Bachelor of Fine Arts (Applied Arts) Outcomes - Academic Year- 2020-21 Programme Outcomes (Pos)

Total Page:16

File Type:pdf, Size:1020Kb

Bachelor of Fine Arts (Applied Arts) Outcomes - Academic Year- 2020-21 Programme Outcomes (Pos) IIS (deemed to be UNIVERSITY), Jaipur Department Of Fine Arts Programme- Bachelor Of Fine Arts (Applied Arts) Outcomes - Academic Year- 2020-21 Programme Outcomes (POs) PO1 Develops the ability to observe, analyze and understand the visual information received from the world around. PO2 Identify, analyze, review research literature and develop knowledge of art and aesthetics, Marketing & Advertising, Photography and Copywriting with the roots, culture and heritage through works done in different eras. PO3 Program enables the students to identify and explore medium, techniques and progression of drawing, ad design, photography and its importance in visualization through analyzing the basic elements, principles and six limbs of art to develop visual reality of artworks and design for specific purpose and target. PO4 Acquire analytical skills to construct, design and develop a critical understanding of social, political, economical and cultural scenarios, to explore concepts, develop ideas and skills through visual illustration effectively in order to connect between the local, regional and global. PO5 Understand, create, construct and apply different study, techniques, mediums, tools/software and materials including prediction and modeling to complex artistic thought, concept and design. PO6 Apply contextual knowledge to assess societal, safety, legal, tradition and cultural issues associated with the different fine arts practices. PO7 Acquire professional and intellectual integrity, professional code of conduct, ethics and an understanding of traditional, cultural and social responsibility for sustainable development of society and commodities as well. PO8 Apply and learn the importance of art making in the larger social context and beneficial for society and nation with professional ethics who will actively seek a positive impact to their profession, com PO9 Gain confidence and develop skills to pursue a practice in a group or individual of creating original pieces of artwork that reflect their identity. PO10 Understand, design and write useful reports to effectively communicate the development and changes that occurred in different fields of art & design in the community PO11 Understand and Demonstrate knowledge of the art skills and advance technologies and implement in one's own work. PO12 Analyze, capture, design, print and create two dimensional and three dimensional artworks competently as per the specialization (applied arts, painting and sculpture) and able to engage in self-determining, concern and experiments throughout the life. Programme Specific Learning Outcomes (PSOs) Bachelor Of Fine Arts (Applied Arts) PSO1 Recognize, explain and analyze the roles, functions and tools of marketing, marketing research, advertising, photography, Various Computer softwares, copywriting, packaging and their impact on society PSO2 Infer the fundamental principles and elements of design and photography and Computer softwares to create brand identity, novelties, packaging, illustrations, copywriting and advertisements PSO3 Identify, translate and apply actionable insights from day to day conversations to create advertising campaigns using varied appeals, photography, illustrations, copywriting and communicate them through effective advertising media PSO4 Utilize compelling color schemes, relevant tools, technology and a thoughtful application of typography, photography, illustrations and different softwares in creation, reproduction, and distribution of visual messages and designs. PSO5 Demonstrate cognitive and creative skills to exercise critical thinking and judgment in identifying and solving design problems PSO6 Gain the knowledge of various art, artists worldwide and understand the aesthetic value of these in developing society, environment, culture and heritage. Analyze the trends and themes in history that have influenced the society and current practices of advertising, advertising media and photography PSO7 Identify, determine and modify the needs of the target audience to construct an effective message strategy by applying the developed personal style PSO8 Exhibit their creative and expressive abilities to create unique designs and present themselves in a professional manner appropriate to their field of study. COURSE ARTICULATION MATRIX: (MAPPING OF COS WITH POS AND PSOS) s o Course C PO1 PO2 PO3 PO4 PO5 PO6 PO7 PO8 PO9 PO10 PO11 PO12 PSO1 PSO2 PSO3 PSO4 PSO5 PSO6 PSO7 PSO8 VAF CO1 * 101 CO2 * CO3 * CO4 * * VAF CO5 * * * 102 CO6 * CO7 * * CO8 * * CO9 * * VAF CO10 * 103 CO11 * CO12 * * * CO13 * VAF CO14 * * 104 CO15 * * CO16 * * VAF CO17 * 201 CO18 * * CO19 * * CO20 * * * VAF CO21 * * 202 CO22 * CO23 * * CO24 * VAF CO25 * 203 CO26 * * CO27 * * CO28 * * VAF CO29 * 204 CO30 * CO31 * CO32 * * * VAA CO33 * * 301 CO34 * * * CO35 * * * CO36 * * CO37 * * * * VAA CO38 * * * * 302 CO39 * * * CO40 * * * CO41 * CO42 * * CO43 * * * VAA CO44 * * * * * * * * * * * 303 CO45 * * * * * * * * CO46 * * * * * CO47 * * * * * VAA CO48 * * * * * 304 CO49 * * * CO50 * * * * * VAA CO51 * * * * * * * * 305 CO52 * * * * * * * CO53 * * * * * * * * * * * * * CO54 * * * * * * * * * * * * * CO55 * * * * * * * * CO56 * * * * * * * * * * * VAA CO57 * * * * * 306 CO58 * * * * * * * * * CO59 * * * * * * * * * CO60 * * * * * * * * * VAA CO61 * * * * * 401 CO62 * * * * CO63 * * * * * * CO64 * * * * CO65 * * * * CO66 * * * CO67 * * * * * VAA CO68 * * * * 402 CO69 * * * CO70 * * CO71 * * * VAA CO72 * * * * * * * * * * * * * * * * * * 403 CO73 * * * * * * * * CO74 * * * * * * * * * * * * * * * * * CO75 * * * * VAA CO76 * * * * * * * * * * * * * 404 CO77 * * * * * * CO78 * * * * * * CO79 * * * VAA CO80 * * * 405 CO81 * * * * * * * * * * * CO82 * * * * * VAA * * * * * CO 83 406 CO 84 * * * * * * * * * * CO 85 * * * * CO 86 * * * * * * * * VAA CO87 * * * * 501 CO88 * * * * * * * * CO89 * * * * * * * * * * * * * * CO90 * * * * * * * * * CO91 * * * * * * * * * VAA CO92 * * * * 502 CO93 * * CO94 * * CO95 * * CO96 * * * VAA CO97 * * * * * * * * * * * * * * 503 CO98 * * CO99 * * * * * * * * * * * * * * * * CO10 * * * * * * 0 CO10 * * * * * * * * * * * * * * * 1 CO10 * * * * * 2 CO10 * * * * * * * * * 3 VAA CO10 * * * * * * * 504 4 CO10 * * * 5 CO10 * * * * * * 6 CO10 * * * 7 VAA CO10 * * * * 505 8 CO10 * * * * * * * * 9 CO11 * * * * * * * * * * * * 0 VAA CO11 * * * * * 506 1 CO11 * * * * * * * * * * 2 CO11 * * * 3 CO11 * * * * * * * * 4 VAA CO11 * * * * 601 5 CO11 * * * * * * * * * * * * * * * * * * * 6 CO11 * * * 7 CO11 * * * * * 8 CO11 * * * * * * 9 VAA CO12 * * 602 0 CO12 * * 1 CO12 * * 2 CO12 * * 3 VAA CO12 * * * * * * * * * * * * * * * * * * * * 603 4 CO12 * * * * * * * 5 CO12 * * * * * * * * * * * * * * * * 6 CO12 * * * * * * * * * * 7 VAA CO12 * * * * * * * * * * 604 8 CO12 * * * * * * * * * * * * * * * * * * 9 CO13 * * * * * * * * * * * * * * * 0 CO13 * * * * * * * * * * * * * * * * * 1 VAA CO13 * * * * * * * * * * * * * * * 605 2 CO13 * * * 3 CO13 * 4 CO13 * 5 CO13 * * 6 VAA CO13 * * * * * 606 7 CO13 * * * * * * * * * * 8 CO13 * * * * * * * * * * 9 CO14 * * * * * * * 0 CO14 * * * * * * 1 VAA CO14 * * * * * 701 2 CO14 * * * * * * * * 3 CO14 * * * * * * * * * 4 CO14 * * * * * * * * * * * * * * * 5 VAA CO14 * * 702 6 CO14 * 7 CO14 * * 8 CO14 * * * * * 9 CO15 * 0 VAA CO15 * * * * * * * * * * * * * * * * * * * * 703 1 CO15 * * * * * * * * * * * * * * * * * 1 CO15 * * * * * * 3 CO15 * * * * * * * * 4 CO15 * * * * * * * * * * * * * 5 CO15 * * * * * * * * * * * * * * * * * * * * 6 CO15 * * * * * 7 VAA CO15 * * * * 704 8 CO15 * * * * * 9 CO16 * * * * * 0 CO16 * * * * * * * 1 VAA CO16 * * * * * * * * * * * * 705 2 CO16 * * * * * * * 3 CO16 * * * * 4 CO16 * * * * * * * 5 CO16 * * * * * * * * * * * * 6 VAA CO16 * * * * * 706 7 CO16 * * * * * * * * * * 8 CO16 * * * * * * 9 CO17 * * * * * 0 CO17 * * * * * * * * * * 1 VAA CO17 * * * 801 2 CO17 * * * * 3 CO17 * * * * * * * * * * 4 CO17 * * * * * * 5 CO17 * * * * * 6 VAA CO17 * * 802 7 CO17 * * 8 CO17 * 9 CO18 * * * 0 VAA CO18 * * * * * * * * * * * * 803 1 CO18 * * * * * * * * * * * * * * * 2 CO18 * * * * * * * * * * * 3 CO18 * * * * * * * * * * * * * * * * * * * * 4 VAA CO18 * * * * * * * * * * * * * * * 804 5 CO18 * * * * * * * * * * * * * * * * * 6 CO18 * * * * * 7 CO18 * * * * * * * * * * * * * * * * * * 8 VAA CO18 * * * * * * * * 805 9 CO19 * * * * * * * * * * * * * * * * * * * * 0 CO19 * * * * 1 CO19 * * * 2 VAA CO19 * * * * * 806 3 CO19 * * * * * * * * * * * * * 4 CO19 * * * * * * * 5 CO19 * * * * * * * * 6 CO19 * * * * * * * 7 Bachelor Of Fine Arts (BFA) Applied Arts (2020-21) Course Outcomes SEMESTER -I PAPER CODE: VAF 101 Fundamentals of Visual art (Theory) Credits: 2 Maximum marks: 100 Contact Hrs/Week: 2 Total Hrs: 30 COURSE OBJECTIVES This course will enable the students to- 1. An understanding basic elements and principles of art and ability to apply them to a specific aesthetic intent. 2. Gain an understanding of the historical origins of art history. COURSE OUTCOMES (COS): Course Course Outcomes Learning And Assessment PAPER Paper Title Teaching Strategies Strategies CODE The students will be able Approach in Semester end to- teaching: examinations, CO1: Interpret and Interactive Lectures, Continuous exemplify on art given by Discussion, Tutorials, Assessment Test, Indian and Western Scholars. Reading assignments, Quiz, Solving Demonstration. problems in CO2: Understand about the tutorials, methods and techniques of Learning activities Painting, Applied art, for the students: Assignments, Fundamentals Sculpture and Printmaking. Self-learning Presentation, VAF of Visual art CO3: Classify and compare assignments,
Recommended publications
  • B a B Ed Syllabus
    Ekgkjktk lwjtey c`t fo'ofo|ky; Hkjriqj Maharaja Surajmal Brij University Bharatpur FACULTY OF EDUCATION SYLLABUS Integrated Programme of B.A.B.Ed. Degree (Four Year) Annual Scheme Academic Session 2019-20 Examination B.A. B.Ed. Part- III Year (2020) 1 NOTICE 1. Change in syllabus ordinance/rules/regulation/syllabi and books may from time to time, be made by amendment or remaking and a candidate shall, accept in so far as the University determines otherwise comply with any change that applies to years he/she has not completed at time of change. 2. All court cases shall be subject to the jurisdiction of Maharaja Surajmal Brij Univesrity, head Quarter Bharatpur only and not any other place. 2 B.A. B.ED. PART- III CONTENTS Scheme of examination Syllabus 1. INFORMATION & COMMUNICATION TECHNOLOGY (COMPULSORY PAPER)* 2. LANGUAGE ACROSS THE CURRICULUM (COMPULSORY PAPER) 3. GUIDANCE AND COUNSELING IN SCHOOL (COMPULSORY PAPER) 4. CONTENT (SELECT ANY THREE) a. Hindi Sanity (I & II) b. Sanskrit (I & II) c. English Literature (I & II) d. Urdu (I & II) e. History (I & II) f. Political Science/Pub. Adm (I & II) g. Economics (I & II) h. Sociology (I & II) i. Philosophy Psychology (I & II) j. Drawing & Painting (I & II) k. Geography (I & II) l. Home Science (I & II) m. Indian Music (I & II) 5. Pedagogy of a School Subject IIIrd Year and IVth Year (candidate shall be required to offer any one subjects in both years from the following. a. Hindi b. Sanskrit c. English d. Urdu e. History f. Economics g. Civics h. Geography i.
    [Show full text]
  • INSIDE the Prabhakhaitanfoundationchronicle Their Musicto Life Words to Bring Melodies in Authors String on Musiciansas World Ofbooks Dive Into the POETRY of LIFE 14
    The Prabha Khaitan Foundation Chronicle January 2020 I Issue 10 Dive into the world of books on musicians as authors string melodies in words to bring their music to life POETRY OF HINGLISH ROMANCE IS LIFE BABU WRITE 14 15 13 INSIDE 2 INSIDE MITHILA Music, Memories STORIES 18 and More “If winter comes, can spring be far behind?” — GAMECHANGER Percy Bysshe Shelley. LAUNCH Spring has definitely arrived, bringing with it renewed zeal and spirit, and the Foundation 20 has been taking advantage of the same. It has been our constant endeavour to feature new writers and showcase new genres and WINNING narratives. And like spring, our bouquet of literary events also embodied the new — both WOMAN in terms of essence and faces. Music was the flavour of the season. We 26 have been privileged to host some of the greatest luminaries from the world of music. Their stories unveiled the ordinary behind the A ROOM WITH A extraordinary legends of timeless melodies. Sessions featured maestros of classical music, VIEW stalwarts of the Bollywood music industry, music queens who broke all stereotypes 34 and more. While their stories awed us, their words humbled us. Hope you enjoy reading MANISHA JAIN the extraordinary tales of some of the best of Communications & Branding Chief, music. CAUSE OF THE Prabha Khaitan Foundation Alongside putting together our regular MONTH events, we are busy gearing up for the Ehsaas Conclave. The mantra of the Conclave is 38 ‘Learning, Linking and Leadership.’ Ehsaas Women from all over India and abroad will be coming together at the conclave to bond CELEBRATING over ideas and experiences.
    [Show full text]
  • Section 124- Unpaid and Unclaimed Dividend
    Sr No First Name Middle Name Last Name Address Pincode Folio Amount 1 ASHOK KUMAR GOLCHHA 305 ASHOKA CHAMBERS ADARSHNAGAR HYDERABAD 500063 0000000000B9A0011390 36.00 2 ADAMALI ABDULLABHOY 20, SUKEAS LANE, 3RD FLOOR, KOLKATA 700001 0000000000B9A0050954 150.00 3 AMAR MANOHAR MOTIWALA DR MOTIWALA'S CLINIC, SUNDARAM BUILDING VIKRAM SARABHAI MARG, OPP POLYTECHNIC AHMEDABAD 380015 0000000000B9A0102113 12.00 4 AMRATLAL BHAGWANDAS GANDHI 14 GULABPARK NEAR BASANT CINEMA CHEMBUR 400074 0000000000B9A0102806 30.00 5 ARVIND KUMAR DESAI H NO 2-1-563/2 NALLAKUNTA HYDERABAD 500044 0000000000B9A0106500 30.00 6 BIBISHAB S PATHAN 1005 DENA TOWER OPP ADUJAN PATIYA SURAT 395009 0000000000B9B0007570 144.00 7 BEENA DAVE 703 KRISHNA APT NEXT TO POISAR DEPOT OPP OUR LADY REMEDY SCHOOL S V ROAD, KANDIVILI (W) MUMBAI 400067 0000000000B9B0009430 30.00 8 BABULAL S LADHANI 9 ABDUL REHMAN STREET 3RD FLOOR ROOM NO 62 YUSUF BUILDING MUMBAI 400003 0000000000B9B0100587 30.00 9 BHAGWANDAS Z BAPHNA MAIN ROAD DAHANU DIST THANA W RLY MAHARASHTRA 401601 0000000000B9B0102431 48.00 10 BHARAT MOHANLAL VADALIA MAHADEVIA ROAD MANAVADAR GUJARAT 362630 0000000000B9B0103101 60.00 11 BHARATBHAI R PATEL 45 KRISHNA PARK SOC JASODA NAGAR RD NR GAUR NO KUVO PO GIDC VATVA AHMEDABAD 382445 0000000000B9B0103233 48.00 12 BHARATI PRAKASH HINDUJA 505 A NEEL KANTH 98 MARINE DRIVE P O BOX NO 2397 MUMBAI 400002 0000000000B9B0103411 60.00 13 BHASKAR SUBRAMANY FLAT NO 7 3RD FLOOR 41 SEA LAND CO OP HSG SOCIETY OPP HOTEL PRESIDENT CUFFE PARADE MUMBAI 400005 0000000000B9B0103985 96.00 14 BHASKER CHAMPAKLAL
    [Show full text]
  • Elements of Hindu Iconography
    6 » 1 m ELEMENTS OF HINDU ICONOGRAPHY. ELEMENTS OF HINDU ICONOGRAPHY BY T. A. GOPINATHA RAO. M.A., SUPERINTENDENT OF ARCHiEOLOGY, TRAVANCORE STATE. Vol. II—Part II. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 Ail Rights Reserved. i'. f r / rC'-Co, HiSTor ir.iL medical PRINTED AT THE LAW PRINTING HOUSE MOUNT ROAD, MADRAS. MISCELLANEOUS ASPECTS OF SIVA Sadasivamurti and Mahasada- sivamurti, Panchabrahmas or Isanadayah, Mahesamurti, Eka- dasa Rudras, Vidyesvaras, Mur- tyashtaka and Local Legends and Images based upon Mahat- myas. : MISCELLANEOUS ASPECTS OF SIVA. (i) sadasTvamueti and mahasadasivamueti. he idea implied in the positing of the two T gods, the Sadasivamurti and the Maha- sadasivamurti contains within it the whole philo- sophy of the Suddha-Saiva school of Saivaism, with- out an adequate understanding of which it is not possible to appreciate why Sadasiva is held in the highest estimation by the Saivas. It is therefore unavoidable to give a very short summary of the philosophical aspect of these two deities as gathered from the Vatulasuddhagama. According to the Saiva-siddhantins there are three tatvas (realities) called Siva, Sadasiva and Mahesa and these are said to be respectively the nishJcald, the saJcald-nishJcald and the saJcaW^^ aspects of god the word kald is often used in philosophy to imply the idea of limbs, members or form ; we have to understand, for instance, the term nishkald to mean (1) Also iukshma, sthula-sukshma and sthula, and tatva, prabhdva and murti. 361 46 HINDU ICONOGEAPHY. has foroa that which do or Imbs ; in other words, an undifferentiated formless entity.
    [Show full text]
  • Price List 2015.Indd
    Lalit Kala Publications 2015 Lalit Kala Akademi Rabindra Bhavan, New Delhi-110001 MONOGRAPHS The monographs in the Lalit Kala Series of Contemporary Indian Art have been undertaken by the Lalit Kala Akademi with the intention of popularising the works of India’s leading painters, sculptors and printmakers. Effort is made to present a bird’s eye view of the development of their artistic career. Each monograph is in the format 17.5 x 12 cms. on foreign art paper. It contains a brief introduction of the artist along with colour plates and b/w illustrations. Monographs Available Rs. 1. Dhanraj Bhagat 50 2. Prodosh Das Gupta 50 3. Biren De 50 4. L. Munuswamy 50 5. K. S. Kulkarni 50 6. Ram Gopal Vijaiwargiya 50 7. S. H. Raza 50 8. Y. K. Shukla 50 9. Ranvir Singh Bisht 50 10. V. P. Karmarkar 50 11. Bimal Das Gupta 50 12. Radhamohan 50 13. Sarat Chandra Debo 50 14. Goverdhan Lal Joshi 50 15. P. T. Reddy 50 16. K. Madhava Menon 50 17. Nicholas Roerich 50 18. Amarnath Sehgal 50 19. Chittaprosad 50 20. Kanwal Krishna & Devyani Krishna 50 21. J. Swaminathan 50 22. Gurcharan Singh 50 23. Piraji Sagara 50 24. M. Reddappa Naidu 50 25. Devki Nandan Sharma 75 26. A. P. Santhanaraj 75 27. R. K. Rao 75 28. Balbir Singh Katt 75 29. Sakti Burman 75 30. Kripal Singh Shekhawat 75 Monographs Large Format (Hard Bound 9”x9”) 31. J. Sultan Ali 100 32. Pilloo Pochkhanawala 100 33. Somnath Hore 100 34. V. S. Gaitonde 100 35.
    [Show full text]
  • Hinduism and Buddhism, Vol I
    Hinduism and Buddhism, Vol I. Charles Eliot Hinduism and Buddhism, Vol I. Table of Contents Hinduism and Buddhism, Vol I.........................................................................................................................1 Charles Eliot............................................................................................................................................1 PREFACE................................................................................................................................................2 LIST OF ABBREVIATIONS. The following are the principal abbreviations used:..............................3 INTRODUCTION................................................................................................................................................3 BOOK II. EARLY INDIAN RELIGION. A GENERAL VIEW.......................................................................47 CHAPTER I. RELIGIONS OP INDIA AND EASTERN ASIA..........................................................47 CHAPTER II. HISTORICAL................................................................................................................52 CHAPTER III. GENERAL CHARACTERISTICS OF INDIAN RELIGION.....................................60 CHAPTER IV. VEDIC DEITIES AND SACRIFICES........................................................................68 CHAPTER V. ASCETICISM AND KNOWLEDGE...........................................................................78 CHAPTER VI. RELIGIOUS LIFE IN PRE−BUDDHIST INDIA.......................................................84
    [Show full text]
  • 'B' (Refrigeration & Air Condi
    LIST OF SCREENED IN CANDIDATES FOR THE WRITTEN TEST FOR RECRUITMENT TO THE POST OF TECHNICIAN 'B' (REFRIGERATION & AIR CONDITIONING) (POST NO.08) AGAINST (ADVT NO. SDSC SHAR/RMT/01/2019 DATED 09.11.2019) Sl.No Registration No Applicant Name 1 10800001 SHASHIKANTA BEHERA 2 10800003 ASHWINI KUMAR SWAIN 3 10800004 PATHAN JAKEER KHAN 4 10800006 KIRAN C 5 10800007 DATLA JAISHWA VARMA 6 10800010 JASTIN ROEL FERNANDES 7 10800012 MANSOOR N A 8 10800014 RAJKAMAL SHYAMBIHARI RAM 9 10800015 SAGAR NANDKUMAR JADHAV 10 10800016 JEET JANA 11 10800017 SHERKURE KUNAL RAMESH 12 10800018 B DASHARATHA 13 10800019 DIKSHANT NANDU HATKAR 14 10800020 HIMASISH KUNDU 15 10800021 SONY A 16 10800022 AMIT SHARMA 17 10800023 NONIGOPAL GHOSH 18 10800024 PRADUM PRITAM 19 10800025 PASUMARTHI UDAYKUMAR 20 10800026 SUVENDU DAS 21 10800027 RAJESH GANPAT JADHAV 22 10800028 VAIBHAV CHANDRASHEKHAR PATIL 23 10800029 SANDEEP S KUMAR 24 10800030 VINOD HARIDAS KHILLARE 25 10800050 PATEKAR MAHESH ANIL 26 10800052 MOHAMMAD SAJID ABDUL KHALIQUE SHEIKH 27 10800054 SARODE VIVEK MAHENDRA 28 10800055 PINTU DEBNATH 29 10800056 SHAIKH MARIJ 30 10800057 CHIRANJIT MANNA 31 10800058 SIBI L G 32 10800059 SUBIR SAMADDER 33 10800060 RAKESH YADAV 34 10800061 SUBHASH KUMAR DHOBI 35 10800062 MOHD INZAMAMUDDIN KHAN 36 10800063 ROSHAN SUNIL DEHMUKH 37 10800064 VIDYASAGAR SATYADEV NAIK 38 10800065 PASAGADUGULA PUJITHA 39 10800066 ANKIT 40 10800067 NAVEEN KUMAR 41 10800068 SAYOOJ PK Page 1 of 37 Sl.No Registration No Applicant Name 42 10800070 TARUN THAKUR 43 10800071 MANGESH SHRIDHAR DUTONDE 44 10800072
    [Show full text]
  • Auspicious Lucky Items
    Auspicious Lucky Items OM (AUM) Shiva Linga Mother Goddess Kali Dancing Ardhanarishvara (Shiva Shakti) Lord Shiva as Bhairava Garuda Wall Hanging Mask Embedded with Gemstones Ardha-Narishvara: Half Shiva, Half Shakti Elephant Pair with Upraised Trunks (Supremely Auspicious According to Vastu) (Small Sculpture) Small Elephant Pair with Upraised Trunks (Supremely Auspicious According to Vastu) Lord Ganesha Vanquishing the Demon Shiva Linga with Shiva’s Snakes Crowning It Naga-Kanya (The Snake Woman) Shiva Linga with Lotus Offering Lord Vishnu's Narasimha Avatara Ardhanarishvara Bust (Shiva-Shakti) The Spider Nine-Pronged Dorje Hanging to Ward off Evil Assembly to Bath Shiva Linga with Dripping Vase for Milk Shiva Linga Bhairava Head Naga-Kanya Ulupi, The Great Pandava Arjuna’s Wife Guru Padmasambhava Holding the Vase of Immortality Mahakala Wall Hanging Mask Patanjali Feng Shui Tortoise Goddess Kali Panchamukha Gangadhara Shiva Ardhanarishvara Mahakali, or Kali The Ten Syllables of the Kalachakra Mantra Mandala Wall Hanging Plate with Ashtamangala (Vishva Vajra Inside the Mantra) Kundalini Batuk Bhairava Tribal Face Five-Pronged Gold Plated Dorje with Gemstones Budh - One of the Navagraha Goddess Kali Saint Patanjali - Founder of Yoga Vajrayogini Yantra (Small Sculpture) The Auspicious Mahakala Mask Shiva Linga with the Great Serpent Shesh Canopying Over It Shiva Linga with Nagas 'Wearing' The Offerings of Her Devotees The Five Directional Forms of Shiva (Pancha-Mukhalingam) Himachal Folk Goddess Skull Mukhalinga Durga in Ferocious Form
    [Show full text]
  • ELEMENTS of HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All Books Are Subject to Recall After Two Weeks Olin/Kroch Library DATE DUE Cornell University Library
    ' ^'•' .'': mMMMMMM^M^-.:^':^' ;'''}',l.;0^l!v."';'.V:'i.\~':;' ' ASIA LIBRARY ANNEX 2 ELEMENTS OF HINDU ICONOGRAPHY CORNELL UNIVERSITY LIBRARY All books are subject to recall after two weeks Olin/Kroch Library DATE DUE Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071128841 ELEMENTS OF HINDU ICONOGRAPHY. CORNELL UNIVERSITY LIBRARY 3 1924 071 28 841 ELEMENTS OF HINDU ICONOGRAPHY BY T. A.^GOPINATHA RAO. M.A. SUPERINTENDENT OF ARCHEOLOGY, TRAVANCORE STATE. Vol. II—Part I. THE LAW PRINTING HOUSE MOUNT ROAD :: :: MADRAS 1916 All Rights Reserved. KC- /\t^iS33 PRINTED AT THE LAW PRINTING HOUSE, MOUNT ROAD, MADRAS. DEDICATED WITH KIND PERMISSION To HIS HIGHNESS SIR RAMAVARMA. Sri Padmanabhadasa, Vanchipala, Kulasekhara Kiritapati, Manney Sultan Maharaja Raja Ramaraja Bahadur, Shatnsher Jang, G.C.S.I., G.C.I. E., MAHARAJA OF TRAVANCORE, Member of the Royal Asiatic Society, London, Fellow of the Geographical Society, London, Fellow of the Madras University, Officer de L' Instruction Publique. By HIS HIGHNESSS HUMBLE SERVANT THE AUTHOR. PEEFACE. In bringing out the Second Volume of the Elements of Hindu Iconography, the author earnestly trusts that it will meet with the same favourable reception that was uniformly accorded to the first volume both by savants and the Press, for which he begs to take this opportunity of ten- dering his heart-felt thanks. No pains have of course been spared to make the present publication as informing and interesting as is possible in the case of the abstruse subject of Iconography.
    [Show full text]
  • Details of Correctional Service Medals Awarded to the Prison Personnel Since Th Year 2000
    DETAILS OF CORRECTIONAL SERVICE MEDALS AWARDED TO THE PRISON PERSONNEL SINCE TH YEAR 2000 REPUBLIC DAY 2000 PRESIDENT CORRECTIONAL SERVICE MEDAL FOR DISTINGUISHED SERVICE: 1. Shri Prakash Chiman Rao Yadav, Physical Training Instructor, Jail Officers Training College, PUNE. PRESIDENT CORRECTIONAL SERVICE MEDAL FOR GALLANTRY: 1. Shri Sobha Lal Nishad, Warder, Central Prison, Naini, Allahabad, U.P. 2. Shri Rama Kant Tiwari, Superintendent of Jail, District Prison, Lucknow, U.P. 3. Shri Ashok Kumar Gautam, Jailor,District Prison, Lucknow,U.P. CORRECTIONAL SERVICE MEDAL FOR GALLANTRY 1. Shri Ashok Kumar Gautam, Jailor, District Prison, Lucknow, U.P. PRESIDENT CORRECTIONAL SERVICE MEDAL FOR MERITORIOUS SERVICE: 1. Shri Bankim Chandra Mohanty, Senior Superintendent, Circle Jail Class-I, Behrampur, Orissa. 2. Ch.Dinesh Kumar, Chief Superintendent of Jails, PONDICHERRY. 3. Shri Yadeo Sadashiv Bhor, Chemical Superintendent, Central Prison, Nasik Road, Maharashtra. 4. Shri Rambhau Sheshrao Thorat, Sepoy, Central Prison, Parbhani, Maharashtra 5. Shri Shripatrao Purshotta Bihade, Weaving Supervisor,Central Prison Nagpur,Maharashtra. 6. Shri Raghunath Baburao Panke, Havildar, Central Prison, Yeravada, Maharashtra. 7. Shri Dhyandeo Abhiman Karche, Subhedar, Central Prison Nagpur, Maharashtra. 8. Shri Rajendra Singh, Jailor, District Prison Jalore, Rajasthan. 9. Shri G.Ramachandran, Superintendent of Prisons, Central Prison Chennai, Tamilnadu. 10. Shri Hari Shanker Singh, Deputy Inspector General (Prisons), Lucknow, Uttar Pradesh. 11. Shri Rekh Bahadur Thapa, Head Warder, Central Jail No.4, Tihar,Delhi. 12. Shri Balappa Shivarudrappa Abbai, Superintendent, Central Prison, Bangalore, Karnataka 13. Shri Kuber Singh Tomar, Deputy Jailor, Central Jail Indore,M.P. 14. Shri Ranjit Singh Bhati, Assistant Jailor, Central Jail, Indore, M.P. 15. Shri Kamal Kishore Kagoria, Assistant Jailor,Central Prison, Bilaspur, M.P.
    [Show full text]
  • Annual Return – MGT-7
    FORM NO. MGT-7 Annual Return [Pursuant to sub-Section(1) of section 92 of the Companies Act, 2013 and sub-rule (1) of rule 11of the Companies (Management and Administration) Rules, 2014] Form language English Hindi Refer the instruction kit for filing the form. I. REGISTRATION AND OTHER DETAILS (i) * Corporate Identification Number (CIN) of the company L14102TG1991PLC013299 Pre-fill Global Location Number (GLN) of the company * Permanent Account Number (PAN) of the company AABCP2100Q (ii) (a) Name of the company POKARNA LIMITED (b) Registered office address 1ST FLOOR, 105,SURYA TOWERS, SECUNDERABAD. A.P Telangana 500003 India (c) *e-mail ID of the company [email protected] (d) *Telephone number with STD code 04027897722 (e) Website www.pokarna.com (iii) Date of Incorporation 09/10/1991 (iv) Type of the Company Category of the Company Sub-category of the Company Public Company Company limited by shares Indian Non-Government company (v) Whether company is having share capital Yes No (vi) *Whether shares listed on recognized Stock Exchange(s) Yes No Page 1 of 15 (a) Details of stock exchanges where shares are listed S. No. Stock Exchange Name Code 1 B.S.E Limited 1 2 National Stock Exchange of India 1,024 (b) CIN of the Registrar and Transfer Agent U72400TG2017PTC117649 Pre-fill Name of the Registrar and Transfer Agent KFIN TECHNOLOGIES PRIVATE LIMITED Registered office address of the Registrar and Transfer Agents Selenium, Tower B, Plot No- 31 & 32, Financial District, Nanakramguda, Serilingampally (vii) *Financial year From date 01/04/2020 (DD/MM/YYYY) To date 31/03/2021 (DD/MM/YYYY) (viii) *Whether Annual general meeting (AGM) held Yes No (a) If yes, date of AGM (b) Due date of AGM 30/09/2021 (c) Whether any extension for AGM granted Yes No (f) Specify the reasons for not holding the same II.
    [Show full text]
  • Kambujadesa Which Forms the Subject-Matter of This Course of Lectures
    PREFACE In July 1942 I was invited by the university of Madras to deliver a course of lectures under the Sir William Meyer (Endowment) Lectureship, 1942-43. These lectures are published here in the form in which I delivered them, early in March 1943, with the addition of the footnotes and a list of Inscriptions, on which the study of the subject is primarily based. The scope and object of these lectures have been sufficiently indicated at the beginning of Lecture I, and I shall consider my labours amply rewarded if they serve to awaken an interest in, and promote the study of a highly important but little-known subject. The series of works on ancient Indian colonisation in the Far East which I planned nearly twenty years ago have not yet been completed. Three volumes dealing with Champa (Annam) and Suvarniadvipa (Malayasia) are out, the and remaining two volumes dealing with Kambuja (Cambodia) , Burma and Siam still await publication. These two volumes will deal more comprehensively with the subject covered by these lectures. In view of the present situation in the country, it is diffi- cult to say when, if ever, those two volumes will see the light of the day. Till then, the present work may be regarded as completing the series of my studies on the history of ancient Indian colonies in the Far East. As inscriptions have been frequently referred to in the course of these lectures, I have added at the end a list of old Kambuja inscriptions, arranged chronologically as far as possible. The serial number is quoted in the text against each inscription to enable the reader to find out the necessary details by a reference to the list.
    [Show full text]