Letters to Mother
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ALL MY SONS a Play in Three Acts by Arthur Miller Characters: Joe Keller
ALL MY SONS a play in three acts by Arthur Miller Characters: Joe Keller (Keller) Kate Keller (Mother) Chris Keller Ann Deever George Deever Dr. Jim Bayliss (Jim) Sue Bayliss Frank Lubey Lydia Lubey Bert Act One The back yard of the Keller home in the outskirts of an American town. August of our era. The stage is hedged on right and left by tall, closely planted poplars which lend the yard a secluded atmosphere. Upstage is filled with the back of the house and its open, unroofed porch which extends into the yard some six feet. The house is two stories high and has seven rooms. It would have cost perhaps fifteen thousand in the early twenties when it was built. Now it is nicely painted, looks tight and comfortable, and the yard is green with sod, here and there plants whose season is gone. At the right, beside the house, the entrance of the driveway can be seen, but the poplars cut off view of its continuation downstage. In the left corner, downstage, stands the four‐foot‐high stump of a slender apple tree whose upper trunk and branches lie toppled beside it, fruit still clinging to its branches. Downstage right is a small, trellised arbor, shaped like a sea shell, with a decorative bulb hanging from its forward‐curving roof. Carden chairs and a table are scattered about. A garbage pail on the ground next to the porch steps, a wire leaf‐burner near it. On the rise: It is early Sunday morning. Joe Keller is sitting in the sun reading the want ads of the Sunday paper, the other sections of which lie neatly on the ground beside him. -
It Is Christmas Eve at a Waffle House Just Off Interstate 24 in Murfreesboro, TN, Just 20 Miles Outside of Nashville
A SCATTERED, SMOTHERED & COVERED CHRISTMAS A Waffle House Christmas Musical written by Kaine Riggan (It is Christmas Eve at a Waffle House just off Interstate 24 in Murfreesboro, TN, just 20 miles outside of Nashville. As the lights come up, wee see one gentleman sitting in a booth drinking coffee and having a bowl of chili. A quirky little waitress names Rita enters, obviously in a good mood. She is somewhere between plain and attractive and somewhere between thirty-five and fifty-five, although it is somewhat difficult to judge where in either category she clocks in. She pours out the old coffee (regular) and starts a new pot. She picks up a second pot (decaf) and smells it and decides to keep it. Suddenly, she notices the audience for the first time.) RITA Well shoot fire! If I’d known all ya’ll were gonna be here tonight, I’d a spent more time on this hair. (She quickly adjusts her hairdo) What do you think Harold? Is that better or should I just wear my bad hair day bonnet? (referring to her Waffle House paper hat) (HAROLD mumbles a grouchy, unintelligible response) Oh, chip up, Harold. It’s Christmas Eve! Don’t you just love Christmas Eve? (HAROLD starts to mumble again but she talks right over his response) Awe, there’s just something about this place on Christmas Eve. It’s magical… like there’s something special in the air. HAROLD (acknowledging himself) Sorry! RITA That is not exactly what I had in mind (shouting towards the kitchen) Bert, get in here and change this chili out. -
"Make America Great Again Rally" in Cedar Rapids, Iowa June 21, 2017
Administration of Donald J. Trump, 2017 Remarks at a "Make America Great Again Rally" in Cedar Rapids, Iowa June 21, 2017 Audience members. U.S.A.! U.S.A.! U.S.A.! The President. Thank you, everybody. It is great to be back in the incredible, beautiful, great State of Iowa, home of the greatest wrestlers in the world, including our friend, Dan Gable. Some of the great, great wrestlers of the world, right? We love those wrestlers. It's always terrific to be able to leave that Washington swamp and spend time with the truly hard-working people. We call them American patriots, amazing people. I want to also extend our congratulations this evening to Karen Handel of Georgia. And we can't forget Ralph Norman in South Carolina. He called me, and I called him. He said, you know, last night I felt like the forgotten man. But he won, and he won really beautifully, even though most people—a lot of people didn't show up because they thought he was going to win by so much. It's always dangerous to have those big leads. But he won very easily, and he is a terrific guy. And I'll tell you what, Karen is going to be really incredible. She is going to be joining some wonderful people and doing some wonderful work, including major, major tax cuts and health care and lots of things. Going to be reducing crime, and we're securing that Second Amendment. I told you about that. And that looks like it's in good shape with Judge Gorsuch. -
The Relational Ethics of Church Music
ABSTRACT The Relational Ethics of Church Music Nathan Myrick, Ph.D. Mentor: Monique M. Ingalls, Ph.D. Music is an “indispensable” aspect of Protestant Christian worship, to use Brian Wren’s term (2000, 48). Yet it is also perceived as one of the most divisive aspects of that activity, with scholars, practitioners, and congregants alike contributing to this perspective. As scholars such as Donald Hustad (1993), Harold Best (1993, 2003), J. Nathan Corbitt (1998), Brian Wren (2000), James K. A. Smith (2009), and Jeremy S. Begbie (2011) have similarly noted, music connects people to each other and enlivens our emotional and relational convictions. This reality strongly suggests that music has ethical significance; if music is so emotionally and relationally powerful, and can be a source of unity and division, then it should be examined from within an ethical frame. It is surprising, however, that few scholars of Christian worship have attempted to consider music’s way of being in the world from an ethical perspective. This dissertation argues that a central problem in scholarship on music in Christian worship is that the ethical significance of church music has been sidestepped, ignored, or generally undertheorized. Using a multidisciplinary methodology drawn from ethnomusicological fieldwork at three Waco, Texas, Baptist churches and synthesizing theories of discourse, formation, and care ethics oriented towards restorative justice, I argue that church music is ethical when it preserves people in and restores people to just relationships with each other and, when applied directly to ecclesial settings, relationship with God. The Relational Ethics of Church Music by Nathan Myrick, B.A., M.A.T. -
Presentation #4- Opening
1 PRESENTATION #4- OPENING Good afternoon fellow club members and friends. Today we hope to enlighten you in regards to two aspects of Nelson’s and Jeanette’s lives. The first is in regard to clarifying that the love that existed between these two people was real. To accomplish this we will report actual private and sensitive quotations from both parties and you can draw your own conclusions as to the validity of their love. Most are not from their early romance days when they might be expected, but after their love had been ongoing for years. This was a life-long love between these two passionate human beings. The tragedy of living in an era of Victorian attitudes took a toll. It is a shame that in this age where their private life would be accepted as perfectly normal, there are those who still insist on judging it by Victorian morals and refute their love with salacious terms as “adulterous”! That term disappeared from our vocabulary back in the sixties! Their love was so powerful that they had to live two lives, public and private. We are going to take just a brief look at their private life and take a modern and tolerant position of what they had to overcome but not give up the love they had for one another. Any woman today would feel as Jeanette did if they could just experience a little of the love she received. And no doubt there are modern men today that would be overwhelmed to be as confident as Nelson was in the love he received from his Jeanette. -
Potential and Utilization of Thermophiles and Thermostable Enzymes in Biorefining Pernilla Turner, Gashaw Mamo and Eva Nordberg Karlsson*
Microbial Cell Factories BioMed Central Review Open Access Potential and utilization of thermophiles and thermostable enzymes in biorefining Pernilla Turner, Gashaw Mamo and Eva Nordberg Karlsson* Address: Dept Biotechnology, Center for Chemistry and Chemical Engineering, Lund University, P.O. Box 124, SE-221 00 Lund, Sweden Email: Pernilla Turner - [email protected]; Gashaw Mamo - [email protected]; Eva Nordberg Karlsson* - [email protected] * Corresponding author Published: 15 March 2007 Received: 4 January 2007 Accepted: 15 March 2007 Microbial Cell Factories 2007, 6:9 doi:10.1186/1475-2859-6-9 This article is available from: http://www.microbialcellfactories.com/content/6/1/9 © 2007 Turner et al; licensee BioMed Central Ltd. This is an Open Access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/2.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Abstract In today's world, there is an increasing trend towards the use of renewable, cheap and readily available biomass in the production of a wide variety of fine and bulk chemicals in different biorefineries. Biorefineries utilize the activities of microbial cells and their enzymes to convert biomass into target products. Many of these processes require enzymes which are operationally stable at high temperature thus allowing e.g. easy mixing, better substrate solubility, high mass transfer rate, and lowered risk of contamination. Thermophiles have often been proposed as sources of industrially relevant thermostable enzymes. Here we discuss existing and potential applications of thermophiles and thermostable enzymes with focus on conversion of carbohydrate containing raw materials. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date:___________________ I, _________________________________________________________, hereby submit this work as part of the requirements for the degree of: in: It is entitled: This work and its defense approved by: Chair: _______________________________ _______________________________ _______________________________ _______________________________ _______________________________ Pictures at an Exhibition: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin : “Eccentric” vs. “Academic” Playing A document submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS (D.M.A.) In Piano Performance of the College-Conservatory of Music 2007 By David T. Sutanto B.M., The Boston Conservatory, 1995 M.M., Manhattan School of Music, 1997 Committee Chair: Prof. Frank Weinstock Abstract Vladimir Horowitz and Evgeny Kissin would certainly be included among the very few of the greatest pianists ever recorded. This document provides a detailed description of their interpretations of Modest Mussorgsky’s Pictures at an Exhibition based on their recordings. The document begins with brief biographical information about Mussorgsky and Victor Hartmann, which is then followed by a historical background of Pictures. Brief biographies of Horowitz and Kissin are included as well. The concluding chapter discusses whether or not it is important for pianists to follow Mussorgsky’s original intentions regarding the suite. Is it necessary for pianists to make some changes or improvisations to the suite—eccentric playing? Will Pictures still sound good and interesting if pianists faithfully follow the score—academic playing? Pianists Frank Weinstock and Jason Kwak offer their opinions in answering these questions. -
Mildred “Mid” Dornan 1921 - 2019 Mid Dornan Died at the Age of 98
Since 1979 www.PointRichmondHistory.org Vol. XXXVIII No. 4 February/March, 2020 $3.00 Mildred “Mid” Dornan 1921 - 2019 Mid Dornan died at the age of 98. She was born on a Nebraska farm and grew up in Norfolk, NE. Her father died when she was 6, Mid remained close to her sister and two brothers throughout their lives. After high school, she moved to Southern California and worked as a governess. She later returned to Norfolk, attended business school, and returned to Southern California in 1941 to work for the Army Air Forces as part of the war effort. She corresponded by letter to Robert (Bob) Dornan during WWII, married him in August 1946 and moved to the Point. Mid was an active volunteer in her community. She belonged to the YMCA Young Marrieds, leader for Camp Fire Girls & Brownies, West Side Improvement Club, Washington School PTA, and Boy Scouts. Her husband Bob was Scoutmaster of Boy Scout Troop 111 and for 30 years, Mid hosted adult scout leaders for Monday night coffee & dessert. Mid was a charter member of the Point Richmond History Association, holding virtually all offices and most notable, wrote her "A-Mid Trivia," column starting in 1968 with "Point Counterpoint", followed by "This Point in Time." Her columns can be read online at pointrichmondhistory.org. She volunteered as a docent in the Point Richmond History Museum. Mid was an active member of the First United Methodist Church for 74 years. She was honored as Sweetheart of the Year in 1999 and wrote “Point Faithful, A 100-year History of the First United Methodist Church in Point Richmond”. -
Transcript of Interview with Gretchen L. Flippin Jackson, April 10, 2009
Gretchen Jackson SHAW: What other things were there? I never saw them and [Julie?] never set any others along that stretch of Washington Street. JACKSON: We had the elevated, overhead elevator. We had -- well, we had a Spanish (inaudible) there. We had a furniture store. SHAW: (inaudible) JACKSON: Yeah. More than that, we had another one (inaudible) my furniture. [Gold Flakes?] furniture store. Gold -- that goes way back. And then you had the Dudley... I'm going up near Ferdinand's, across from there, we had H&A Smith, what's the -- H&A Smith, and then we had another department store. SHAW: Yeah, Timothy Smith. JACKSON: Timothy Smith. SHAW: And Dutton's. JACKSON: And Dutton's, that's it. SHAW: And you had -- there was a Woolworth's on the corner of Ruggles Street. JACKSON: That's right. SHAW: And across [00:01:00] the street, there was a Blair's Supermarket. 1 JACKSON: Blair's Foodland. SHAW: And there was a Kennedy's butter and egg store. JACKSON: Stores, everywhere, and they were lovely. SHAW: And there's also two movie theaters. JACKSON: Yes, we did. SHAW: The Dudley and the Roxbury. JACKSON: And then, you had a black gentleman from 38 Williams Street named Mr. Thomas Gene [Skyler?] who owned Ruggles Street Hall. He was a gentleman of color. A very fabulous family, and that's how I met Dr. Jackson on Martha's Vineyard island, they had a home there. SHAW: And how did you know them? JACKSON: Through my mother. SHAW: Oh, through your mother. -
Women in Rockabilly Music: Lavern Baker and Janis Martin Stephanie P
University of Wisconsin Milwaukee UWM Digital Commons Theses and Dissertations August 2012 Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin Stephanie P. Lewin-Lane University of Wisconsin-Milwaukee Follow this and additional works at: https://dc.uwm.edu/etd Part of the African American Studies Commons, Music Commons, and the Women's Studies Commons Recommended Citation Lewin-Lane, Stephanie P., "Sweet Nothings: Women in Rockabilly Music: LaVern Baker and Janis Martin" (2012). Theses and Dissertations. 11. https://dc.uwm.edu/etd/11 This Thesis is brought to you for free and open access by UWM Digital Commons. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of UWM Digital Commons. For more information, please contact [email protected]. SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music at The University of Wisconsin—Milwaukee August 2012 ABSTRACT SWEET NOTHINGS: WOMEN IN ROCKABILLY MUSIC LAVERN BAKER AND JANIS MARTIN by Stephanie Lewin-Lane The University of Wisconsin-Milwaukee, 2012 Under the Supervision of Dr. Gillian Rodger Rockabilly music is an exciting and vibrant style of early Rock and Roll that originated in the 1950s. With its aggressive beat and anti-establishment connotations, rockabilly is considered a widely male-dominated genre, a point supported by the majority of scholarship and literature on the subject. However, a review of available contemporary recordings, television shows, advertisements and interviews show that women were an integral part of the history of rockabilly music. -
Divorce After Long-Term Marriage : a Constructivist Grounded Theory Study Melanie M
Digital Commons at St. Mary's University Theses & Dissertations University Archives 2017 Divorce after long-term marriage : a constructivist grounded theory study Melanie M. Somerville St. Mary's University Follow this and additional works at: https://commons.stmarytx.edu/dissertations Part of the Counseling Psychology Commons Recommended Citation Somerville, Melanie M., "Divorce after long-term marriage : a constructivist grounded theory study" (2017). Theses & Dissertations. 9. https://commons.stmarytx.edu/dissertations/9 This Dissertation is brought to you for free and open access by the University Archives at Digital Commons at St. Mary's University. It has been accepted for inclusion in Theses & Dissertations by an authorized administrator of Digital Commons at St. Mary's University. For more information, please contact [email protected]. DIVORCE AFTER LONG-TERM MARRIAGE: A CONSTRUCTIVIST GROUNDED THEORY STUDY A DISSERTATION Presented to the Faculty of the Graduate School of St. Mary’s University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in COUNSELOR EDUCATION AND SUPERVISION Melanie M. Somerville, MA, LPC-S San Antonio, Texas 2017 ProQuest Number:10289236 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10289236 Published by ProQuest LLC ( 2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. -
GREENMANTLE by JOHN BUCHAN to Caroline Grosvenor
GREENMANTLE by JOHN BUCHAN To Caroline Grosvenor During the past year, in the intervals of an active life, I have amused myself with constructing this tale. It has been scribbled in every kind of odd place and moment - in England and abroad, during long journeys, in half-hours between graver tasks; and it bears, I fear, the mark of its gipsy begetting. But it has amused me to write, and I shall be well repaid if it amuses you - and a few others - to read. Let no man or woman call its events improbable. The war has driven that word from our vocabulary, and melodrama has become the prosiest realism. Things unimagined before happen daily to our friends by sea and land. The one chance in a thousand is habitually taken, and as often as not succeeds. Coincidence, like some new Briareus, stretches a hundred long arms hourly across the earth. Some day, when the full history is written - sober history with ample documents - the poor romancer will give up business and fall to reading Miss Austen in a hermitage. The characters of the tale, if you think hard, you will recall. Sandy you know well. That great spirit was last heard of at Basra, where he occupies the post that once was Harry Bullivant's. Richard Hannay is where he longed to be, commanding his battalion on the ugliest bit of front in the West. Mr John S. Blenkiron, full of honour and wholly cured of dyspepsia, has returned to the States, after vainly endeavouring to take Peter with him.