1932-09-18 [P
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Film Program
/o^ Ihe Museum of Modern Art vest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart No. 103 Thiirsday, August I8, 1966 FOR imSDflM:^ BELCA3E FILM PRfXaRAM September 1-50, 1966 Series Days Hoiirs, unless otherwise noted (T) THE THIRTIES: U.S.A. Sundays 2:00 Ss 5:30 p.m. Part I: 1930-1955 Mondays 2:00 & 5:30 p.m. (through September 30) Tuesdays 2:00 & 5:30 p.m. Thursdays 2:00, 5:30 & 8:00 p.m. Fridays 2:00 & 5:30 Saturdays 11:30 a.m., 3:00 & 5:30 p.m. (W) WEDNESDAYS AT NOON (continuing) Wednesdays 12:00 noon (A) Fn^ FROM THE ARCHIVE(continuing)Wedne8days 2:00 & 5:30 p.m. Thurs. Sept. 1- (T) DaC3K SOUP (1933); directed by Leo McCarey, with the Marx Broth Fri. Sept. 2 ers and Miargaret Dumont. 70 min. Sat. Sept. 3 - (T) ROMAN SCANDALS (1933)> directed by Frank Tuttle, with Eddie Sun. Sept. k Cantor, Ruth Etting, Gloria Stijart. Distributed by Brandon Films, Inc. 92 min. Mon. Sept. 5 - (T) DAVID HARUM (l93^)/ directed by James Cruze, with Louise Tues. Sept. 6 Dresser, Will Rogers, Evelyn Venable. 85 min. Wed. Sept. T **(w) *ANAEMIC (ymmk (1926), by Marcel Duchamp. 7 min. LE MDNDE DE PAUL DELVAUX (l9^), directed by Henri Storck.lOmin. MAGRUTE - THE OBJECT LESSON (I965), produced and directed by Luc de Heusch. English narration by Alan Schmer. 15 min. ALBERTO GIACOMEITI (1966), produced by Sumner Glimcher, directed by S. Chasmar, music by Arnold Ganson. 15 min. (A) BILDDOKUMENTE (1935). A compilation of German newsreels from 1912 to 1918 edited by Frank Hensel during the Nazi regime, if5 min. -
Walking Box Ranch Planning and Design Quarterly Progress Report: Period Ending January 10, 2012
Walking Box Ranch Public Lands Institute 1-10-2012 Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012 Margaret N. Rees University of Nevada, Las Vegas, [email protected] Follow this and additional works at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch Part of the American Popular Culture Commons, Business Administration, Management, and Operations Commons, Educational Assessment, Evaluation, and Research Commons, and the Historic Preservation and Conservation Commons Repository Citation Rees, M. N. (2012). Walking Box Ranch Planning and Design Quarterly Progress Report: Period ending January 10, 2012. 1-115. Available at: https://digitalscholarship.unlv.edu/pli_walking_box_ranch/30 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Walking Box Ranch by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. QUARTERLY PROGRESS REPORT University of Nevada, Las Vegas Period Covering October 11, 2010 – January 10, 2012 Financial Assistance Agreement #FAA080094 Planning and Design of the Walking Box Ranch Property Executive Summary UNLV’s President Smatresk has reiterated his commitment to the WBR project and has further committed full funding for IT and security costs. -
TORRANCE HERALD, » Art Drama I
THURSDAY. SEPTEMBER 10, TORRANCE HERALD, Torranoe, California PAGft 6-fc Cimema USIC Old West Goes In "Swing Time" Drama » Art ........ ..''••• . • J - • rf !...<.. J I •!- . ' II II • I . •' —— Bad Fire Starter WAVERLY, Ran. (U.P.) Mrs Bverett' drained a bucket o Quintuplet Film RHYTHM RIEJES THE BANGE "kerosene" from a barrel to start a fire. She had forgotten Team Plays Nursemaid to Prize Unparalleled As the kerosene had been replacec with gasoline. She escaped with In Cross Country Jaunt painful burns. ' Fine Amusement They haven't; gpt the Coyptes alhglhg 'Ml-Dl-Ho, but In almost every other In the picture that is the en WALT LINCH way the Old West has gone swing In tertalnment scoop of the year, 5»lng CrpBby's latest, ''Jlh.ythm on the Range," scheduled Darryl F. Zanuck makes movie tp open Sunday at the :ftlaza Theatre, Hawthorne, with star? of the first ran.k pf the Crpsby, Frances Farmer ai^d Bob Burns In central roles. world's front-page darlings, as "Rhythm On the Ra«ge" he presents the Dionnc Quin makes a cowman out of B4) tu,plets in their first full length and opens Its story. .When feature, "The .Country Doctor," Jean Harlow Is >yhich comes Sunday to the Tor- crooner buys a prize bull af a ranee Theatre for a three-day rodeo in New York's Madison Star In Famous run. Square Garden, then starts W^st Adapted from an original with the animal In a bo^ car. story by diaries ®- BHHe- &*1' In the reels that follow, a rol German Novel cago newspaper man, "The Country Poptoj" finds its drama licking romance Is punctuated Jean Harrow's newest starring by the bazooka-playing of in the ijife-and^deatft conflict that vehicle, "Silzy," in which the a' physician eternally wqges in Tp Ityake a Long Burns; swing music 'by Louis popular actress Is supported by the Canadian wilds in h|s unsel Prima's world-famed band, West fish work. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
Note: This Is the Author’S Original Manuscript Prior to Peer Review and Copy Editing
Note: This is the Author’s Original Manuscript prior to peer review and copy editing. Now published in Tamar Jeffers McDonald and Lies Lanckman eds., Star Attractions: Movie Magazines and Global Fandom in the Golden Age of Cinema (Iowa City: University of Iowa Press, 2019), pp. 123-139: https://www.uipress.uiowa.edu/books/9781609386733/star-attractions ‘England’s Apollo’: Ivor Novello, Divinised Stardom, and Researching Star Discourse in the Film Fan-magazine Michael Williams Introduction Back in the late 1990s, when researching Britain’s leading matinee-idol of the 1920s, Ivor Novello, it was an expression in a piece of seemingly throw-away publicity in a fan-magazine that helped me crystalize his appeal for contemporary audiences. I had already been struck by Novello’s astonishingly luminous close-ups in Alfred Hitchcock’s The Lodger (1926), and knew of his enduring association with the war anthem ‘Keep the Home Fires Burning’, which he co-wrote in 1914, but this advertisement for a 1923 fantasy film directed by Adrian Brunel, seemed to resonate with these aspects, and suggest so much more. The main text of the advertisement simply read: ‘‘Readers of Picture Show! Do you admire IVOR NOVELLO (ENGLAND’S APOLLO) Ask the manager of your local cinema when he is showing him in “The Man Without Desire!”’.i The bracketed reference was a little tongue-in-cheek (fitting the tone of some of Brunel’s productions) in suggesting that if its readers didn’t recognise the star’s name, they might be more familiar with this mythically grandiose alter-ego, as if removing the mask of a superhero. -
Medienwissenschaft / Hamburg: Berichte Und Papiere
CORE Metadata, citation and similar papers at core.ac.uk Provided by Hochschulschriftenserver - Universität Frankfurt am Main Medienwissenschaft / Hamburg: Berichte und Papiere 50, 2003: Screwball Comedy. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 17. Dezember 2002. Screwball Comedies: Eine Filmographie, eine Bibliographie Zusammengestellt v. Hans J. Wulff Für Hinweise danke ich Christine Noll Brinckmann, Thomas Christen, Karl-Dietmar Möller, Jörg Schweinitz und Gerlinde Waz. I. Die Filme (A-Z) II. Die Regisseure (A-Z) III. Die Stars (A-Z) IV. Chronologie V. Bibliographie I. Die Filme A Adam‘s Rib (Ehekrieg); USA 1949, George Cukor, D: Spencer Tracy, Katharine Hepburn. The Affairs of Annabel; USA 1938, Ben Stoloff, D: Jack Oakie, Lucille Ball. After Office Hours (Nach Büroschluss, aka: Ein Paar wie Katz und Hund; aka: Zwei wie Katz und Hund); USA 1935, Robert Z. Leonard, D: Clark Gable, Constance Bennett. After the Thin Man (Nach dem dünnen Mann; aka: Dünner Mann, zweiter Fall); USA 1936, W.S. Van Dyke, D: William Powell, Myrna Loy. Amazing Adventure; USA 1937, Alfred Zeisler, D: Cary Grant, Mary Brian. The Amazing Mr. Williams; USA 1940, Alexander Hall, D: Melvyn Douglas, Joan Blondell. And Baby Makes Three (Zwei Männer und drei Babies); USA 1949, Henry Levin, D: Robert Young, Barbara Hale. Angel (Engel); USA 1937, Ernst Lubitsch, D: Marlene Dietrich, Herbert Marshall. Annabel Takes a Tour; USA 1938, Lew Landers, D: Jack Oakie, Lucille Ball. Another Thin Man (Noch ein dünner Mann; aka: Dünner Mann, dritter Fall); USA 1939, W.S. Van Dyke, D: William Powell, Myrna Loy. Arise My Love; USA 1940, Mitchell Leisen, D: Ray Milland, Claudette Colbert. -
The Rollins Sandspur Newspapers and Weeklies of Central Florida
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 4-4-1934 Sandspur, Vol. 38 No. 26, April 4, 1934 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol. 38 No. 26, April 4, 1934" (1934). The Rollins Sandspur. 394. https://stars.library.ucf.edu/cfm-sandspur/394 ROLLINS COLLEGE LIBRARY WINTER i-'ARi\, i'LORlDA Attend Chapel ttoiUnsi^Santi0pur VOLUME 38 WINTER PARK, FLORIDA, MAY 9, 1934 Helen Welch and Jeannette WORLD POETS ATIEND RHEA SMITH HAS Houghton Offer Song Recitals SCHRAGE WINS FLASHES Jeannette Houghton, contralto, Helen Welch, soprano, assisted YEAR'S LEAVE assisted by Vincent Canzoneri, vio by Virignia Orebaugh, pianist, PRESIDENCY OF From the United Press linist, gave a senior recital Tues gave a senior recital Thursday eve Popular History Prof to Study day e/aning, May 8th, at tlv! ning. May 3, at the Woman's Club. For Ph. D. Woman'sClub. Mrs. Emelie Dough Mrs. Emelie Dougherty accompan FRANCE MAY DEFAULT erty and Lillias Parker accompany ied Miss Welch on the piano. The STUDENT BODY DEBT INDEFINITELY led Miss Houghton and Mr. Can program was as follows: Rhea M. Smith, -
The Museum of Modern Art Department of Film
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art . -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.