Dexter Wansel Life on Mars Mp3, Flac, Wma

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Dexter Wansel Life On Mars mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Life On Mars Country: US Released: 1976 Style: Funk, Disco MP3 version RAR size: 1552 mb FLAC version RAR size: 1112 mb WMA version RAR size: 1510 mb Rating: 4.9 Votes: 566 Other Formats: MP1 MOD WAV ASF FLAC AHX MP4 Tracklist Hide Credits A1 A Prophet Named K.G. 4:20 A2 Life On Mars 5:50 Together Once Again A3 4:23 Vocals – Terry Welles* A4 Stargazer 3:20 B1 One Million Miles From The Ground 5:00 B2 You Can Be What You Wanna Be 5:04 B3 Theme From The Planets 4:53 B4 Rings Of Saturn 3:43 Credits Backing Vocals – Barbara Ingram, Carla Benson, Evette Benton Bass – Derrick Graves Drums, Percussion – Darryl Brown Engineer – Jay Mark, Jim Gallagher Guitar – Calvin Harris Producer, Written-By, Arranged By, Keyboards, Synthesizer, Vocals – Dexter Wansel Saxophone, Flute – Bobby Malach* Trumpet, Flugelhorn – Al Harrison Notes Recorded at Sigma Sound Studios, Philadelphia, PA. Mastered at Frankford/Wayne Mastering Labs, Philadelphia, PA. TSOP "The Sound Of Philadelphia" T.M. Barcode and Other Identifiers Matrix / Runout: TI P.I.R. AL-34079_ID Matrix / Runout: TI P.I.R. BL-34079_ID Other versions Category Artist Title (Format) Label Category Country Year Dexter Life On Mars (LP, Philadelphia PZ 34079 PZ 34079 US 1976 Wansel Album) International Records Dexter Life On Mars (LP, Philadelphia PZ 34079 PZ 34079 US 2013 Wansel Album, RE) International Records Dexter Life On Mars (LP, Philadelphia PZ 34079 PZ 34079 US 1976 Wansel Album, San) International Records Dexter Life On Mars (LP, Philadelphia PZ 34079 PZ 34079 UK 2000 Wansel Album, RE, Unofficial) International Records Dexter Life On Mars (LP, Philadelphia PIR 82211 PIR 82211 Spain 1977 Wansel Album) International Records Comments about Life On Mars - Dexter Wansel Rose Of Winds Interesting Funk/Soul record framed in late 70's Disco stylings. Pretty cool cover to boot, cultural reminder of our shared fascination with Star Wars, Close Encounters and all things "cosmic" & space....Maybe not the complete masterpiece some tout it to be, though; definitely has its moments, but a few tracks leave me decidedly non-plussed Quashant This is quite possibly one of the greatest albums ever!! Spacey, jazzy, disco-funk that takes you on a ride!! I can't listen to this album enough!! Related Music albums to Life On Mars by Dexter Wansel Dexter Wansel - All Night Long Jean Carn - When I Find You Love Dexter Wansel - Voyager Philadelphia International All Stars / MFSB - Let's Clean Up The Ghetto The Jacksons - The Jacksons MFSB - Philadelphia Freedom The Jones Girls - Get As Much Love As You Can Billy Paul - Only The Strong Survive The Jones Girls - We're A Melody / This Feeling's Killing Me Various - April Orchestra Vol. 17 Présente The Sound Of Philadelphia.

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The Hilltop 1-21-1977
Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-21-1977 The iH lltop 1-21-1977 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-21-1977" (1977). The Hilltop: 1970-80. 175. http://dh.howard.edu/hilltop_197080/175 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' i • •• • • ' • ' Hilltop Highlights : "Pb1 ver roncf'de, New; From Black Schools ... .. p2 nothing HUSA's N!w Office ......".. .... :, p2 ' \\'ithout a demand" Third World Ne"5 Foe ........ p3 law School Troubled .. ·........ p4 · Fredcrirk Douglas, Roots On TV ......................... p6 ' ''THE VOICE OF THF HOWARD COMMUNITY'' WHUR's Q;iet Storm ......... .. .. p7 Howard University, Washington D.C., 20059 ., I Vol'.. 59, No. 14 21 January 1977 ' ' SBA Questions Lack College of Medicine of Quality Education Acceptance of HU ' At HU Law School Grads ·oecreas~pg • • By Arlene Wailer i[ 8'1,'. Leila Brown dent body concerning the and Fred Hines ~ ' G rld Sc hool· Editor organization of the protest. there nevertheless seemed Hilltop Staffwriters $ to be a general consensus ' .. fhe law school is on a that ''something has to be The number of H oward undergraduate students who d ownward trend, and we • are admitted to the College of Medicine ha!\.fdecreased at · done," about the education 0 , ' need to arrest it," said God at the school.
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Studio Track Consoles
Sound Business 35 Studio Track Sigma Sound Studios in Philadelphia is LP with Carl Beaver producing and Bruce Hen - where Gamble & Huff are putting the finishing sal engineering. Riggs is also at Criteria, at work touches on albums they're producing for Teddy on a new album with Andy Johns and Marty Pendergrass and Patti LaBelle. Joe Tarsia, Cohn producing. Johns doubles as engineer on Sigma's president, is engineering. A new LP for the project; Bruce Hensal is the assistant. the Jones Girls is also in progress here, with Sarah Dash of Kirshner Records recently Dexter Wansel working with engineer Peter re- corded an album at Sound Labs in Hollywood Humphreys on several tunes and Gamble & Huff and RCA in New York. David Wolford is produc- producing others with engineer Tarsia. Other ac- ing for The Entertainment Company. tivity includes the finishing touches on Melba Moore's new album, produced by McFadden & Sunset Sound, L.A.: Toto doing overdubs for a Whitehead and engineered by Dirk Devlin. Pro- new CBS LP, Toni Knox engineering, David Leon- ducer Sandy lJnzer and engineer Jim Gallagher ard assisting; Neil Diamond doing strings for a are completing tracks on T.S. Monk's upcoming new CBS LP, Bob Gaudio producing, Ron Hitch- album. cock engineering, Stephen McManus assisting; Sigma in New York has its share of activity, Carter producing Prism for Capitol, Warren too. Mixer Francois Kevorkian is working with Dewey at the console, Richard McKernan assist- engineers Jay Mark and Carla Bandini on an al- ing; Earth, Wind & Fire doing strings for a new bum by The Strikers for Prelude Records.
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Billy Paul Let 'Em in Mp3, Flac, Wma
Billy Paul Let 'Em In mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Let 'Em In Country: Netherlands Released: 1976 Style: Disco MP3 version RAR size: 1667 mb FLAC version RAR size: 1937 mb WMA version RAR size: 1816 mb Rating: 4.2 Votes: 663 Other Formats: VOX AUD MP4 MPC VOC AC3 MP2 Tracklist Hide Credits Let 'Em In A1 5:11 Written-By – P. McCartney-L. McCartney* We All Got A Mission A2 3:35 Written-By – C. Gamble*, K. Gamble*, L. Huff* How Good Is Your Game A3 4:08 Written-By – M. Burton*, P. Terry* Love Won't Come Easy A4 4:15 Written-By – D. Wansel* Without You B1 3:16 Written-By – P. Ham*, T. Evans* Word Sure Gets Around B2 4:30 Written-By – V. Barrett*, V. Gray* I Trust You B3 4:20 Written-By – K. Gamble-L. Huff* I Think I'll Stay Home Today B4 6:19 Written-By – D. Wansel* Credits Arranged By – Bobby Martin (tracks: A2, B2), Dexter Wansel (tracks: A3, A4, A1, A2, A4) Artwork By – Ed Lee Engineer – Jay Mark, Joe Tarsia Executive Producer – Kenneth Gamble & Leon Huff* Other [Music By] – MFSB Photography – Frank Laffitte Producer – Dexter Wansel (tracks: A4, B1, B2, B4), Kenneth Gamble & Leon Huff* (tracks: A2, B3), Michael Burton (tracks: A3), Phil Terry (tracks: A3) Producer, Arranged By – Jack Faith (tracks: A1) Notes Recorded at Sigma Sound Studios Philadelphia, PA Mastered at Frankford/Wayne Recording Labs, Philadelphia, PA "TSOP" The Sound Of Philadelphia BIEM/Stemra Other versions Category Artist Title (Format) Label Category Country Year Philadelphia PZ 34389, Billy Let 'Em In (LP, International Records,
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Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr
HYTHM AND LUES From left top and clockwise: Wilson Pickett, New York City, 1981; Swamp Dogg; Aretha Franklin, New York City, 1982; Fred Wesley, 2011; Dr. Mable John. Photos: © Fredrich Cantor; Courtesy of Swamp Dogg; © Fredrich Cantor; Mark Puryear, Smithsonian Institution; Courtesy of Stax Museum of American Soul Music Right side: The Dixie Cups® began performing rhythm and blues music in 1963; the group now includes original members Barbara A. Hawkins (right) and Rosa L. Hawkins (left), joined by Athelgra Neville. Photo by Richard Strauss, Smithsonian Institution Rhythm and Blues 53 Tell It Like It Is by Mark Puryear In 1964 The Dixie Cups®, a female vocal trio from New Orleans, crooned out a cheerful version of “Chapel of Love” and knocked the Beatles from their number one spot on the pop charts. A year later, the trio released “Iko Iko,” a song first released in 1954 by James “Sugar Boy” Crawford as “Jock-A-Mo,” whose lyrics recount the meeting of two groups of Mardi Gras Indians. Since then, this song has been cov- ered by artists from the Grateful Dead to Cyndi Lauper, and continues to move new generations with its infectious New Orleans rhythms. The career of The Dixie Cups, and their direct and indirect roles in carrying rhythm and blues (R&B) into mainstream consciousness, speaks to the enduring pow- er of this music to transcend region and musical category and become a representative sound of the country. Musical Crossroads by Dwandalyn Reece The National Museum of African American History of musical genres, highlighting musical innovations, and Culture (NMAAHC) was established by an act of significant time periods and events along with Congress in 2003 making it the nineteenth museum historic performances to capture the music’s impact of the Smithsonian Institution.
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The Top 200 Greatest Funk Songs
The top 200 greatest funk songs 1. Get Up (I Feel Like Being a Sex Machine) Part I - James Brown 2. Papa's Got a Brand New Bag - James Brown & The Famous Flames 3. Thank You (Falletinme Be Mice Elf Agin) - Sly & The Family Stone 4. Tear the Roof Off the Sucker/Give Up the Funk - Parliament 5. Theme from "Shaft" - Isaac Hayes 6. Superfly - Curtis Mayfield 7. Superstition - Stevie Wonder 8. Cissy Strut - The Meters 9. One Nation Under a Groove - Funkadelic 10. Think (About It) - Lyn Collins (The Female Preacher) 11. Papa Was a Rollin' Stone - The Temptations 12. War - Edwin Starr 13. I'll Take You There - The Staple Singers 14. More Bounce to the Ounce Part I - Zapp & Roger 15. It's Your Thing - The Isley Brothers 16. Chameleon - Herbie Hancock 17. Mr. Big Stuff - Jean Knight 18. When Doves Cry - Prince 19. Tell Me Something Good - Rufus (with vocals by Chaka Khan) 20. Family Affair - Sly & The Family Stone 21. Cold Sweat - James Brown & The Famous Flames 22. Out of Sight - James Brown & The Famous Flames 23. Backstabbers - The O'Jays 24. Fire - The Ohio Players 25. Rock Creek Park - The Blackbyrds 26. Give It to Me Baby - Rick James 27. Brick House - The Commodores 28. Jungle Boogie - Kool & The Gang 29. Shining Star - Earth, Wind, & Fire 30. Got To Give It Up Part I - Marvin Gaye 31. Keep on Truckin' Part I - Eddie Kendricks 32. Dazz - Brick 33. Pick Up the Pieces - Average White Band 34. Hollywood Singing - Kool & The Gang 35. Do It ('Til You're Satisfied) - B.T.
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The Disco Files Template
THE DISCO F ILES 1973-78 New York’s Underground, Week by Week by Vince Aletti xxx xxx Rolling Stone August 28, 1975 Dancing Madness By Vince Aletti NEW YORK – It’s not easy to pin down the disco craze with figures. As one independent mixer of disco singles explained, “The numbers are growing so fast. Every day I get four or five invitations to grand openings of new clubs.” But even the rough estimates of disco scene observers are revealing: 2000 discos from coast to coast, 200 to 300 in New York alone – the uncrowned capital of dancing madness, where an estimated 200,000 dancers make the weekly club pilgrimage. And when disco people like a record, it can become a hit-regardless of radio play. Take Consumer Rapport’s “Ease On down The Road.” Released on tiny Wing and a Prayer Records, it sold more than 100,000 copies in New York in its first two weeks before it was picked up on the radio. Discos and what has come to be known as disco music have turned out to be, if not the Next Big Thing everyone in the music business was waiting for, then the closest thing to it in years. Discos have opened in old warehouses, steak restaurants, unused hotel ballrooms and singles bars... any place you could stick a ceiling full of flashing, colored lights, a mirrored ball, two turntables, a battery of speakers, a mixer and a DJ. In a recession economy, they’re a bargain both for the club owner – who has few expenses after his initial setup investment and an average $50-a-night salary to the DJ – and the patrons, who can dance nonstop all night for a fraction of the cost of a concert ticket.
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Soul Truth (Continued from Page 160) Promotion
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The Jacksons Goin' Places Mp3, Flac, Wma
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Jukebox Oldies
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ENTERTAINMENT Pulitzer Prize Winner Presented ''Look Homeward Angel” Opens Drama Season
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Jukebox Track List
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