2019 USEF Pony Finals Small Green Pony Hunter OVERALL STANDINGS

Total Page:16

File Type:pdf, Size:1020Kb

2019 USEF Pony Finals Small Green Pony Hunter OVERALL STANDINGS 2019 USEF Pony Finals Small Green Pony Hunter OVERALL STANDINGS Model Under Saddle Over Fences Rank No. Pony Rider J1 J2 J3 Total 25% J1 J2 J3 Total 25% J1 J2 J3 Total 50% Overall 1 991 SO CHARMING CAROLINE PASSARELLI 79.00 76.00 77.23 232.23 232.23 87.31 89.00 86.00 262.31 262.31 87.00 84.00 85.23 256.23 512.46 1007.00 2 790 SUNSHINE KID ANNABELLE BROWN 88.00 85.00 85.55 258.55 258.55 86.75 79.00 82.50 248.25 248.25 76.60 77.50 79.65 233.75 467.50 974.30 3 1058 CLOVERMEADE POP SECRET OLIVIA SWEETNAM 84.25 78.00 85.25 247.50 247.50 86.87 85.00 86.00 257.87 257.87 79.00 76.00 75.51 230.51 461.02 966.39 4 398 SNOOP DOGG CARLYSLE DROSOS 88.00 85.00 86.00 259.00 259.00 79.31 75.50 80.00 234.81 234.81 77.00 75.25 76.11 228.36 456.72 950.53 5 807 JUST ENUFF MADELINE RUBIN 85.50 85.00 81.26 251.76 251.76 81.72 76.00 81.00 238.72 238.72 78.00 74.25 72.51 224.76 449.52 940.00 6 783 FC HI FASHION KIERSTIN ANTONIADIS 85.00 86.00 85.23 256.23 256.23 81.46 77.00 76.00 234.46 234.46 74.50 74.05 74.51 223.06 446.12 936.81 7 524 MARGARITA LAUREN GEE 73.50 76.00 72.05 221.55 221.55 77.63 83.00 80.00 240.63 240.63 82.50 76.00 76.67 235.17 470.34 932.52 8 665 WHO'S WATCHING MILANA ZUKOWSKI 84.75 80.50 80.55 245.80 245.80 85.47 82.00 84.00 251.47 251.47 69.50 72.12 72.21 213.83 427.66 924.93 9 531 WAIT FOR ME SYDNEY PIFER 72.25 82.50 71.22 225.97 225.97 79.12 87.00 78.00 244.12 244.12 74.00 77.25 70.27 221.52 443.04 913.13 10 1040 JAMES DEAN TAYLOR CAWLEY 68.00 75.75 78.50 222.25 222.25 79.31 85.50 85.50 250.31 250.31 76.00 68.12 73.51 217.63 435.26 907.82 11 838 RUBIK'S CUBE TRILBY ALLEN 84.50 86.00 77.85 248.35 248.35 82.75 83.50 80.50 246.75 246.75 69.75 70.75 65.47 205.97 411.94 907.04 12 795 PRESS PLAY KAT FUQUA 86.00 83.00 75.23 244.23 244.23 77.36 72.00 83.75 233.11 233.11 67.23 73.12 69.51 209.86 419.72 897.06 13 1050 HEAVEN SENT VIVIENNE NOEL 81.00 85.25 79.22 245.47 245.47 85.67 86.00 84.50 256.17 256.17 67.41 63.12 64.75 195.28 390.56 892.20 14 605 WISH LIST MARISSA SANTANIELLO 78.25 69.00 77.21 224.46 224.46 85.13 85.00 82.00 252.13 252.13 73.00 65.00 68.23 206.23 412.46 889.05 15 733 SUGARBROOK TOO BLUE SOPHIA AYERS 81.00 81.00 72.11 234.11 234.11 76.51 82.00 84.00 242.51 242.51 65.73 67.35 71.25 204.33 408.66 885.28 16 406 JUBILEE ROSE CAMPBELL 84.00 85.50 80.11 249.61 249.61 85.31 78.00 83.00 246.31 246.31 63.15 63.23 68.25 194.63 389.26 885.18 17 729 SUGAR RUSH ALEXIS BAUMAN 71.00 73.00 70.11 214.11 214.11 77.65 80.00 78.00 235.65 235.65 75.00 67.00 75.25 217.25 434.50 884.26 18 674 CREATIVITY LILLIAN GEITNER 76.00 68.00 78.22 222.22 222.22 84.32 85.50 85.50 255.32 255.32 66.30 66.23 70.51 203.04 406.08 883.62 19 565 STARSTRUCK FAIRYTALE GEORGIA SPOTSWOOD 77.75 78.00 75.55 231.30 231.30 77.31 76.00 78.50 231.81 231.81 72.00 69.12 64.51 205.63 411.26 874.37 20 840 ALWAYS CHIPPER ALPINE GRIFFIN 73.25 77.00 74.11 224.36 224.36 76.32 74.50 75.00 225.82 225.82 71.00 71.00 67.23 209.23 418.46 868.64 21 496 BLUEGRASS SINATRA BROOKE KELLY 77.00 76.00 73.66 226.66 226.66 77.00 73.00 75.00 225.00 225.00 70.00 68.00 68.75 206.75 413.50 865.16 22 515 FAIRYWOOD TOMBOY VERONICA FEELEY 84.75 84.00 75.12 243.87 243.87 81.73 83.00 82.00 246.73 246.73 66.35 60.00 60.51 186.86 373.72 864.32 23 474 FLAT STANLEY MARY GRANT BAUMBACH 72.00 76.00 74.55 222.55 222.55 85.36 85.00 79.00 249.36 249.36 64.00 65.35 66.25 195.60 391.20 863.11 24 506 TRENDING TOPIC SAMANTHA SMITH 70.00 72.00 71.01 213.01 213.01 83.28 87.50 83.00 253.78 253.78 68.00 62.25 63.51 193.76 387.52 854.31 25 545 PEBBLE BEACH LILLIAN MUNOZ 77.50 68.00 75.53 221.03 221.03 80.67 84.50 80.00 245.17 245.17 67.00 63.00 62.11 192.11 384.22 850.42 26 547 JUSTAMERE CANARY DIAMOND REAGAN WILLIAMS 74.25 80.00 78.11 232.36 232.36 78.32 75.00 81.50 234.82 234.82 65.00 64.20 61.22 190.42 380.84 848.02 27 476 LITTLE BLUE BOX TAYLOR TRACY 78.00 65.00 74.56 217.56 217.56 84.63 78.00 82.00 244.63 244.63 60.00 62.00 61.23 183.23 366.46 828.65 28 380 DARTH VADER SARA BURCHFIELD 83.75 80.00 72.33 236.08 236.08 76.35 88.00 87.00 251.35 251.35 51.00 59.00 57.99 167.99 335.98 823.41 29 438 CANTERBROOK WHIMSY ISABELLE KAUFMAN 78.00 72.00 82.77 232.77 232.77 81.75 86.00 82.00 249.75 249.75 50.00 52.12 60.71 162.83 325.66 808.18 30 714 BROWNIE POINT LILY GIUNTA 82.00 77.00 80.01 239.01 239.01 75.30 73.00 75.00 223.30 223.30 62.00 58.00 52.37 172.37 344.74 807.05 31 580 IDOLIZE TIARA D'AMICO 81.00 79.00 81.11 241.11 241.11 83.21 87.00 83.00 253.21 253.21 52.00 50.10 54.11 156.21 312.42 806.74 32 879 UP UP & AWAY KAITLYN LINCK 83.25 84.00 84.99 252.24 252.24 84.32 74.00 75.00 233.32 233.32 54.00 50.00 53.23 157.23 314.46 800.02 33 966 WINDHOVER READY TO DANCE OLIVIA MURRAY 78.50 78.00 77.31 233.81 233.81 78.12 83.00 76.00 237.12 237.12 56.00 52.00 55.01 163.01 326.02 796.95 34 787 EVANS CHARISMATIC SUN GOD ADALINE MACHADO 73.00 75.00 72.31 220.31 220.31 74.31 72.00 78.00 224.31 224.31 55.00 53.00 54.12 162.12 324.24 768.86 35 717 FARNLEY HEADLINE SAVANNAH EMBLY 73.75 72.00 76.21 221.96 221.96 78.55 80.50 83.50 242.55 242.55 40.50 42.00 40.51 123.01 246.02 710.53 Scoring and Results Provided by Pyramid Sports Timing 36 557 DANCE PARTY EMILIA RICHARD 77.00 79.50 82.22 238.72 238.72 75.12 86.00 85.00 246.12 246.12 39.00 36.00 35.11 110.11 220.22 705.06 37 737 SILVER SLUGGER LAUREN STUDSTILL 79.50 65.00 70.22 214.72 214.72 79.87 79.00 75.50 234.37 234.37 40.00 39.00 39.99 118.99 237.98 687.07 38 475 PYRON BOOT SCOOTIN LUCY GRACE GULLUNG 75.00 70.00 75.66 220.66 220.66 75.00 74.00 74.00 223.00 223.00 42.00 35.00 41.23 118.23 236.46 680.12 39 949 FOZZIE BEAR JULIA LI 77.25 82.00 75.12 234.37 234.37 60.00 83.00 74.50 217.50 217.50 38.50 38.00 37.27 113.77 227.54 679.41 40 601 PICK ME MOLLY BROOKS 76.50 73.00 79.55 229.05 229.05 83.31 88.00 84.00 255.31 255.31 EL EL EL 0.00 0.00 484.36 41 661 CLOVERMEADE BUNNY TALKS HELENA TIMPANY 83.25 78.25 79.22 240.72 240.72 85.34 74.00 82.50 241.84 241.84 EL EL EL 0.00 0.00 482.56 42 473 KEEP IT SIMPLE CAMPBELL BROWN 83.00 63.00 82.08 228.08 228.08 78.42 80.00 74.00 232.42 232.42 EL EL EL 0.00 0.00 460.50 43 626 DON'T MAKE ME CRY VIOLET CAPRA 70.00 65.00 69.12 204.12 204.12 55.00 40.00 50.00 145.00 145.00 EL EL EL 0.00 0.00 349.12 44 964 SUMMERWOOD'S DREAM COME TRUELAUREN REID 80.00 83.00 70.11 233.11 233.11 WD WD WD 0.00 0.00 WD WD WD 0.00 0.00 233.11 Scoring and Results Provided by Pyramid Sports Timing 2019 USEF Pony Finals Medium Green Pony Hunter OVERALL STANDINGS Model Under Saddle Over Fences Rank No.
Recommended publications
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • Berliner Regattakalender 2021
    Berliner Regattakalender 2021 Stand: 08.03.2021 Die Durchführung von Regatten liegt in der Verantwortung der veranstaltenden Vereine. Eventuelle Absagen sind von diesen zu entscheiden und mitzuteilen. Der Regattakalender 2021 des Berliner Segler-Verbandes wurde am 25.11.2020 vom Wettsegelausschuss beschlossen. Die Klassenobleute und Vereine werden gebeten, Anträge für Berliner Meisterschaften laut Berliner Meisterschaftsordnung bis spätestens 30.11.2020 und die fehlenden oder zu korrigierenden Ranglistenfaktoren bis 31.12.2020 per Email an „wettsegeln @ berliner-segler-verband.de“ beim Berliner Segler-Verband einzu- reichen. März 2021 Dahme Müggelsee Tegel Unterhavel Wannsee Zeuthen Mo 1. Di 2. Mi 3. Do 4. Fr 5. Sa 6. So 7. Mo 8. Di 9. Mi 10. Do 11. Fr 12. Sa 13. So 14. Mo 15. Di 16. Mi 17. Do 18. Fr 19. Sa 20. Frostbite End Laserregatta SZV (1.1) Std, Radial, 4.7 So 21. DBYC SGZ Mo 22. Di 23. Mi 24. Do 25. Fr 26. Sa 27. So 28. Mo 29. Di 30. Mi 31. Tag Datum = Schulferien in Berlin BM = Berliner Meisterschaft BJoM = Berliner Juniorenmeisterschaft BJM = Berliner Jugendmeisterschaft BJüM = Berliner Jüngstenmeisterschaft BE = Berliner Bestenermittlung Graue Schrift = Keine offene Veranstaltung Berliner Regattakalender 2021 Stand 08.03.2021 Seite 2 von 10 April 2021 Dahme Müggelsee Tegel Unterhavel Wannsee Zeuthen Do 1. Kar 2. Fr Preis der Malche Sa 3. Pirat (1.26) Oster TSC 4. So Oster 5. Mo Di 6. Mi 7. Do 8. Fr 9. Frühjahrs-Cup und Klaus-Harte- Piraten-Cup Spandauer Yardstick Auftakt Sa 10. Gedächtnis-Preis/ Finn (1.05), SpYC (Sa) 52. Frühlings-Cup 420 (1.1), VA (1.2), Pirat (1.2), Rüdiger-Weinholz- O-Jolle (1.14) OK (1.1.) Preis So 11.
    [Show full text]
  • Op Title List Since Date: Mar 16, 2019
    Op Title List since Date: Mar 16, 2019 Publisher Imprint ISBN Title Author Pub Pub Format Status Status Last Month Price Date Return Date Audio Audio 1427202303 LONG WAY GONE UAB CD BEAH, ISHMAEL 03/07 39.99 CD OP 04/05/19 07/04/19 Audio Audio 1427214816 TRUCKER GHOST STORIES ABR CD WILDER, ANNIE 08/12 23.99 CD OP 05/27/19 08/25/19 Audio Audio 1427215464 PUBLIC SPEAKER'S GUIDE TO ACING YOU MARSHALL, LISA B. 10/09 14.99 DA OP 05/08/19 08/06/19 Audio Audio 1427217513 LOOK AGAIN ABR CD SCOTTOLINE, LISA 01/12 14.99 CD OP 06/10/19 09/08/19 Audio Audio 1593979029 TWELVE SHARP UAB CD EVANOVICH, JANET 06/06 34.95 CD OP 07/07/19 10/05/19 Distribution Bloomsbury Adult 074754445X LORCA - A DREAM OF LIFE STAINTON, LESLIE 07/13 24.95 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747588937 MODERNITY BRITAIN KYNASTON, DAVID 07/13 40 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 074759404X SHOE PRINCESS'S GUIDE TO THE GALA BOWD, EMMA 07/10 12 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747595313 EDIBLE SEASHORE WRIGHT, JOHN 07/10 25 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747595321 PRESERVES CORBIN, PAM 09/08 25 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747595348 VEG PATCH DIACONO, MARK 05/14 25 TC OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747596514 THE INFORMERS VÁSQUEZ, JUAN GABRIEL 06/09 17 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0747596670 HARM'S WAY WALDEN, CELIA 06/10 12 TP OP 07/26/19 10/24/19 Distribution Bloomsbury Adult 0802778372 GOOD BOOK GRAYLING, A C 03/13 22
    [Show full text]
  • Sailing Week Special Edition
    Sailing Week special edition August 2013 NEWHAVEN AND SEAFORD SAILING CLUB SAILING WEEK 2013. If you have never been to Sailing Week you are missing out on a great part of being a mem- ber of NSSC. You do not have to attend every part of the week. Pick and Mix. Some members bring their families and camp for the week – without sailing. Some members work mornings and come just for the afternoon races. Some members come for the evening social events. The event is open to non members – so you can bring friends to join in the fun. The Galley will be open all day for food and drinks. The bar is open at lunchtimes and evenings. Make 2013 the year that you come along to the Seaford Clubhouse and experience:- Sailing Week Saturday 3 rd August – Sunday 11 th August If the conditions are not good to sail on the sea we will use facilities at Piddinghoe. Sailing week timetable Day Morning Afternoon Evening Saturday Set up camp Free Fun Sailing ? Bar Open Sunday AM Series 1.8 -2.8 PM race 1.6 Bar Open Monday Cadet Races – approxi- Series Handicap Races Quiz Night mately If possible 2 races per day – 1 Tuesday 45 minutes long for the Len on Friday (prize Giving) if 9 Bring and Burn BBQ Miller Trophy. races – best 6 count. Cook your own! Wednesday Sailing For Adults – a series of Prizes for different classes as Jive Night Thursday informal novelty races. well as fun prizes. Live band and attractions Friday Fish and Chip night Saturday Expedition to the Cuckmere Bar Open Sunday Class Championships 1 &2 PM series 1.7 Bar Open Race and camping fees Race/sailing fees Member Non-member – Camping fees – Camping fees – payable per sailor SMALL TENT (<4) LARGE TENT (4+) Whole event Free £35 £15 £30 (30/7-7/8) Expedition Free £5 Commodores bit As mainsheet is relatively easy to produce, cut and paste, and now we don't try and email so file size doesn't matter, we can now put more photos in, so if you have anything to say or pho- tos to share, let the officers know.
    [Show full text]
  • STARS Half-Virgin
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2011 Half-virgin Alexander Gregory Pollack University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Pollack, Alexander Gregory, "Half-virgin" (2011). Electronic Theses and Dissertations, 2004-2019. 1951. https://stars.library.ucf.edu/etd/1951 HALF-VIRGIN by ALEXANDER GREGORY POLLACK B.A. Emory University, 2007 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in the Department of Creative Writing in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2011 © 2011 Alexander Gregory Pollack ii ABSTRACT POLLACK, ALEX. Half-Virgin. (Under the direction of Jocelyn Bartkevicius) Half-Virgin is a cross-genre collection of essays, short stories, and poems about the humor, pain, and occasional glory of journeying into adulthood but not quite getting there. The works in this collection seek to create a definition of a term, “half-virgin,” that I coined in the process of writing this thesis. Among the possibilities explored are: an individual who embarks upon sexual activity for the first time and does not achieve orgasm; an individual who has reached orgasm through consensual sexual activity, but has remained uncertain about what he or she is doing; and the curious sensation of being half-child, half-adult.
    [Show full text]
  • House of Lords
    Session 2019-21 Monday No. 138 9 November 2020 PARLIAMENTARY DEBATES (HANSARD) HOUSE OF LORDS WRITTEN STATEMENTS AND WRITTEN ANSWERS Written Statements ................................ ................ 1 Written Answers ................................ ..................... 6 [I] indicates that the member concerned has a relevant registered interest. The full register of interests can be found at http://www.parliament.uk/mps-lords-and-offices/standards-and-interests/register-of-lords-interests/ Members who want a printed copy of Written Answers and Written Statements should notify the Printed Paper Office. This printed edition is a reproduction of the original text of Answers and Statements, which can be found on the internet at http://www.parliament.uk/writtenanswers/. Ministers and others who make Statements or answer Questions are referred to only by name, not their ministerial or other title. The current list of ministerial and other responsibilities is as follows. Minister Responsibilities Baroness Evans of Bowes Park Leader of the House of Lords and Lord Privy Seal Earl Howe Deputy Leader of the House of Lords Lord Agnew of Oulton Minister of State, Cabinet Office and Treasury Lord Ahmad of Wimbledon Minister of State, Foreign, Commonwealth and Development Office Lord Ashton of Hyde Chief Whip Baroness Barran Parliamentary Under-Secretary of State, Department for Digital, Culture, Media and Sport Baroness Berridge Parliamentary Under-Secretary of State, Department for Education and Department for International Trade Lord Bethell
    [Show full text]
  • Year in Review 2014–2015 About Bard Graduate Center
    Year In Review 2014–2015 About Bard Graduate Center Founded in 1993 by Dr. Susan Weber, Bard Graduate Center is a research institute in New York City. Its MA and PhD programs, research initiatives, and Gallery exhibitions and publications, explore new ways of thinking about decorative arts, design history, and material culture. A member of the Association of Research Institutes in Art History (ARIAH), Bard Graduate Center is an academic unit of Bard College. Executive Planning Committee Dr. Barry Bergdoll Sir Paul Ruddock Edward Lee Cave Jeanne Sloane Verónica Hernández de Chico Gregory Soros Hélène David-Weill Luke Syson Philip D. English Seran Trehan Fernanda Kellogg Dr. Ian Wardropper Trudy C. Kramer Shelby White Dr. Arnold L. Lehman Mitchell Wolfson, Jr. Martin Levy Philip L. Yang, Jr. Jennifer Olshin Melinda Florian Papp Dr. Leon Botstein, ex-officio Lisa Podos Dr. Susan Weber, ex-officio Ann Pyne Published by Bard Graduate Center: Decorative Arts, Design History, Material Culture Printed by GHP in Connecticut Issued August 2015 Faculty Essays Table of Contents 3 Director’s Welcome 5 Teaching 23 Research 39 Exhibitions 51 Donors and Special Events Two-piece dress made for Madame Hadenge on the occasion of her honeymoon. France, 1881. Cotton Vichy fabric, bodice lined in white cotton. Les Arts Décoratifs, collection Union française des arts du costume, Gift Madame L. Jomier, 1958, UF 58-25-1 AB. Photographer: Jean Tholance. 2 Director's Welcome Director’s Welcome This is the fifth edition of Bard Graduate Center’sYear in Review. In looking at previous issues, it is remarkable to note how far we have travelled —and flourished—in four years.
    [Show full text]
  • Music and the American Civil War
    “LIBERTY’S GREAT AUXILIARY”: MUSIC AND THE AMERICAN CIVIL WAR by CHRISTIAN MCWHIRTER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2009 Copyright Christian McWhirter 2009 ALL RIGHTS RESERVED ABSTRACT Music was almost omnipresent during the American Civil War. Soldiers, civilians, and slaves listened to and performed popular songs almost constantly. The heightened political and emotional climate of the war created a need for Americans to express themselves in a variety of ways, and music was one of the best. It did not require a high level of literacy and it could be performed in groups to ensure that the ideas embedded in each song immediately reached a large audience. Previous studies of Civil War music have focused on the music itself. Historians and musicologists have examined the types of songs published during the war and considered how they reflected the popular mood of northerners and southerners. This study utilizes the letters, diaries, memoirs, and newspapers of the 1860s to delve deeper and determine what roles music played in Civil War America. This study begins by examining the explosion of professional and amateur music that accompanied the onset of the Civil War. Of the songs produced by this explosion, the most popular and resonant were those that addressed the political causes of the war and were adopted as the rallying cries of northerners and southerners. All classes of Americans used songs in a variety of ways, and this study specifically examines the role of music on the home-front, in the armies, and among African Americans.
    [Show full text]
  • The Postsecular Traces of Transcendence in Contemporary
    The Postsecular Traces of Transcendence in Contemporary German Literature Thomas R. Bell A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Dr. Sabine Wilke, Chair Dr. Richard Block Dr. Eric Ames Program Authorized to Offer Degree: Germanics ©Copyright 2015 Thomas R. Bell University of Washington Abstract The Postsecular Traces of Transcendence in Contemporary German Literature Thomas Richard Bell Chair of the Supervisory Committee: Professor Sabine Wilke Germanics This dissertation focuses on texts written by four contemporary, German-speaking authors: W. G. Sebald’s Die Ringe des Saturn and Schwindel. Gefühle, Daniel Kehlmann’s Die Vermessung der Welt, Sybille Lewitscharoff’s Blumenberg, and Peter Handke’s Der Große Fall. The project explores how the texts represent forms of religion in an increasingly secular society. Religious themes, while never disappearing, have recently been reactivated in the context of the secular age. This current societal milieu of secularism, as delineated by Charles Taylor, provides the framework in which these fictional texts, when manifesting religious intuitions, offer a postsecular perspective that serves as an alternative mode of thought. The project asks how contemporary literature, as it participates in the construction of secular dialogue, generates moments of religiously coded transcendence. What textual and narrative techniques serve to convey new ways of perceiving and experiencing transcendence within the immanence felt and emphasized in the modern moment? While observing what the textual strategies do to evoke religious presence, the dissertation also looks at the type of religious discourse produced within the texts. The project begins with the assertion that a historically antecedent model of religion – namely, Friedrich Schleiermacher’s – which is never mentioned explicitly but implicitly present throughout, informs the style of religious discourse.
    [Show full text]
  • Congressional Record United States Th of America PROCEEDINGS and DEBATES of the 104 CONGRESS, FIRST SESSION
    E PL UR UM IB N U U S Congressional Record United States th of America PROCEEDINGS AND DEBATES OF THE 104 CONGRESS, FIRST SESSION Vol. 141 WASHINGTON, FRIDAY, APRIL 7, 1995 No. 65 House of Representatives The House met at 11 a.m. and was PLEDGE OF ALLEGIANCE DESIGNATING THE HONORABLE called to order by the Speaker pro tem- The SPEAKER pro tempore. Will the FRANK WOLF AS SPEAKER PRO pore [Mr. BURTON of Indiana]. TEMPORE TO SIGN ENROLLED gentleman from New York [Mr. SOLO- BILLS AND JOINT RESOLUTIONS f MON] come forward and lead the House in the Pledge of Allegiance. THROUGH MAY 1, 1995 DESIGNATION OF SPEAKER PRO Mr. SOLOMON led the Pledge of Alle- The SPEAKER pro tempore laid be- TEMPORE giance as follows: fore the House the following commu- The SPEAKER pro tempore laid be- I pledge allegiance to the Flag of the nication from the Speaker of the House fore the House the following commu- United States of America, and to the Repub- of Representatives: nication from the Speaker. lic for which it stands, one nation under God, WASHINGTON, DC, indivisible, with liberty and justice for all. April 7, 1995. WASHINGTON, DC, I hereby designate the Honorable FRANK R. April 7, 1995. f WOLF to act as Speaker pro tempore to sign I hereby designate the Honorable DAN BUR- enrolled bills and joint resolutions through TON to act as Speaker pro tempore on this MESSAGE FROM THE SENATE May 1, 1995. day. NEWT GINGRICH, NEWT GINGRICH, A message from the Senate by Mr. Speaker of the House of Representatives.
    [Show full text]
  • Literary Industries
    Literary industries By Hubert Howe Bancroft NATIVE RACES OF THE PACIFIC STATES; five volumes HISTORY OF CENTRAL AMERICA; three volumes HISTORY OF MEXICO; six volumes HISTORY OF TEXAS AND THE NORTH MEXICAN STATES; two volumes HISTORY OF ARIZONA AND NEW MEXICO; one volume HISTORY OF CALIFORNIA; seven volumes HISTORY OF NEVADA, COLORADO AND WYOMING; one volume HISTORY OF UTAH; one volume HISTORY OF THE NORTHWEST COAST; two volumes HISTORY OF OREGON; two volumes HISTORY OF WASHINGTON, IDAHO AND MONTANA; one volume HISTORY OF BRITISH COLUMBIA; one volume HISTORY OF ALASKA; one volume CALIFORNIA PASTORAL; one volume CALIFORNIA INTER-POCULA; one volume Literary industries http://www.loc.gov/resource/calbk.195 POPULAR TRIBUNALS; two volumes ESSAYS AND MISCELLANY; one volume LITERARY INDUSTRIES; one volume CHRONICLES OF THE BUILDERS OF THE COMMONWEALTH LITERARY INDUSTRIES. A MEMOIR. BY HUBERT HOWE BANCROFT All my life I have followed few and simple aims, but I have always known my own purpose clearly, and that is a source of infinite strength. William Waldorf Astor. SAN FRANCISCO THE HISTORY COMPANY, PUBLISHERS 1891 Entered according to Act of Congress in the year 1890, by HUBERT H. BANCROFT, In the Office of the Librarian of Congress, at Washington. Literary industries http://www.loc.gov/resource/calbk.195 All Rights Reserved. v CONTENTS OF THIS VOLUME. CHAPTER I. PAGE. THE FIELD 1 CHAPTER II. THE ATMOSPHERE 12 CHAPTER III. SPRINGS AND LITTLE BROOKS 42 CHAPTER IV. THE COUNTRY BOY BECOMES A BOOKSELLER 89 CHAPTER V. HAIL CALIFORNIA! ESTO PERPETUA 120 CHAPTER VI. THE HOUSE OF H. H. BANCROFT AND COMPANY 142 CHAPTER VII.
    [Show full text]
  • Qt4nd9t5tt.Pdf
    UC Irvine FlashPoints Title Moses and Multiculturalism Permalink https://escholarship.org/uc/item/4nd9t5tt ISBN 978-0-520-26254-6 Author Johnson, Barbara Publication Date 2010 eScholarship.org Powered by the California Digital Library University of California Moses and Multiculturalism UCP_Johnson_Moses-ToPress.indd 1 12/1/09 10:10 AM FlashPoints The series solicits books that consider literature beyond strictly national and dis- ciplinary frameworks, distinguished both by their historical grounding and their theoretical and conceptual strength. We seek studies that engage theory without losing touch with history, and work historically without falling into uncritical positivism. FlashPoints will aim for a broad audience within the humanities and the social sciences concerned with moments of cultural emergence and transformation. In a Benjaminian mode, FlashPoints is interested in how literature contributes to forming new constellations of culture and history, and in how such formations func- tion critically and politically in the present. Available online at http://repositories .cdlib.org/ucpress s eries editors Judith Butler, Edward Dimendberg, Catherine Gallagher, Susan Gillman Richard Terdiman, Chair 1. On Pain of Speech: Fantasies of the First Order and the Literary Rant, by Dina Al-Kassim 2. Moses and Multiculturalism, by Barbara Johnson UCP_Johnson_Moses-ToPress.indd 2 12/1/09 10:10 AM Moses and Multiculturalism Barbara Johnson Foreword by Barbara Rietveld UN IVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London UCP_Johnson_Moses-ToPress.indd 3 12/1/09 10:10 AM University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences.
    [Show full text]