Emptying the Skies
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Eastern and Western Promises in Jonathan Franzen's Freedom
ATLANTIS Journal of the Spanish Association of Anglo-American Studies 37.1 (June 2015): 11-29 issn 0210-6124 Eastern and Western Promises in Jonathan Franzen’s Freedom Jesús Ángel González Universidad de Cantabria [email protected] This essay examines Jonathan Franzen’s novel Freedom (2010) and explores the symbolic way in which this novel uses the urban and regional spaces/places of the United States. Franzen’s use of space/place is related to Francis Scott Fitzgerald’s The Great Gatsby (1925), as well as to Franzen’s previous novels, his well-known Harper’s essay (1996), and other writings like “A Rooting Interest” (2012) or his memoir The Discomfort Zone (2007), where he scrutinizes his own position as a writer and his attitude towards nature. Franzen’s environmental concerns in the novel are also considered from the perspective of ecocriticism. The conclusion is that following Fitzgerald’s example, Franzen uses the East and West (and the urban locales of the inner city and the suburbs) as a backdrop to explore not only the meanings and interpretations of the word freedom (as has been repeatedly pointed out) but also the hopes and aspirations shared by the people of his country, the different dimensions and contradictions of the amalgam of promises and myths known as the American Dream. Keywords: Jonathan Franzen; Freedom; American Dream; space; place; F. Scott Fitzgerald; The Great Gatsby . Promesas del Este y del Oeste en Freedom, de Jonathan Franzen Este artículo analiza la última novela de Jonathan Franzen, Freedom (2010), y explora el modo simbólico en que esta novela usa los espacios regionales y urbanos de los Estados Unidos. -
Jonathan Franzen: the Comedy of Rage
Swarthmore College Works English Literature Faculty Works English Literature 2015 Jonathan Franzen: The Comedy Of Rage Philip M. Weinstein Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-english-lit Part of the English Language and Literature Commons Let us know how access to these works benefits ouy Recommended Citation Philip M. Weinstein. (2015). "Jonathan Franzen: The Comedy Of Rage". Jonathan Franzen: The Comedy Of Rage. https://works.swarthmore.edu/fac-english-lit/294 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in English Literature Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Introductory who is Jonathan Franzen and what is the comedy of rage? The first question is easy. Franzen is perhaps the best-known American novelist of his generation, all but uniquely capable of reaching both highbrow sophisticates and less demanding mainstream readers. A visual answer to the first question is even easier. Seen by untold numbers, the image of Franzen that filled the cover of the August 23, 2010 edition of Time Magazine (“Great American Novelist” plastered on his chest) is mesmerizing. (In case you missed it there, it reappears in this books inset sheaf of photos and images, as well as—slightly stylized—on its dust jacket.) Tousle-headed, bespectacled, looking away from the camera (guarding his privacy), the fifty-year-old Franzen wears a gray shirt and three-day beard. His face and body look outdoorsy, rough-hewn, vaguely all-American. -
READING GROUP GUIDE Freedom a Novel by Jonathan Franzen
READING GROUP GUIDE Freedom A Novel by Jonathan Franzen ISBN-10: 0-312-57646-3 ISBN-13: 978-0-312-57646-2 . About this Guide The following author biography and list of questions about Freedom are intended as resources to aid individual readers and book groups who would like to learn more about the author and this book. We hope that this guide will provide you a starting place for discussion, and suggest a variety of perspectives from which you might approach Freedom. About the Book In his first novel since The Corrections, Jonathan Franzen has given us an epic of contemporary love and marriage. Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Walter and Patty Berglund as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time. About the Author Jonathan Franzen is the author of three novels—The Corrections, The Twenty-Seventh City, and Strong Motion—and two works of nonfiction, How to Be Alone and The Discomfort Zone, all published by Farrar, Straus and Giroux. He lives in New York City and Santa Cruz, California. Discussion Questions 1. Jonathan Franzen refers to freedom throughout the novel, including the freedom of Iraqis to become capitalists, Joey’s parents’ attempt to give him an unencumbered life, an inscription on a building at Jessica’s college that reads use well thy freedom, and alcoholic Mitch, who is “a free man.” How do the characters spend their freedom? Is it a liberating or destructive force for them? Which characters are the least free? 2. -
Transatlantica, 1 | 2017 an Interview with Jonathan Franzen 2
Transatlantica Revue d’études américaines. American Studies Journal 1 | 2017 Morphing Bodies: Strategies of Embodiment in Contemporary US Cultural Practices An Interview with Jonathan Franzen Jérémy Potier Electronic version URL: https://journals.openedition.org/transatlantica/8943 DOI: 10.4000/transatlantica.8943 ISSN: 1765-2766 Publisher Association française d'Etudes Américaines (AFEA) Electronic reference Jérémy Potier, “An Interview with Jonathan Franzen”, Transatlantica [Online], 1 | 2017, Online since 29 November 2018, connection on 20 May 2021. URL: http://journals.openedition.org/transatlantica/ 8943 ; DOI: https://doi.org/10.4000/transatlantica.8943 This text was automatically generated on 20 May 2021. Transatlantica – Revue d'études américaines est mise à disposition selon les termes de la licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International. An Interview with Jonathan Franzen 1 An Interview with Jonathan Franzen Jérémy Potier 1 Jonathan Franzen is the author of five novels—The Twenty-Seventh City (1988), Strong Motion (1992), The Corrections (2001), Freedom (2010) and Purity (2015)—as well as of a memoir, The Discomfort Zone (2006). He regularly writes essays for The New Yorker and other magazines. To date, two collections of Franzen’s essays have been published— How to Be Alone (2002) and Farther Away (2012). A third collection will be published in November 2018. In 2001, The Corrections was awarded the National Book Award and the James Tait Black Memorial Prize. The novel was also a finalist for the 2002 Pulitzer Prize, the 2001 National Book Critics Circle Award for Fiction, and the 2002 PEN/ Faulkner Award. Jonathan Franzen is a member of the American Academy of Arts and Letters, the French Ordre des Arts et des Lettres and the German Akademie der Künste. -
F15-Farrar-Straus-Giroux.Pdf
Purity A Novel Jonathan Franzen A magnum opus for our morally complex times from the author of Freedom Jonathan Franzen has done it again. Pip Tyler doesn't know who she is. She knows that her real name is Purity, that she's saddled with $130,000 in student debt, that she's crashing at a squat in Oakland, and that her relationship with her motherthe only family she has is hazardous. But she doesn't have a clue who her father is, why her mother has been masking her own real name, or how she can escape the dead end she finds herself in. Luck, it seemscoupled with the tantalizing possibility of learning about her fatherleads Pip to an internship in South America with The Sunlight Project, FICTION an organization that hacks the powerful to expose their secrets. TSP is the brainchild of Andreas Wolf, a charismatic provocateur who rose to fame in the Farrar, Straus and Giroux | 9/1/2015 days after the fall of the Berlin Wall. Now on the lam in Bolivia, Andreas is 9780374239213 | $28.00 Hardcover | 592 pages drawn to Pip for reasons she doesn't understand, and he disorients Pip's sense Carton Qty: 0 | 6 in W | 9 in H of right and wrong. Jonathan Franzen's Purity is a compelling drama of concealed identity, neurotic MARKETING fidelity, and murder. The author of The Corrections and Freedom takes us to rainsodden Northern California, paranoiaridden East Berlin, and paradisiacal Author Appearances Bolivia to explore the vagaries of radical politics, the tainted allure of the National Publicity National Advertising Information Age, and the unrelenting war between the sexes. -
Reading Group Discussion Questions—Freedom
Reading Group Discussion Questions—Freedom 1. Jonathan Franzen refers to freedom throughout the novel, including the freedom of Iraqis to become capitalists, Joey’s parents’ attempt to give him an unencumbered life, an inscription on a building at Jessica’s college that reads USE WELL THY FREEDOM, and alcoholic Mitch, who is “a free man.” How do the characters spend their freedom? Is it a liberating or destructive force for them? Which characters are the least free? 2. Freedom contains almost cinematic descriptions of the characters’ dwelling places, from the house in St. Paul to Abigail’s eclectic Manhattan apartment. How do the homes in Freedom reflect the personalities of their occupants? Where do Walter and Patty feel most at home? Which of your homes has been most significant in your life? 3. As a young woman, Patty is phenomenally strong on the basketball court yet vulnerable in relationships, especially with her workaholic parents, her friend Eliza, and the conflicted duo of Richard and Walter. What did her rapist, Ethan Post, teach her about vulnerability? After the rape, what did her father and the coaches attempt to teach her about strength? 4. What feeds Richard and Walter’s lifelong cycle of competition and collaboration? If you were Patty, would you have made the road trip with Richard? What does Freedom say about the repercussions of college, not only for Walter and Patty but also for their children? 5. How would you characterize Patty’s writing? How does her storytelling style compare to the narrator’s voice in the rest of the novel? If Walter had written a memoir, what might he have said about his victories, and his suffering? 6. -
Great Writers Series Features Jonathan Franzen
Tulane University Great Writers Series features Jonathan Franzen February 27, 2012 3:30 AM Mary Ann Travis [email protected] Jonathan Franzen, author of The Corrections and Freedom, will present a reading in McAlister Auditorium on the Tulane uptown campus on March 5 at 7 p.m. as part of the university's Great Writers Series. The event is free and open to the public. Doors open at 6 p.m. Jonathan Franzen will read from his critically acclaimed work at an appearance on the Tulane uptown campus next week. (Photo by Greg Martin) Franzen is a critically acclaimed writer of novels, short fiction, essays and nonfiction. His latest novel, Freedom, debuted as No. 1 on the New York Times best-seller list in 2010. The New York Times named it one of the 10 best books of that year. An Oprah Winfrey Book Club pick, Freedom was described in the New York Times Book Review as a “masterpiece of American fiction.” The Corrections, published in 2001, was named one of the 100 best books of the decade by The Times of London. The New York Times Book Review said that the novel, a sprawling, satirical family drama, “looms as a model for what ambitious storytelling can still say about modern life.” The Corrections won the National Book Award for Fiction in 2001 and was a finalist for the Pulitzer Prize in 2002. It has been translated into 35 languages. Franzen also is the author of How To Be Alone, a collection of essays, and The Discomfort Zone, a memoir. -
Jonathan Franzen and the Future of the Novel
Jonathan Franzen and the Future of the Novel: Embracing Change to Hold Onto Tradition by Anna Zinkel A thesis presented for the B.A. degree with Honors in The Department of English University of Michigan Spring 2012 © 2012 Anna Zinkel For my parents. Acknowledgements Though I have only been writing this thesis in its current form for a couple of months, it is the product of my entire academic career. My thanks go to every professor and every teacher from whom I’ve had the privilege of learning during my time as a student. Many people, courses, and conversations have influenced this project, and I am grateful to have been able to benefit from the knowledge of so many teachers. I especially want to thank Christine Reif, who first taught me to love language and literature. I am excited to thank my colleagues and various advisors for being so helpful and supportive throughout this process. To the members of my cohort, you have all been so much fun to work with. Your intelligence, humor and spirit have made this lengthy process not only bearable, but fun. I thank Jennifer Wenzel for bringing so much energy and enthusiasm to class, and also for giving me so much detailed, thoughtful feedback about my work. I want to thank Peter Ho Davies, who introduced me to Jonathan Franzen, and whose course on the contemporary novel provided me with a solid foundation upon which to build this thesis. I also want to thank Marjorie Levinson, who challenged me to think about Franzen’s role as an author in a way that significantly aided my writing. -
“Universal Apocalyptic Speculations About American Life As Presented
“Universal Apocalyptic Speculations about American Life as Presented in the Select Novels of Jonathan Franzen” Dissertation submitted in partial fulfillment of the requirements for the award of the degree of the Master of Arts in English Literature By E. Amy Jennifer Register number: 1631F0041 Under the supervision of Dr A. Vasudevan Department of English Government Arts College Udumalpet 642126 March 2018 E. Amy Jennifer Register number: 1631F0041 II M. A. English Literature Government Arts College Udumalpet 642126 Declaration I hereby declare that the dissertation entitled “Universal Apocalyptic Speculations about American Life as Presented in the Select Novels of Jonathan Franzen” submitted in partial fulfillment of the requirements for the award of the degree of the Master of Arts in English Literature to the Department of English, Government Arts College, Udumalpet 642126, is a record of an original and independent research work carried out by me under the supervision of Dr A. Vasudevan, Associate Professor and Head, Department of English, Government Arts College, Udumalpet 642126, and that it has not formed any basis for the award of any degree, diploma, fellowship, or other similar title for any candidate in any institution. Udumalpet March 2018 Signature of the candidate i Dr.A.Vasudevan, M.A.,M.Phil., Ph.D., Associate Professor and Head Department of English Government Arts College Udumalpet 642126 Certificate This is to certify that the dissertation entitled “Universal Apocalyptic Speculations about American Life as Presented in the Select Novels of Jonathan Franzen” submitted in partial fulfillment of the requirements for the award of degree of the Master of Arts in English Literature to the Department of English, Government Arts College, Udumalpet 642126, is a record of an original and independent research work carried out by Ms. -
Freedom Jonathan Franzen
FARRAR, STRAUS AND GIROUX Reading Group Gold Freedom Jonathan Franzen Nearly a decade after the publication of his award-winning novel The Corrections, Jonathan Franzen returns with an epic of equal genius. Taking its title from the liberty and the constraints of contemporary life, Freedom traces Patty and Walter Berglund’s lives from a turbulent college court- ship through earnest attempts to be perfect parents and the ISBN: 978-0-374-15846-0 / 576 pages aftermath of middle-aged confessions. Patty and Walter begin their marriage as gentrifiers in old St. Paul, Minnesota. They are members of the Whole Foods generation, minimizing their use of fossil fuels and gradually reversing urban blight in a once-grand Victorian neighborhood. Imagine their angst when their teenage son decides to live with the aggressively Republican family next door and immerses himself in neocon ventures as soon as he arrives at college. Their other child, Jessica, surpasses her parents in rational thinking; Walter eventually dodges Jessica’s phone calls because her advice will be too tough to take. One con- stant fixture is Walter’s college rival and best friend, Richard Katz. Now an aging rocker, Richard still stokes a long-standing hunger in Patty. When Walter fights to preserve a habitat for an endangered bird—even if it means making a spurious bargain with Big Coal—this history threatens to topple the deal, along with everything he believes about truth and illusion. One of the most highly anticipated novels of recent years, Freedom offers rich territory for discus- sion, ranging from the nature of love to the role of humanity in nature. -
EMPTYING the SKIES Synopsis: Based on A
EMPTYING THE SKIES Synopsis: Based on a magazine essay written by noted best-selling novelist Jonathan Franzen for The New Yorker and widely republished around the world, Emptying the Skies chronicles the rampant poaching of migratory songbirds in southern Europe. Songbird populations have been drastically declining for several decades, and a number of species face extinction imminently. The film explores the wonder of these tiny globe-flying marvels, millions of which are unlawfully slaughtered each year for large sums on the black market, and follows an intrepid squad of pan-European bird-lovers who risk their lives waging a secret war against poachers, disrupting illegal trapping and freeing as many birds as possible. Emptying the Skies is Jonathan Franzen’s first foray into motion picture production. See the teaser for Emptying the Skies at: https://vimeo.com/67906317. Visit Facebook for the teaser and more: www.facebook.com/pages/Emptying- the-Skies/587378221280170. The UK’s Channel 4 News segment with Jonathan Franzen on Emptying the Skies is at: www.channel4.com/news/jonathan-franzen-takes-bird-fight-to- europe Director Biography: Douglas Kass is an Adjunct Professor of Filmmaking and Film Studies at Elon University in the United States of America. He earned his Master of Arts degree from the University of Southern California School of Cinema-Television and his Bachelor of Arts degree with High Honors in Film/Art from Wesleyan University, where he also received the prestigious Frank Capra Award. Emptying the Skies is Mr. Kass’s first feature-length film. His previous work includes several shorts subjects, including the documentary, Behind the Walls of S-21, a devastating recollection of life and death at the notorious S-21 Prison during the Khmer Rouge era in Cambodia, a film which includes rare interviews with survivors and the prison’s most notorious executioner. -
A Darwinian Critique of a Foucauldian Novel
Joseph Carroll University of Missouri, St. Louis Correcting for The Corrections: A Darwinian Critique of a Foucauldian Novel Jonathan Franzen’s The Corrections (2001) is a major novel—a family drama that broadens into an ideological critique of late capitalism in the twentieth century. The critical response to his novel suggests the magnitude of his achievement: a flood of enthusiastic reviews in high-profile venues, a National Book Award, and a substantial handful of scholarly commentaries by academic literary critics. The Corrections is Franzen’s third novel. His first two established him as one of the better minor postmodern novelists, someone to watch, but not someone in the same league as Pynchon or DeLillo. The critical and commercial success of The Corrections transformed Franzen into one of the two or three most prominent contemporary American novelists. The review in the Christian Science Monitor offers a representative assessment. “The Corrections represents a giant leap for Jonathan Franzen—not only beyond his two previous novels, but beyond just about anybody else’s” (Charles).1 My critical response to The Corrections diverges from that of most reviewers and academic critics. I think Franzen lacks generosity and conforms timidly to current ideological conventions. He minimizes or suppresses positive family emotions and ironizes common moral norms. A smug and facile postmodern skepticism hovers over all aspects of the domestic and social life depicted in the novel. Because he envisions his characters from within the limitations of his own persona, he often gives an implausible, distorted, and impoverished depiction of their inner lives. From my evaluative perspective, imaginative sympathy and truth of representation are inherently valuable attributes in literary depiction.