Korg ARP Odyssey Synthétiseur Analogique Duophonique

Total Page:16

File Type:pdf, Size:1020Kb

Korg ARP Odyssey Synthétiseur Analogique Duophonique Démarrage - 1.1 Ou trouver Quoi ? Korg ARP Odyssey Synthétiseur analogique duophonique Adaptation/Traduction des manuels & Compilation des informations : L. Duffar Korg ARP Odyssey - Aide-mémoire d’utilisation Mai 2018 1/102 Démarrage - 1.1 Ou trouver Quoi ? Sommaire court (Le sommaire complet est à la fin du document) Pour une lecture à l’écran pensez à utiliser les signets du PDF pour naviguer dans le document 1 Démarrage _____________________________________________________________ 6 1.1 Ou trouver Quoi ? ___________________________________________________________6 1.2 Introduction ________________________________________________________________7 1.2.1 Les 3 versions de l’Odyssey incluse dans le « Korg Odyssey » _____________________________ 7 1.2.2 Caractéristiques principales de la réédition de l’Odyssey par Korg _________________________ 8 1.2.3 Présentation tirée du manuel de 1976 du ARP Odyssey Rev.2 original _____________________ 9 1.3 Panneau de commande en bref ______________________________________________ 10 1.4 Panneau arrière ___________________________________________________________ 14 1.5 Préparation, accordage & Auto Off ___________________________________________ 16 1.5.1 Connexions ___________________________________________________________________ 16 1.5.2 Mise sous/hors tension _________________________________________________________ 17 1.5.3 Accordage des Oscillateurs (Cf. § 2.2 ci-dessous) _____________________________________ 17 1.5.4 Changer le réglage de coupure automatique d’alimentation : « Auto Off » _________________ 18 1.6 Production de sons ________________________________________________________ 19 1.6.1 Son de base ___________________________________________________________________ 19 1.6.2 Guide de démarrage de ARP _____________________________________________________ 19 2 Manuel de l’utilisateur __________________________________________________ 29 2.1 Petit historique de l’ARP Odyssey et de ses prédécesseurs ________________________ 29 2.2 Schéma de principe de l’ARP Odyssey _________________________________________ 31 2.1 Panneau de commande en détail ____________________________________________ 31 2.1.1 Sections « NOISE GENERATOR » & Contrôleurs de clavier ______________________________ 32 2.1.2 Section « VCO-1 » ______________________________________________________________ 33 2.1.3 Section « VCO-2 » ______________________________________________________________ 34 2.1.4 Sections « LFO » & « SAMPLE / HOLD » _____________________________________________ 35 2.1.5 Sections « AUDIO MIXER », « VCF », « HPF », « VCA »__________________________________ 36 2.1.6 Section « ENVELOPE GENERATOR » ________________________________________________ 38 2.2 Accordage du Korg Odyssey _________________________________________________ 39 2.3 Manuel de 1976 de l’ARP Odyssey original _____________________________________ 40 2.3.1 Comment fonctionne l’Odyssey? __________________________________________________ 40 2.3.2 « Sound Sources » : « VCO », « Pulse Width Mod », « Phase Sync », « NOISE », « FM » _______ 42 2.3.3 « Modifiers » : « Ring Mod », « VCA », « VCF », « HPF » ________________________________ 48 2.3.4 « Controllers » = Commandes restantes ____________________________________________ 54 2.3.5 A propos de « AUDIO MIXER » (Bonus du traducteur) _________________________________ 60 2.4 À propos du MIDI _________________________________________________________ 61 2.4.1 Connexion de dispositifs MIDI ____________________________________________________ 61 2.4.2 Connexion à un ordinateur _______________________________________________________ 62 2.4.3 Tableau d’implémentation MIDI __________________________________________________ 63 2.5 Dépannage _______________________________________________________________ 64 2.1 Fiche technique ___________________________________________________________ 65 3 Blank « Patch Sheets » __________________________________________________ 68 Korg ARP Odyssey - Aide-mémoire d’utilisation Mai 2018 2/102 Démarrage - 1.1 Ou trouver Quoi ? 4 Logiciels ______________________________________________________________ 70 5 Resources sur internet ___________________________________________________ 71 5.1 Sites web dédiés à l’ARP Odyssey ____________________________________________ 71 5.2 Patches « tout faits » ______________________________________________________ 72 5.2.1 Patch Book: 100 patches pour hardware ARP Odyssey (Korg) ___________________________ 72 5.2.2 ARP Odyssey Electronic Music Synthetizer Patch Book (ARP 1981) _______________________ 74 5.2.3 12 Patches inclus dans le manuel utilisateur de l’Odyssey (ARP 2nde édition 1976, rediffusion Korg 2015 75 5.2.4 « Instant Odyssey » : Retranscription de 16 Overlays de panneau du ARP Odyssey original (ARP) 76 5.2.5 Sax Sound (ARPeggio Newsletter d'avril 1977) _______________________________________ 77 5.2.6 30 Patches de Roger Powell's & cours audio (1973) ___________________________________ 77 5.2.7 ARP Odyssey Guide (1ère édition du manuel ARP) _____________________________________ 88 5.2.8 Randy Brewer ARP Odyssey Patch Collection ________________________________________ 88 5.2.9 Presets de l’application iOS « Odyssei » de Korg (A rédiger) _____________________________ 88 5.3 Tutoriels sur le net ________________________________________________________ 89 5.3.1 Tutoriels vidéo ________________________________________________________________ 89 5.4 Tests & avis ______________________________________________________________ 90 5.4.1 Test Audiofanzine ______________________________________________________________ 90 5.4.2 [REVIEW] ARP Odyssey REV3 (2015 édition) par “Foreverchild” __________________________ 96 Korg ARP Odyssey - Aide-mémoire d’utilisation Mai 2018 3/102 Démarrage - 1.1 Ou trouver Quoi ? Téléchargez la dernière version de cet aide-mémoire sur : https://fr.audiofanzine.com/synthe-analogique/arp/odyssey-rev3-2015/medias/autres/ AVERTISSEMENT : Ce document n’est pas prévu pour l’impression car il ne prétend pas être finalisé, et peut donc évoluer. Tout est fait au contraire pour faciliter la navigation à l’écran d’un l’ordinateur ou d’une tablette, grâce à des liens hypertexte vers les paragraphes. Ces liens fonctionneront toujours, même quand le numéro de paragraphe ou de page affiché semble erroné, et donc inutile sur un document imprimé (cela est dû à une absence de rafraichissement automatique par WORD de ces numéros affichés, après une modification du fichier ; le rafraichissement manuel des liens un par un est très laborieux et n’est donc pas toujours effectué) APPEL À CONTRIBUTION Si vous avez corrections, précisions ou ajouts à apporter, vous pouvez les écrire dans le fichier PDF à l’aide de l’outil « Notes » de Acrobat Reader, et mieux encore vous pouvez me les envoyer (le fichier, ou bien le texte si c’est assez long) pour que je complète le document. Réagissez dans le tutoriel Audiofanzine pour en faire profiter tout le monde … …. ou en utilisant la MP AudioFanzine pour tout autre sujet. Conventions typographiques Les termes en gras nomment les éléments physiques – les commandes du panneau supérieur et les connecteurs de la face arrière, Les termes « entre guillemets » nomment les options affichés à l’écran et fonctionnalités « Softwares ». Exception : dans les chapitres traitant exclusivement de software, les options sont écrites en gras pour plus de lisibilité. Korg ARP Odyssey - Aide-mémoire d’utilisation Mai 2018 4/102 Démarrage - 1.1 Ou trouver Quoi ? Précautions Emplacement L’utilisation de cet instrument dans les endroits suivants peut en entraîner le mauvais fonctionnement. En plein soleil Endroits très chauds ou très humides Endroits sales ou fort poussiéreux Endroits soumis à de fortes vibrations A proximité de champs magnétiques Alimentation Branchez l’adaptateur secteur mentionné à une prise secteur de tension appropriée. Evitez de brancher l’adaptateur à une prise de courant dont la tension ne correspond pas à celle pour laquelle l’appareil est conçu. Interférences avec d’autres appareils électriques Les postes de radio et de télévision situés à proximité peuvent par conséquent souffrir d’interférences à la réception. Veuillez dès lors faire fonctionner cet appareil à une distance raisonnable de postes de radio et de télévision. Maniement Pour éviter de les endommager, manipulez les commandes et les boutons de cet instrument avec soin. Entretien Lorsque l’instrument se salit, nettoyez‐le avec un chiffon propre et sec. Ne vous servez pas d’agents de nettoyage liquides tels que du benzène ou du diluant, voire des produits inflammables. Evitez toute intrusion d’objets ou de liquide Ne placez jamais de récipient contenant du liquide près de l’instrument. Si le liquide se renverse ou coule, il risque de provoquer des dommages, un court‐circuit ou une électrocution. Veillez à ne pas laisser tomber des objets métalliques dans le boîtier (trombones, par ex.). Si cela se produit, débranchez l’alimentation de la prise de courant et contactez votre revendeur korg le plus proche ou la surface où vous avez acheté l’instrument. * Tous les noms de produits et de sociétés sont des marques ommerciales ou déposées de leur détenteur respectif. Note concernant les dispositions (Seulement EU) Le symbole « poubelle barrée d’une croix » apparaissant sur un produit, un mode d’emploi ou des piles, signifie que ce produit, manuel ou piles doit être déposé chez un représentant compétent, et non pas dans une poubelle ou toute autre déchetterie conventionnelle. Disposer de cette manière, de prévenir les
Recommended publications
  • The Synth Issue
    THE SYNTH ISSUE KORG ARP ODYSSEY REDUX REVIEWED HANDS ON PREVIEWS Sequential Prophet-6 Moog System 55 Modular Modal Electronics 002 MODES DEMYSTIFIED No Sheet Music Required FAKE IT ’TIL YOU MAKE IT Bigger Samples Aren’t Always Better ROLAND JD-Xi SPACESTATION 3 ARTURIA Meet the Mid-Side Stereo iPROPHET SLOW BLUES MASTER CLASS Mini-Synth to Beat from One Amp Vector Victory Get the Real-Deal Feel 5.2015 | $5.99 A MUSIC PLAYER PUBLICATION 40 YEARS OF GROUNDBREAKING SYNTHS Grammy® winner and MIDI co-creator Dave Smith has designed more groundbreaking synths than anyone. Ever. Whatever your musical need or budget, Dave’s award-winning line of analog and analog/digital hybrid instruments has the right tool for you. Pro 2 · Prophet 12 · Prophet ’08 Mopho · Mopho x4 · Mopho SE Tetra · Tempest · Evolver THE PROPHET-6 IS COMING SOON! www.davesmithinstruments.com Designed and built in California CONTENTS MAY 2015 KNOW TALK 32 SYNTH SOLOING CÞ 8 Voices, tips, and breaking news from the Keyboard community. 4 œ œ We’ve explored his sound; now dive &4 œ œ œ Jan Hammer NEW GEAR SYNTH EDITION into the playing style of . D minor pentatonic 34 BEYOND THE MANUAL 10 In our special synthesizer-focused issue, we bring you first-look Learn tweaks to get more soft synth coverage of the Dave Smith Instruments Prophet 6, Modal mileage from your computer. Electronics 002, and Moog’s Modular systems, plus ten more new synth releases. 36 DANCE Making classic sounds with the ARP. HEAR REVIEW 16 ROAD WARRIORS In NRBQ’s 50th anniversary year, keyboardist 38 ANALOG SYNTH and founding member Terry Adams discusses Korg ARP Odyssey his touring gear, and the Monk tribute he’s always dreamed of making.
    [Show full text]
  • Fusion Best of Vintage Keys 1 to 4 Content
    - Sound Research & Development - Fusion Best of Vintage Keys 1-4 Sample Libraries with Program Presets Banks for Alesis Fusion 8HD/6HD. The Best of Vintage Keys series provides the essence of no less than 28 real legends which wrote music history. All sounds were programmed on the original instruments and then carefully sampled for finest sound quality. This handpicked selection offers the typical sounds these instruments are famous for. And a decent Controller Assignment system allows a true rendition of the original performance control. Packed in the 4 titles “Best of Vintage Keys 1-4”, each with the focus on 7 instruments. Available separately and as complete bundle. Sophisticated Controller programming for Control Knobs 1-4, S1 and S2 switches, Trigger Buttons T1-T4, Modulation Wheel, Pitch Bend. Best of Vintage Keys 1 Featured instruments: - Yamaha CS80 - Oberheim Matrix 12 - Mellotron - Minimoog - Korg Mono/Poly - Solina String Ensemble - Elka Synthex Best of Vintage Keys 2 Featured instruments: - Rhodes Chroma - Yamaha DX7II Centennial Version E! - Roland Jupiter 8 - Memorymoog - PPG Wave 2.2 - ARP ProSoloist - Roland VP330 Best of Vintage Keys 3 Featured Instruments: - miniKORG 700S - Godwin Symphoniy - Oberheim OB8 - ARP Odyssey - Polymoog - Polivoks - Korg Trident MkII Best of Vintage Keys 4 Featured instruments: - Korg DW8000 - Farfisa Polychrome - Roland Jupiter 4 - Moog Taurus - Moog Modular - SCI Prophet 5 - ARP Quadra Bonus instruments: - Yamaha PS20 - Casio VL1 General Controller and FX Assignment Use following Controllers
    [Show full text]
  • Pdf Nord Modular
    Table of Contents 1 Introduction 1.1 The Purpose of this Document 1.2 Acknowledgements 2 Oscillator Waveform Modification 2.1 Sync 2.2 Frequency Modulation Techniques 2.3 Wave Shaping 2.4 Vector Synthesis 2.5 Wave Sequencing 2.6 Audio-Rate Crossfading 2.7 Wave Terrain Synthesis 2.8 VOSIM 2.9 FOF Synthesis 2.10 Granular Synthesis 3 Filter Techniques 3.1 Resonant Filters as Oscillators 3.2 Serial and Parallel Filter Techniques 3.3 Audio-Rate Filter Cutoff Modulation 3.4 Adding Analog Feel 3.5 Wet Filters 4 Noise Generation 4.1 White Noise 4.2 Brown Noise 4.3 Pink Noise 4.4 Pitched Noise 5 Percussion 5.1 Bass Drum Synthesis 5.2 Snare Drum Synthesis 5.3 Synthesis of Gongs, Bells and Cymbals 5.4 Synthesis of Hand Claps 6 Additive Synthesis 6.1 What is Additive Synthesis? 6.2 Resynthesis 6.3 Group Additive Synthesis 6.4 Morphing 6.5 Transients 6.7 Which Oscillator to Use 7 Physical Modeling 7.1 Introduction to Physical Modeling 7.2 The Karplus-Strong Algorithm 7.3 Tuning of Delay Lines 7.4 Delay Line Details 7.5 Physical Modeling with Digital Waveguides 7.6 String Modeling 7.7 Woodwind Modeling 7.8 Related Links 8 Speech Synthesis and Processing 8.1 Vocoder Techniques 8.2 Speech Synthesis 8.3 Pitch Tracking 9 Using the Logic Modules 9.1 Complex Logic Functions 9.2 Flipflops, Counters other Sequential Elements 9.3 Asynchronous Elements 9.4 Arpeggiation 10 Algorithmic Composition 10.1 Chaos and Fractal Music 10.2 Cellular Automata 10.3 Cooking Noodles 11 Reverb and Echo Effects 11.1 Synthetic Echo and Reverb 11.2 Short-Time Reverb 11.3 Low-Fidelity
    [Show full text]
  • Download (1MB)
    University of Huddersfield Repository Quinn, Martin The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980 Original Citation Quinn, Martin (2019) The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34986/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ 0. A Musicological Exploration of the Musicians and Their Use of Technology. 1 The Development of the Role of the Keyboard in Progressive Rock from 1968 to 1980. A Musicological Exploration of the Musicians and Their Use of Technology. MARTIN JAMES QUINN A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts.
    [Show full text]
  • A Brief History of Analog Synthesis Ondioline
    Product Information Document Synthesizers and Samplers K-2 Analog and Semi-Modular Synthesizer with Dual VCOs, Ring Modulator, External Signal Processor, 16-Voice Poly Chain and Eurorack Format ## Amazing analog synthesizer with dual VCO design allows for insanely fat music creation ## Authentic reproduction of original circuitry with matched transistors A Brief History of and JFETs Analog Synthesis ## Pure analog signal path based on The modern synthesizer’s evolution authentic VCO, VCF and VCA designs began in 1919, when a Russian physicist ## Semi-modular architecture named Lev Termen (also known as with default routings requires no patching for immediate Léon Theremin) invented one of the performance first electronic musical instruments – ## First and second generation filter the Theremin. It was a simple oscillator design (high pass/low pass with peak/resonance) that was played by moving the performer’s hand in the vicinity of the ## 4 variable oscillator shapes with variable pulse widths and ring instrument’s antenna. An outstanding modulation for ultimate sounds example of the Theremin’s use can be ## Dedicated and fully analog heard on the Beach Boys iconic smash triangle/square wave LFO hit “Good Vibrations”. ## 2 analog Envelope Generators for modulation of VCF and VCA ## 16-voice Poly Chain allows Ondioline combining multiple synthesizers for In the late 1930s, French musician up to 16 voice polyphony Georges Jenny invented what he called ## Complete Eurorack solution – the Ondioline, a monophonic electronic main module can be transferred keyboard capable of generating a wide range to a standard Eurorack case of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by ## 36 controls give you direct and real-time access to all important depressing a key and using side-to-side finger parameters movements.
    [Show full text]
  • Kenton Pro Solo II
    PPRRORO SSOOOLLLOO MK II Single channel MIDI-CV converter Operating manual INTRODUCTION Congratulations on your purchase. The PRO SOLO mkII is much more than just a MIDI to CV converter, incorporating a built in LFO as well as portamento functions. Please take some time out to read through all the manual to avoid any operational difficulties. CONNECTIONS To the MIDI In of your other MIDI keyboard MIDI out Filter, Gate, CV MIDI Master keyboard/computer Analogue synth MIDI MIDI AUX, In Thru Gate, CV 9 volt external PRO SOLO power adapter MIDI In Plug your MIDI keyboard or sequencer`s MIDI Out into here. MIDI Thru Plug this into the MIDI In of another piece of your MIDI equipment should it be necessary. CV Plug this into your mono-synth`s input marked CV In, VCO In, KEY VOLT KYBD In, etc. This controls the pitch of your synth. GATE Plug this into your mono-synth`s input marked GATE, V-trig, Trig, S-Trig, etc. This turns the note on and off on your synth. AUX Plug this into your mono-synth`s input marked VCF, fcM, PWM, VCA, Filter, Volume, or any other external control voltage input. This enables you to control effects such as filter cut-off from MIDI controllers (Velocity, mod wheel, etc.). Note; not all mono-synths have additional control inputs. 9V DC Plug your power adapter into here. The converter will take an adapter with an output of 9 volts DC regulated or unregulated, centre +ve. We recommend a Kenton power supply which is made especially for the PRO-SOLO but any plug-top supply can be used as long as the output is 9 volts DC.
    [Show full text]
  • ARTURIA SOLINA V User Manual -1- 1 INTRODUCTION Project Management Theo Niessink Pierre-Lin Laneyrie
    USER MANUAL ARTURIA SOLINA V User Manual -1- 1 INTRODUCTION Project management Theo Niessink Pierre-Lin Laneyrie Product management Glen Darcey Programming Adrien Courdavault Pierre-Lin Laneyrie Theo Niessink Design Glen Darcey Shaun Ellwood Morgan Perrier (decoderdesign.com) Sound design Glen Darcey Randy Lee Erik Norlander Boele Gerkes Theo Niessink Pierce Warnecke Manual Randy Lee 1st edition, October 2014 © ARTURIA S.A. – 1999-2014 – All rights reserved. 30, chemin du Vieux Chêne 38240 Meylan FRANCE http://www.arturia.com ARTURIA SOLINA V User Manual -2- 1 INTRODUCTION Table of contents Table of Contents Project management ........................................................................................................................................ 2 Table of contents ............................................................................................................................................... 3 1 INTRODUCTION ............................................................................................................................................. 5 1.1 String theories ............................................................................................................................................... 5 1.1.1 Chamberlin and Mellotron ................................................................................................................ 5 1.1.2 Ken Freeman: string synthesist .......................................................................................................... 6 1.1.3
    [Show full text]
  • PRO SOLO Single Channel MIDI-CV Converter
    PRO SOLO Single channel MIDI-CV converter Operating manual INTRODUCTION Congratulations on your purchase. The PRO SOLO is much more than just a MIDI to CV converter, incorporating a built in LFO as well as portamento functions. Please take some time out to read through all the manual to avoid any operational difficulties. CONNECTIONS To the MIDI In of your other MIDI keyboard MIDI out Filter, Gate, CV MIDI Master keyboard/computer Analogue synth MIDI MIDI AUX, In Thru Gate, CV 9-15V external PRO SOLO power adapter MIDI In Plug your MIDI keyboard or sequencer`s MIDI Out into here. MIDI Thru Plug this into the MIDI In of another piece of your MIDI equipment should it be necessary. CV Plug this into your mono-synth`s input marked CV In, VCO In, KEY VOLT KYBD In, etc. This controls the pitch of your synth. GATE Plug this into your mono-synth`s input marked GATE, V-trig, Trig, S-Trig, etc. This turns the note on and off on your synth. AUX Plug this into your mono-synth`s input marked VCF, fcM, PWM, VCA, Filter, Volume, or any other external control voltage input. This enables you to control effects such as filter cut- off from MIDI controllers (Velocity, mod wheel, etc.). Note; not all mono-synths have additional control inputs. 9-15V DC Plug your power adapter into here. The converter will take an adapter with a range of 9- 15V. The voltage supplied determines the maximum gate voltage that can be obtained. We recommend the Kenton power supply which is made especially for the PRO-SOLO but any plug-top supply can be used as long as the output is regulated and is in the range of 9-15 volts.
    [Show full text]
  • Modular-Solo Manual
    MODULAR SOLO MIDI-CV converter for Eurorack modular synths Operating manual Warning - DO NOT ADJUST THE TRIMMERS ON THE PC BOARD. These are for factory setup ONLY. All adjustments to scale and tuning are made using the editing system on the front panel. Parameters 12-15. _________________________________________________________________________ FCC STATEMENT FOR MODULAR SOLO NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: -- Reorient or relocate the receiving antenna. -- Increase the separation between the equipment and receiver. -- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. -- Consult the dealer or an experienced radio/TV technician for help. ______________________________________________________________________ 2 INTRODUCTION The MODULAR SOLO is designed for use in Eurorack (A100) modular systems. It is much more than just a MIDI to CV converter as it incorporates a built in LFO as well as portamento and many other functions.
    [Show full text]
  • Download the Full Manual
    1 Introduction "Suonopuro Synth Collection" is a set of 60 synth sounds for Kontakt, fully editable and customizable: 30 patches that reproduce the sound of several legendary synthesizer solos, drawn from songs that have shaped the history of rock, pop and fusion; 30 patches specifically designed to cover the most common needs of any musician. The Suonopuro Synth Collection is designed to get the best, in terms of expression and control, from any kind of MIDI instrument: Electronic Wind Instruments (Akai EWI, Yamaha WX5, Casio Zanzithophone, Roland Ae10g, Morrison Digital Trumpet, etc.); MIDI strings (Cantini MIDI violin, Zeta MIDI violin, etc.); MIDI converters, like the Sonuus i2M; MIDI keyboards (NI Komplete control, M-Audio Oxygen, etc.); MIDI controllers (TEC breath controller, MIDI expression pedal, Yamaha BC3, etc.). Stop wasting time searching through thousands of useless sounds: few sounds but very recognizable and very well sounding. Features Editable Dynamic Controller and Range. 2 monophonic modes with real time automatic recognizing of legato and staccato: by dynamic controller and by keys. Play on release mode: when you release a note, the software plays the previous note still pressed. Configurable legato time and real time controlled portamento. 4 round robin staccato attacks with multiple and gradual gradients from soft to marcato. 2 parallel voices at configurable intervals, as used by Michael Brecker. Polyphonic mode for polyphonic instruments and sustain or hold 1st note modes for monophonic instruments. Bending technique. Automatic vibrato and flutter-tonguing both configurable and controllable live. Chorus, Three-band equalizer, Convolution reverb, easy to use Distortion and Delay effects. Low Pass Filter, configurable and live controllable.
    [Show full text]
  • Hieber-Lindberg Synthesizer-Guide
    Synthesizer 1 2009/10 Guide 2009/10 Guide Synthesizer www.hieber-lindberg.de hieber-lindberg.de @ Sonnenstraße 15 Tel: 0049/(0)89/55146-116 studio D-80331 München www.hieber-lindberg.dewww.hieber-lindberg.de Index Vorwort Liebe Synthesizer-Freunde! 2 Dark Energy 3 Analoger Synthesizer S. 4 Der Trend zum kreativen Sound-Design hat in den letzten Jahren einen beachtlichen Vintage-Boom ausgelöst und gleichzeitig eine MFB 522 Vielzahl neuer, innovativer Synthesizer bzw. Klangmodule hervorge- Drumcomputer S. 10 bracht. Um einen Überblick zu den aktuell interessantesten Produk- ten geben zu können, haben wir für Euch diesen Synthesizer-Guide Surfin Kangaroo Studio erstellt. Gleichzeitig wird unsere einzigartige Vintage-Ausstellung MIDI & CV Step Sequencer S. 12 im Shop eröffnet, die allen Synthesizer-Enthusiasten Zugang zu seltenen „Klassikern“ der analogen und digitalen Klangerzeugung Waldorf Blofeld ermöglichen soll. So erfolgt ein Brückenschlag zwischen Tradition Wavetable Synthesizer S. 14 und Gegenwart, bietet die Ausstellung doch die einmalige Gelegen- heit, Synthesizer-Meilensteine wie etwa ARP-2600 und MacBeth Hieber-Lindberg M5 oder Minimoog und Moog Voyager Seite an Seite zu testen. Vintage Ausstellung S. 15 Für Fragen rund um analoge, virtuell-analoge oder digitale Synthe- Hieber-Lindberg sizer steht euch unser Team jederzeit gerne zur Verfügung. In die- Synthesizer Preisliste S. 16 sem Sinne: Viel Spaß mit dem Hieber-Lindberg Synthesizer Guide! GRP A8 Euer Studio-Synthesizer S. 20 Martin Machwitz Vintage Synthesizer Ecke Monophone Instrumente S. 28 Vintage Synthesizer Ecke Polyphone Instrumente S. 30 Hieber-Lindberg Synthesizer Guide, Ausgabe 2009/10 Impressum Für den Inhalt verantwortlich: Peter Knoll, Martin Machwitz Grafische Gestaltung: Theo Bloderer, Yvonne Richter Alle Fotos: © Theo Bloderer, außer Abbildung Surfin Step Sequencer (© Wolfgang Michalowicz) Stefan Theo Martin Herstellung: Druckerei Kaiser GmbH, München Leberfinger Bloderer Machwitz Copyright für alle Beiträge bei Musikhaus Hieber-Lindberg.
    [Show full text]
  • Vocoder Vc340
    Product Information Document Synthesizers and Samplers VOCODER VC340 Authentic Analog Vocoder for Human Voice and Strings Ensemble Sounds from the ‘80s ## Authentic analog Vocoder, Human Voice and Strings sounds from the ‘80s ## Vocoder sounds that wrote musical history and inspired some of the A Brief History of most famous artists and bands Analog Synthesis ## Microphone input to modulate any The modern synthesizer’s evolution audio signal began in 1919, when a Russian physicist ## Multiple-stage Chorus based on named Lev Termen (also known as legendary BBD (Bucket Brigade Delay) technology Léon Theremin) invented one of the ## 37 semi-weighted full-size keys first electronic musical instruments – featuring velocity sensitivity the Theremin. It was a simple oscillator ## 32 sliders and switches to give you that was played by moving the direct and real-time access to all performer’s hand in the vicinity of the important parameters instrument’s antenna. An outstanding ## Comprehensive USB/MIDI implementation for connection to example of the Theremin’s use can be keyboard/sequencers heard on the Beach Boys iconic smash ## 3-Year Warranty Program* hit “Good Vibrations”. ## Designed and engineered in the U.K. Ondioline In the late 1930s, French musician Georges Jenny invented what he called the Ondioline, a monophonic electronic keyboard capable of generating a wide range of sounds. The keyboard even allowed the player to produce natural-sounding vibrato by depressing a key and using side-to-side finger movements. You can hear the Ondioline on Del Shannon’s “Runaway”. *Warranty details can be found at musictribe.com. Product Information Document Synthesizers and Samplers VOCODER VC340 Authentic Analog Vocoder for Human Voice and Strings Ensemble Sounds from the ‘80s Storytone Piano Designed by famous piano manufacturer Story & Clark in association with RCA, the Storytone piano debuted at the 1939 New York World’s Fair.
    [Show full text]