Print Layout 1

Total Page:16

File Type:pdf, Size:1020Kb

Print Layout 1 As seen in SOUNDCHECK TESTING 1...2...3... CHERRY COLA First Act Limited Edition Series Lola By Chris Gill are located on the lower bout, where high-gain Mesa/Boogie, the guitar they’re easy to reach but out of the way retains the percussive “chunk” of the ou may have noticed First Act gui- when you bash out power chords with pick hitting the strings. The tone is tars stacked near the 10-pound cans Pete Townshend-style windmills. bright and lively like a good SG but with Y of baked beans or among the econo- Lola’s bound rosewood fretboard and more midrange girth. If you want the packs of Charmin and Remington ammo at mirror-polished frets deliver better sparkle and crunch of Angus Young’s Wal-Mart. First Act may be best known for action than the latest Jerry Bruckheimer rhythm tone but a little more fatness for its diverse line of high-quality budget musi- blockbuster. As chunky as Cajun gumbo, leads, the Lola will satisfy your needs. cal instruments aimed at the mass market, these frets feature a smooth, rounded but it also operates a custom shop, KA-CHING! profile, medium width and a The Bottom Line called Studio for Artists, that high crown, and feel as luxuri- First Act has done an excellent job LIST PRICE: makes one-of-a-kind guitars, bass- $1,500.00 ous as freshly minted addressing the needs of entry-level es and violins for professionals or MANUFACTURER: gold under your fin- musicians and pro players, First Act, 745 anyone who wants to play like one. Boylston St., gertips. The set but with its Limited Edition Rick Nielsen (Cheap Trick), Brad Boston, MA 02116; mahogany neck Series, the company is (888) 551-1115; Whitford (Aerosmith), Perry firstact.com plays and feels finally making guitars for Bamonte (the Cure) and Nick Zin- like a vintage Gib- the rest of us. The Lola’s ner (Yeah Yeah Yeahs) are a few of the satis- son. My only beef is the features and construction fied customers for whom First Act has made rather hefty neck heel that are like the greatest hits of the ax of their dreams. blocks access to the upper- classic electric guitar design The company’s new Limited Edition most frets like your first combined to make a new Series guitars are made by its Studio for girlfriend trying to pro- ax that will prove to be Artists luthiers and offer the same sound, tect her goodies in the a legend as well. playability and craftsmanship as its stellar backseat of your Unlike the closet custom instruments. I checked out the Lola, bitchin’ Camaro. queen immortal- a sweet single-cutaway solidbody with two ized in its name- humbuckers. Perhaps named after the cross- Sound sake Kinks song, dressing character immortalized in the And, like your this Lola is a con- Kinks classic “Lola,” this guitar will seduce first girlfriend, it’s tender, not a pre- you with its feminine curves. But look out— pure bliss once you tender. If this is the it’s got balls! finally plug into this company’s first act, we beauty. The Armstrong can’t wait to see what it Construction humbuckers crank out bold, does for an encore. I Several of Lola’s features are reminiscent well-defined tone with a high-end bite of those found on classic axes. The body, often lacking from beefy humbuckers. PRO: Great combination of classic constructed of a two-piece sandwich of Thanks to the resonant mahogany body, features and tones high-quality Honduran mahogany, is like a bass notes are punchy and lively, giving CON: Large neck heel impedes upper-fret hybrid of a Gibson Les Paul, SG and L-6S. power chords extra oomph through a blaz- access The open-faced chrome-covered Kent Arm- ing Marshall or Hiwatt. Even through a strong humbuckers are reminiscent of Gretsch Filtertrons, and the headstock has CREAM OF THE CROP First Act chief luthier an asymmetric Gumby-head shape similar to Kelly Butler on the Lola’s hidden assets. a Fifties Supro. It’s as if First Act’s luthiers combined the coolest features of several vin- First Act is known for its budget that the heel is part of the body style solidbody electric. line of guitars. Why create a pro- rather than the neck. Plus, the How many more new guitar models tage guitars to come up with their own mod- fessional, custom series of neck features a three-piece con- will you be introducing? ern classic. instruments? struction for added strength and Right now, we have three differ- We’ve been making custom one- rigidity. We achieved this by utiliz- ent models scheduled for release in The Lola’s SG-like beveled body makes of-a-kind guitars, basses and violins ing equal-and-opposite grain ori- the Limited Edition Series, the first the guitar very comfortable to play. Thanks to for professionals for a few years entation. Also, our custom pickup of which is the Lola. the added thickness of the second layer of now. The response has been so design lends an aesthetic to the What are the company’s future favorable that we wanted to make guitar’s overall look that can’t be plans? mahogany, the guitar delivers a fat, punchy our custom studio guitars available found anywhere else, while it main- We plan to release more Limited tone with ample sustain. The combination of to guitar aficionados everywhere. tains vintage tone styling. Edition models soon, including hol- Many guitars are based on exist- What kind of player would want to lowbodies and electric basses, while a Tune-O-Matic bridge with a string-through- ing designs. What makes the Lola play your guitars? still building for professional musi- body design enhances the Lola’s sustain and special? We consider the Lola to appeal cians. And of course, they will all be A couple of things. For example, to a very broad base: essentially, handcrafted by our expert team of liveliness as well. Master volume and tone the neck joint is constructed so any guitarist who plays any classic- master luthiers. —C.G. knobs and a three-way pickup-selector switch 170 guitar world.
Recommended publications
  • Line 6 POD Go Owner's Manual
    ® 16C Two–Plus Decades ACTION 1 VIEW Heir Stereo FX Cali Q Apparent Loop Graphic Twin Transistor Particle WAH EXP 1 PAGE PAGE Harmony Tape Verb VOL EXP 2 Time Feedback Wow/Fluttr Scale Spread C D MODE EDIT / EXIT TAP A B TUNER 1.10 OWNER'S MANUAL 40-00-0568 Rev B (For use with POD Go Firmware 1.10) ©2020 Yamaha Guitar Group, Inc. All rights reserved. 0•1 Contents Welcome to POD Go 3 The Blocks 13 Global EQ 31 Common Terminology 3 Input and Output 13 Resetting Global EQ 31 Updating POD Go to the Latest Firmware 3 Amp/Preamp 13 Global Settings 32 Top Panel 4 Cab/IR 15 Rear Panel 6 Effects 17 Restoring All Global Settings 32 Global Settings > Ins/Outs 32 Quick Start 7 Looper 22 Preset EQ 23 Global Settings > Preferences 33 Hooking It All Up 7 Wah/Volume 24 Global Settings > Switches/Pedals 33 Play View 8 FX Loop 24 Global Settings > MIDI/Tempo 34 Edit View 9 U.S. Registered Trademarks 25 USB Audio/MIDI 35 Selecting Blocks/Adjusting Parameters 9 Choosing a Block's Model 10 Snapshots 26 Hardware Monitoring vs. DAW Software Monitoring 35 Moving Blocks 10 Using Snapshots 26 DI Recording and Re-amping 35 Copying/Pasting a Block 10 Saving Snapshots 27 Core Audio Driver Settings (macOS only) 37 Preset List 11 Tips for Creative Snapshot Use 27 ASIO Driver Settings (Windows only) 37 Setlist and Preset Recall via MIDI 38 Saving/Naming a Preset 11 Bypass/Control 28 TAP Tempo 12 Snapshot Recall via MIDI 38 The Tuner 12 Quick Bypass Assign 28 MIDI CC 39 Quick Controller Assign 28 Additional Resources 40 Manual Bypass/Control Assignment 29 Clearing a Block's Assignments 29 Clearing All Assignments 30 Swapping Stomp Footswitches 30 ©2020 Yamaha Guitar Group, Inc.
    [Show full text]
  • The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel Inmusic Brands Inc
    ANAHEIM CONVENTION CENTER 326A 326B 369 370 LEVEL 3: Grotrian Piano Company GmbH Yangtze River Mendelssohn Piano Mason & Hamlin MEETING ROOMS & BOOTHS 300–799 THANK YOU TO OUR SPONSORS LEVELS & HOTELS Piano 323 (Shanghai) Reserved Wilh. Steinberg Fender Fazioli Marketing Co., Ltd. 303D Group Inc. 366 388 Fender 321 Pianoforti Niendorf SPA Dynatone Flügel AT A GLANCE Musical - 319 Corp. und PianoDisc Musical Klavierfabrik 300B2 Samick Instruments 318 340 362GmbH 384 391 Instruments 317 Corporation Music North Corporation 314 335 American A.Geyer Music Corp. Inc. Kawai America Corp 334 356 376 390 393 Schimmel Piano Ravenscroft North Corporation Lowrey ACC North 304BCD Pianos Vienna W. Schimmel 303BC W Katella Ave American International, 374 Gretsch Guitars Music Pianofortefabrik Inc. Inc. Pearl River Piano Jackson 308 330 352 372 389 392 GmbH Guangzhou Pearl River Amason PROFESSIONAL ACC 300E Charvel Digital Musical Instr 305 L88A L88B 300B 300A 304A EVH 303A Arena Outdoor Cafe S West Street 303 • Level 2 • Level 2 • Level 2 • Level 2 DJ String • Lobbies E & D 300a & PTG Museum Display • Lobby B Arena • Mezzanine • Lobby C • Lobby B &Piano Bow Plaza Events DJ/Pro Audio Level 2 Level 3 The Music Begins Here SBO Level 1 Level 2 JANUARY 25-28, 2018 • ANAHEIM, CALIFORNIA Level 1 LEVEL 2: MEETING ROOMS 200–299 Hilton Hotel inMusic Brands Inc. Akai Professional Hotel Way Denon DJ Import Reserved Exhibitor Numark Music Grand Reserved Reserved RANE Reserved Plaza NAMM Meeting Alesis USA, Events D'Angelico Alto Professional Corp. Mackie 209B 206B MARQ Lighting 203B Guitars 210D 210D1 207D 204C Ampeg Hall E Yamaha Zemaitis Guitars Reserved Exhibitor Meinl W Convention Way Taylor Greco Guitars Meeting 212AB 210C 209A 207C 206A Pearl Corporation 203A 201CD Marriott Hotel Guitars Marshall Adams Musical Instruments Pacific Drums & Amplification Percussion Sky Bridge to ACC North Dean Guitars Drum Workshop, Inc.
    [Show full text]
  • JHS & Co. Ltd. Look Forward to Another Successful NAMM Show
    Press Release - for immediate publication Booth 5279 Hall B JHS & Co. Ltd. look forward to another successful NAMM Show John Hornby Skewes & Co. Ltd. (JHS) the worldwide trade distributors for their proprietary Fret-King™ electric and bass guitars, Vintage® and Encore® electric, acoustic and bass guitars and Pilgrim® Folk Instruments, are looking forward to a successful NAMM Show 2016. Having secured representation in North America through Texas-based RBI Music back in June 2015, their Fret-King, Vintage and Encore guitar brands will all be on show in Hall B Booth 5279, along with a comprehensive range of the Paul Tebbut designed Pilgrim Folk Instruments range, including the brand new Morning Star series with their superb ‘tubaphone style’ tonerings. Fret-King guitars will see the official launch of the new Black Label ‘JJ’ John Jorgensen Signature model, designed by Trev Wilkinson in conjunction with the former Hellecasters and session supremo. John’s model will join the ranks of Fret-King Signature models alongside former band mate Jerry Donahue, jazz supremo John Etheridge, Queensryche’s Parker Lundgren, former Michael Jackson guitarist Gregg Wright, Procul Harum’s Geoff Whitehorn and UK blues guitarists Danny Bryant and John Verity. There will also be a select number of one-off Fret-King guitars pre-fitted with the groundbreaking Fishman Fluence pickup systems on display and ready to try. The very popular Vintage electric guitar range has taken on 8 new models, including its very first seven-string the V7HTBB, an homage to the ‘80s rock guitars with the V624M which has been honoured to receive 5 star reviews from a number of UK guitar magazines.
    [Show full text]
  • Equipment List
    EQUIPMENT LIST HARDWARE • Pro Tools HD3 Accel System with Antelope Audio OC X master word clock • Crane Song Hedd 192 converter and harmonic processor COMPRESSORS • 8- Empirical Labs El-8 Distressor's • Inward Connection TSL-3 tube limiters • Retro Sta-Level • Chandler/Emi Stereo Abbey Road compressor • Chandler Germanium • Neve 2254 Stereo • Neve 33609 Stereo • Manley ELOP Stereo • Alan Smart C1 Stereo • 2- Teletronix LA2A Tube • 2- Urie La 3a • Urie 1176 Ln Black Face • Purple Mc76 1176 Reissue EQUALIZERS / MIC PREAMPS • 2- Telefunken V72 Tube Mic Pre's • 4- Neve 1084 Class A Discreet • Great River Electronics MP2 NV • Great River Electronics EQ2 NV • 5- Chandler Ltd. Neve Class A Mic Pre/EQ's • 2- Chandler Germanium Mic Pre’s • Chandler Ltd. EMI Channel • Chandler Ltd. Tg2 EMI Style Stereo Mic Pre • Grace 201 Stereo Mic Pre • 4 - Api 312 Mic Pre's • 6- Api 560 Graphic EQ • 8- Api 550 A EQ • 2- Api 554 B EQ • 4 - Aengus EQ's • Reddi Tube DI • Evil Twin Tube DI MICROPHONES - BOCK • Bock EL 250 MICROPHONES - AKG • C-12 Vintage Tube • C-12a Vintage Tube • C-28 Tube • D112 • 5 D19 “Beatles mics” MICROPHONES - NEUMAN • U-67 Vintage Tube • KM - 53 Vintage Tube • KM - 54 Vintage Tube • KM - 56 Vintage Tube Matched Pair • KM - 84 Matched Pair • U-87 Matched Pair MICROPHONES - TRACY KORBY • Handmade Classic Tube Mic MICROPHONES - ROYER LABS • 2 SF-24 Active Stereo Ribbon • 4 122 Matched Pair Active Ribbon • 4 121 Matched Pair Ribbon MICROPHONES - MOJAVE • 2 MA 200 large diaphragm • 2 MA 100 small diaphragm MICROPHONES - HEIL • PR 40 • PR 35
    [Show full text]
  • Designing and Building an Electric Baritone Guitar
    Hendrik Gideonse Audio Research December 14, 2008 Designing an Electric Baritone Guitar 0 Anatomy of a Guitar ................................................................................................... 2 1 Introduction ................................................................................................................. 3 2 Baritone History .......................................................................................................... 3 3 Problems with Existing Designs ................................................................................. 5 3.1 String Tension ..................................................................................................... 5 3.2 Balance, Ease of Playing 1st Position Chords and Bridge Position .................... 7 3.3 Rigidity for Tone and Sustain ........................................................................... 11 4 Designing the Baritone Guitar .................................................................................. 12 4.1 Woods, Tone and Rigidity ................................................................................ 13 4.2 Angled Headstock and ‘V’ Neck Contour ........................................................ 16 4.3 Headstock Shapes ............................................................................................. 19 4.4 Joining the Neck to the Body ............................................................................ 24 4.5 Body Shape ......................................................................................................
    [Show full text]
  • Ted Nugent Ted Love the One You’Re With… How Optimizing the Guitars “I Am Classic Rock Revisited
    Mountainview Publishing, LLC INSIDE the Mambo Son’s guitarist Tom Guerra takes a journey to the center of The Player’s Guide to Ultimate Tone TM the mind $10.00 US, September 2010/VOL.11 NO.11 Report of the Byrdland blaster, Ted Nugent Ted Love the One You’re With… How optimizing the guitars “I am Classic Rock Revisited. I revisit it every waking moment of my life because it has the spirit you already and the attitude and the fire and the middle finger. I am Rosa Parks with a Gibson guitar.” own provides cheap – Ted Nugent relief in tough times… Who among us has played 7 more than six thousand RS Guitarwork’s shows, sold 30 million Roy Bowen records, arrived at the peak on replacement of their career bankrupt, pots, tone caps, rebounded with a vengeance refins, repairs and is still throwing down and the variable nature of loud and proud thirty years nickel-silver hence? Uh-huh. Ted. In case you hadn’t noticed, the state Optimizing Junior… of Michigan, and the city of Common sense Detroit in particular, have tips for safely turned out some very inter- replacing esting human beings… Bill pots, caps Haley, Del Shannon, Jim & pickup covers McCarty, Bob Seger, Alice Cooper, Iggy Pop, Marshall 14 Crenshaw, Wilson Pickett, Primal Scream! Little Willie John, Smokey Robinson, Aretha Franklin, Chasing Madonna, Don Was, Jack tone with Wolfetone’s White, and Stevie Wonder, MarshallHead among others. hi-octane humbuckers Then there are the bands… MC5, Mitch Ryder and the plus… Detroit Wheels, Iggy Pop and Wolfe’s the Stooges, Cactus, George ‘meaner’ Clinton and Funkadelic, P90s Grand Funk Railroad, Brownsville Station, ? Mark 17 and the Mysterians, Rare The Eastman T185 MX A truly superior, Earth, the mighty, mighty Motown stable, and The White Stripes.
    [Show full text]
  • Look Good, Sound Better
    THE 2017 NAMM SHOW | GUITARS & ACCESSORIES LOOK GOOD, SOUND BETTER BY ALEX HARRELL Deco designs make a comeback as intage revivals are nothing new in this industry. But what sets this year’s round manufacturers mix old favorites from the of resurrections apart from the rest is the recurring theme of art deco-inspired designs Dirty ’30s with 21st century technology from the 1920s and ’30s. V“The original guitars from the 1920s weren’t that great,” said Jim LaPlaca, The Music Link’s director of marketing. “So, we took that styling, and we’re building a great instrument.” LaPlaca is referring to Recording King’s Series 7 line. Recording King was originally a 1930s Montgomery Ward brand; TML brought back its depression-era acoustic guitars 10 years ago. The Series 7 line features Single O body styles with distinctive checkerboard styling, cross lap bracing, and comes in a Tobacco Sunburst finish with art deco-inspired stenciling. Ken Peveler Sales’ Ken Peveler and Levy’s Leathers’ Harvey Levy and Glen Booth “It’s not just having that cool styling but having a really good, quality instrument, too,” he said. Washburn released a remake of the Solo Deluxe — a company model from 1939. The Solo Deluxe features a fully torrified top and bracing to create a vintage tone, according to Gil Soucy, USM Music’s vice president and general manager. “We changed the playability of it because the older ones tend to have a real fat neck, so this one is very playable,” he said. Epiphone Guitars is also making beloved acoustics from the 1930s and modifying them with 21st century innovations to make them sound just as good as they look.
    [Show full text]
  • Line 6 Helix Rack & Helix Control Owner's Manual
    2.0 OWNER’S MANUAL 90-20-0370 - B (For use with Helix Rack Firmware 2.00) ©2016 Line 6, Inc. 0•1 The Blocks 23 Controller Assign 43 Contents Input 23 Quick Controller Assign 43 Output 24 Manual Controller Assign 43 Welcome to Helix 3 Effects 25 Clearing a Block's Controller Assignment(s) 45 What’s In the Box? 3 Amp+Cab 28 Clearing All Controller Assignments 45 Common Terminology 3 Amp 29 Customizing a Controller Footswitch Label 45 Helix Rack Front Panel / Helix Control Top Panel 5 Preamp 29 Command Center 46 Helix Rack / Helix Control Back Panel 7 Cab 30 Assigning a Command 46 Home Screen 9 Impulse Response (IR) 31 Copying and Pasting a Command 48 Send/Return 32 Quick Start 10 Copying and Pasting All Commands 48 Looper 33 Clearing a Command 48 Connect Helix Rack and Helix Control 10 Split 33 Clearing All Commands 48 Setting Proper Output Levels 10 Merge 33 Customizing a Command Footswitch Label 48 Selecting Presets and Setlists 11 Tuner 34 Preset Footswitch Mode 12 Customizing a Command Footswitch Color 48 Stomp Footswitch Mode 12 Tuner Settings 34 Global EQ 49 Snapshot Footswitch Mode 13 Snapshots 35 Resetting Global EQ 49 Looper Footswitch Mode 13 Snapshots > Block Bypass 35 Pedal Edit Mode 14 Global Settings 50 Snapshots > Parameter Control 36 Selecting Blocks/Adjusting Parameters 15 Resetting All Global Settings 50 Snapshots > Command Center 37 Bypassing a Block 15 Global Settings > Ins/Outs 51 Using Snapshots 37 Choosing a Block's Model 15 Global Settings > Preferences 52 Copying/Pasting a Snapshot 38 Choosing an Input 16 Global Settings > MIDI/Tempo 52 Swapping Snapshots 38 Choosing an Output 16 Global Settings > Footswitches 53 Renaming a Snapshot 38 Moving Blocks 17 Global Settings > EXP Pedals 53 Saving Snapshots 39 Copying and Pasting a Block 17 Global Settings > Displays 53 Determining Snapshot Edit Behavior 39 Clearing a Block 17 Hardware Monitoring vs.
    [Show full text]
  • Meet Your Match!
    MEET YOUR MATCH! BERLIN MAY 5+6 2018 AN EVENT BY C4 C3 C2 C1 DEMO CONCERTS STAFF ONLY SOUND CABINS SOUND CABINS Restricted access 5 Cabins: 5 Cabins: Testing electric Testing electric guitars guitars, basses & acoustic guitars THE HOLY GRAIL GUITAR SHOW STAGE May 5 & 6, 2018 Estrel Berlin • Sonnenallee 225, 12057 Berlin SOUND CABINS 4 Cabins: Testing acoustic guitars ► PUBLIC HOURS: Saturday, May 5, 2018 • 11:00 - 19:00 Sunday, May 6, 2018 • 11:00 - 17:00 DeO M COnCeRTS & LeCTUReS FOYER ESTREL HALL Exhibitors ► TICkeTS*: Exhibitors 62-135 1-61 1-day ticket € 20 First-come, first-served; once all Weekend ticket € 30 seats are taken doors will close. Doors will remain closed during ► DISCOUnTeD 1-Day tickeTS*: concerts and lectures. The schedule Disabled persons, seniors (65 and older), students € 12 is subject to change without notice. Child (under 14) free Free oF ChArGe For tickeT holDerS * All prices include 19 % VAT Bathrooms Show Entrance & Exit Restaurant PASSAGE area PUBLIC LOUnge / ROOM PaRIS Ticket Counter Wardrobe Saturday, May 5 Sunday, May 6 ► OPenIng hours: ► OPenIng hours: Smoking Coffee bar: 09:00 - 19:00 Coffee bar: 08:30 - 11:30 & 13:30 - 17:00 Area Acoustic Guitar Stage: 12:00 - 19:00 Gear Talk: International Pickup Maker Panel: 11:30 - 13:30 Reception Acoustic Guitar Stage: 13:30 - 17:00 ROOM PARIS ROOM LYON ROOM STRAßBURG Entrance Estrel PUBLIC LOUNGE DEMO CONCERTS LECTURES TAXI The Holy grail guitar Show is organized by the european guitar Builders e.V. (egB). an important part of the EGB’s mission is the promotion of the luthier-built guitar among the guitar playing public.
    [Show full text]
  • Model Packs Pilot's Handbook
    Model Packs Pilot’s Handbook Chapter 1 ...................................................... Metal Shop Model Set Chapter 2 ........................................... Collector Classics Model Set Chapter 3 .........................................................FX Junkie Model Set Chapter 4 ......................................................Power Pack Model set Chapter 5 ............................................................Bass Expansion set Learn about Model Packs: www.line6.com/modelpacks Get License Key activation instructions: www.line6.com/store/activate.html Please Note: Line 6®, POD®, POD® xt, POD® xt Live, Bass POD® xt Live, POD® xt Pro, A.I.R.™, FBV™, FBV Express™, FBV Shortboard™, FB4™, FBV2™, Amp Farm®, Line 6 Monkey™, Line 6 Edit™, and Variax® are trademarks of Line 6, Inc. All product names, trademarks, and artist names are the property of their respective owners, which are in no way associated or affiliated with Line 6. Product names, images, and artist’ names are used solely to identify the products whose tones and sounds were studied during Line 6’s sound model development. The use of these products, trademarks, images and names does not imply any cooperation or endorsement. Model Packs Pilot’s Handbook Electrophonic Limited Edition © 2006, Line 6, Inc. Revision D. Metal Shop Bomber Uber: Based on* a Bogner Uberschall METAL SHOP 1• 1 These 18 punishingly high gain Amp Models were wrenched kicking, screaming and breathing fire from our metal monster HD147. They also happen to be a part of the model set of our flagship amplifier, Vetta II. And by adding the Metal Shop Model Pack, you’ll harness their fearsome power to create your own monster of mayhem! Let’s learn a little about these fearsome fiends that hath such fury, shall we? Bomber Uber: Based on* a Bogner Uberschall Much like the Bogner Extacy, the Uberschall dishes up serious tone for high gain players.
    [Show full text]
  • Exhibitor Listing As of 9/30/21
    Summer NAMM Exhibitor Listing as of 9/30/21 Name Booth 12-Bar Blues LLC 1132 3RD POWER Amplification 861 64 Audio 236 A Tempo Percusion 1543 Accountech Solutions 158 ACE TONE 653 Acme Audio Mfg. Co. 107 Adamovic 911 Advanced Audio Microphones 207 Advanced Plating Inc. 1207 ADVSOUND, Inc. 1 AEA - Audio Engineering Associates 124 Aeris Protective Packaging Inc. 1609 AES Nashville 448 Aguilar Amplification, LLC 853 AirTurn 1703 AJ Peat Effects 1458 Alclair Audio 342 Alexander Pedals 1254 Alfred Music 543 Allied Powers 1059 Alpha Distribution 952 Alpha Innovation 506 Aluminati Guitar Company 1631 Alvarez Guitars 809 Amahi Ukuleles 1501 American Engraver 1745 American Music Furniture, LLC 39, 40 AmeriTrust Group, Inc. MC5 Ampeg 643 Amphion Loudspeakers 531 AmpStamp 1643 AMS Neve 320 Analysis Plus 206 Anatomy of Sound 1727 Ansmann Rechargeables 122 Apex Tube Matching 1639 Artesia 335 Artiphon, Inc. 929 Asterope 529 ATR Magnetics, LLC 130 ATR Service, Inc. 130 ATV Corporation 653 Audio Sprockets 1608 AudioScape Engineering Co. 211 Augspurger Monitors 320 Aura Amps 2027 Auratone 2 Aurora Audio 137 Automated Processes, Inc. 535 AVA 911 Avalon Design 331 Aviate Audio 1357 Axe Paxe, LLC 1613 BackBeat 957 Bad Boy Guitars 1159 BAE (British Audio Engineering) 121 BaldMan Percussion 1760 Balthazar Audio Systems 1055 Bam France 1313 Bamboo 1306 Band-in-a-Box® 234 BandLab 921 Barym Benders and Amps 2010 BAS Instruments LLC 1154 Batson Guitars 911 Bedell Guitars 1213 Benson Custom 1356 Bettermaker 220 Big Bang Slides 1725 BIG EAR Pedals 1359 Big Joe Stomp Box Company 1543 Bigsby D1 Bock Audio 10 BOSS 821 Boutique Guitar Showcase 911 BP Rose Guitars 1620 BrandNewNoise 2007 Brandonwound Pickups 1255 Breedlove Stringed Instruments 1213 Breezy Ridge® Instruments, Ltd.
    [Show full text]
  • POD X3 Live for Guitar
    ® Pilot’s Handbook Manuel de pilotage Pilotenhandbuch Pilotenhandboek Manual del Piloto An in-depth exploration of the advanced technologies and pulsing tonal pleasures of POD X3 & POD X3 Live. 40-00-0120 Electrophonic Limited Edition available @ www.line6.com/manuals Rev A The serial number can be found on the bottom of your POD X3 or POD X3 Live. It’s the number that begins with “(21)”. Please note it here for future reference: SERIAL NO: WARNING: To reduce the risk of fire or CAUTION: To reduce the risk of fire or electric shock, electric shock, do not expose this appliance to do not remove screws. No user-serviceable parts inside. Refer rain or moisture. servicing to qualified service personnel. NOTICE: This equipment has been tested and found to comply with the limits for a Class B digital device pursuant to Part 15 of FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. The lightning symbol within a triangle means The exclamation point within a triangle “electrical caution!” It indicates the presence means “caution!” Please read the of information about operating voltage and information next to all caution signs. potential risks of electrical shock. You should read these Important Safety Instructions Keep these instructions in a safe place Before using your POD X3 or POD X3 Live, carefully read the applicable items of these operating instructions and safety suggestions. 1. Obey all warnings on the POD X3, POD X3 Live, and in this Pilot’s Handbook.
    [Show full text]