STARFLEET Communiqué Issue Number 162, Dec
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Discussion About Edwardian/Pulp Era Science Fiction
Science Fiction Book Club Interview with Jess Nevins July 2019 Jess Nevins is the author of “the Encyclopedia of Fantastic Victoriana” and other works on Victoriana and pulp fiction. He has also written original fiction. He is employed as a reference librarian at Lone Star College-Tomball. Nevins has annotated several comics, including Alan Moore’s The League of Extraordinary Gentlemen, Elseworlds, Kingdom Come and JLA: The Nail. Gary Denton: In America, we had Hugo Gernsback who founded science fiction magazines, who were the equivalents in other countries? The sort of science fiction magazine that Gernsback established, in which the stories were all science fiction and in which no other genres appeared, and which were by different authors, were slow to appear in other countries and really only began in earnest after World War Two ended. (In Great Britain there was briefly Scoops, which only 20 issues published in 1934, and Tales of Wonder, which ran from 1937 to 1942). What you had instead were newspapers, dime novels, pulp magazines, and mainstream magazines which regularly published science fiction mixed in alongside other genres. The idea of a magazine featuring stories by different authors but all of one genre didn’t really begin in Europe until after World War One, and science fiction magazines in those countries lagged far behind mysteries, romances, and Westerns, so that it wasn’t until the late 1940s that purely science fiction magazines began appearing in Europe and Great Britain in earnest. Gary Denton: Although he was mainly known for Sherlock Holmes, Arthur Conan Doyle also created the Professor Challenger stories like The Lost World. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
NOVA CLASS STARSHIP TECHNICAL MANUAL P a G E | 1 NOVA CLASS STARSHIP TECHNICAL MANUAL P a G E | 2
NOVA CLASS STARSHIP TECHNICAL MANUAL P a g e | 1 NOVA CLASS STARSHIP TECHNICAL MANUAL P a g e | 2 NOVA CLASS STARSHIP TECHNICAL MANUAL P a g e | 3 Refit Officer's Conference Lounge A, Deck One, USS Twilight NCC - 74413 NOVA CLASS STARSHIP TECHNICAL MANUAL P a g e | 4 Awaiting Refit: Accommodation: 80 (15 Officers, 65 Enlisted Crew) USS Aldrin (NCC-74407) Classification: Scout Frigate [Surveyor] USS Anticipation (NCC-74410) USS Binary (NCC-72454) Funding for Nova Class USS Charribey (NCC-72399) Development Project Provided by: USS Eclipse (NCC 95098)* Advanced Starship Design Bureau, USS Equinox (NCC-72381) [Destroyed] United Federation of Planets Defense USS Everett (NCC-72392) Council USS Farrier (NCC-72415) USS Dyson (NCC-72411) Development Project Started: 2363 USS Kepler (NCC 74412) U.S.S. Hubble (NCC-73708) * Production Start Date: 2367 USS Lionheart (NCC-73808) USS Lovell (NCC 73671) Production End Date: Still in Production USS Mullen (NCC-72417) USS Nova (NCC-73515) Current Status: In Service USS Pulsar (NCC-72358) * USS Quasar (NCC-72369) Locations of Nova-Class USS Rhode Island (NCC-72701) USS Sagan (NCC 79831) Construction: U.S.S. Sally Ride (NCC-73871)* Avondale Production Facility, Rigel II USS Solstice (NCC-72409) San Francisco Fleet Yards, Earth Current Starship Identification and Registration Numbers: • U.S.S. Twilight – NCC-74413 * • U.S.S. Aurora – NCC-91270* • U.S.S. Starfalcon – NCC-74613* • U.S.S. Unicorn – NCC-74106* • U.S.S. Tolkien – NCC-74625* • U.S.S. Llamrei – NCC-74109* * Starships refitted -
Frodo Is Grea…Who Is That?!?: The
FRODO IS GREA…WHO IS THAT?!?: THE PRODUCTION AND CONSUMPTION OF AN ONLINE CELEBRITY PARODY A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ANTHROPOLOGY UNIVERSITY OF CANTERBURY 2007 Yadana J. Saw Abstract My thesis analyses the phenomenon of Figwit, a non-speaking elf extra who appeared for only three-seconds in the first instalment of Peter Jackson’s 2001 Lord of the Rings movie trilogy. Figwit was initially generated as an online parody by female fans of the movie and as a foil to the ‘swooning, drooling girly’ fandom that was being directed towards the movie’s star actors. However, Figwit evolved into a bona fide, albeit minor, celebrity both on and offline as he attracted attention from worldwide media, a small speaking role in the final movie and genuine adulatory fandom as manifested in the production of Figwit merchandise. In my thesis I argue that Figwit’s creation and consequential community formation reflects a dynamic online-offline dialogic in which pre-existing offline and habitus- generated social practices and distinctions, ideal reflexive individuality and celebrity/fandom were dynamically reproduced within online technological frameworks. I also argue that online activity and interactivity is generated by users to strategically express and engage intensified reflexive individuality, affirming sociability and hyper-social distinctions. In this regard I have also argued that these various potentials and imaginaries were significantly enabled by digital architectures and genres of online communication and interactivity. In particular, I discuss the internet’s capacity for searchability, traceability, and rhetorical framing processes that facilitate continuous re-editing authorship possibilities, which are not necessarily replicable in face-to-face interactions. -
A Good-Enough Fan Within the Online Fan Community of Game of Thrones: an E-Ethnographic Study
A Good-Enough Fan Within the Online Fan Community of Game of Thrones: An E-Ethnographic Study Student: P.D.T. Staps (Tim) ANR: 558935 Supervisors: Dr. M. Spotti Dr. S. Milan Second reader: Dr. M. van Zaanen Master thesis Communication and Information Sciences Track Data Journalism Faculty of Humanities, Tilburg University May 2014 A GOOD-ENOUGH FAN WITHIN THE ONLINE FAN COMMUNITY OF GAME OF THRONES ii A GOOD-ENOUGH FAN WITHIN THE ONLINE FAN COMMUNITY OF GAME OF THRONES Preface My career as a student of Tilburg University is coming to an end. It was fun being a student and I enjoyed it very much. For me it is the end of an era of being a student and the beginning of a new period of my life, with a fulltime professional career maybe? You may want to know why I wrote a master thesis about the fandom of Game of Thrones. This report is the final product of my master thesis, which I carried out as part of the master program Communication- and Information Sciences, specialization Data Journalism. The road towards the point of graduation and completing this thesis was not easy. What made it challenging and fun for me was changing topic. My first topic was about social media that enables and provides fans a certain level of “backstage access” to their favorite artists. In other words, they have a direct line to their favorite artist. After abandoning this topic I switched to the question: what is a good-enough fan? Being a fan of a cultural object is something I personally ‘spread’ around: I openly state that I am a fan of FC Barcelona, Game of Thrones, J.R.R. -
Vol. 1, No. 4 (Right-Click & Save!)
Volume 1 • Number 4 • December 2007 Page 2 Captain’s Log James Cawley Page 4 The DREXLER Files Interview with Doug Drexler and Max Rem Page 10 Storyboards for “In Harm’s Way” Storyboard artwork by Max Rem and Doug Drexler COVER: Celebrating the premiere of Ron Boyd’s Star Trek: New Voyages illustrated adventure, Page 15 Charles Root Interview “Measure of Success,” the cover of this issue Get to know ST:NV’s “Scotty” in his own words. sports the illustrated versions of our favorite crew. Check out the interview with Ron Boyd in Page 18 How Elvis Saved Star Trek this issue. Chapter 12 Excerpt “All Hands on Deck” by Rich Newman Contents Page Image: The Enterprise leaving Page 20 Bobby Q. Rice and Evan Fowler Interview Federation Headquarters. Models and render The final interview in a series on “Blood and Fire” by Max Rem and Doug Drexler. Page 28 Kyle on Kyle Publisher Interview with John Winston by Jay Story Star Trek: New Voyages Page 31 Leslie Hoffman Interview - Part 2 Editor by Tanveer Naseer Jeff Hayes Page 39 Lock-n-Load the new Phaser 3 Assault Rifle Copy Editors Greg Schnitzer Maurice Kessler and Carlos Pedraza Page 43 “Breaking the Sound Barrier” Ralph Miller Interview Contributing Writers by Andrew Grieb Joël Bellucci Ron Boyd Page 48 Much Ado About Hugo John Carrigan by Greg Schnitzer James Cawley Tom Donnelly Page 50 Actor and Artist Ron Boyd Andy Grieb Interview with Ron Boyd (Lt. Vincent DeSalle) Maurice Kessler Fernando Martinez Page 54 “The Measure of Success” Tanveer Naseer Star Trek: New Voyages Illustrated Adventure by -
Fan to See 1
• ■/ T - (or daydreamers) "Sometimes there are people who say, 'thinkers, haven't rational intelligence.’ Then, we must join. We understand each other, and will defeat them. Not defeat uhem in the sense of violence,± or revolution, but in the art of group expression. It is granted.uhat we are sometimes narotic and egoists, yet banded into one, inferior and superiour alike, we shall erase our complex, and become average. Yes, "Average", but progressive in human civilization.-- Robert Ji. biarxe * FAN TO SEE January i - CONTENTS - 10/ **#****•&#** *«■**<** <;• * * * AN EXPLANATION.............................................................Robert E. Clarke........... PAGE 2 THE EDITORIAL............. ...... *... THE EDITOR. ................. PAGE 4 THIS-A AND THAT-A.... ....... PAUL MITTELBUSCHER......... PAGE 5 RIP ’ER OUT.............. .......... ROBERT E; CLARKE. .......... PAGE 6 DaRK INTERLUDE.......... ISABELLE DIN WIDDIE........ PAGE 6 NFFF Ms. BUREAU.... *..«.*...... WILKIE CONNOR............... PAGE 7 POINTERS FOR POETS.... ........... BELLE S. MOONEY,. *......... PAGE 7 WANTED: EXPERIENCE ASSISTANT........CH—RLES L. HAMES.. *......... PAGE 8 REPORT FROM SAN FRANCISCO........... TERRY CARR.....*............PAGE 11 HOW TO WRITE A LETTER Tp A STFAN. ... JUANITA WELLONS. ........... PAGE 13 SCRAPS................. ..............KENT CHATTERTON............ .PJxGE 14 HIDE THOSE FIREARMS.,..«............ ROBERT E. CLARKE............ PAGE 16 SO YOU (THOUGHT YOU) SAW ONE TOO. .. .M.JC B. MILLER........... ..PaGE 18 GALACTIC CONQUERORS............ -
Film Adaptation for Knowing Audiences: Analysing Fan On-Line Responses to the End of Breaking Dawn – Part 2 (2012)
. Volume 14, Issue 2 November 2017 Film adaptation for knowing audiences: Analysing fan on-line responses to the end of Breaking Dawn – Part 2 (2012) Samantha Pearce & Alexis Weedon, University of Bedfordshire, UK Abstract: Critics of film adaptations of literary works have historically evaluated the success or failure of the movie on the grounds of its fidelity to the original book. In contrast popular arguments for medium specificity have questioned whether fidelity is possible when adapting one medium to another. This article follows recent academic work which has focused awareness on the processes of adaptation by examining evidence of reading and viewing experience in online and social media forums. The broader research project explored the online Twilight fan community as an example of a ‘knowing audience’ acquainted with both novel and film. Here we focus on the strong response within fan forums to the surprise ending of the final film adaptation Breaking Dawn – Part 2 (2012). The research uses the forum, blog and facebook page as sites for evidence of reading experience as defined by the Reading Experience Database (RED). The analysis sheds new light on the tensions that exist between fidelity and deviation and the article positions fan audiences as intensive readers who gained unexpected pleasure from a deviation from a canon. It argues that fans are also collaborators within the adaptation process who respect authorial authority and discuss the author’s, scriptwriter’s and director’s interpretation of the novel for the screen. The research identifies the creative and commercial advantages to be gained from a collaborative and open dialogue between adaptors and fans. -
N3fhandbook2007public
The Mother Ship’s “This can’t be right. .” “Sure it is, I looked it up in the manual!” Reference Console Produced by the National Fantasy Fan Federation Page 1 Page 2 Table of Contents Welcome to N3F 3 N3F 2006 Officers 4 Elementary Table of the N3F 4 Editorial Cabal 5 Bureau’s and Activities 5 Head listing 6 Round Robin Bureau 8 N3F Awards 10 Bookseller Discounts for Neffers 11 Your Place in Fandom 12 Brief History of SF Fandom 14 SFF Author Pseudonyms 18 Glossary of Terms 24 What? We’re Not Done Yet? 28 Amatuer Short Story Contest 29 A bit of Randomness 30 N3F Membership Form 31 Art CreditsArt Credits Ruth R. Davidson Cover & 30 (layout, dialog) Lorna Hansmann – Pg. 2 Bernadette “Usagi” Glasgow Pgs. 8, 14, 19 & 25 David Heath Jr. Pgs. 9 & 11 David Speakman – Pg. 10 Sarah Glasgow Pgs. 17 & 27 Jennett Kaerie – Pg. 28 All else is clip art (yes, really) “Science fiction is the most important literature in the history of the world, because it's the his- tory of ideas, the history of our civilization birthing itself. .Science fiction is central to everything we've ever done, and people who make fun of science fiction writers don't know what they're talking about.” —Ray Bradbury “For each of us comes a time when we must be more than what we are.” —Lloyd Alexander The Castle of Llyr Welcome to the N3F! www.n3f.org That phrase has greeted new fans Robin is? We’ve got a few of those. -
Electric Hive Minds Italian Science fiction Fandom in the Digital Age
Electric hive minds Italian science fiction fandom in the Digital Age Giulia Iannuzzi University of Trieste Abstract Today science !ction fandom seems to have achieved full critical recognition in all its complexity and segmentations, as an extraordinary vantage point from which to observe ongoing changes in the relationships between cultural industries and the public, and monitor developments in an increasingly interconnected mediascape. "is essay looks at some critical issues regarding the activities of Italian science !ction fans, starting from central questions on their use of media and their accomplishments: where can fannish activities be positioned in relation to the professional !elds of science !ction cultural production across di#erent media? How have the new media, by making new spaces and tools available to produce content and connect people, in$uenced fans’ activities and the form and workings of fannish communities? And how, in turn, have these people and their activities in$uenced media development and the shape of the contemporary Italian mediascape? Provisional answers are provided to these questions drawing on existing primary sources, testimonies and contributions on past decades, and on a survey conducted in 2015 to capture the present state of Italian fandom. Keywords: convention, fan club, fan !ction, fanzine, Italian science !ction fandom, new media, science !ction sociology "e social and sociological aspects of the reception of science !ction as a genre, expressed through the existence and cross-media activities of a specialized fandom, is a fascinating phenomenon that is still waiting, in the Italian context, to receive the attention it deserves from critics and scholars. Science !ction is a genre endowed with a strong identity (an easily recognizable transmedia megatext [Broderick 2015; Csicsery-Ronay 2008: 257n4]), which has produced a vast range of di#erent appropriation practices over the years. -
December 2005 the Southern Fandom Confederation Bulletin Volume 8 Number 9 SOUTHERN FANDOM CONFEDERATION BULLETIN
Volume 8 Number 9 December 2005 The Southern Fandom Confederation Bulletin Volume 8 Number 9 SOUTHERN FANDOM CONFEDERATION BULLETIN CONTENTS PAGE Ad Rates Cleary Comments 3 Ex-Treasurer’s Report and Notes 4 Type Full Page Half Page ¼ Page Fan $50.00 $25.00 $12.50 Oasis 18 Convention Report 5 Pro $100.00 $50.00 $25.00 Book Reviews 9 Annotated Fanzine Listings 10 SFC Handbooks Ten Signs That You Are In Fact a Gerry 11 Anderson Character This amazing 196 page tome of Southern Fannish lore, edited News 12 by T.K.F.W. Reinhardt, is now available to all comers for $5, Southern Convention Listings 14 plus a $2 shipping and handling charge if we have to mail it. Roster 16 The Handbook is also available online, thanks to the efforts Letters of Comment 18 of Samuel Smith, at www.smithuel.net/sfcbh/. The SFC Handbook Errata page is: Policies www.smithuel.net/sfchb/hberrata.html. The Southern Fandom Confederation Bulletin Volume 8, T-Shirts Number 9, December 2005, is the official publication of the Southern Fandom Confederation (SFC) , a not-for-profit Sizes Quantity (Animals) Quantity (States) literary organization and information clearinghouse dedicated Medium 1 2 to the service of Southern Science Fiction and Fantasy Large 2 4 Fandom. The Bulletin is edited by R. B. Cleary and is XXL 1 Not Available published at least three times per year. Membership in the SFC is $15 annually, running from DeepSouthCon to T-Shirts are $10 each plus $3 shipping and handling fee if we DeepSouthCon. A club or convention membership is $75 have to mail it. -
Toward a Rhetoric of Scholar-Fandom
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English 12-2009 Toward a Rhetoric of Scholar-Fandom Tanya R. Cochran Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Part of the English Language and Literature Commons Recommended Citation Cochran, Tanya R., "Toward a Rhetoric of Scholar-Fandom." Dissertation, Georgia State University, 2009. https://scholarworks.gsu.edu/english_diss/51 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TOWARD A RHETORIC OF SCHOLAR-FANDOM by TANYA R. COCHRAN Under the Direction of Lynée Lewis Gaillet ABSTRACT Individuals who consider themselves both scholars and fans represent not only a subculture of fandom but also a subculture of academia. These liminal figures seem suspicious to many of their colleagues, yet they are particularly positioned not only to be conduits to engaged learning for students but also to transform the academy by chipping away at the stereotypes that support the symbolic walls of the Ivory Tower. Because they are growing in number and gaining influence in academia, the scholar-fans of the television series Buffy the Vampire Slayer (Buffy) and other texts by creator Joss Whedon are one focus of this dissertation. Though Buffy academics or Whedon scholars are not the only ones of their kind (e.g., academic- fan communities have cropped up around The Simpsons, The Matrix Trilogy, and the Harry Potter franchise), they have produced more literature and are more organized than any other academic-fan community.