Alphabet Inc. Incoming Letter Dated February 5, 2019
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Youtube Comments As Media Heritage
YouTube comments as media heritage Acquisition, preservation and use cases for YouTube comments as media heritage records at The Netherlands Institute for Sound and Vision Archival studies (UvA) internship report by Jack O’Carroll YOUTUBE COMMENTS AS MEDIA HERITAGE Contents Introduction 4 Overview 4 Research question 4 Methods 4 Approach 5 Scope 5 Significance of this project 6 Chapter 1: Background 7 The Netherlands Institute for Sound and Vision 7 Web video collection at Sound and Vision 8 YouTube 9 YouTube comments 9 Comments as archival records 10 Chapter 2: Comments as audience reception 12 Audience reception theory 12 Literature review: Audience reception and social media 13 Conclusion 15 Chapter 3: Acquisition of comments via the YouTube API 16 YouTube’s Data API 16 Acquisition of comments via the YouTube API 17 YouTube API quotas 17 Calculating quota for full web video collection 18 Updating comments collection 19 Distributed archiving with YouTube API case study 19 Collecting 1.4 billion YouTube annotations 19 Conclusions 20 Chapter 4: YouTube comments within FRBR-style Sound and Vision information model 21 FRBR at Sound and Vision 21 YouTube comments 25 YouTube comments as derivative and aggregate works 25 Alternative approaches 26 Option 1: Collect comments and treat them as analogue for the time being 26 Option 2: CLARIAH Media Suite 27 Option 3: Host using an open third party 28 Chapter 5: Discussion 29 Conclusions summary 29 Discussion: Issue of use cases 29 Possible use cases 30 Audience reception use case 30 2 YOUTUBE -
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
How to Reform Counterintelligence Outreach to Industry
Protecting Partners or Preserving Fiefdoms? How to Reform Counterintelligence Outreach to Industry BY DARREN E. TROMBLAY | OCTOBER 2017 U.S. industry is increasingly independent of federal government direction It’s time for a new in its creation of new knowledge and capabilities. Nonetheless, the approach to counterintelligence outputs of industry support the United States’ ability to maintain outreach to the elements of its national power. Consequently, industry is in the crosshairs commercial sector— of not only foreign competitors, but also of foreign intelligence services one that focuses more that seek to surreptitiously obtain valuable knowledge and other on recognizing and responding to intellectual property. This is an unfair fight. It is further complicated by indicators of the the fact that both adversaries and allies alike have directed their threat, less on turning intelligence resources against U.S. industry. to investigators once the damage has Although the U.S. government has attempted to partner with the private sector on already been done. counterintelligence (CI) awareness and response, these efforts have been plagued by a limited concept of which industry sectors are at risk, inconsistency in programs, and redundancies across agencies. Moreover, the U.S. intelligence community is already being asked to do more with less. It is time for a new approach to the important function of counterintelligence outreach to the commercial sector. Such an approach must focus more on recognizing and responding to indicators of the threat, less on turning to investigators once the damage has already been done. Counterintelligence—in the theoretical sense—means preventing an adversary’s intelligence services from acquiring an information advantage. -
Trump Is Still Banned on Youtube. Now the Clock Is Ticking. - WSJ
5/8/2021 Trump Is Still Banned on YouTube. Now the Clock Is Ticking. - WSJ This copy is for your personal, non-commercial use only. To order presentation-ready copies for distribution to your colleagues, clients or customers visit https://www.djreprints.com. https://www.wsj.com/articles/trump-is-still-banned-on-youtube-that-could-change-11620293402 TECH Trump Is Still Banned on YouTube. Now the Clock Is Ticking. The video-sharing giant says it is continuing to monitor threat of violence in wake of Jan. 6 Capitol riot Former President Donald Trump has been suspended from posting on YouTube since January. PHOTO: YURI GRIPASPOOLSHUTTERSTOCK By Tripp Mickle Updated May 6, 2021 1115 am ET Listen to this article 6 minutes With Donald Trump’s return to Facebook in limbo, YouTube has emerged as the former president’s best chance to return to social media in the near future. Mr. Trump has been suspended from posting on the video-sharing service owned by Alphabet Inc.’s GOOG 0.73% ▲ Google since January. Company leaders have said they will revisit their decision but have given few details on when, or who will make the call. Unlike Facebook Inc. and Twitter Inc., which has permanently banned Mr. Trump, YouTube has provided limited information on its call. Facebook first explained its ban in a personal post by Chief Executive Mark Zuckerberg and then referred the matter to its https://www.wsj.com/articles/trump-is-still-banned-on-youtube-that-could-change-11620293402?mod=searchresults_pos10&page=1 1/5 5/8/2021 Trump Is Still Banned on YouTube. -
'Boxing Clever
NOVEMBER 05 2018 sandboxMUSIC MARKETING FOR THE DIGITAL ERA ISSUE 215 ’BOXING CLEVER SANDBOX SUMMIT SPECIAL ISSUE Event photography: Vitalij Sidorovic Music Ally would like to thank all of the Sandbox Summit sponsors in association with Official lanyard sponsor Support sponsor Networking/drinks provided by #MarketMusicBetter ast Wednesday (31st October), Music Ally held our latest Sandbox Summit conference in London. While we were Ltweeting from the event, you may have wondered why we hadn’t published any reports from the sessions on our site and ’BOXING CLEVER in our bulletin. Why not? Because we were trying something different: Music Ally’s Sandbox Summit conference in London, IN preparing our writeups for this special-edition sandbox report. From the YouTube Music keynote to panels about manager/ ASSOCIATION WITH LINKFIRE, explored music marketing label relations, new technology and in-house ad-buying, taking in Fortnite and esports, Ed Sheeran, Snapchat campaigns and topics, as well as some related areas, with a lineup marketing to older fans along the way, we’ve broken down the key views, stats and debates from our one-day event. We hope drawn from the sharp end of these trends. you enjoy the results. :) 6 | sandbox | ISSUE 215 | 05.11.2018 TALES OF THE ’TUBE Community tabs, premieres and curation channels cited as key tools for artists on YouTube in 2018 ensions between YouTube and the music industry remain at raised Tlevels following the recent European Parliament vote to approve Article 13 of the proposed new Copyright Directive, with YouTube’s CEO Susan Wojcicki and (the day after Sandbox Summit) music chief Lyor Cohen both publicly criticising the legislation. -
GOOGLE LLC V. ORACLE AMERICA, INC
(Slip Opinion) OCTOBER TERM, 2020 1 Syllabus NOTE: Where it is feasible, a syllabus (headnote) will be released, as is being done in connection with this case, at the time the opinion is issued. The syllabus constitutes no part of the opinion of the Court but has been prepared by the Reporter of Decisions for the convenience of the reader. See United States v. Detroit Timber & Lumber Co., 200 U. S. 321, 337. SUPREME COURT OF THE UNITED STATES Syllabus GOOGLE LLC v. ORACLE AMERICA, INC. CERTIORARI TO THE UNITED STATES COURT OF APPEALS FOR THE FEDERAL CIRCUIT No. 18–956. Argued October 7, 2020—Decided April 5, 2021 Oracle America, Inc., owns a copyright in Java SE, a computer platform that uses the popular Java computer programming language. In 2005, Google acquired Android and sought to build a new software platform for mobile devices. To allow the millions of programmers familiar with the Java programming language to work with its new Android plat- form, Google copied roughly 11,500 lines of code from the Java SE pro- gram. The copied lines are part of a tool called an Application Pro- gramming Interface (API). An API allows programmers to call upon prewritten computing tasks for use in their own programs. Over the course of protracted litigation, the lower courts have considered (1) whether Java SE’s owner could copyright the copied lines from the API, and (2) if so, whether Google’s copying constituted a permissible “fair use” of that material freeing Google from copyright liability. In the proceedings below, the Federal Circuit held that the copied lines are copyrightable. -
Value of Youtube to the Music Industry - Paper III - Promotion
Value of YouTube to the music industry - Paper III - Promotion June 2017 RBB Economics 1 1 Introduction The music industry has undergone significant change over the past few years, with declining volumes of music sold through an ownership model (such as downloads) and rapid growth in usage models (such as streaming).1 While many services provide value to the recorded music industry, in the 12 months to December 2016 one video streaming platform, YouTube, paid out over USD 1 billion to the music industry from advertising alone.2 YouTube claims that not only does it return money directly to creators, but also that it has a promotional effect on music.3 However, some commentators argue that YouTube has a negative impact on the music industry: paying insufficiently for content and cannibalising other services. RBB Economics has undertaken several empirical analyses in order to evaluate YouTube’s potential promotional or cannibalisation effects on the music industry in Europe. We analyse the results from 1,500 person user surveys carried out in each of four European countries, as well as data on YouTube views and streams on audio platforms of over 8,000 tracks across these countries over a three year period.4 In our first note we considered the evidence of cannibalisation by YouTube of other legitimate music services. ● Looking at survey evidence we found that significant cannibalisation is unlikely: users of music on YouTube are primarily lighter users, and if music videos were no longer shown on YouTube, 85% of users’ time would be lost or shifted to lower or similar value channels, and even to file sharing or piracy. -
Announcement
Announcement 100 articles, 2016-02-25 12:01 1 Microsoft introduces Windows 10 for PCs build 14271 and Mobile build 14267.1004 to Fast ring (4) Microsoft released two new Insider builds to the Fast ring today. Windows 10 Mobile build 14267.1004 fixes an issue with Lumia 550 and Windows 10 for PCs build 14271 has other fixes. 2016-02-24 18:16:01+00:00 1KB www.neowin.net 2 Apple plans Siri for Mac as tentpole feature for this fall's OS X 10.12 launch (2) Apple has reportedly been testing Siri for Mac since at least 2012, but even though the digital assistant has already made its way from the iPhone to the Apple Watch and Apple TV, it’s been notably absent from OS X.… 2016-02-25 08:32:48 1KB www.techspot.com 3 MasterCard wants to replace passwords and PINs with selfies In the ongoing search for the successor to unsecure passwords and PINs, financial (2) services giant MasterCard is taking a modern approach to authenticating transactions called MasterCard Identity Check. 2016-02-25 11:17:44 2KB www.techspot.com 4 Docker: Build Use-case-appropriate Containers - Developer.com Docker hits a sweet spot with the default container construction. It provides reasonable (2) defaults without hindering productivity of users. 2016-02-25 00:00:00 5KB www.developer.com 5 Alcatel OneTouch Fierce XL now supported by Windows 10 Insider Preview (2) After releasing Windows 10 for PCs build 14271 and Windows 10 Mobile build 14267.1004 today, Microsoft also announced that the Alcatel OneTouch Fierce XL can now enroll in the Insider Program. -
Youtube Premium App Download Redit Youtube Premium Review: I Finally Caved – Is It Worth It? Youtube Is One of the Most Popular Apps and Websites on the Web
youtube premium app download redit YouTube Premium Review: I Finally Caved – Is It Worth It? YouTube is one of the most popular apps and websites on the web. Around 2 billion people access YouTube every month . On top of that, around 73% of US adults use YouTube on a daily basis . YouTube is a big deal basically. And its main revenue is adverts – lots and lots of adverts. If you want to make adverts disappear on YouTube, you have to sign up for YouTube Premium. It costs £11.99 a month (though you do get a free 30-day trial) and this also gets you access to YouTube Music as well (you can also move all your music from Google Play Music over to YouTube Music too). I signed up for YouTube Premium a few weeks back to see if it was for me. I had grown tired of interacting with Google’s never-ending pop-up spam on the app which seemed to appear every single time I opened the app. Google broke me. I caved and signed up. What’s ironic about all this, however, is the Google actively penalizes websites that use similar marketing tactics online. They call it spamming. Apparently it’s OK when Google does it though. If you use YouTube regularly, you’ll know exactly what I’m talking about. You get pop-ups like the ones listed below pretty much every time you open the app… SIGN-UP TO YouTube Premium! Hey, try YouTube Premium for free Do you want YouTube Premium? YouTube Premium is ad-free Get YouTube Premium now. -
The Aesthetic Mind This Page Intentionally Left Blank the Aesthetic Mind Philosophy and Psychology
The Aesthetic Mind This page intentionally left blank The Aesthetic Mind Philosophy and Psychology EDITED BY Elisabeth Schellekens and Peter Goldie 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # the several contributors 2011 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2011 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–969151–7 13579108642 Contents List of Figures viii Notes on Contributors ix Introduction 1 Elisabeth Schellekens and Peter Goldie Part I. -
The Power of You in Youtube
HA RNESSING THE POWER OF " YOU" IN YouTube How just one word - "YOU" - can double your YouTube viewership Writ t en and Researched by Dane Golden and Phil St arkovich a st udy by and .com HARNESSING THE POWER OF "YOU" IN YOUTUBE - A TUBEBUDDY/ HEY.COM STUDY - Published Feb. 7, 2017 EXECUTIVE SUMMARY HINT: IT'S NOT ME, IT'S "YOU" various ways during the first 30 platform. But it's more likely that "you" is seconds versus videos that did not say a measurable result of videos that are This study is all about YouTube and "YOU." "you" at all in that period. focused on engaging the audience rather than only talking about the subject of the After extensive research, we've found that saying These findings show a clear advantage videos. YouTube is a personal, social video the word "you" just once in the first 5 seconds of for videos that begin with a phrase platform, and the channels that recognize a YouTube video can increase overall views by such as: "Today I'm going to show you and utilize this factor tend to do better. 66%. And views can increase by 97% - essentially how to improve your XYZ." doubling the viewcount - if "you" is said twice in Importantly, this study shows video the first 5 seconds (see table on page 22). While the word "you" is not a silver creators and businesses how to make bullet to success on YouTube, when more money with YouTube. With the word And "you" affects more than YouTube views. We used in context as a part of otherwise "you," YouTubers can double their also learned that simply saying "you" just once in helpful or interesting videos, combined advertising revenue, ecommerce the first 5 seconds of a video is likely to increase with a channel optimization strategy, companies can drive more website clicks, likes per view by approximately 66%, and overall saying "you" has been proven to apps can drive more downloads, and B2B engagements per view by about 68%. -
Runtime Repair and Enhancement of Mobile App Accessibility
Runtime Repair and Enhancement of Mobile App Accessibility Xiaoyi Zhang A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2018 Reading Committee: James Fogarty, Chair Jacob O. Wobbrock Jennifer Mankoff Program Authorized to Offer Degree: Computer Science & Engineering © Copyright 2018 Xiaoyi Zhang University of Washington Abstract Runtime Repair and Enhancement of Mobile App Accessibility Xiaoyi Zhang Chair of the Supervisory Committee: Professor James Fogarty Computer Science & Engineering Mobile devices and applications (apps) have become ubiquitous in daily life. Ensuring full access to the wealth of information and services they provide is a matter of social justice. Unfortunately, many capabilities and services offered by apps today remain inaccessible for people with disabilities. Built-in accessibility tools rely on correct app implementation, but app developers often fail to implement accessibility guidelines. In addition, the absence of tactile cues makes mobile touchscreens difficult to navigate for people with visual impairments. This dissertation describes the research I have done in runtime repair and enhancement of mobile app accessibility. First, I explored a design space of interaction re-mapping, which provided examples of re-mapping existing inaccessible interactions into new accessible interactions. I also implemented interaction proxies, a strategy to modify an interaction at runtime without rooting the phone or accessing app source code. This strategy enables third-party developers and researchers to repair and enhance mobile app accessibility. Second, I developed a system for robust annotations on mobile app interfaces to make the accessibility repairs reliable and scalable. Third, I built Interactiles, a low-cost, portable, and unpowered system to enhance tactile interaction on touchscreen phones for people with visual impairments.