BLAS 110 Slide List Section IV

For each quiz know the Artist, Title (italics), and Style (in bold), and be able to answer a question (see short answer sheet).

CHAPTER 8: MID-TWENTIETH-CENTURY TRANSITIONS AND SURREALISM

1. Elizabeth Catlett, Pensive Figure, 1958, American Modernism, bronze, fig. 8-2.

2. Romare Bearden, Factory Workers, 1942, American Modernism, gouache and casein on paper, fig. 8-4.

3. Jacob Lawrence, Migration of the Negro, Panel 1: During the World War I there was a Great Migration

North by Southern Negroes, 1940-1, Social Realism, casein tempera on hardboard, fig. 8-5.

4. John Biggers, Jubilee: Ghana Harvest Festival, 1959-63, American Modernism, tempera & acrylic on

canvas, fig. 8-7.

5. Minnie Evans, Untitled (Faces with Rising Sun), 1960, American Modernism, crayon, ink pencil on

paper, fig. 8-13.

6. Bill Traylor, Untitled (Blue Man on Red Object), 1939-42, Outsider Art/Folk Art, fig. 8-14.

7. William Edmondson, Critter, 1940, Outsider Art/Folk Art, fig. 56.

8. Clementine Hunter, Funeral Procession, 1950, Outsider Art/Folk Art, oil on board, fig. 8-16.

9. Horace Pippin, The Hoe Cake, 1946, Folk Art, fig. 8-17.

10. Gordon Parks, American Gothic, 1942, American Modernism, fig. 8-18.

11. Roy DeCarava, Graduation, 1949, American Modernism, fig. 8-19.

CHAPTER 9: ABSTRACT EXPRESSIONISM

12. Barbara Chase Ribaud, Malcolm X, 1969, Minimalism, page 217.

13. Beauford Delaney, Untitled, 1958, Abstract Expressionism, fig. 9-1.

14. Norman Lewis, Phantasy II: September 23, 1946, Abstract Expressionism, oil on canvas, fig. 9-2.

15. Alma Thomas, Wind and Crepe Myrtle Concerto, 1973, Minimalism, acrylic on canvas, fig. 9-3.

16. Sam Gilliam, Light Depth, 1969, Minimalism, acrylic on canvas, fig. 9-4.

17. Al Loving, Multiple of 8 #3, Hard Edge, acrylic on canvas, fig. 9-6.

18. Bob Thompson, Triumph of Bacchus, Figurative Expressionism, 1964, oil on canvas, fig. 9-8. 19. Betty Blayton, Reaching for Center, Abstract Expressionism, 1970, oil and mixed media on canvas,

fig. 9-10.

20. Richard Hunt, Extending Horizontal Form, Abstract Expressionism, 1958, steel, fig. 9-12.

21. Melvin Edwards, Some Bright Morning, 1963, Minimalism, fig. 9-13.

CHAPTER 10: POP AND AGITPROP: THE BLACK ARTS MOVEMENT

22. David Hammons, Injustice Case, 1970, Postmodern, page 245.

23. Reginald Gammon, Freedom Now, 1965, Postmodern, acrylic on board, fig. 10-1.

24. Benny Andrews, Did the Bear Sit Under a Tree, 1969, Postmodern, fig. 10-4

25. Ademola Olugebefola, Emerging Spirit, 1970-71, Postmodern, mixed media, fig. 10-6.

26. OBAC Mural, Wall of Respect, 1967 (destroyed), fig. 10-9.

27. Jeff Donaldson, Wives of Shango, 1969, Postmodern, watercolor, mixed media, fig. 10-10.

28. Jae Jarrell, Urban Wall Suit, 1969, Postmodern, painted cotton and silk, fig. 10-12.

CHAPTER 11: BLACK FEMINIST ART: A CRISIS OF RACE AND SEX

29. Betye Saar, The Liberation of Aunt Jemima, 1972, Feminist, page 278.

30. Faith Ringgold, For The Woman’s House, Feminist art, oil on canvas, fig. 11.3

CHAPTER 12: POSTMODERNISM

31. Glen Ligon, Untitled (Four Etchings), 1992, etching, page 301.

32. Martin Puryear, Self, 1978, Post-Minimalism, (see powerpoint)

33. Howardena Pindell, Separate but Equal Genocide: AIDS, 1991-92, acrylic on canvas, fig. 12-3.

34. Fred Wilson, Guarded View, 1991, sculpture, fig. 12-9.

35. Alison Saar, Compton Nocturne, 1999, wood, tin, bottles, paint, Postmodern, fig. 12-14.

36. Carrie Mae Weems, From Here I Saw What Happened and I Cried, 1995-6, C-prints, fig. 12-17.

37. Lorna Simpson, Five Day Forecast, 1991, polaroids, fig. 12-21.

38. CHAPTER 13: NEO-EXPRESSIONISM, THE NEW ABSTRACTION AND ARCHITECTURE

39. Jean-Michel Basquiat, Irony of a Negro Policeman, Graffiti, 1981, acrylic on oil, page 338.

40. Robert Colescott, George Washington Crossing the Delaware, 1975 (see powerpoint) 41. Kara Walker, Gone: An Historical Romance of a Civil War as it Occurred …., Postmodernism, cut

paper on wall, fig. 13.3

42. Kerry James Marshall, Watts, 1963, 1995, acrylic, fig. 13-4.

43. Phil Freelon, National Museum of African American History and Culture, Washington, D.C., 2016. Fig.

CHAPTER 14: POST-BLACK ART AND THE NEW MILLENNIUM

44. Mikalene Thomas, Le Dejeuner sur l’Herbe, 2010, mixed media, Contemporary, fig. 14-2.

45. Kehinde Wiley, Napoleon Leading the Army over the Alps, 2005, Contemporary, oil, fig. 14-3.

46. Renee Cox, Taxi, The Raje series, 1998-2001, cibachrome, Afrofuturism, fig. 14-1.

47. Nick Cave, Soundsuit, 2006-13, performance (fur and mixed media, Afrofuturism, fig. 14-8.

48. Theaster Gates, Rickshaw for Black Brick, 2013, wood, metal and clay, Contemporary, fig. 14-11.

49. Xenobia Bailey, Trilogy, yarn, etc…2000, Contemporary fig. 14-13.

50. Mark Bradford, Scorched Earth, 2006, Contemporary, collage on paper, fig. 14-14.