Roger Sadowsky Makes the Bass. Will Lee Makes It Sing

Total Page:16

File Type:pdf, Size:1020Kb

Roger Sadowsky Makes the Bass. Will Lee Makes It Sing bass The Ampeg Issue is here! From the new face of Ampeg to the the creation of the SVT. See inside... gear All gear, all the time. bassgearmag.com Issue 4 Roger Sadowsky makes the bass. Will Lee makes it sing. $7.50US Ampeg Micro-VR Bass Whisperer 1974 Ampeg SVT Can it really sound like an The great Ed Friedland, The Classic ‘70s SVT head. SVT and weigh under 10lbs? now reviewing for BGM! How does it rate today? COVER STORY - INTERVIEW 20 Will Lee bass BGM braves new ground with its first-ever player interview. So why not start with the best in the business? Tom Bowlus delves into the mind of Uncle Will. QUICK LOOKS gear 10 Ibanez Promethean P5110 Combo 12 East Side Sound Roller Series 1x15 Bass Cabinet 16 Line 6 LD400 Pro Bass Combo 18 Creation Audio Labs MK.4.23 Boost Pedal FULL REVIEWS 28 SADOWSKY WILL LEE MODEL 4-STRING BASS Will Lee and Roger Sadowsky have been making music together for 30 years. Raise a glass with us and celebrate this joint venture. 20 36 TOM CLEMENT BASS “JON” 5-STRING FRETLESS BASS Ed Friedland joins the BGM crew and helps answer the question, how affordable can a fully custom bass really be? 62 AMPEG MICRO-VR AND SVT-210AV It looks like a toy, but sounds like the real deal. Alan Loshbaugh puts the Ampeg mini-stack (is that an oxymoron?) through its paces. 88 MOJO SONIC 1x10 CABINET STACK Memphis has already won a place in our hearts with Beale Street, Graceland, and some damn fine ribs. Vic Serbe found some more Memphis MOjO. VINTAGE GEAR TESTS 28 50 1974 AMPEG SVT BASS HEAD The King of Amps has been rockin’ stages in one form or another for 40 years. Tom Lees takes a 1974 road warrior and runs it through the crucible. 74 1966 AMPEG B-15N BASS COMBO The B-15 is one of the classics that has stood the test of time. Tom Lees puts it on the bench and shows us that an old dog can teach us all a few new tricks. SPECIAL FOCUS: AMPEG MILESTONES 44 FROM THE ORIGINS OF THE SVT TO TODAYS AMPEG AT LOUD TECH BGM celebrates the 60th Anniversary of the Ampeg brand and the 40th Anniversary of the SVT with interviews at Loud Tech and with SVT designers Bill Hughes and Roger Cox about the bass amp that changed the world. 62 bass 4 gear issue INDUSTRY NEWS 2009 SUMMER NAMM AWARDS 102 A smaller than usual Summer NAMM Show meant more time to stop and smell the roses. Our staff pick eight standouts for the BGM show awards. 4 VINTAGE RESTORATION RESTORING A 1966 B-15N 78 This old workhorse was still able to pull the wagon, but needed a little TLC. Technical Editor Tom Lees gives this old amp a new outlook on life. DEALER PROFILE BEAVER FELTON & BASS CENTRAL 101 One of the most important bass stores in the world is run by one of the most accomplished bassist players anywhere. He’s also got one heck of a life story. 50 COLUMNS HOW I SEE IT 6 The only thing that remains constant is change, and we have plenty of that. These changes bring us back to why we started BGM in the first place, so it’s all good. IN THE DOGHOUSE – Phil Jones Bass Flightcase Combos 104 Upright guru Chris Fitzgerald takes a break from mixing mics and pickups and plugs into a couple of combos from Phil Jones. HOW WE TEST 106 Who was it that said establishing a uniform set of bench-test standards for MI amplification gear would be easy? Oh, wait… no one said that… PHILTHY TALK – Why Fretwork Matters 108 78 Technical Editor Phil Maneri has made a living out of turning bad fret jobs into good ones. Doctor Phil tells us why fretwork matters. BASS & DRUMS - An Interview with Hal Blaine, Part 1 110 Jake’s back and he’s brought Hal Blaine with him! In an interview too huge for one issue, Jake Jacobs sits down with the most recorded musician in the world. MANUFACTURER’S RESPONSE 112 Enough of what we have to say. Let’s hear it straight from the manufacturer’s mouth! FUNDAMENTAL SUPPORT 114 It’s a well-known fact that kids are amazing critters. This year’s Summer NAMM Show also showed us that Little Kids Rock! 102 bass gear 5 HowTom Bowlus, Editor-in-Chief I See it Hello, and welcome to issue #4 of Bass signal for determining how much output brand, discussions with the inventors of Gear Magazine! This issue ushers in a per watt to expect from a bass enclosure. the SVT (Roger Cox and Bill Hughes), a number of changes, and I'll try to After some deliberation, we chose to look full review of the new Micro-VR and summarize them for you, here. We have at the average sensitivity over a frequency SVT-210AV, a restore job for a ’66 B- made some major revisions to our bench- range of 200Hz to 900Hz. In addition to 15N, and full technical reviews of this ’66 testing methods and reports. Technical sensitivity measurements, we have charts B-15N and a ’74 SVT. Any way you look Editor Tom Lees speaks about this more for on and off-axis frequency response, as at it, Ampeg is a huge name in the world directly in his “How We Test” column, well as impedance curves. You will also of bass amplification, and this unofficial but the nutshell is that we stepped up to a notice the addition of a brief “Cab Lab” “Ampeg Issue” takes a look at the past, very nice Audio Precision system and section (similar to our “Amp Lab”) present, and future of the brand. substantially overhauled our amplifier following the use and listening review for Speaking of those vintage technical tests. The changes were made as part of speakers. reviews, taking the classic benchmark our on-going effort to make our tests as From our inception, BGM has focused amps and cabs (and maybe even some off fair as possible to the wide variety of more upon the instrument makers and the wall vintage items) and putting them amplification products available, but also gear manufacturers, as opposed to the through the same rigorous bench-testing as representative as possible of how a given players. There are multiple reasons for this that we subject modern gear to was a goal product will perform for the typical focus, and it has been a privilege to be here at BGM from day one. In the case of gigging musician in a wide range of able to feature some of these people on the ’66 B-15N and ’74 SVT, the old venues. This is a more challenging task the cover. This issue continues that trend standards come through with flying than some may think, but I really feel like with New York luthier legend Roger colors, and demonstrate exactly why they we've made some positive strides along Sadowsky, but there’s this guy with him in are the “standards.” Look for more vintage these lines. The new tests and procedures the photo whom you just might know. tests in future issues. have been peer-reviewed by some of the His name is Will Lee, and Will has scored Perhaps the most exciting new item, best brains in the business. While we are the trifecta for issue #4. In addition to however, is the addition of reviewer not done with our tweaks (and we have gracing the cover (the first player to do extraordinaire, Ed Friedland, to the Bass some additional tests planned for future so), Will is also featured in our first-ever Gear Magazine team. Both myself and issues), I do feel that we have a solid player interview. His third score comes by Contributing Editor Terry Buddingh baseline for amplifier testing going way of the Sadowsky Will Lee Model worked with Ed back in the Guitar World’s forward. And yes, we are going to be review. BGM will feature more player Bass Guitar days, and Terry and I have revisiting some of the amplifiers tested in interviews in future issues, focusing on been eager to get Ed involved with BGM. previous issues. people whom we feel really have In this issue, Ed reviews a stunning fretless Speaker (bass enclosure) testing has also something interesting to say. I can’t think 5-string from Tom Clement. You can view gone through some changes. Tom Lees of a better person to lead off with than companion videos to this review on Ed’s was getting a bit overworked, so I decided Will. YouTube channel – www.youtube.com/ to take over the task of measuring the You may have noticed a healthy dose of bassguitarmag (gee, I wonder where he enclosures. Fortunately, I was able to Ampeg in this issue. 2009 marks the 60th came up with that channel name?). enlist the help of the music tech program Anniversary of Ampeg, and the 40th Once again, I thank you for taking the at our local college, Terra State Anniversary of the SVT. 2009 also marks time to check out our publication and for Community College (www.terra.edu). a period of readjustment for the Ampeg your continued support. Bass Gear Many thanks to all of my “interns” and to brand, and the introduction of some Magazine is starting to hit our stride, but the staff at Terra! I did change the exciting new products.
Recommended publications
  • Savannah, GA – Fred Gretsch Enterprises and Kaman Music
    THE GRETSCH COMPANY P.O. Box 2468, Savannah, GA 31402 Phone: 912-748-7070, Fax: 912-748-6005 Press Release Contact: Emi Keffer FOR IMMEDIATE RELEASE Phone: 912-748-7070, Ext. 220 December 20, 2010 E-mail: [email protected] Buy a Great Book. Win a Great Guitar Bigsby and Hal Leonard Team Up For a “Bigsby Guitar Giveaway” at NAMM 2011 Savannah, GA – Bigsby and Hal Leonard Corporation have teamed up to offer an exciting promotion at Winter NAMM 2011. Dealers who visit the Hal Leonard booth and purchase copies of The Story of Paul Bigsby, Father of The Modern Electric Solidbody Guitar will be rewarded with a once-in-a-lifetime opportunity to win a limited-edition Bigsby guitar. Though most guitarists are familiar with the famous Bigsby® Vibrato, very few are aware of the role that Paul Bigsby played in the invention of the modern electric solidbody guitar. In fact, he built the first such guitar for Merle Travis in 1948, predating Gibson’s Les Paul model and Leo Fender’s namesake guitars by a number of years. The Story of Paul Bigsby relates how this enigmatic genius influenced Fender and Gibson—as well as numerous others—in the design and construction of electric guitars. (And as if that weren’t enough, Paul Bigsby was also responsible for developing and refining the pedal steel guitar.) The Story of Paul Bigsby is a deluxe illustrated coffee table book containing over 300 color and black & white photos. The book also comes with an audio CD of Paul Bigsby, recorded in the late 1950s, telling stories of his business.
    [Show full text]
  • Download NOW!
    Bassic Fundamentals Course Take The Next Step On Your Bass Journey A Massive 10 Hours Of Lessons Covering Every Area Of Playing “Every bass player starts with the same goal - a solid foundation Building a strong, all-round set of bass skills can be hard work, especially when there are holes in that foundation. To avoid any pit falls you need a structured study program with a clear, simple road map covering every aspect of playing. That can be hard to find! To remedy this problem, I created Bassic Fundamentals, a huge course covering the basics of every essential area from technique to bass line creation to music theory, sight reading, bass setup, effects and much, much more. It really is a one size fits all course. Bassic Fundamentals will provide you with the skills necessary to easily progress and develop your bass playing in any area or style you desire – always building on a strong core and foundation” Mark J Smith (Creator of Talkingbass) “I took the Basic Fundamentals course shortly after picking up the instrument. Nine months after picking up the instrument and 6 months after starting the course, I went to an audition.” Mark Mahoney – USA “I play in church most weeks and wouldn’t have got anywhere near the level I’m at without these lessons.” Rob P. – Australia “After about six months of getting nowhere, I bought the Bassic Fundamentals course. My playing has been turbo charged.” Matthew Ogilvie – Western Canada “Bassic Fundamentals gave me a good starting point for practising different techniques.” Alexander Fuchs – Germany Bassic Fundamentals Course Breakdown Module 1: The Core Foundation Lesson 1-1 Course Introduction In this lesson we look at the course ahead and the kind of topics we’ll be covering Lesson 1-2 Practice Tips & Warmups Here we look at how to create a simple practice routine and work through some basic warmup exercises both on and away from the instrument Lesson 1-3 Tuning In this lesson we look at several different ways of tuning the bass: Tuning to an open string; Tuning with harmonics; Using an electronic tuner.
    [Show full text]
  • Pilot's Handbook
    ACOUSTIC Pilot’s Handbook 40-00-0039 Electrophonic Limited Edition available @ www.line6.com Rev C Before using your Variax you should read these Important Safety Instructions. Keep these instructions in a safe place. 1. Obey all warnings in this Pilot's Handbook. 2. Do not place near heat sources, such as radiators, heat registers, or appliances which produce heat. 3. Guard against objects or liquids. 4. To avoid damage to Variax’s Digital Communications Connector, always use Line 6 supplied cables and replace the protective end cap when not in use. 5. Power the XPS Footswitch only with the included PX-2 Power Supply or equivalent. 6. Connect the PX-2 Power Supply only to AC power outlets rated 100-120V or 230V 47-63Hz (depending on the voltage range of the included power supply). 7. Do not step on power cords. Do not place items on top of power cords so that they are pinched or leaned on. 8. Unplug your Variax Acoustic and XPS Footswitch when not in use for extended periods of time. 9. Do not perform service operations beyond those described in the Variax Acoustic Pilot's Handbook. Repairs and service operations beyond the scope of those in the Pilot's Handbook should be performed only by qualified service personnel. 10. Prolonged listening at high volume levels may cause irreparable hearing loss and/or damage. Always be sure to practice "safe listening." Your Variax should include these accessories: Gigbag, XPS Footswitch, PX-2 Power Supply, TRS Cable, Bridge Saddle Wrench, Truss Rod Wrench WARNING: To reduce the risk of fire or electric shock, CAUTION: No user-serviceable parts inside.
    [Show full text]
  • W Irin G D Iag Ram S
    1 s A 2 3 4 5 B 6 500k ON/ON/ON 7 m 8 9 C 10 11 500k a 12 ON ON 47nF r Jetzt mit Schaltplan zu jeder Schaltung! g a i d 1 2 3 4 5 6 7 nicht mehr ganz so g n kleine Sammlung i r i von Schaltplänen w Version 4.03 WITH AN GERM GLISH EN Y ONAR DICTI NOW! Passive Schaltungen für E-Bässe sowie einige aktive Schaltungen • Historische Schaltungen • Umbauten & Eigenbauten • Modifikationen • Grundlagen & Theorie • Pläne selbst entwerfen Inhaltsverzeichnis 1 1 Deckblatt 54 1.1.651 Fender Bass V 1965 - 70 2 1 Inhaltsverzeichnis 55 1.1.661 Fender Bass VI 1961 - 75 6 1 Vorwort 56 1.1.666 Fender Bass VI Pawn Shop 2013 x x x 57 1.1.731 Fender P.S. Reverse Jaguar 2012 8 1 Historische Schaltungen 58 1.1.741 Fender La Cabronita Boracho 2012 9 1.1.101 Fender Precision Bass 1951 - 56 59 1.1.771 Fender Roscoe Beck Bass 2004 10 1.1.103 Fender Precision Bass 1952 - 53 60 1.1.811 Fender Coronado I Bass 1966 - 70 11 1.1.106 Fender Precision Bass 1954 61 1.1.821 Fender Coronado II Bass 1966 -72 12 1.1.108 Fender Precision Bass 1955 62 1.1.921 Fender Performer Bass FB-555 1982 13 1.1.121 Fender Precision Bass '51 2003 63 1.2.111 Squier CV 50's P-Bass 04.2008 14 1.1.124 Fender Precision Bass OPB'54 1983 64 1.2.113 Squier CV 50's P-Bass 09.2008 15 1.1.131 Fender Prec.
    [Show full text]
  • Podxt Live Manual
    XT PODLIVE PRO GUITAR TONE ON THE FLOOR PILOT’S HANDBOOK An in-depth exploration of the revolutionary technologies and pulsing tonal pleasures that lurk within PODXT LIVE INCLUDES DETAILS ON VERSION 3 FEATURES. USE FREE LINE 6 MONKEY TO MAKE SURE YOUR PODXT IS UP TO DATE: WWW.LINE6.COM/MONKEY Electrophonic Limited Edition. Also available at www.line6.com. Revision C. PODXT MODELS METAL SHOP AMPS COLLECTOR CLASSICS AMPS EFFECTS MODS PODXT, PODXT Live and PODXT Pro all include the # Amp Model # Amp Model Standard Power Pack FX Junkie Standard and Power Pack Models plus all guitar Cab Models. 37 BOMBER UBER 55 BOMBER X-TC SINE CHORUS See www.line6.com/modelpack to learn about adding other 38 CONOR 50 56 DEITY CRUNCH STOMPS ANALOG CHORUS Model Pack Models. 39 DEITY LEAD 57 BLACKFACE VIBRO Standard Power Pack FX Junkie LINE 6 FLANGER 40 DEITY’S SON 58 DOUBLE SHOW FACIAL FUZZ JET FLANGER For Reference Only - Do NOT PRINT HOW TO INSERT THE FUZZ PI GUITAR AMPS & CABS 41 ANGEL P-BALL 59 SILVERFACE BASS PHASER 42 BRIT SLIVER 60 MINI DOUBLE SCREAMER U-VIBE Use full size document as master. Line 6 Universal Registration Research Card STANDARD & POWER PACK AMP MODELS CAB MODELS 43 BRIT J-900 CLN 61 GIBTONE EXPO CLASSIC DIST OPTO TREM # Standard Power Pack # Cab Model 44 BRIT J-900 DST 62 BRIT BASS OCTAVE FUZZ BIAS TREM 0 BYPASS 0 NO CAB 45 BRIT J-2000 63 BRIT MAJOR BLUE COMP ROTARY DRUM 1 TUBE PREAMP 1 1X6 SUPER O 46 DIAMOND PLATE 64 SILVER TWELVE RED COMP +HORN 2 LINE 6 CLEAN 2 1X8 TWEED 47 CRIMINAL 65 SUPRO ‘62 THUDERBOLT VETTA COMP ROTARY DRUM 3 LINE 6 JTS-45 3 1X10 GIBTONE 48 L6 BIG BOTTOM 66 L6 BAYOU AUTO SWELL AUTO PAN FRONT COVER: AUTO WAH Score and Fold Back Cover Bind Registration Card (part #40-03-2000) after cover 4 LINE 6 CLASS A 4 1X10 G-BRAND 49 L6 CHUNK CHUNK 67 L6 CRUNCH ANALOG SQUARE with Red side out as shown.
    [Show full text]
  • California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman
    ABSTRACT Tinkering has long figured prominently in the history of the electric guitar. During the late 1970s and early 1980s, two guitarists based in the burgeoning Southern California hard rock scene adapted technological tinkering to their musical endeavors. Edward Van Halen, lead guitarist for Van Halen, became the most celebrated rock guitar virtuoso of the 1980s, but was just as noted amongst guitar aficionados for his tinkering with the electric guitar, designing his own instruments out of the remains of guitars that he had dismembered in his own workshop. Greg Ginn, guitarist for Black Flag, ran his own amateur radio supply shop before forming the band, and named his noted independent record label, SST, after the solid state transistors that he used in his own tinkering. This paper explores the ways in which music-based tinkering played a part in the construction of virtuosity around the figure of Van Halen, and the definition of artistic ‘independence’ for the more confrontational Black Flag. It further posits that tinkering in popular music cuts across musical genres, and joins music to broader cultural currents around technology, such as technological enthusiasm, the do-it-yourself (DIY) ethos, and the use of technology for the purposes of fortifying masculinity. Keywords do-it-yourself, electric guitar, masculinity, popular music, technology, sound California Noise: Tinkering with Hardcore and Heavy Metal in Southern California Steve Waksman Tinkering has long been a part of the history of the electric guitar. Indeed, much of the work of electric guitar design, from refinements in body shape to alterations in electronics, could be loosely classified as tinkering.
    [Show full text]
  • Cool Trombone Lover
    NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J.
    [Show full text]
  • Spinning Wheel (1969) Blood, Sweat & Tears
    MUSC-21600: The Art of Rock Music Prof. Freeze Spinning Wheel (1969) Blood, Sweat & Tears LISTEN FOR • Fusion of musical styles • Prominent horn section (like in big band) • Sophisticated jazz harmonies, improvisation • Syncopated R&B bass riffs • Heavy rock backbeat CREATION Songwriters David Clayton-Thomas Album Blood, Sweat & Tears Label Columbia 44871 Musicians David Clayton-Thoma (vocals), Steve Katz (guitar), Bobby Colomby (drums), Jim Fielder (Bass), Fred Lipsius (alto saxophone), Lew Soloff (trumpet), Alan Rubin (trumpet), Jerry Hyman (trombone), Dick Halligan (piano) Producer James William Guercio Engineer Roy Halee, Fred Catero Recording October 1968; stereo Charts Pop 2, Easy 1, R&B 45 MUSIC Genre Jazz rock Form Simple verse with contrasting middle section, improvised solos, complex outro Key G major Meter 4/4 (alternates with 3/8 in Coda) MUSC-21600 Listening Guide Freeze “Spinning Wheel” (Blood, Sweat & Tears, 1969) LISTENING GUIDE Time Form Lyric Cue Listen For 0:00 Intro • Short intro for horns, with crescendo on sustained note and then riff punctuated by snare. 0:07 A1 “What goes up” • Vocals enter, accompanying texture gradually accumulates, starting with R&B bass/piano riff, then cowbell, drums, tambourine, horns. 0:21 • Refrain begins with stop time. 0:26 A2 “You got no money” • As before, with big-band-inspired horn section punctuating the texture, sometimes with jazzy, swung filler. 0:41 • Refrain. 0:46 B “Did you find” • Extensive contrasting section. • More four-square rhythmic structure with slower harmonic rhythm. • Ends with digital distortion of last vocal note. 1:16 Intro • Overlaps with previous section. 1:30 A3 “Someone is waiting” • As in A2, but with stop time for new stop time for trombone glissando (slide).
    [Show full text]
  • Brevard Live Live March 2020
    Brevard Live Live March 2020 - 1 2 - Brevard Live March 2020 Brevard Live Live March 2020 - 3 4 - Brevard Live March 2020 Brevard Live Live March 2020 - 5 6 - Brevard Live March 2020 Contents March 2020 FEATURES HOT PINK INDIAFEST Hot Pink has made a name for them- Columns Royal West India is the theme of this selves, not just as a good band but also Charles Van Riper year’s Indiafest held in Wickham Park. as great entertainers. One of the best It is a symbol of cultural enrichment in 22 Political Satire showmen in Brevard is vocalist James Dollar To Doghnuts Brevard and is celebrated with great en- Spiva who is also an actor. Matt Bretz thusiasm. got with Spiva for an in-depth interview. Page 11 Calendars Page 14 25 Live Entertainment, SOUND WAVES MUSIC FESTIVAL Concerts, Festivals This is the 4th annual Sound Waves Mu- GREG REINEL sic Festival held by 89.5 FM WFIT. The Reinel’s passion for art and music grew Brevard Love radio station features the winner of their as a young adult. The Screaming Igua- 30 by Matt Bretz garage band contest along with a nice nas of Love were one of the first Mel- Human Satire line-up of other bands. bourne based bands he was part of. But Page 12 it was his poster art that made him world Local Lowdown famous. 32 by Steve Keller BEERAPALOOZA Page 18 Beerapalooza is the first big event in CD Review 2020 held at Florida Beer Company in JAIMIE ENGLE 35 by Rob Pedrick Cape Canaveral.
    [Show full text]
  • Kxb10 Bass Guitar Amplifier
    OWNER’S MANUAL KXB10 BASS GUITAR AMPLIFIER KXB10 KXB10 Congratulations on the purchase of your new Kustom bass amplifier. Your KXB Model draws on decades of amp design and manufacturing experience at Kustom. This model was built from the ground up to offer world-class tone, useful features and reliable performance. Inside this manual, you’ll find valuable information about the amp’s controls and specifications. Being familiar with its features will help you effectively dial in different tones. We wish you many years of enjoyment with your Kustom amplifier. kustom.com FCC Statements 1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. • Increase the separation between the equipment and receiver.
    [Show full text]
  • MTO 11.4: Spicer, Review of the Beatles As Musicians
    Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other.
    [Show full text]
  • 2016-2017 Gratitude Report You
    Thank2016-2017 Gratitude Report you EVERY STUDENT. EVERY SCHOOL. EVERY OPPORTUNITY. Contents 3 Introduction 4 Your Funds in the Classroom 6 Financial Overview 7 Our Generous Donors 31 Board of Directors and Staff 2 Better Because of You Dear Friends, Every day, your support makes incredible things possible in our Santa Monica-Malibu public schools. Thanks to you, each SMMUSD student has access to an enriched, vibrant education. Students explore the world and their own creativity in visual arts, dance, music and drama. They engineer, code and test hypotheses in science and technology classes. They benefit from small group instruction led by highly trained instructional assistants. In the 2016-2017 school year, 3,094 of you contributed to fund the outstanding programs above and so much more. Thanks to you, the Ed Foundation funded $2.5 million in programs in our schools for the 2017-2018 school year. This report is a celebration of your dedication to our students. Thank you for being our partner to provide an exceptional education for each of them. With your ongoing commitment, we are delivering on the promise of excellent, equitable public education. With sincerest gratitude, David Vukadinovich Linda Greenberg President Executive Director 3 Your Funds in the Classroom $2,661,274 for programs, thanks to you! Programs Funded by Annual Donations Elementary Arts Education High-quality arts programs for all elementary students distinguishes SMMUSD as one of the few districts in the state to have a comprehensive TK-12 visual and performing arts program. Instructional Assistants Well-trained instructional assistants at all elementary schools enable small group and individualized instruction.
    [Show full text]