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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Bio-Sinister.Pdf
Starting in 1989, Sinister was a band arising in the middle of the Death-Metal hype. Mike, André, Aad en Ron were joining forces and the Sinister sound was born. After releasing a demo, a promo tape followed. Sending out the promo to various labels resulted in signing up at Nuclear Blast Records, Germany 1991. Their debut CD 'Cross the Styx' saw the light in early 1992, and sold many copies worldwide. Many live shows all over Europe followed. Touring with bands like Suffocation, Cannibal Corpse and Deicide increased the number of people knowing Sinister. In the years after that, Sinister succeeded in maintaining their popularity by releasing their second and third album 'Diabolical Summoning' (1993) and 'Hate' (1995) and doing many live shows all over Europe and a very successful 55 show-tour through all the USA. At the end of this period, Death-Metal got less popular, lots of Death-Metal fans switched over to Black- Metal, Gothic and other atmospherically music. Sinister never thought about playing other music than their favorite; Death-Metal. Some years passed and the band released their mini-CD 'Bastard Saints' (1996), and played a few live-shows. Several line-up changes followed, and led Sinister to write their most aggressive brutal and intense album so far 'Aggressive Measures' (1998). These time their presence in Death-Metal paid off. Death-Metal is back, where for Sinister it never left. The response from fans and critics where good. Sinister sold lots of albums and played lots of good shows, of which a short US-tour and good festivals like Wacken open air, Milwaukee Metal fest and Czech Dynamo blessed their way. -
The Construction of Pagan Identity in Lithuanian “Pagan Metal” Culture
VYTAUTO DIDŢIOJO UNIVERSITETAS SOCIALINIŲ MOKSLŲ FAKULTETAS SOCIOLOGIJOS KATEDRA Agnė Petrusevičiūtė THE CONSTRUCTION OF PAGAN IDENTITY IN LITHUANIAN “PAGAN METAL” CULTURE Magistro baigiamasis darbas Socialinės antropologijos studijų programa, valstybinis kodas 62605S103 Sociologijos studijų kryptis Vadovas Prof. Ingo W. Schroeder _____ _____ (Moksl. laipsnis, vardas, pavardė) (Parašas) (Data) Apginta _________________________ ______ _____ (Fakulteto/studijų instituto dekanas/direktorius) (Parašas) (Data) Kaunas, 2010 1 Table of contents SUMMARY ........................................................................................................................................ 4 SANTRAUKA .................................................................................................................................... 6 INTRODUCTION ............................................................................................................................... 8 I. THEORIZING ―SUBCULTURE‖: LOOKING AT SCIENTIFIC STUDIES .............................. 13 1.1. Overlooking scientific concepts in ―subcultural‖ research ..................................................... 13 1.2. Assumptions about origin of ―subcultures‖ ............................................................................ 15 1.3 Defining identity ...................................................................................................................... 15 1.3.1 Identity and ―subcultures‖ ................................................................................................ -
TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar
TRUTH CORRODED BIOGRAPHY 2018 Drums: Jake Sproule, Vocals: Jason North, Guitar: Trent Simpson, Bass: Greg Shaw, Lead Guitar: Chris Walden TRUTH CORRODED are an Australian band with a sound that captures elements of late 80's/early 90's inspired thrash and death metal, shaped by the likes of bands such as SLAYER, OBITUARY, SEPULTURA, KREATOR and EXHORDER, and then later influenced by acts such as MISERY INDEX, BEHEMOTH, NEUROSIS, DECAPITATED and REVOCATION. Taken together the influences have shaped a sound that is as confronting as the subject matter of the bands lyrics and pays homage to the go for the throat savagery of the bands roots. TRUTH CORRODED signed with leading US extreme metal label UNIQUE LEADER RECORDS which led to the release of the album titled 'Bloodlands' which was released in March 2019. Based on themes surrounding war and displacement, the album depicts the state of our times and the social and political impact that is having both in the bands home country Australia and abroad. The title refers to the growth of new conflict from conflicts past, with the suffering it creates spreading its roots. The album was recorded with session drummer Kevin Talley (SUFFOCATION, DYING FETUS, CHIMAIRA) – his third album with the band – and was mixed and mastered by renowned heavy music producer Chris 'ZEUSS' Harris (HATEBREED, SOULFLY, REVOCATION). The album also features guest appearances by Stephen Carpenter of DEFTONES, Terrance Hobbs of SUFFOCATION, Mark Kloeppel of MISERY INDEX and Ryan Knight, ex-THE BLACK DAHLIA MURDER/ARSIS. Artwork for the album is designed by Gary Ronaldson at Bite Radius Designs (MISERY INDEX, BENIGHTED, PIG DESTROYER, THY ART IS MURDER) Commenting on the industry involved, vocalist Jason North offers "When we first set out to write the album we could not have imagined that we would work with the artists that have become involved. -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
A Descriptive and Comparative Study of Conceptual Metaphors in Pop and Metal Lyrics
UNIVERSIDAD DE CHILE FACULTAD DE FILOSOFÍA Y HUMANIDADES DEPARTAMENTO DE LINGÜÍSTICA METAPHORS WE SING BY: A DESCRIPTIVE AND COMPARATIVE STUDY OF CONCEPTUAL METAPHORS IN POP AND METAL LYRICS. Informe final de Seminario de Grado para optar al Grado de Licenciado en Lengua y Literatura Inglesas Estudiantes: María Elena Álvarez I. Diego Ávila S. Carolina Blanco S. Nelly Gonzalez C. Katherine Keim R. Rodolfo Romero R. Rocío Saavedra L. Lorena Solar R. Manuel Villanovoa C. Profesor Guía: Carlos Zenteno B. Santiago-Chile 2009 2 Acknowledgements We would like to thank Professor Carlos Zenteno for his academic encouragement and for teaching us that [KNOWLEDGE IS A VALUABLE OBJECT]. Without his support and guidance this research would never have seen the light. Also, our appreciation to Natalia Saez, who, with no formal attachment to our research, took her own time to help us. Finally, we would like to thank Professor Guillermo Soto, whose suggestions were fundamental to the completion of this research. Degree Seminar Group 3 AGRADECIMIENTOS Gracias a mi mamá por todo su apoyo, por haberme entregado todo el amor que una hija puede recibir. Te amo infinitamente. A la Estelita, por sus sabias palabras en los momentos importantes, gracias simplemente por ser ella. A mis tías, tío y primos por su apoyo y cariño constantes. A mis amigas de la U, ya que sin ellas la universidad jamás hubiese sido lo mismo. Gracias a Christian, mi compañero incondicional de este viaje que hemos decidido emprender juntos; gracias por todo su apoyo y amor. A mi abuelo, que me ha acompañado en todos los momentos importantes de mi vida… sé que ahora estás conmigo. -
Stuttgart-Wangen, LKA/Longhorn Gäste
CANNIBAL CORPSE 05. Juli 2019 | Stuttgart-Wangen, LKA/Longhorn Gäste: Traitor Der Name CANNIBAL CORPSE weckt viele Assoziationen, aber nur ein Wort trifft zu ihrer Beschreibung den Nagel auf den Kopf: unaufhaltsam. Die Death-Metal-Veteranen veröffentlichen 2017 ihr monströses 14. Studioalbum „Red Before Black“. Damit wiederkäuen sie keineswegs Altbekanntes, sondern legen die Messlatte einmal mehr höher an als zuvor und stellen eindeutig klar, wer die Standards setzt, wenn es darum geht, zwingende Musik zu machen, die gleichzeitig brutal und komplex ist. Zudem treibt sich die Band immer wieder zu neuen Extremen an, um sicherzugehen, dass ihre jeweils neusten Songs aus ihrem bisherigen Katalog hervorragen. Auch dank der Produktion von Erik Rutan (Hate Eternal, Goatwhore) beweist ‘Red Before Black’, dass die Jungs keineswegs Altbekanntes wiederkäuen, sondern legen die Messlatte einmal mehr höher an als zuvor und stellen eindeutig klar, wer die Standards setzt, wenn es darum geht, zwingende Musik zu machen, die gleichzeitig brutal und komplex ist. Zudem hat sich die Band abermals angespornt, um sicherzugehen, dass die Scheibe aus ihrem bisherigen Katalog hervorsticht. "Im Laufe unserer Karriere versuchten wir immer, uns zu verbessern, sowohl in puncto Präzision beim Zusammenspielen, als auch auf produktionstechnischer Seite, ohne an Aggressivität einzubüßen. 'Red Before Black' setzt diese Tradition fort, ist aber vermutlich noch starker auf das Aggressive hin ausgerichtet. Präzise klingt das Album definitiv, zugleich aber auch so roh wie kaum etwas, das wir in jüngerer Zeit gemacht haben", findet Bassist Alex Webster. "wir haben uns ungeheuer angestrengt, um diese Songs auszuarbeiten, zu proben und auf das Niveau zu hieven, das uns vorschwebte, mehr noch als im Rahmen unserer letzten Alben", fügt Drummer Paul Mazurkiewicz hinzu. -
Lindsay Schoolcraft Interviewed by Animal English Version
Lindsay Schoolcraft interviewed by Animal English Version: I've been listening to Cradle of Filth for years and years, a classic in its genre, everyone knows that. I've learned to growl and play the keyboard to their songs, searching for harmony by ear and up to now the albums they've released are on my phone's playlist what the people whose skins I tattoo can easily confirm, since I often have to explain why „he's screaming like that”. And no, I can't turn down the volume, listen, you don't have this at home. They usually calm down right after the entry of the female, classical vocals, which fantastically underscores a section's brutality, the sharp guitar riffs and „Jesus being raped” screams, as one of my tattooist colleagues called it, regularly forced to familiarize himself with this band when he shared a tattooing space with me. My musical fascinations, especially the vocal ones, eventually become drawings and paintings, so one night I sketched Dani, posted it on Instagram with the appropriate hashtags and some time later was very surprised to see a like and comment under the picture from Lindsay Schoolcraft, the new vocalist and person responsible for keyboards in Cradle of Filth. We talked for a while and when it turned out that the beautiful, talented and, most of all, humble Lindz confirms the online stereotype of a Candian citizen (meaning: super-nice; that's right, it appears all the memes are true:) ) I also drew her. You can read the outcome of our chat about online trolls, synthesizers and an upcoming new solo album below. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
KNOTFEST Brasil Anuncia Lineup De Sua Primeira Edição No País
KNOTFEST Brasil anuncia lineup de sua primeira edição no País Elenco histórico vai reunir Bring Me The Horizon, Sepultura, Trivium, Mr Bungle, Motionless in White, além do Slipknot, para a primeira edição brasileira de um dos maiores festivais de rock e metal no mundo Festival acontece no Sambódromo do Anhembi, em São Paulo, dia 18 de dezembro de 2022 O lineup conta também com Vended, Project46, Armored Dawn e uma MEGA BANDA surpresa ainda não anunciada! Ingressos à venda em Eventim.com.br a partir de 19 de agosto, às 10h00 Um dos maiores festivais de hard rock e metal no mundo, que celebra um estilo de vida e a cultura do rock e do metal, o KNOTFEST chega ao Brasil pela primeira vez em 2022 com um line-up mais que especial. Além do headliner do festival, Slipknot, nove outras bandas estão confirmadas para se apresentar no Sambódromo do Anhembi, em 18 de dezembro do próximo ano, dividindo-se em dois grandes palcos e 12 horas de festival. O Bring Me the Horizon, banda inglesa cuja importância cresce vertiginosamente a cada ano, já figura entre as mais importantes do gênero no mundo, e que leva o público à loucura em suas apresentações, sempre considerada uma das melhores atrações em todos os festivais mundiais dos quais participa, estará no KNOTFEST para mostrar seu som eclético, que mistura o rock pesado a ritmos como o pop, o eletrônico e o hip-hop. Além disso, a multiplatinada Sepultura, a mais famosa, consagrada e internacional banda do gênero no país, que lançou disco novo em plena pandemia, Quadra, também estará trazendo novidades para os palcos do evento, mostrando a força do metal brasileiro. -
Global Merchandising Roster
Global Merchandising Roster Global Merchandising Roster MOTÖRHEAD DOWN IRON MAIDEN JUDAS PRIEST SLAYER MÖTLEY ALICE CRÜE COOPER Ozzy GHOST Osbourne ROB ZOMBIE Scorpions ANTHRAX Marilyn Manson • Hard Rock / Heavy Metal - Band • Founded 1975, UK • Sold albums: 90 Mio. • Foundation members: Paul Day, Terry Rance, Dave Sullivan, Steve Harris, Ron Matthews • Current members: Bruce Dickinson, Dave Murray, Adrian Smith, Janick Gers, Steve Harris, Niko McBrain • Top albums: „Killers“ (1981) - „The number of the beast“ (1982) - „Powerslave“ (1984) - „Fear of the dark“ (1992) - „Brave new world“ (2000) • „Legacy of the beast World Tour“ 2019 + 13.0 Mio. + 2.1 Mio. + 220 Mio. • Punk / Hard Rock / Rock ’n’ Roll / Blues Rock - Band • Founded in 1975, UK • Sold albums: 30 Mio. • Foundation members: Ian Kilmister, Larry Wallis, Lucas Fox • Top albums: „Bomber“ (1980) - „Kiss Of Death“ (2006) - „Motörizer“ (2008) - „The Wörld Is Yours“ (2010) - „Aftershock“ (2013) + 2.7 Mio. + 670.000 + 28 Mio. • Trash Metal Band • Founded in 1981, USA • Sold albums: 80 Mio. • Foundation members: Tom Araya, Kerry King, Jeff Hanneman, Dave Lombardo • Final World Tour 2018 • Top albums: „Reign in blood“ (1986) - „Season in the Abyss“ (1990) - „God hates us all“ (2001) - „Christ Illusion“ (2006) - „World painted blood“ (2009) + 4.9 Mio. + 940.000 + 44 Mio. • Hard Rock / Heavy Metal / Shock Rock • Years active 1963 - present • Sold albums: 15 Mio. • 26 Studio albums, 10 Live albums, 21 compilations albums • World Tour 2018 • New Album „PARANORMAL“ released 2017 + 4.4 Mio. + 780.000 + 5.5 Mio. Contact Ulf Vespermann [email protected] +49(0)6172-271 820 Jens Müller [email protected] +49(0)6172-271820 David Harman [email protected] +49(0)6172-271820 Heiko Lammers Kaiser Friedrich Promenade 87 [email protected] 61348 Bad Homburg +49(0)179-6603194 Germany Janusz Tarasiuk [email protected] Phone: +49 (0) 6172 271820 +48-(0)226-142028 // +48-(0)51-3143995 [email protected] Nowodworska 29B lok. -
DARKWOODS MAILORDER CATALOGUE March 2018
DARKWOODS MAILORDER CATALOGUE March 2018 DARKWOODS PAGAN BLACK METAL DI STRO / LABEL [email protected] www.darkwoods.eu Next you will find a full list with all available items in our mailorder catalogue alphabetically ordered... With the exception of the respective cover, we have included all relevant information about each item, even the format, the releasing label and the reference comment... This catalogue is updated every month, so it could not reflect the latest received products or the most recent sold-out items... please use it more as a reference than an updated list of our products... CDS / MCDS / SGCDS 1349 - Beyond the Apocalypse [CD] 11.95 EUR Second smash hit of the Norwegians 1349, nine outstanding tracks of intense, very fast and absolutely brutal black metal is what they offer us with “Beyond the Apocalypse”, with Frost even more a beast behind the drum set here than in Satyricon, excellent! [Released by Candlelight] 1349 - Demonoir [CD] 11.95 EUR Fifth full-length album of this Norwegian legion, recovering in one hand the intensity and brutality of the fantastic “Hellfire” but, at the same time, continuing with the experimental and sinister side of their music introduced in their previous work, “Revelations of the Black Flame”... [Released by Indie Recordings] 1349 - Liberation [CD] 11.95 EUR Fantastic debut full-length album of the Nordic hordes 1349 leaded by Frost (Satyricon), ten tracks of furious, violent and merciless black metal is what they show us in "Liberation", ten straightforward tracks of pure Norwegian black metal, superb! [Released by Candlelight] 1349 - Massive Cauldron of Chaos [CD] 11.95 EUR Sixth full-length album of the Norwegians 1349, with which they continue this returning path to their most brutal roots that they started with the previous “Demonoir”, perhaps not as chaotic as the title might suggested, but we could place it in the intermediate era of “Hellfire”..