"And the Band Played On
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Andris Nelsons Music Director Designate
bernard haitink conductor emeritus seiji ozawa music director laureate 2013–2014 Season | Week 19A andris nelsons music director designate season sponsors Table of Contents | Week 19A 7 bso news 15 on display in symphony hall 16 the boston symphony orchestra 19 “salome” in the fin-de-siècle imagination by helen m. greenwald 26 this week’s program Notes on the Program 28 The Program in Brief… 29 Richard Strauss’s “Salome” 38 To Read and Hear More… Guest Artists 41 Andris Nelsons 55 Dominic Armstrong 42 Gun-Brit Barkmin 56 Jason Ferrante 43 Jane Henschel 57 Walter Fink 45 Gerhard Siegel 57 Nathan Stark 47 Evgeny Nikitin 58 Michael Meraw 49 Carlos Osuna 59 Keith Miller 50 Renée Tatum 59 Ryan Speedo Green 51 David Cangelosi 60 Robert Honeysucker 53 Alex Richardson 61 Abigail Fischer 62 sponsors and donors 80 future programs 82 symphony hall exit plan 83 symphony hall information program copyright ©2014 Boston Symphony Orchestra, Inc. program book design by Hecht Design, Arlington, MA cover design by BSO Marketing cover photo of Andris Nelsons by Marco Borggreve BOSTON SYMPHONY ORCHESTRA Symphony Hall, 301 Massachusetts Avenue Boston, MA 02115-4511 (617)266-1492 bso.org andris nelsons, ray and maria stata music director designate bernard haitink, lacroix family fund conductor emeritus, endowed in perpetuity seiji ozawa, music director laureate 133rd season, 2013–2014 trustees of the boston symphony orchestra, inc. Edmund Kelly, Chair • William F. Achtmeyer, Vice-Chair • Carmine A. Martignetti, Vice-Chair • Stephen R. Weber, Vice-Chair • Theresa M. Stone, Treasurer David Altshuler • George D. Behrakis • Jan Brett • Paul Buttenwieser • Ronald G. -
A Guide to Parsifal
MU SIC Fo lio Siz e FOR VO ICE ’ K n r K u n dr ’ s Er zdlzlu n s a rra ti e . A ct u d y N v ( y g ) II . ’ Pars if a l s T r i mph Den b ezl’g en Spear zc/z br zng 1 1 m ’ u euclz zur zlck A ct II en or ) . T FOR PIANO SOLO Prelude A r r a n g ed by Otto S i n ger Pa rsif a l a n h e l o er Ma i en s A c t II d t F w d . A r r a n g ed by Otto S i n g er oo a S el l A c t III . r r a n e o i n er G d Frid y p . A g d by Ott S g ’ m f m en t II r r a n e . or a s La . A c I C F. A t t A g d by M . T i los i n Sce A c t III ra nsform a on a nd C n e. t , g A r r an g ed by Otto S i n g er Ea s T i i on r r an e F. Be er O 6 ra n scr . y pt A g d by y , p 3 T ra n scri tion r r an e L . G ob b a erts O . 1 p A g d by , p 49 r r a n e en r i r Potpourri . -
Four New York Boys Schools
0lI > i 1- t TBE SUN SUNDAY DECEMBER 18 1903 i = t 7 = llTa1JCI10N- Htt ree tHe balsam and thanks she calls for help and KKngior appea TOE GIFT PUBLICATIONS I IUCII- 5 OF lre Kund z 1 THE STORY PARSIFAL rOLl u f < Colleges I who Bhrinks from him and grovels up the spear and accompanied v B ln M I baring A Ufiortptlon Slh- 1 the Amfortan upon of sirens Ho hurls the lance of the Elaborate earth muses the by Tiffany ecy that he is to be saved by a proP but it remains floating In tho all Senloe Made TIltS IlOT An IXCIDEXT- aI Tiffany Co and intlmatestliat only Death can fill t HUspendod over the young mans t made yesterday EASTMAN SIITh l1p DRAMA description testimonial silver definition He is carried forwafd to the grasrw lt Saying of the Boys to bo presented to Sir Thomas Lipton < New York Ktlndry wilt this good symbol I ward off Ihy Four bath while mall fhiminB the or Ian upon As the wbuna It shallcloAc Dec 18 at aidlnnM at the Carlton Hotel ScHOOLSNEW TOBK and rOVCpKEETSJE- Ntroifle the earth VBHlusi Ills Own Paiilon Iti Tit That with It mica thou cluvcsl London by Ambassador Choate on b hc r Everybody sas the our The between the In ruin A HOLIDAY BOOK new itt the Mat Terd l d forcommat- i of ftaute Topic Tin In wreck ontl of the American people t innit he M remaining with Ourntmani brings out die Perish this trcachtrous pride cui school work WO hate special departments A The service of a the courses Imriistr KyiiopsU nf Eacb of the story <Jf tho spear consists principally lot Iollowinr Klingtor sacred aud the Ho swings tho spear about -
REFERENCE USE ONLY D OQD1 45L400 I43 Fi THE
This Volume is for REFERENCE USE ONLY D OQD1 45L400 I43 fi THE OF % ^ ^ THE UNITE$p'gTATES. VOLUME VIII. Season of 1890-1891. .^ BY n H. WILSON, BOSTON. PRICE, ONE BY Street, Boston, Mass, Back numbers are for sale. *Wrt volumes, bound in boards, $6,00. i BY CHA^ttB^ HAMILTON, (ijable of (gon tents. PREFACE ; . Pa#e 3 * ** TABLE OP CONTENTS . 4 " CITIES . 5-9S GENEKAL RECORD BY .] MISCELLANEOUS RECORD " 98-101 " MUSIC TEACHERS' NATIONAL ASSOCIATION . 102 NEW " AMERICAN COMPOSITIONS ., 103 " AMERICAN MUSIC PREFORMED ABROA D . 104 PUBLISHED AMERICAN WORKS - 105 ^ STANDARD CHORAL WORKS PK UFO RME.D SOLOISTS " 100-107 IMPORTANT NEW WORKS ...... u 108 RETROSPECT " 109-1U j " A DIRECTORY OF SINGERS, PLAYERS <fe JTR ACH 1C Its H5-11S ADDENDA i. "119 " INDEX OF TITLES '. 123-140 INDEX OF ADVERTISERS :~ ARTHUK P. SCHMIDT, PUBLISHER . , . 2d Page<iw^r " CINCINNATI COLLEGE OF Music . * . .3d u MASON & HAMHN PIANOS AND ORGANS . - . 4th KNABE PIANOS I*a#e 120 F. A. OLIVER, VIOLINS 121 CH. C. PARKYN, MUSICAL AGENT .... "121 NEW ENGLAND CONSERVATORY .... fck 122 &. SCHIRMKR, PUBLISHER , "HI BOSTON SYMPHONY ORCHESTRA .... tk 142 M. STEINKHT & SONS PIANO COMPANY . "1^3 NATIONAL CONSERVATORY ...... ** 144-143 u H. B. STRVKNS fc Co., PUBLISHWKS 146 kk HENRY F. MILLER & SONS PIANO COMPANY . 147 " OLIVER DITSON COMPANY, PUBLISHERS . 14S CHICKBHING & SONS PIANOS ' HO CHICKERING HALLS 4< 150 " Bos i ON FESTIVAL ORCHKSTRA 151 NOVKLLO, EWJfiR *fe Co., PUH ALBANY, N. Y. SCHUBERT CLUB. Sixth Season. Male Chorus of 44. Bleecker Hall Conductor, AKTHUR MEISS. Dec. 4. "Gipsy Life," Schumann; "Love and Wine," Men- delssohn; Vesper Hymn, Beethoven; "By the Sea," Schubert; "Night in the Forest," Speidel; "When two fond Hearts must " "Battle from sever,*' Schwalm ; Marguerita," Jensen; Hymn" "Bienzi," Wagner Soloist, Mine. -
Rehearsal and Concert
SYMPHONY HALL, BOSTON HUNTINGTON 6- MASSACHUSETTS AVENUES », , . ( Ticket Office, 1492 ) „ , _ Telephones-, . , . ^. „_ _-_„ , Back Bay ^ Administration^ ' I Offices, 3200 \ TWENTY-SEVENTH SEASON, 1907-1908 DR. KARL MUCK, Conductor Prngramm? of tij? Eighteenth Rehearsal and Concert WITH HISTORICAL AND DESCRIP- TIVE NOTES BY PHILIP HALE FRIDAY AFTERNOON, MARCH 13 AT 2.30 O'CLOCK SATURDAY EVENING, MARCH 14 AT 8.00 O'CLOCK PUBLISHED BY C. A. ELLIS, MANAGER 1346 : piANa Used and indorsed by Reisenauer, Neitzel, Burmeister, Gabrilowitsch, Nordica, Campanari, Bispham, and many other noted artists, will be used by TERESA CARRENO during her tour of the United States this season. The Everett piano has been played recently under the baton of the following famous conductors Theodore Thomas Franz Kneisel Dr. Karl Muck Fritz Scheel ^A^alter Damrosch Frank Damrosch Frederick Stock F. Van Der Stucken W^assily Safonoff Emil Oberhoffer Wilhelm Gericke Emil Paur Felix Weingartner REPRESENTED BY G. L SCHIRMER & COMPANY, 38 Huntington Avenue, Boston, Mass. 1346 Boston Symphony Orchestra PERSONNEL Twenty -seventh Season, 1907- 1908 n (tf^ic'ktvin^ I Miano Bears a name which has become known to purchasers as representing the highest possible value produced in the piano industry. It has been associated with all that is highest and best in piano making since 1823. Its name is the hall mark of piano worth and is a guarantee to the purchaser that in the instrument bearing it, is incorporated the highest artistic value possible. 1348 TWENTY-SEVENTH SEASON, NINETEEN HUNDRED SEVEN and EIGHT Eighteenth Rehearsal and Concert* FRIDAY AFTERNOON, MARCH 13, at 2.30. -
The Paul J. Jackson Opera Collection
J & J LUBRANO MUSIC ANTIQUARIANS Item 499 THE PAUL J. JACKSON OPERA COLLECTION Autograph Letters, Signed Scores, Printed Music, Books, Programs, Drawings, Posters, Prints, Photographs, & Related Ephemera Part V: M 6 Waterford Way, Syosset, NY 11791 USA Telephone 516-922-2192 [email protected] www.lubranomusic.com CONDITIONS OF SALE Please order by catalogue name (or number) and either item number and title or inventory number (found in parentheses preceding each item’s price). Please note that all items are in good antiquarian condition unless otherwise described and are offered subject to prior sale. We thus suggest either an e-mail or telephone call to reserve items of special interest. Orders may also be placed through our secure website by entering the inventory numbers of desired items in the SEARCH box at the upper left of our homepage. Libraries may receive deferred billing upon request. Prices in this catalogue are net. Postage and insurance are additional. An 8.625% sales tax will be added to the invoices of New York State residents. We accept payment by: - Checks in U.S. dollars drawn on a U.S. bank - Credit card (VISA, Mastercard, American Express) - PayPal to [email protected] - Electronic Funds Transfer (EFT), inclusive of all bank charges (details at foot of invoice) - Automated Clearing House (ACH), inclusive of all bank charges (details at foot of invoice) - International money order All items remain the property of J & J Lubrano Music Antiquarians LLC until paid for in full. v Please visit our website at www.lubranomusic.com where you will find full descriptions and illustrations of all items Fine Items & Collections Purchased Members Antiquarians Booksellers’ Association of America International League of Antiquarian Booksellers Professional Autograph Dealers’ Association Music Library Association American Musicological Society Society of Dance History Scholars &c. -
"Rochester Review"? Virginia
students, and friends to embrace its long standing and time-tested motto: Meliora! Anthony W. Ryan '85 Boston Rochester Letters Today I read an article in the 'Japan Times" that had a significant impact on the memories of the school I graduated from. I am writing to Review find out if this is indeed correctly reported. I have worked for the Xerox Corporation for University of Rochester twenty years and am now serving as a technical Fa1l1987 resident to Fuji Xerox. Fuji Xerox is part of the Fuji Film Group. This joint venture involves Xerox as part of that group. Does that mean that Kodak will withdraw their support of the In the Eye of the Beholder 2 The Review welcomes letters jrom readers and will use school if Xerox employees attend the Simon as many ojthem as space permits. Letters may be edit School? High-tech art in the lab edfor brevity and clarity. Kodak and Xerox are direct competitors in Hot Chocolate for Haydn the Reprographic Business Machines and elec and Me 7 The Kodak-Fuji affair tronic communication field. Both corporations I feel compelled to express my consternation attend the school without exposing corporate The masters as teachers and students with regard to the University's decision to re proprietary information. Can't Kodak employ The Unpopular Answer 11 scind its offer of acceptance to Tsuneo Sakai ees be trusted with a Fuji Film employee? A philosopher's view of pacifism from the William E. Simon Graduate School of Kodak trusts Xerox employees. Business Administration. The University of Rochester has lost a lot of Seeing Darkly 14 The University has always been regarded as respect here in Japan and I need to understand Helping computers to "see" an institution which afforded students the op if T. -
1-Henrylouisdelagrange-Chap1 1
1 Mahler in New York (I) Discovering the New World—New York in 1908 The Metropolitan Opera and Heinrich Conried Tristan and Don Giovanni (January–February 1908) The public here is not blase´. It is greedy for anything new.... N the early years of the twentieth century, everything concerning the New IWorld, and particularly New York, was already a matter of intense interest to Europeans. Mahler had numerous friends and acquaintances who had visited the United States, including Richard Strauss, Franz Schalk, Lilli Lehmann, Moriz Rosenthal,1 and Gerhard Hauptmann, and he must certainly have questioned them about their experiences. But the picture he obtained from them concern- ing that distant world was doubtless a confusing one. So Mahler’s emotions on leaving Vienna were surely divided: on the one hand, he could feel satisfaction at leaving behind a country which had shown itself unable to appreciate his true value; on the other, there must have been quite a considerable degree of apprehension as he contemplated such a huge new challenge. The European perception of America was largely one of a continent where money was omnipo- tent, enterprise untrammelled, and advertising deafening. Beyond that, it was a place where virtuosos hogged the limelight: Mahler would scarcely have contem- plated becoming a star in the American style, but how else would he have a hope of succeeding in a society which was said to be a desert of ignorance and philistinism? 1 Concerning Moriz Rosenthal, see above, Vol. ii, Chap. 10, 325, and n. 35, and Vol. iii, Chap. 10, 722.