing arts centre in Canada, and one of the largest in the world. ACCOUNTABILITY AND FUNDING The NAC reports to Parliament through the Minister of Canadian Heritage. Of the NAC’s total revenue, nearly half is derived from an annual parliamentary appropriation, while the other half comes from earned revenue — box office sales, the NAC Foundation, catering, le café (restaurant), commercial parking and facility rentals. Each year, the Minister of Canadian Heritage tables the NAC annual report in Parliament. The Auditor General of Canada is the NAC’s external auditor.
    [Show full text]
  • UBC High Notes Newsletter of the School of Music at the University of British Columbia
    UBC High Notes Newsletter of the School of Music at the University of British Columbia Fall 2013 Director’s Welcome On behalf of Richard Kurth, who is on leave this year before resuming his second term as Director, I am pleased to introduce the 15th edition of our yearly newsletter. It’s our chance to share with students, alumni, donors and supporters some of the great news about the UBC School of Music. We have worked diligently to solidify our position as the best place to study music in Western Canada and we are seeing the fruits of our efforts. Our concerts feature demanding repertoire and attract growing audiences. Our ensembles are showcased abroad: this year the University Singers toured Spain; the Opera Ensemble performed in Ontario and the Czech Republic; and the Symphonic Wind Ensemble gave performances and workshops throughout the U.S. West Coast. Numerous students have been recognized for their choral and instrumental compositions. I am especially proud to note that our students have also served as UBC Ambassadors to the Concerts in Care program, which provides pleasure and comfort to residents in health care facilities across Canada. Photo Credit: Varun Saran Our faculty members have made significant contributions to the world of music through innovative performances, original compositions and wide-ranging scholarship. They continue to refine our pedagogy by providing performance instruction in partnership with some of the best professional musicians in the city, familiarizing students with technology that every musician will need to use, and developing their theoretical and historical understanding. I hope this issue of High Notes shares the excitement and pride I feel about the accomplishments of this past year and our hopes for the future.
    [Show full text]