Time and J.R.R. Tolkien's "Riddles in the Dark"
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Bibliography of Recommended Secondary Sources I. General
Bibliography of recommended secondary sources With thanks to Denise Leathers for the initial version (items in bold are available via links to our blog as .pdf files; listings in Green show local holdings) I. General Campbell, Joseph. The Hero with a Thousand Faces. Princeton: Princeton University Press 1973 [1949]. (PIC/PC/RWU) Enright, Nancy. “Tolkien’s Females and the Defining of Power.” Renascence 59.2 (2007): 93-108. Flieger, Verlyn. “Fantasy and Reality: J.R.R. Tolkien’s World and the Fairy-Story Essay.” Mythlore 22.3 (1999): 4-13. Le Guin, Ursula K. “The Child and the Shadow,” and “The Staring Eye.” In The Language of the Night: Essays on Fantasy and Science Fiction. NY: G.P. Putnam’s Sons, 1979. (RIC, PC, RWU) Northrup, Clyde. “The Qualities of a Tolkienian Fairy-Story.” Modern Fiction Studies 50.4 (2004): 814-837. Shippey. Tom. “Light-elves, Dark-elves and Others: Tolkien’s Elvish Problem.” Tolkien Studies 1.1 (2004): 1-15. Smith, Thomas W. “Tolkien’s Catholic Imagination: Mediation and Tradition.” Religion and Literature 38.2 (2006): 73-100. Tolkien, J.R.R. “On Fairy Stories” (first given as a lecture in 1939, published in 1947, and since brought out in a critical edition edited by Verlyn Flieger and Douglas A. Anderson (2008). (ILL) ---------------. The Letters of J.R.R. Tolkien, edited by Humphrey Carpenter. Boston: Houghton Mifflin, 1981. (RIC, PC). II. The Legendarium Beare, Rhona. “A Mythology for England.” In Allan Turner, ed., The Silmarillion: Thirty Years On. Zürich: Walking Tree Publishers, 2007 (ILL) Fisher, Jason. “Tolkien’s Fortunate Fall and The Third Theme of Ilúvatar.” In Jonathan B. -
Tolkien's Treatment of Dragons in Roverandom and Farmer Giles of Ham
Volume 34 Number 1 Article 8 10-15-2015 "A Wilderness of Dragons": Tolkien's Treatment of Dragons in Roverandom and Farmer Giles of Ham Romuald I. Lakowski MacEwan University in Edmonton, Canada Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Lakowski, Romuald I. (2015) ""A Wilderness of Dragons": Tolkien's Treatment of Dragons in Roverandom and Farmer Giles of Ham," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 34 : No. 1 , Article 8. Available at: https://dc.swosu.edu/mythlore/vol34/iss1/8 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract An exploration of Tolkien’s depictions of dragons in his stories for children, Roverandom and Farmer Giles of Ham. Draws on “On Fairy-stories,” the Beowulf lecture, the Father Christmas letters, and a little-known “Lecture on Dragons” Tolkien gave to an audience of children at the University Museum in Oxford, as well as source Tolkien would have known: Nennius, The Fairy Queene, and so on. -
How Bilbo Lost His Innocence: Media Audiences and the Evaluation of the Hobbit As a ‘Children’S Film’
.F-E Volume 13, Issue 2 November 2016 How Bilbo lost his innocence: Media audiences and the evaluation of The Hobbit as a ‘Children’s Film’ Lars Schmeink, Institut für Kultur- und Medienmanagement Hamburg, Germany Abstract: The Hobbit (1937) by J. R. R. Tolkien is one of Britain’s, if not one of the world’s, most beloved children’s books. It thus stands to reason that the film adaptation by Peter Jackson (2012-2014) should be similarly beloved as children’s films. Yet indeed, the largest audience study to date, the World Hobbit Project, suggests otherwise. Of all the possible ‘types of film’ that audiences could choose from they were least comfortable with ‘Children’s Story’ and in their qualitative answers described the films as not ‘suitable’ for children. The essay analyzes the historical relation between the categories of ‘Children’s Story’ and the fantasy genre, by contrasting early reviews of the novel with audience reactions from the survey. At the core of the argument are audience expectations of what makes a story appropriate or intended for children and what the genre fantasy deals with. The analysis shows how these two expectations have diverged and now seem to be at odds with each other, clearly marking a shift in the meaning-making process surrounding the genre. Keywords: The Hobbit, Fantasy, Children, Audiences, Genre When the extended version of The Hobbit: The Battle of the Five Armies was released on DVD and Blu-ray in November 2015, it was not only remarkable for its length, extending the 144-min theatrical cut by an additional 20 minutes and thus boosting the runtime of all three parts of the film to 532 minutes. -
Press Release for the Annotated Hobbit Published by Houghton
Press Release The Annotated Hobbit by Douglas A. Anderson • Introduction • About the Author • A conversation with Douglas A. Anderson • Other Resources • Bestseller position for Tolkien-related titles January 2002 Introduction Since 1937, few books have provided more pleasure than J.R.R. Tolkien's The Hobbit. Originally published in England with a first printing of 1,500 copies, The Hobbit is now nearing its 65th anniversary, with fifty million of copies in more than forty languages. For readers throughout the world, this classic novel offers an enchanting introduction to the imaginary world of Middle-earth, home of the fantastical creatures depicted in The Lord of the Rings, The Silmarillion, and Tolkien's other captivating tales. But The Hobbit is more than an entertaining fantasy adventure story; it has significant roots in European folklore, mythology, fairy story, and language. In The Annotated Hobbit, renowned Tolkien scholar Douglas A. Anderson expertly explores these roots. Newly expanded, revised, and completely redesigned for a new generation of readers, The Annotated Hobbit is the authoritative explication of the sources, references, characters, places, and things of Tolkien's timeless novel. The many new annotations in this edition reflect more than a decade's additional scholarship on the history and evolution of The Hobbit. The Annotated Hobbit shows how Tolkien worked as a writer; what his interests and inspirations were (literary, linguistic, and otherwise); and how these pertain to the fascinating particulars of Middle-earth. -
The Inner Consistency of Reality": Intermediacy in the Hobbit
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by SWOSU Digital Commons (Southwestern Oklahoma State University) Volume 31 Number 3 Article 3 4-15-2013 "The Inner Consistency of Reality": Intermediacy in The Hobbit Nicholas Birns New School, NY Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Birns, Nicholas (2013) ""The Inner Consistency of Reality": Intermediacy in The Hobbit," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 31 : No. 3 , Article 3. Available at: https://dc.swosu.edu/mythlore/vol31/iss3/3 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Especially concerned with Bilbo’s characterization, unusual in children’s literature, as middle-aged, but also addresses other issues of world-building and story structure that reinforce this motif of “starting in the middle”: maps, the sense of the past, racial characteristics and relations. Birns draws interesting contrasts with the Alice in Wonderland and Oz books. -
Tolkien's Inspirations and Influences in His Book, Intentionally It Seems
Last updated 9 March 2008 Tolkien’s inspirations and influences on his works An alphabetical entry list compiled by Ardamir of the Lord of the Rings Fanatics Forum (http://www.lotrplaza.com/forum/) While reading J.R.R. Tolkien: A Biography by Humphrey Carpenter about 2½ years ago, I noticed that he mentions many of Tolkien's inspirations and influences in his book, intentionally it seems. I took the opportunity to start listing these inspirations along with their sources, and have since then used many other sources for my list. I am listing elements in Tolkien's works in alphabetical order, along with their respective inspirations, and the sources I have used. Many of the inspirations are (very) speculative, and those I have marked with a '?', but some are obvious. The list is not meant (at least not yet) to be a detailed investigation of Tolkien's inspirations but rather to include just the relevant information and gather all the inspirations in one place for each entry. I know that it has many defects, and it is somewhat lacking in sources and references, but I am constantly improving it while adding more and more inspirations. I would greatly appreciate it if other people would take a look at it and tell me what they think about it, and also suggest additions and improvements. I am not making the list just for the benefit of myself, but for everyone. I update the list almost every day. Bolded (emphasized) parts of quotes by me. Entries that are names are in italics. Entries for text passages can be found in a separate section at the end. -
In the Shadow of the Tree —
In the Shadow of the Tree ■— A study of the motif of the White Tree in the context of JRR Tolkien’s Middle-earth ■■■■■■■■■I Michael Cunningham n the pages of Tolkien’s The Lord of the Rings one finds stronger than she is and soon overcomes her. In the back the White Tree of Gondor standing withered and barren ground of this dream is a tall hill upon which is a shining tree, within the court of the fountain. The White Tree’s renew the leaves of which are melodious and the ground below the al was to be preceded by the great flowering of its image tree is covered with fruit. Cathair summons his druid who at Harlond which rekindled the same flame of hope that interprets the dream in the following manner: Igrew dim both in Eomer’s breast and that of the men of the West during their monumental struggle upon Pelennor. In the This is the young woman, the river is called Slaney. These following I will argue that the White Tree was an enduring sym Are the colours o f her raiment, artistry of every kind...This bol of divine kingship and, as such, was possessed of an unde is the niable connection with the lineage of Numenorean Kings, their Hundreded-hospitaller who was her father, the Earth, sacral-power, their peoples and the lands subject to them. This through which paper will outline these aspects within Tolkien’s Middle-earth Come a hundred o f every kind. This is the son...the lake and reflect upon cultural resonance in European lore. -
Tolkien's Mythic Meaning
TOLKIEN’S MYTHIC MEANING: THE READER’S ONTOLOGICAL ENCOUNTERS IN THE LORD OF THE RINGS A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2020 Quinn A J Gervel School of Arts, Languages and Cultures Research carried out at Nazarene Theological College, Manchester, UK 2 Table of Contents Table of Contents .............................................................................................................. 2 Abbreviations of Tolkien Works ........................................................................................ 4 Abstract ............................................................................................................................. 5 Declaration ........................................................................................................................ 6 Copyright Statement .......................................................................................................... 7 Dedication ......................................................................................................................... 8 Acknowledgements............................................................................................................ 9 Introduction ..................................................................................................................... 10 Chapter 1: Sub-Creativity and Ontological Experience .................................................... 27 Introduction......................................................................................................... -
The Many Faces of Trolls in Middle-Earth Andrew C. Peterson
The Many Faces of Trolls in Middle-earth Andrew C. Peterson J.R.R. Tolkien had a fascination with trolls. From the comical adventures of the trolls in The Hobbit to the poem “Troll Sat Alone on His Seat of Stone” and to the battle with the Cave Troll in the mines of Moria it is clear that trolls were an important part of his narrative world-building. However, Tolkien seemed unsure about the origins of these creatures. Tolkien himself admitted, “I am not sure about Trolls” (The Letters of J.R.R. Tolkien, No. 153, dated 1954). Given the different portrayals of trolls throughout Tolkien’s writings it is easy to agree with this statement. Obviously the trolls in Middle- earth seem to suffer an identity crisis at the hands of their creator. So which version of the troll is correct? The short answer – all of them. But where did they come from? In order to understand how trolls came to inhabit Middle-earth, we first need to understand their role in our world mythologies. Etymologically, trolls can be traced to Old Norse, as seen here from the Online Etymology Dictionary: Troll (n.) "ugly dwarf or giant," 1610s, from O.N. troll "giant, fiend, demon." Some speculate that it originally meant "creature that walks clumsily," and derives from P.Gmc. *truzlan, from *truzlanan (see troll (v)). Swed. trolla "to charm, bewitch;" O.N. trolldomr "witchcraft." The old sagas tell of the troll-bull, a supernatural being in the form of a bull, as well as boar-trolls. There were troll-maidens, troll-wives, and troll-women; the trollman, a magician or wizard, and the troll-drum, used in Lappish magic rites. -
Jewish Influences in Middle-Earth
Jewish influences in Middle-earth Zak Cramer .R.R. Tolkien’s relationship with Jews and with unscientific race-doctrine. Judaism is complex and intriguing. It is also, I hope to In the letter to the German publisher he writes: show, important for a complete understanding of the ... if I am to understand that you are enquiring whether I legendarium of Middle-earth. Midrash is at the very am o f Jewish origin, I can only reply that I regret that I appear heart of the legendarium and there are Hebrew com to have no ancestors o f that gifted people ... Jponents in the languages not only of Dwarves and Men, but also of Elves. Tolkien’s mythology has been shown to have And he later says: Nordic and Anglo-Saxon roots,1 Catholic themes,I 2 even Persian influence3 - but there is also a Jewish presence in I have become accustomed, nonetheless, to regard my Middle-earth. Henry Gee has drawn attention to the influence German name with pride ... / cannot, however, forbear to of Hebrew on the languages of Middle-earth,4 and Howard comment that if impertinent and irrelevant inquiries of this Schwartz to Jewish influence on The Silmarillion.5 This paper sort are to become the rule in matters o f literature, then the will follow their suggestions and explore Middle-earth time is not far distant when a German name will no longer be through Jewish eyes. a source of pride. A personal grudge, a German Hobbit, and Jews These statements are significant. They were not made casu Before moving to the subject at hand, however, we must first ally. -
"You Tempt Me Grievously to a Mythological Essay": J. R. R. Tolkien's Correspondence with Arthur Ransome
This is a repository copy of "You Tempt me Grievously to a Mythological Essay": J. R. R. Tolkien’s Correspondence with Arthur Ransome. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/78192/ Version: Published Version Book Section: Hall, ATP (2013) "You Tempt me Grievously to a Mythological Essay": J. R. R. Tolkien’s Correspondence with Arthur Ransome. In: Tyrkkö, J, Timofeeva, O and Salenius, M, (eds.) Ex Philologia Lux: Essays in Honour of Leena Kahlas-Tarkka. Société Néophilologique , 261 - 280. ISBN 978-951-9040-46-2 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ ‘You tempt me grievously to a mythological essay’: J. R. R. Tolkien’s correspondence with Arthur Ransome Alaric Hall University of Leeds Samuli Kaislaniemi University of Helsinki Abstract On December 13th 1937, the celebrated children’s author Arthur Ransome wrote to J. -
In a Hole in the Ground There Lived a Novel of Not So Little Consequence
In a Hole in the Ground There Lived a Novel of Not so Little Consequence by Shilo Pearle Thesis Submitted in partial fulfilment of the requirements for the degree of Bachelor of Arts with Honours in English Acadia University April, 2014 © Copyright by Shilo Pearle, 2014 ii This thesis by Shilo Pearle is accepted in its present form by the Department of English as satisfying the thesis requirements for the degree of Bachelor of Arts with Honours Approved by the Thesis Supervisor . Dr. Kevin Whetter Date Approved by the Head of the Department . Dr. John Eustace Date Approved by the Honours Committee . Dr. Matthew Lukeman Date iii iv I, SHILO PEARLE, grant permission to the University Librarian at Acadia University to reproduce, loan or distribute copies of my thesis in microform, paper or electronic formats on a non-profit basis. I, however, retain the copyright in my thesis. _________________________________ Signature of Author _________________________________ Date v vi Acknowledgement I would like to take this opportunity to thank my thesis advisor Dr. Kevin Whetter, without whose help I would have never made it to the end of my quest. Dr. Whetter, you have been my guiding Gandalf. It has been a long and tough road at times, but you encouraged me every step of the way, and helped me find my own footing. Thank you for helping me tackle my own dragon. vii viii Table of Contents Acknowledgments…………………………………………………………. vii Abstract………………………………………………………………………. xi Introductions ………………………………………………………………. 1 Chapter 1: True Faërie …………………………………………………… 4 Chapter 2: The Minor Works ……………………………………………. 17 Chapter 3: The Soup Ingredients ……………………………………… 30 Chapter 4: The Soup as Soup ………………………………………….