Pan-European Repertoire Licensing Body licensing Repertoire Definition DSPs Use Type Start Date End Date Contact SonyATV & EMI – Anglo SOLAR Music Rights Y SonyATV & EMI – Anglo American repertoire: All except DSP's which come under the sub-agent/re- all digital 01 January 2015
[email protected] American repertoire Management The relevant repertoire at the work share level consists of any work share published by a Sony or EMI aggregation agreements. company in your territory (ie: for which you pay offline rights income to the local SonyATV or EMI affiliate) and which is written by a member of the Anglo American societies (PRS, ASCAP, BMI, SESAC, AMRA, SOCAN, IMRO, SAMRO or APRA) or a work share which is written by a writer or composer who is not a member of any society (NS) or represented by Global Music Rights (GMR). Sony ATV SGAE Y Online rights as defined in the GESAC/ICMP common declaration of the Musical Works or part of such all except DSPs which come under the sub-agent all digital 01 January 2009 Nick Connold (
[email protected]) Latin repertoire a Musical Work directly or indirectly owned, controlled or administered by SONY/ATV which are agreements created by authors and composers who are members of collective rights organisations having their legal domicile in or doing business in Portugal and all countries in South and Central America, including but without limitation, Argentina, Belize, Bolivia, Brazil, Chile, Colombia, Costa Rica, Cuba, Dominican Republic, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay and Venezuela Peer Latin Repertoire PRS Y Peer Latin American Music Publishing repertoire (mechanical and CP rights) where the all except DSPs which come under the sub-agent all digital 01 July 2013 Steve.Meixner author/composer of the Musical Work (or part thereof as applicable) is non-society or a member of UBC agreements (
[email protected]) or SACM.