Katy Wallin, Csa Ceo/President
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Nomination Press Release
Elisabeth Moss as Peggy Olson Outstanding Lead Actor In A Drama Series Nashville • ABC • ABC Studios Connie Britton as Rayna James Breaking Bad • AMC • Sony Pictures Television Scandal • ABC • ABC Studios Bryan Cranston as Walter White Kerry Washington as Olivia Pope Downton Abbey • PBS • A Carnival / Masterpiece Co-Production Hugh Bonneville as Robert, Earl of Grantham Outstanding Lead Actor In A Homeland • Showtime • Showtime Presents, Miniseries Or A Movie Teakwood Lane Productions, Cherry Pie Behind The Candelabra • HBO • Jerry Productions, Keshet, Fox 21 Weintraub Productions in association with Damian Lewis as Nicholas Brody HBO Films House Of Cards • Netflix • Michael Douglas as Liberace Donen/Fincher/Roth and Trigger Street Behind The Candelabra • HBO • Jerry Productions, Inc. in association with Media Weintraub Productions in association with Rights Capital for Netflix HBO Films Kevin Spacey as Francis Underwood Matt Damon as Scott Thorson Mad Men • AMC • Lionsgate Television The Girl • HBO • Warner Bros. Jon Hamm as Don Draper Entertainment, GmbH/Moonlighting and BBC in association with HBO Films and Wall to The Newsroom • HBO • HBO Entertainment Wall Media Jeff Daniels as Will McAvoy Toby Jones as Alfred Hitchcock Parade's End • HBO • A Mammoth Screen Production, Trademark Films, BBC Outstanding Lead Actress In A Worldwide and Lookout Point in association Drama Series with HBO Miniseries and the BBC Benedict Cumberbatch as Christopher Tietjens Bates Motel • A&E • Universal Television, Carlton Cuse Productions and Kerry Ehrin -
Waste Management Featured in the Pitch, AMC's Newest Unscripted Series
Waste Management Featured in The Pitch, AMC's Newest Unscripted Series March 29, 2012 Show tracks the competition between two advertising agencies vying to tell Waste Management's growth story HOUSTON, March 29, 2012 /PRNewswire/ -- Waste Management (NYSE:WM) will be one of a handful of companies featured in AMC's new original unscripted series, The Pitch, which tracks the intense competition between two advertising agencies for Waste Management's business. Waste Management will be featured in the series' debut episode airing Monday, April 30 at 9:00 PM ET on AMC. (Logo: http://photos.prnewswire.com/prnh/20090219/WMLOGO) In the episode, Waste Management senior executives challenge two advertising agencies to develop a campaign in seven days that is reflective of the company's growth strategy. "We participated in the show because it gives us the ability to teach people more about our brand than a traditional advertising campaign," said Dave Aardsma, chief marketing officer, Waste Management. "It is a great way to explain how we help our customers extract the most value from all the materials we handle." The Pitch is executive produced by Eli Holzman, Stephen Lambert, Phil Lott, Brien Meagher and Aaron Saidman from Studio Lambert – creators of Undercover Boss and Project Runway – two shows that have also featured Waste Management. Waste Management is the industry leader in transforming waste into higher value products such as recycling and renewable energy, including landfill- gas-to-energy and waste-to-energy. The company is also making strategic investments in innovative technologies to convert waste into transportation fuels and green chemicals. -
Crash- Amundo
Stress Free - The Sentinel Sedation Dentistry George Blashford, DMD tvweek 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com January 19 - 25, 2019 Don Cheadle and Andrew Crash- Rannells star in “Black Monday” amundo COVER STORY .................................................................................................................2 VIDEO RELEASES .............................................................................................................9 CROSSWORD ..................................................................................................................3 COOKING HIGHLIGHTS ....................................................................................................12 SPORTS.........................................................................................................................4 SUDOKU .....................................................................................................................13 FEATURE STORY ...............................................................................................................5 WORD SEARCH / CABLE GUIDE .........................................................................................19 READY FOR A LIFT? Facelift | Neck Lift | Brow Lift | Eyelid Lift | Fractional Skin Resurfacing PicoSure® Skin Treatments | Volumizers | Botox® Surgical and non-surgical options to achieve natural and desired results! Leo D. Farrell, M.D. Deborah M. Farrell, M.D. www.Since1853.com MODEL Fredricksen Outpatient Center, 630 -
America's Closet Door: an Investigation of Television and Its Effects on Perceptions of Homosexuality
University of Tennessee at Chattanooga UTC Scholar Student Research, Creative Works, and Honors Theses Publications 12-2014 America's closet door: an investigation of television and its effects on perceptions of homosexuality Sara Moroni University of Tennessee at Chattanooga, [email protected] Follow this and additional works at: https://scholar.utc.edu/honors-theses Part of the English Language and Literature Commons Recommended Citation Moroni, Sara, "America's closet door: an investigation of television and its effects on perceptions of homosexuality" (2014). Honors Theses. This Theses is brought to you for free and open access by the Student Research, Creative Works, and Publications at UTC Scholar. It has been accepted for inclusion in Honors Theses by an authorized administrator of UTC Scholar. For more information, please contact [email protected]. America’s Closet Door An Investigation of Television and Its Effects on Perceptions of Homosexuality Sara Moroni Departmental Thesis The University of Tennessee at Chattanooga English Project Director: Rebecca Jones, PhD. 31 October 2014 Christopher Stuart, PhD. Heather Palmer, PhD. Joanie Sompayrac, J.D., M. Acc. Signatures: ______________________________________________ Project Director ______________________________________________ Department Examiner ____________________________________________ Department Examiner ____________________________________________ Liaison, Departmental Honors Committee ____________________________________________ Chair, Departmental Honors Committee 2 Preface The 2013 “American Time Use Survey” conducted by the Bureau of Labor Statistics calculated that, “watching TV was the leisure activity that occupied the most time…, accounting for more than half of leisure time” for Americans 15 years old and over. Of the 647 actors that are series regulars on the five television broadcast networks (ABC, CBS, The CW, Fox, and NBC) 2.9% were LGBT (Lesbian, Gay, Bisexual, Transgender) in the 2011-2012 season (GLAAD). -
CHLA 2017 Annual Report
Children’s Hospital Los Angeles Annual Report 2017 About Us The mission of Children’s Hospital Los Angeles is to create hope and build healthier futures. Founded in 1901, CHLA is the top-ranked children’s hospital in California and among the top 10 in the nation, according to the prestigious U.S. News & World Report Honor Roll of children’s hospitals for 2017-18. The hospital is home to The Saban Research Institute and is one of the few freestanding pediatric hospitals where scientific inquiry is combined with clinical care devoted exclusively to children. Children’s Hospital Los Angeles is a premier teaching hospital and has been affiliated with the Keck School of Medicine of the University of Southern California since 1932. Table of Contents 2 4 6 8 A Message From the Year in Review Patient Care: Education: President and CEO ‘Unprecedented’ The Next Generation 10 12 14 16 Research: Legislative Action: Innovation: The Jimmy Figures of Speech Protecting the The CHLA Kimmel Effect Vulnerable Health Network 18 20 21 81 Donors Transforming Children’s Miracle CHLA Honor Roll Financial Summary Care: The Steven & Network Hospitals of Donors Alexandra Cohen Honor Roll of Friends Foundation 82 83 84 85 Statistical Report Community Board of Trustees Hospital Leadership Benefit Impact Annual Report 2017 | 1 This year, we continued to shine. 2 | A Message From the President and CEO A Message From the President and CEO Every year at Children’s Hospital Los Angeles is by turning attention to the hospital’s patients, and characterized by extraordinary enthusiasm directed leveraging our skills in the arena of national advocacy. -
It's Not About the Sex Ization and Queerness in Ellen and the Ellen Degeneres Show
It's Not About the Sex ization and Queerness in Ellen and The Ellen Degeneres Show MARUSYA BOClURKlW Cette auteure examine les analogies raciales et les juxtaposi- star, whose latest television incarnation is as host ofNBC tions employkes dans la reprhsentation de Eden Degeneres daytime talk show, The EhnDegeneres Show. I will discuss comme uedette de tklkuision lesbienne. Ily eut au dkbut une the ways in which, throughout the history of lesbian sortie du placard hyper rkaliste du personnage Ellen Morgan representation, excessively racialized images mark narra- b La tklkuision en 1977 et comme conclusion elle analyse les tive junctures where normalcy has been put into question. gestes qui sont la marque de Degeneres, quand elle anime son Further, the projection of sexuality onto racialized figures kmission * The Ellen Defeneres- Show a. L huteure uoit h is a way forwhiteness to represent, yet also dissociate itself, trauers l'bistoire de la reprksentation des lesbiennes, des from its (abnormal?)desires. Indeed, as the opening quote images trks racistes quand h normalitk est inuoquhe. to this paper implies, aleitmotifof Degeneres' and Heche's (her then new love interest) media interviews during- the 0prah: Okay, soyou saw Ellen across a crowdedroom... coming-out period was a bizarre denial of the sexual nature oftheir relationship. Historically,white femininity Anne Heche: Ifell in love with aperson. has frequently been represented as that which transcends the sexual "fallibility" of the body itself (Dyer). Richard Oprah: And felt, what, some kind of sexual attrac- Dyer writes that white women's "very whiteness, their tion, you felt sexually attracted to her. -
Disney Channel’S That’S So Raven Is Classified in BARB As ‘Entertainment Situation Comedy US’
Children’s television output analysis 2003-2006 Publication date: 2nd October 2007 ©Ofcom Contents • Introduction • Executive summary • Children’s subgenre range • Children’s subgenre range by channel • Children’s subgenre range by daypart: PSB main channels • Appendix ©Ofcom Introduction • This annex is published as a supplement to Section 2 ‘Broadcaster Output’ of Ofcom’s report The future of children’s television programming. • It provides detail on individual channel output by children’s sub-genre for the PSB main channels, the BBC’s dedicated children’s channels, CBBC and CBeebies, and the commercial children’s channels, as well as detail on genre output by day-part for the PSB main channels. (It does not include any children’s output on other commercial generalist non-terrestrial channels, such as GMTV,ABC1, Sky One.) • This output analysis examines the genre range within children’s programming and looks at how this range has changed since 2003. It is based on the BARB Children’s genre classification only and uses the BARB subgenres of Children’s Drama, Factual, Cartoons, Light entertainment/quizzes, Pre-school and Miscellaneous. • It is important to note that the BARB genre classifications have some drawbacks: – All programme output that is targeted at children is not classified as Children’s within BARB. Some shows targeted at younger viewers, either within children’s slots on the PSB main channels or on the dedicated children’s channels are not classified as Children’s. For example, Disney Channel’s That’s so raven is classified in BARB as ‘Entertainment Situation Comedy US’. This output analysis is not based on the total output of each specific children’s channel, e.g. -
Confessions of a Dangerous Mind
CONFESSIONS OF A DANGEROUS MIND a screenplay by Charlie Kaufman based on CONFESSIONS OF A DANGEROUS MIND an unauthorized biography by Chuck Barris third draft (revised) May 5, 1998 MUSIC IN: OMINOUS ORCHESTRAL TEXT, WHITE ON BLACK: This film is a reenactment of actual events. It is based on Mr. Barris's private journals, public records, and hundreds of hours of taped interviews. FADE IN: EXT. NYC STREET - NIGHT SUBTITLE: NEW YORK CITY, FALL 1981 It's raining. A cab speeds down a dark, bumpy side-street. INT. CAB - CONTINUOUS Looking in his rearview mirror, the cab driver checks out his passenger: a sweaty young man in a gold blazer with a "P" insignia over his breast pocket. Several paper bags on the back seat hedge him in. The young man is immersed in the scrawled list he clutches in his hand. A passing street light momentarily illuminates the list and we glimpse a few of the entries: double-coated waterproof fuse (500 feet); .38 ammo (hollowpoint configuration); potato chips (Lays). GONG SHOW An excerpt from The Gong Show (reenacted). The video image fills the screen. We watch a fat man recite Hamlet, punctuating his soliloquy with loud belching noises. The audience is booing. Eventually the man gets gonged. Chuck Barris, age 50, hat pulled over his eyes, dances out from the wings to comfort the agitated performer. PERFORMER Why'd they do that? I wasn't done. BARRIS (AGE 50) I don't understand. Juice, why'd you gong this nice man? JAYE P. MORGAN Not to be. That is the answer. -
JAMES KILTON Editor
JAMES KILTON Editor PROJECTS DIRECTORS PRODUCERS/STUDIOS THE ENEMY WITHIN David Tuttman Ken Woodruff, O’Shea Read Season 1 Universal Television / NBC GENIUS PICASSO Greg Yaitanes Ken Biller, Raf Green Season 2 EUE / Sokolow / National Geographic THE GIFTED Stephen Surjik Matt Nix, Len Wiseman, Jason Harkins Seasons 1 & 2 & Scott Peters Marvel TV / Fox SALVATION Juan Carlos Fresnadillo Juan Carlos Fresnadillo, Paul M. Leonard Pilot & Season 1 & Robert Duncan McNeill Alex Kurtzman / CBS Studios / Amazon EYEWITNESS Catherine Hardwicke Jackie de Crinis, Andrew Cholerton Pilot & Series & Scott Peters Universal Cable Productions / USA NOTORIOUS Michael Engler Josh Berman, Mike Listo, Anne Uemura Pilot & Series (Supervising Editor) & James Whitmore Jr. Sony Pictures TV / ABC OF KINGS AND PROPHETS Duane Clark Chris Brancato, Jason Reed Series (Supervising Editor) & David Boyd ABC Studios / ABC RUSH HOUR Jon Turteltaub Andrew Cholerton, Emily Fenster Pilot (Co-Editor) Doozer / CBS LEGENDS Ken Biller Ken Biller, Anne Uemura Season 2 & Alrick Riley Fox 21 / TNT COMPLICATIONS Michael Nankin Matt Nix, Mike Horowitz, Doug Hannah Series & Scott Peters Fox 21 / USA RED BAND SOCIETY Tricia Brock Jason Ensler, Arturs Rusis Assistant Editor ABC Studios / Disney RECTIFY Stephen Gyllenhaal Lori Slomka, Steven Lang Assistant Editor & Jim McKay Mark Johnson / SundanceTV SAF3 Gary Capo Gregory J. Bonann, Casey Brown Series WGN THE SHOOT Feature Film John Adams Blu de Golyer Visual Effects & Toby Poser NECESSARY ROUGHNESS Daniel Sackheim Kevin Dowling, Kelly A. Manners Pilot (Assistant Editor) & Season 2 (Editor) & John Fortenberry Sony TV / USA THE FIRM Peter Wellington Joseph Berger-Davis, Lukas Reiter First Assistant Editor & Helen Shaver Entertainment One Television / NBC EL COCODRILO Short Film Steve Acevedo Alfred Barrios Jr. -
THE TALENT BIOGRAPHY Final
TELEVISION CREDITS / BIO 1 The Talent is an independent, boutique agency comprised of deeply committed talent bookers who provide individual guidance, knowledgeable strategy and a highly engaged service to the entertainment industry for over 15 years. Our mission is to become our clients’ most trusted partner by leveraging our vast experience and strong contacts to book each project we take on, including talk shows, celebrity castings, award show presenters and performers, magazine covers, charity events, photo shoots, ads or advertorials and non-profits. We tackle projects with integrity, passion, strategy, grace, humor, and a collaborative approach to bring you confidence and clarity in the booking process. We are your full house, out of house, getting you the talent your project needs. CONTENTS TELEVISION 1 ONLINE + RADIO 6 PUBLISHING 7 EVENT OUTREACH 8 NON PROFIT OUTREACH 9 THE TALENT TEAM 10 CONTACT INFO 18 CONTENTS TELEVISION The Talk: CBS, CBS Productions, Talent Producers. Pilot Casting and Seasons 1-11. Ongoing. Macy’s Thanksgiving Day Parade: NBC, Brad Lachman Productions, Talent Producers. 2017-2020. Ongoing Macy’s July 4th Celebration: NBC, Brad Lachman Productions, Talent Producers. 2018-2021. Ongoing. American Idol: Fremantle Media, ABC, Season 4, 2021. Ongoing. ACM Awards: Dick Clark Productions, CBS, 2018-2021. Ongoing. The Billboard Music Awards 2015- 2021: NBC, Dick Clark Productions, Talent Producers. Ongoing. The American Music Awards 2014-2021: ABC, Dick Clark Productions, Talent Producers. Ongoing. CMAs: ABC, Presenter Talent Producers, 2016-2019. $100,000 Pyramid: ABC, Sony Television, Talent Producers, Seasons 1-5, 2016-2020. Ongoing. Match Game: ABC, FremantleMedia, Talent Producers, Seasons 1-6: 2016 - 2021. -
2009 Annual Report
2009 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Media Council Board of Governors ..............................................................................................................12 Public Programs PALEYDOCEVENTS ..................................................................................................................................14 INSIDEMEDIA Events .................................................................................................................................15 PALEYDOCFEST .......................................................................................................................................19 PALEYFEST: Fall TV Preview Parties ..........................................................................................................20 PALEYFEST: William S. Paley Television Festival ..........................................................................................21 Robert M. -
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Wonderful! 129: Burning is Anxiety Leaving the Body Published April 15th, 2020 Listen on TheMcElroy.family [theme music plays] Rachel: Hi, this is Rachel McElroy. Griffin: Hello, this is Griffin McElroy. Rachel: And this is Wonderful! Griffin: Take a deep breath. [inhales] No, not—no. In your mou—big, in your mouth breath. Rachel: Oh, okay. I didn‘t want to make too much noise, but here we go. [inhales loudly through mouth] Griffin: That‘s perfect! That‘s how they say to do it! Now, hold it for seven minutes. Like Harry Houdini. And we‘ll wait. There‘s gonna be seven minute—and maybe I'll play some gentle, Brian Eno music. And then you'll know when to exhale. Just kidding. Do it now. We don‘t want to be responsible for people‘s… accidental podcast asphixi… asphixi… that‘s a tough word. This is Wonderful. Rachel: [laughs] Griffin: How are you doing, babe? Rachel: I'm pretty good. Griffin: I'm glad to hear it. Rachel: Getting into kind of a rhythm, I think. Griffin: Good, good. Um… I'm—I'm not—this has been a weird—I feel like this has been a weird week. I feel like this week, uh, is where it‘s just kind of—it‘s hitting hard for a lot of—maybe it‘s the one month mark. Rachel: It was so interesting, because a couple days ago, you were telling me that a lot about your life has not changed all that much. Griffin: Right. Rachel: Because you are a man that has worked from home for a long time.