The Challenging Writings of Elfriede Jelinek

Total Page:16

File Type:pdf, Size:1020Kb

The Challenging Writings of Elfriede Jelinek The Women’s Review of Books Vol. XXII, No. 3 December 2004 74035 $4.00 6 Our Final Issue... I ...at least for now. As we explore the possibilities for additional sup- port for the Women’s Review, we con- tinue to hope that this will not be the last you hear from us. p. 3 I The awarding of the 2004 Nobel Prize for Literature to the Austrian writer Elfriede Jelinek set off a storm of controversy in her home country and a rush among feminists around the world to find out more about this little known author. Cover D I Two books that explore the motivations and ideas of right-wing women, Evangelical Christian Women and Home-GGrown Hate have become more relevant than ever, now that George W. Bush has been elected for a second term. p. 6 I Ignored, for the most part, in the West, the people of the island of Bougainville, in Papua New Guinea, Elfriede Jelinek forced a multinational mining compa- ny off their land in a ten-year strug- gle for autonomy. The women who played a crucial role tell their stories The challenging writings of in …as Mothers of the Land. p. 8 Elfriede Jelinek I In the Skeptical Feminism of by Bettina Brandt Carolyn Dever, reviewer Ann Snitow An Austrian feminist wins the Nobel prize in literature. finds an irresolvable, symbiotic I tension between theory and activism. his year’s Nobel laureate in literature, Writing in a powerful, imagistic, shocking p. 21 Elfriede Jelinek, is a highly controver- voice, Elfriede Jelinek is a polemicist in the Tsial author in her home country, style of compatriots like Karl Krauss and where she is condemned for her relentlessly Thomas Bernhard, and like the latter has critical stance toward Austria’s postwar poli- been called an anti-patriotic, pornographic I and more... tics and the mentality of its people. Praising writer. A member of the Austrian 12> the “extraordinary linguistic zeal,” of her Communist party from 1974 to 1991, prose that “reveals the absurdity of society’s Jelinek has tirelessly demonstrated how the clichés and their subjugating power,” the realms of economy, sexuality, and racism- Swedish Academy lauded the radical feminist form a brutal patriarchal whole. She voices who, in response, declared that the unexpect- her brand of politics not only in her novels, 74470 74035 03 ed literary honor should not be understood plays, and essays but also from her website, PRINTED IN THE USA as a “flower in Austria’s buttonhole.” continued on page 4 The Women’s Review Contents of Books Center for Research on Women 1 Bettina Brandt I THE CHALLENGING WRITINGS OF ELFRIEDE JELINEK: An Austrian feminist wins the Wellesley College Nobel prize in literature 106 Central Street Wellesley, MA 02481 3 Letters (781) 283-2087/ (888) 283-8044 4 Joycelyn K. Moody I Harriet Jacobs: A Life by Jean Fagan Yellin www.wellesley.edu/WomensReview 6 Esther Kaplan I Evangelical Christian Women: War Stories in the Gender Battles by Julie Ingersoll; Volume XXII, No. 3 Home-Grown Hate: Gender and Organized Racism edited by Abby L. Ferber December 2004 7 Ruth Milkman I Competing Devotions: Career and Family among Women Executives by Mary Blair-Loy; EDITOR IN CHIEF: Amy Hoffman The Time Divide: Work, Family and Gender Inequality by Jerry A. Jacobs and Kathleen Gerson [email protected] 8 Kerryn Higgs I …as Mothers of the Land: the Birth of the Bougainville Women for Peace and Freedom edited by Josephine Tankunani Sirivi and Marilyn Taleo Havini PRODUCTION EDITOR: Amanda Nash [email protected] 10 Rebecca Johnson I Warrior Poet: A Biography of Audre Lorde by Alexis De Veaux; Conversations with Audre Lorde edited by Joan Wylie Hall POETRY AND CONTRIBUTING EDITOR: 11 Peg Aloi I The Midnight Disease: The Drive to Write, Writer’s Block, and the Creative Brain Robin Becker by Alice Weaver Flaherty; An Alchemy of Mind: The Marvel and Mystery of the Brain by Diane Ackerman ADVERTISING MANAGER: 12 Paula Bonnell, Jane Shore, Kathleen Aguero, Karen Head, Jessica R. Greenbaum, Susan Wicks, Carole Simmons Oles, Anita D. McClellan Kathleen Sheeder, and Robin Becker I Poetry [email protected] 18 Mandira Sen I Madras on Rainy Days by Samina Ali OFFICE MANAGER: Nancy Wechsler 19 Valerie Miner I Gilead by Marilynne Robinson [email protected] 20 Judith Niemi I >PUBLISHING FOR THE LOVE OF IT: Small presses are changing the world, one page at a time STUDENT WORKERS: Nissa Hiatt, Bethany Towne 21 Ann Snitow I Skeptical Feminism: Activist Theory, Activist Practice by Carolyn Dever 22 Mary Titus I The Strange History of Suzanne LaFleshe and Other Stories of Women and Fatness edited by Susan Koppelman; Venus of Chalk by Susan Stinson EDITORIAL MISSION: To give writing by and about women the seri- 23 Meryl Altman I Cool Men and the Second Sex by Susan Fraiman ous critical attention it deserves. We 24 Karen Kahn I Moving Mountains: The Race to Treat Global AIDS by Anne-christine d’Adesky seek to represent the widest possible range of feminist perspectives both in 25 Julia Query I Mother’s Milk: Breastfeeding Controversies in American Culture by Bernice L. Hausman the books we choose to review and in 26 Alison Townsend I Because of the Light by Roseann Lloyd; Buddha’s Dogs by Susan Browne the content of the reviews themselves. 28 Silja J. A. Talvi I Global Prescriptions: Gendering Health and Human Rights by Rosalind Pollack Petchesky 29 Irene Wanner I Now Go Home: Wilderness, Belonging, and the Crosscut Saw by Ana Maria Spagna 30 Marie Shear I Mass Media and the Shaping of American Feminism, 1963-1975 by Patricia Bradley The Women’s Review of Books (ISSN #0738-1433) is published monthly 31 Brooks Robards I Being Rita Hayworth: Labor, Identity, and Hollywood Stardom by Adrienne L. McLean except August by The Women’s Review, Inc. Back issues are available for $4.00 per copy. Please allow 6-8 Contributors weeks for all transactions. KATHLEEN AGUERO is the author of three volumes of poetry, has been contributing to the Women’s Review since its second issue. Periodicals class postage paid at Daughter Of, The Real Weather, and Thirsty Day. She is a professor of English JOYCELYN MOODY is the editor of African American Review and associ- at Pine Manor College in Chestnut Hill, MA. ate professor of English at Saint Louis University. Boston, MA and additional mailing PEG ALOI is a freelance writer and teacher of creative writing, as well as JUDITH NIEMI is editor of Rivers Running Free: A Century of Adventurous offices. an award-winning poet. Women. She is a freelance wilderness guide, writer, and teacher in St. Paul, MERYL ALTMAN teaches at DePauw University in Indiana. She is MN. Contact her at www.judithniemi.com. spending this year in New York and Oxford, working on the American CAROLE SIMMONS OLES has published six books of poems, most POSTMASTER: send address cor- 1950s and Simone de Beauvoir. recently Sympathetic Systems. She teaches at California State University, Chico. rections to The Women’s Review of ROBIN BECKER’s books include The Horse Fair (2000); All-American Girl JULIA QUERY produced and co-directed the labor film Live Nude (1996); and Giacometti’s Dog (1990). Her honors include a Lambda Literary Girls UNITE! Books, Center for Research on Award and fellowships from the Bunting Institute and the National BROOKS ROBARDS is professor emerita of communication at Westfield Women, Wellesley College, 106 Endowment for the Arts. She teaches English and women’s studies at State College. Pennsylvania State University. MANDIRA SEN lives in Calcutta and is the publisher of two imprints: Central Street, Wellesley, MA 02481. PAULA BONNELL’s poetry has appeared in Southern Poetry Review, the Stree, which publishes women’s studies; and Samya, which publishes on Boston Herald, and other publications. Her first collection, Message, was pub- social change, dissent, and the construction of culture. The Women’s Review of Books is a proj- lished in 1999. MARIE SHEAR is a writer and editor in Brooklyn, NY. This is her 19th ect of the Wellesley Centers for BETTINA BRANDT is an assistant professor of German at Montclair contribution to the Women’s Review. State University in New Jersey. KATHLEEN SHEEDER is a former co-editor of the American Poetry Women. JESSICA GREENBAUM’s book of poems, Inventing Difficulty, won the Review. A teacher of English and creative writing, her work has most recent- Gerald Cable Award for a first manuscript. Her poems and essays have ly appeared in Margie: An American Journal of Poetry. The Women’s Review is distributed by appeared in numerous publications, including the Women’s Review, The New JANE SHORE is the author of four books of poems, including Music Ingram, Nashville, TN. All other dis- Yorker, and The Nation Minus One, a finalist for the 1996 National Book Critics Circle Award. KAREN HEAD is a Marion L. Brittain Fellow at the Georgia Institute of Recipient of fellowships from the Guggenheim Foundation and others, she tribution is handled directly by The Technology, where she teaches writing. is a professor at George Washington University. Women’s Review. KERRYN HIGGS is the author of All That False Instruction, Australia’s first ANN SNITOW, co-editor of Powers of Desire and The Feminist Memoir lesbian novel. It was reissued by Spinifex Press in 2001. She is also a free- Project, teaches at New School University. She is a founder of the Network The contents of The Women’s Review of lance environmental writer. of East-West Women, an NGO dedicated to dialogue and mutual support REBECCA JOHNSON writes, organizes, and lives in Dorchester MA.
Recommended publications
  • Schizophrenia and Creative Archetypes As Shown in Works by Thomas Bernhard
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1982 Schizophrenia and Creative Archetypes as Shown in Works by Thomas Bernhard. Karen Appaline Moseley Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Moseley, Karen Appaline, "Schizophrenia and Creative Archetypes as Shown in Works by Thomas Bernhard." (1982). LSU Historical Dissertations and Theses. 3732. https://digitalcommons.lsu.edu/gradschool_disstheses/3732 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1 .T he sign or “target” for pages apparently lacking from the document photographed is "Missing Page(s)” . If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy.
    [Show full text]
  • Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: from Postmodernism to Anti-Semitism
    Ten Thomas Bernhard, Italo Calvino, Elena Ferrante, and Claudio Magris: From Postmodernism to Anti-Semitism Saskia Elizabeth Ziolkowski La penna è una vanga, scopre fosse, scava e stana scheletri e segreti oppure li copre con palate di parole più pesanti della terra. Affonda nel letame e, a seconda, sistema le spoglie a buio o in piena luce, fra gli applausi generali. The pen is a spade, it exposes graves, digs and reveals skeletons and secrets, or it covers them up with shovelfuls of words heavier than earth. It bores into the dirt and, depending, lays out the remains in darkness or in broad daylight, to general applause. —Claudio Magris, Non luogo a procedere (Blameless) In 1967, Italo Calvino wrote a letter about the “molto interessante e strano” (very interesting and strange) writings of Thomas Bernhard, recommending that the important publishing house Einaudi translate his works (Frost, Verstörung, Amras, and Prosa).1 In 1977, Claudio Magris held one of the !rst international conferences for the Austrian writer in Trieste.2 In 2014, the conference “Il più grande scrittore europeo? Omag- gio a Thomas Bernhard” (The Greatest European Author? Homage to 1 Italo Calvino, Lettere: 1940–1985 (Milan: Mondadori, 2001), 1051. 2 See Luigi Quattrocchi, “Thomas Bernhard in Italia,” Cultura e scuola 26, no. 103 (1987): 48; and Eugenio Bernardi, “Bernhard in Italien,” in Literarisches Kollo- quium Linz 1984: Thomas Bernhard, ed. Alfred Pittertschatscher and Johann Lachinger (Linz: Adalbert Stifter-Institut, 1985), 175–80. Both Quattrocchi and Bernardi
    [Show full text]
  • Core Reading List for M.A. in German Period Author Genre Examples
    Core Reading List for M.A. in German Period Author Genre Examples Mittelalter (1150- Wolfram von Eschenbach Epik Parzival (1200/1210) 1450) Gottfried von Straßburg Tristan (ca. 1210) Hartmann von Aue Der arme Heinrich (ca. 1195) Johannes von Tepl Der Ackermann aus Böhmen (ca. 1400) Walther von der Vogelweide Lieder, Oskar von Wolkenstein Minnelyrik, Spruchdichtung Gedichte Renaissance Martin Luther Prosa Sendbrief vom Dolmetschen (1530) (1400-1600) Von der Freyheit eynis Christen Menschen (1521) Historia von D. Johann Fausten (1587) Das Volksbuch vom Eulenspiegel (1515) Der ewige Jude (1602) Sebastian Brant Das Narrenschiff (1494) Barock (1600- H.J.C. von Grimmelshausen Prosa Der abenteuerliche Simplizissimus Teutsch (1669) 1720) Schelmenroman Martin Opitz Lyrik Andreas Gryphius Paul Fleming Sonett Christian v. Hofmannswaldau Paul Gerhard Aufklärung (1720- Gotthold Ephraim Lessing Prosa Fabeln 1785) Christian Fürchtegott Gellert Gotthold Ephraim Lessing Drama Nathan der Weise (1779) Bürgerliches Emilia Galotti (1772) Trauerspiel Miss Sara Samson (1755) Lustspiel Minna von Barnhelm oder das Soldatenglück (1767) 2 Sturm und Drang Johann Wolfgang Goethe Prosa Die Leiden des jungen Werthers (1774) (1767-1785) Johann Gottfried Herder Von deutscher Art und Kunst (selections; 1773) Karl Philipp Moritz Anton Reiser (selections; 1785-90) Sophie von Laroche Geschichte des Fräuleins von Sternheim (1771/72) Johann Wolfgang Goethe Drama Götz von Berlichingen (1773) Jakob Michael Reinhold Lenz Der Hofmeister oder die Vorteile der Privaterziehung (1774)
    [Show full text]
  • ©Copyright 2013 Jan Hengge
    ©Copyright 2013 Jan Hengge Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Büchner, Hugo von Hofmannsthal, Heiner Müller, and Elfriede Jelinek Jan Hengge A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: Richard Block, Chair Eric Ames Brigitte Prutti Program Authorized to Offer Degree: Germanics University of Washington Abstract Pure Violence on the Stage of Exception: Representations of Revolutions in Georg Büchner, Hugo von Hofmannsthal, Heiner Müller, and Elfriede Jelinek Jan Hengge Chair of the Supervisory Committee: Associate Professor Richard Block Department of Germanics This dissertation examines pertinent issues of today’s terrorism debate in frequently overlooked earlier representations of revolutionary and state violence. At the center of this debate is the state of exception through which the sovereign legitimizes the juridical order by suspending preexisting civil laws. As recent theorists have argued, this has become the paradigm for modern nation states. Walter Benjamin contends, however, that a permanent state of exception has existed since the Baroque and has subjected its victims to an empty eschaton, an end without messianic redemption and devoid of all meaning. As long as the order of the sovereign is based on the dialectical relationship between law- making and law-preserving violence, this state will persevere and the messianic promise will not come to fruition. Thus Benjamin conceives of another category of violence he calls “pure violence,” which lies outside of the juridical order altogether. This type of violence also has the ability to reinstate history insofar as the inevitability of the state of exception has ceased any historical continuity.
    [Show full text]
  • Staging Memory: the Drama Inside the Language of Elfriede Jelinek
    Studies in 20th & 21st Century Literature Volume 31 Issue 1 Austrian Literature: Gender, History, and Article 13 Memory 1-1-2007 Staging Memory: The Drama Inside the Language of Elfriede Jelinek Gita Honegger Arizona State University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Film and Media Studies Commons, and the German Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Honegger, Gita (2007) "Staging Memory: The Drama Inside the Language of Elfriede Jelinek," Studies in 20th & 21st Century Literature: Vol. 31: Iss. 1, Article 13. https://doi.org/10.4148/2334-4415.1653 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Staging Memory: The Drama Inside the Language of Elfriede Jelinek Abstract This essay focuses on Jelinek's problematic relationship to her native Austria, as it is reflected in some of her most recent plays: Ein Sportstück (A Piece About Sports), In den Alpen (In the Alps) and Das Werk (The Plant). Taking her acceptance speech for the 2004 Nobel Prize for Literature as a starting point, my essay explores Jelinek's unique approach to her native language, which carries both the burden of historic guilt and the challenge of a distinguished, if tortured literary legacy. Furthermore, I examine the performative force of her language. Jelinek's "Dramas" do not unfold in action and dialogue, rather, they are embedded in the grammar itself.
    [Show full text]
  • Literary History Places Elfriede Jelinek at the Head of a Generation Deemed
    COMEDY, COLLUSION, AND EXCLUSION ELFRIEDE JELINEK AND FRANZ NOVOTNY’S DIE AUSGE- SPERRTEN Literary history places Elfriede Jelinek at the head of a generation deemed to have made the transition from ‘High Priests to Desecrators’,1 reigning as the ‘Nestbeschmutzer’ par excellence. Along with Peter Handke and Thomas Bernhard, she is considered to have introduced an element of dissent into Austrian public discourse, ‘stubbornly occupying a position of difference from within a largely homogeneous cultural sphere’.2 Dagmar Lorenz argues that this level of political engagement is a phenomenon specific to German- language writers and appears inconceivable to an Anglo-American audience. In a special issue of New German Critique on the socio-political role of Aus- trian authors, she notes that ‘their opinions are heard and taken seriously, and they take part in shaping public opinion and politics’.3 The writers’ sphere of influence far exceeds their (often limited) readership, and column inches dedicated to controversial Austrian intellectuals stretch beyond the confines of the ‘Feuilleton’.4 The very public oppositional role of authors such as Jelinek, Robert Me- nasse and Doron Rabinovici reached fever pitch in 1999/2000 following the establishment of the ‘schwarz-blaue Koalition’, which enabled Jörg Haider’s populist right-wing ‘Freedom Party’ (FPÖ) to form a government with the centre-right ÖVP. In the months following the election, large groups of pro- testers took to the streets of Vienna as part of the so-called ‘Thursday dem- onstrations’. Austrian intellectuals played a prominent role in these protests, standing visibly at the head of the demonstrations and giving expression to wider discontent in a series of public readings and speeches, including Jelinek’s ‘Haider-monologue’, Das Lebewohl, which was first performed out- side the Viennese Burgtheater on 22nd June 2000.5 The play’s emphasis on 1 Ricarda Schmidt and Moray McGowan (eds), From High Priests to Desecrators: Contempo- rary Austrian Writers (Sheffield: Sheffield Academic Press, 1993).
    [Show full text]
  • For Love and for Justice: Narratives of Lesbian Activism
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional,
    [Show full text]
  • An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004
    CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 7 (2005) Issue 1 Article 1 An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004 Andrea Bandhauer University of Sydney Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Bandhauer, Andrea. "An Introduction to the Work of Elfriede Jelinek, Nobel Laureate in Literature 2004." CLCWeb: Comparative Literature and Culture 7.1 (2005): <https://doi.org/10.7771/1481-4374.1252> This text has been double-blind peer reviewed by 2+1 experts in the field.
    [Show full text]
  • An Examination of Female Genital Cutting And
    THE POLITICS OF THE MARKED BODY: AN EXAMINATION OF FEMALE GENITAL CUTTING AND BREAST IMPLANTATION by COURTNEY PAIGE SMITH A DISSERTATION Presented to the Department ofPolitical Science and the Graduate School ofthe University of Oregon in partial fulfillment ofthe requirements for the degree of Doctor ofPhilosophy June 2009 ---------------- --_._----- ------ - 11 University of Oregon Graduate School Confirmation of Approval and Acceptance of Dissertation prepared by: Courtney Smith Title: "The Politics ofthe Marked Body: An Examination ofFemale Genital Cutting and Breast Implantation" This dissertation has been accepted and approved in partial fulfillment ofthe requirements for the Doctor ofPhilosophy degree in the Department ofPolitical Science by: Dennis Galvan, Chairperson, Political Science Julie Novkov, Member, Political Science Leonard Feldman, Member, Political Science Stephen Wooten, Outside Member, Anthropology and Richard Linton, Vice President for Research and Graduate Studies/Dean ofthe Graduate School for the University of Oregon. June 13,2009 Original approval signatures are on file with the Graduate School and the University ofOregon Libraries. 111 An Abstract ofthe Dissertation of Courtney Paige Smith for the degree of Doctor ofPhilosophy in the Department ofPolitical Science to be taken June 2009 Title: THE POLITICS OF THE MARKED BODY: AN EXAMINATION OF FEMALE GENITAL CUTTING AND BREAST IMPLANTATION Approved: -,------ _ Dr. Dennis Galvan This project is a critical and comparative investigation ofWestern and non­ Western practices ofbody modification. Situated in the realm offeminist political theory, the project engages the literature and debates concerning embodiment, or the symbolic and concrete meanings ofwomen's bodies. I specifically explore two examples ofthe physical construction ofwomen's bodies: breast implantation in the United States and female genital cutting (FGC) in Senegal.
    [Show full text]
  • Barbara Grier--Naiad Press Collection
    BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library.
    [Show full text]
  • More Nice Jewish Girls: Review of <Em>Beyond the Pale</Em> By
    DePauw University Scholarly and Creative Work from DePauw University English Faculty publications English 1-1998 More Nice Jewish Girls: Review of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. Meryl Altman DePauw University, [email protected] Follow this and additional works at: http://scholarship.depauw.edu/eng_facpubs Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Altman, Meryl. "More Nice Jewish Girls." Rev. of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. The Women's Review of Books 15.4 (1998): 7-8. This Book Review is brought to you for free and open access by the English at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in English Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. of Joan Rivers, or Jane Fonda's enlarged breasts. Yet it is ordinarypeople, mostly female, paying cash, who keep cosmetic surgeons busy. As expensive as it is, only More nice Jewish giris 30 percentof patientscome from families by MerylAltman earning under $25,000, and another 35 percent earn between $25,000 and Beyond the Pale, by ElanaDykewomon. Vancouver,BC: Press Gang Publishers,1997, $50,000. 403 pp., $15.95 paper. These statistics supportHaiken's con- The Escape Artist, by JudithKatz. Ithaca,NY: FirebrandBooks, 1997, 283 pp., $12.95 clusion that cosmetic surgeryhas been de- paper. mocratized. What is also apparentis that this 65 percent of barely middle-income O F THE MANY SPIRITS workingtheir cosmetic surgery consumers are credu- wayout in lesbianfiction of thelast lous, receptive to popularmedia messages few decades, let me name two extolling the newest, most painless surgi- whichmay appearto be opposite:on the cal techniquesand vulnerableto the prom- one hand,a pulltoward real-life history, a ises inherent in physical transformation.
    [Show full text]
  • Riverside County SEIU 721 Terms and Conditions
    TERMS AND CONDITIONS OF EMPLOYMENT Effective November 22, 2011 FOR THE COUNTY OF RIVERSIDE SERVICE EMPLOYEES INTERNATIONAL UNION, LOCAL 721 TABLE OF CONTENTS DEFINITIONS................................................................................................................................ 1 ARTICLE 1 TERM......................................................................................................................... 4 ARTICLE 2 RECOGNITION.......................................................................................................... 4 ARTICLE 3 FULL UNDERSTANDING, MODIFICATION AND WAIVER .................................... 5 ARTICLE 4 WORKWEEK, OVERTIME AND PREMIUM PAY..................................................... 6 SECTION 1. WORKWEEK .................................................................................................................6 SECTION 2. OVERTIME..................................................................................................................10 SECTION 3. PREMIUM PAY ............................................................................................................14 ARTICLE 5 PAY PRACTICES.................................................................................................... 28 SECTION 1. STEP ADVANCE ..........................................................................................................28 SECTION 2. NEW EMPLOYEES.......................................................................................................30 SECTION
    [Show full text]