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Stairway of the Stars 2014

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Stairway of the Stars 2014 The Santa Monica-Malibu Unified School District Proudly presents its 65th Annual Stairway of the Stars 2014 Choir, Band, and Orchestra Concerts All concerts at 7 pm, Barnum Hall, Santa Monica High School Choir Concert – Friday, February 7, 2014 Albert J. McNeil, Guest Conductor Nell Walker and Michael Wright, soloists Band Concert – Tuesday, February 11, 2014 Thomas Lee, Guest Conductor John Beasley, soloist Orchestra Concert – Thursday, February 13, 2014 Bruce Kiesling, Guest Conductor TheStairway Beasley Award Recipient Family Sandra Lyon Superintendent Tom Whaley Visual and Performing Arts Coordinator Brenda Carrillo Educational Services, Visual and Performing Arts Table of Contents Friday, February 7, 2014 Choirs Words to the song “Stairway to the Stars” . inside front cover Program Choirs – Friday, February 7, 2014 Welcome Program . 3 Program Notes . 5 Tom Whaley, Visual and Performing Arts Coordinator Guest Choir Conductor: Albert J. McNeil . 7 Combined Choirs Student Performers 8 Elementary Honor Choir . 8 The Star-Spangled Banner . Francis Scott Key and John Stafford Smith Middle School Choirs . 8 Tom Whaley, Conductor Inna Ganelis, Accompanist High School Choirs . 9 Stairway to the Stars . Malby Malneck and Frank Signorelli Tom Whaley, Conductor arr. Tony Fox and Bruce Tellier Inna Ganelis, Accompanist Bands – Tuesday, February 11, 2014 Program . .10 Introductions Program Notes . .11 Sandra Lyon, Superintendent Guest Band Conductor: Thomas Lee . .12 Student Performers .13 All-District Elementary Honor Choir Elementary Honor Band . .13 Down by the Riverside. arr. Jay Althouse Middle School Bands . .13 Susan Justin, Conductor Jessi Spike-Gravelle, Accompanist High School Bands . .14 Follow the Drinking Gourd . arr. Andre J. Thomas Jessi Spike-Gravelle, Conductor Susan Justin, Accompanist Orchestras – Thursday, February 13, 2014 Norma LaTuchie, flute Program . .15 Introduction of Guest Conductor Albert J. McNeil Program Notes . .16 Guest Orchestra Conductor: Bruce Kiesling .17 Dr. Terry Deloria, Assistant Superintendent Student Performers .18 All-District Elementary Honor Choir Elementary Honor Orchestra . .18 Middle School Orchestras . .18 Do, Lord, Remember Me . .arr. Andre J. Thomas High School Orchestras .19 Albert McNeil, Conductor Jessi Spike-Gravelle, Accompanist Elementary and Middle School Choirs 2014 Stairway Honor Award — The Beasley Family . 20 Yonder Come Day . arr. Judith Cook Tucker Lindsay Quiroz, Conductor Music Teachers of the Santa Monica-Malibu Unified School District .21 Didn’t My Lord Deliver Daniel . arr. Roger Emerson Dedications . .25 Amy Loch, Conductor Joellen McNaughton, Accompanist Stairway Acknowledgments . .26 Middle School Choirs Stairway Donors . 28 Keep Your Lamps . arr. Andre J. Thomas Vanessa Counte, Conductor Nate Comay and Paloma Nicholas, drums O, Mary Don’t You Weep . .arr. Albert J. McNeil Albert J. McNeil, Conductor Stairway Award – The Beasley Family Presented by Maria Leon-Vazquez, President, SMMUSD Board of Education Middle and High School Choirs (Women) Summertime . George Gershwin and Dubose Heyward Continued on page 4 Page 3 Choirs Friday, February 7, 2014 Friday, February 7, 2014 Choirs Program Notes Choir Program, continued from page 3 “Down by the Riverside” arranged by Jay Althouse – Also slaves in ancient Egypt. The chorus asks the rhetorical ques- Cecile Blanchard, Conductor arr. William Stickles known as “Ain’t Gonna Study War No More” and “Gonna lay tion, “Didn’t my Lord deliver Daniel...” making reference to the Inna Ganelis, Accompanist down my burden,” this is a gospel song. It was first published in story of Daniel in the Lion’s Den, as told in the Old Testament. Plantation Melodies: A Collection of Modern, Popular and Old-time The individual verses tell a story of deliverance from different Middle and High School Choirs (Men) Negro-Songs of the Southland in 1918. The song was first recorded types of oppressors. The final verse says, “It landed me over on Deep River . arr. Noble Cain by the Fisk University Jubilee Quartet in 1920, and at least 14 Canaan’s shore...” referring to the Hebrews’ deliverance from the Jeffe Huls, Conductor Inna Ganelis, Accompanist black gospel recordings of it were made before World War II. Egyptians into Canaan, “a land flowing with milk and honey.” It expressed the slaves’ hope in their eventual freedom. High School Choirs “Follow the Drinking Gourd” arranged by Andre J. Thomas My Long White Robe . arr. Albert J. McNeil – This powerful arrangement of the traditional underground “Keep Your Lamps” arranged by Andre J. Thomas – This Albert J. McNeil, Conductor railroad map song features beautiful part writing, dynamic exciting arrangement of the spiritual is accompanied by high, Nell Walker and Michael Wright, soloists, Jubilee Singers contrasts, and an exhilarating ending. Taken at face value, the medium and low conga drums. The lyric is both biblical and Hallelujah . arr. Robert DeCormier “drinking gourd” refers to hollowed out gourds used as water subversive. It speaks of lamps trimmed and burning, as in the Albert J. McNeil, Conductor dippers in rural America. But here it was used as a code name reference to Matthew 25, but the secondary meaning is that Michael Wright, soloist, Jubilee Singers for the Big Dipper star formation, which points to Polaris, the we are preparing to escape, and you must be ready. “The time is Pole Star, and North. These directions enabled fleeing slaves to drawing nigh.” Slaves were sending messages from one planta- Guest Conductor’s Remarks – Albert J. McNeil make their way north to the Ohio River and freedom. The song tion to the other, right under the noses of their owners and, in Introduced by Tom Whaley, Visual and Performing Arts Coordinator was first published in 1928. fact, organizing insurrections. Since so many others means of communication were denied to them, they learned how to com- Elementary, Middle, and High School Choirs “Do, Lord, Remember Me” arranged by Andre J. Thomas municate through songs. Praise the Lord . Mary Lou Williams – The traditional spiritual is presented here in a rousing, joyful Albert J. McNeil, Conductor Joellen McNaughton, Accompanist concert setting. From the first slave auction in 1655, to the pub- “O, Mary Don’t You Weep” arranged by Albert J. McNeil – Robben Bixler, bass, and Zach Gotler, drums lication of the first slave autobiography in London in 1789, the This spiritual contains coded messages of hope and resistance. It Stairway to the Stars . Malby Malneck and Frank Signorelli voices of the American slaves were silent. Since then, they have tells the Biblical story of Mary of Bethany’s pleas to Jesus to raise Tom Whaley, Conductor arr. Tony Fox and Bruce Tellier risen in glorious song and courageous speech to tell the tales of her brother Lazarus from the dead. It also includes the story Inna Ganelis, Accompanist those who have endured slavery. In the 1930’s, President Roos- from the Book of Exodus about the crossing of the Red Sea, evelt asked the Federal Writer’s Project to go out and interview with the chorus proclaiming “Pharaoh’s army got drown-ded!,” as the last generation of Americans born in slavery, who were then well as describing God’s rainbow covenant to Noah after the Guest Soloists in their eighties, nineties, or even older. The arranger of this Great Flood. The Fisk Jubilee Singers recorded the song in 1915, song, Dr. Thomas, is Director of Choral Activities and Professor and it became popular again during the 1950s. The melody was of Choral Music Education at Florida State University. also used for a song chronicling the victories of the Civil Rights movement, “If You Miss Me from the Back of the Bus.” A new “Yonder Come Day” arranged by Judith Cook Tucker – This recording of the song became a hit in 1959, and the phrase “I’ll arrangement is based on a traditional Georgia Sea Islands spiri- be a bridge over deep water if you trust in my name” inspired tual. More than 250 years ago, plantation owners began import- Paul Simon to write “Bridge over Troubled Water” in 1970. The ing slaves from West Africa to the coasts of Georgia and South lyric “God gave Noah the rainbow sign, no more water, the fire next Carolina. The slaves endured extreme hardship and injustice on time” also served as the title for James Baldwin’s 1963 book The the rice plantations. Isolated from the mainland on the humid, Fire Next Time. mosquito-ridden islands, however, the slaves were able to more freely preserve their ethnic traditions. The blend of language and “Summertime” by George Gershwin and DuBose Heyward, culture that survived and evolved is known as “Gullah.” Folk- arranged by William Stickles – Gershwin’s timeless master- lorist Alan Lomax first visited the island in 1935, accompanied piece, Summertime from Porgy and Bess, was originally written by author Zora Neale Hurston. Bill Moyers calls the Gullah for soprano soloist and orchestra. It’s arranged here by William Nell Walker, soprano Michael Wright, tenor culture “a heritage so rich no price tag can measure its value.” Stickles for choir and piano accompaniment. Stickles was a composer, arranger, and teacher who spent seven years abroad, “Didn’t My Lord Deliver Daniel” arranged by Roger studying in Florence, Italy and working as a solo repititeur in Emerson – This spiritual originated during the era of Afri- can American slavery, and related their slavery to the Hebrew Continued on page 6 Page 4 Page 5 Choirs Friday, February 7, 2014 Friday, February 7, 2014 Choirs Choir Program Notes, continued from page 5 guest Choir CoNduCtor: albert J. mCNeil versions). She taught herself to play the piano at an early age and, Munich, Germany before returning to the U.S. to teach in Bos- at age 14, she was taken on the Orpheum Circuit. By 15, she was lbert McNeil is a native Californian—born in Los Angeles. He earned Bachelors and Masters degrees at ton and New York. He wrote many choral, organ, and piano jamming in Harlem nightclubs.
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