The Dramatic Works of John Webster
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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
Orphee Manuscript Engl Translation.Pdf
ORPHÉE MÉCANIQUE Orpheus: Can you still remember the noise of the world? The noise of the streets, the subway, the noise of the electronic industry and the noise of the forests and rivers? Now, in this unbearable silence don't you yearn for it again? My head is full of this noise. I give it to you. Would you like to have it? Then, wait and attention....now! (the sound of the Psykotron) Orpheus: Can you remember the sound of breaking glass the harbor's nocturnal song the silent explosions from afar the sudden cloudburst in the afternoon the panting of your lover the buzzing of the fridge the instructing voice of a CAT scan the Christmas eve demonstrations Orpheus: Think of all the wonders, the sounds, the voices that filled you with light, there up above. Chorus: When Orpheus: The librarian standing on noise insulated floor gets scared of the visitors. Chorus: When Orpheus: On the 17th floor the elevator gets stuck Chorus: When Orpheus: The young physicist discovers numb spots on his skin Chorus: When Orpheus: The wind wails through the halls of an abandoned schoolhouse Chorus: When Orpheus: The doting old lady tenant always dials the wrong number Chorus: When Orpheus: Somebody suddenly plunges to a fall pass your window Chorus: When Orpheus: In the icy cold winter harbor the girls stand frozen to lampposts Chorus: When Orpheus: The world explodes behind your eyes Chorus: When Orpheus: At night the huge luminous ships arrive Chorus: When Orpheus: Out of narcosis, the patient awakes GHOSTS (Orpheus) Maya Deren is dead, Dennis Hopper is -
Duchess of Malfi, the White Devil, the Broken Heart and Tis Pity Shes a Whore Pdf, Epub, Ebook
DUCHESS OF MALFI, THE WHITE DEVIL, THE BROKEN HEART AND TIS PITY SHES A WHORE PDF, EPUB, EBOOK Revd Prof. John Webster,John Ford,Jane Kingsley-Smith | 640 pages | 29 Sep 2015 | Penguin Books Ltd | 9780141392233 | English | London, United Kingdom Duchess of Malfi, the White Devil, the Broken Heart and Tis Pity Shes a Whore PDF Book And we should be thankful to Ben Jonson for writing poetry such as this. Add to cart. In The Broken Heart , John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Heart of Darkness Joseph Conrad. Together with the Penguin volume of Five Revenge Tragedies , edited by Emma Smith, this is the essential sourcebook for drama in the period. Are you happy to accept all cookies? Essential We use cookies to provide our services , for example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. Bookishjq rated it it was amazing Jun 01, Image Credit: Wikimedia Commons. Cancel Submit. Sign in to Purchase Instantly. Learn about new offers and get more deals by joining our newsletter. Discourses and Selected Writings Epictetus. Your subscription to Read More was successful. Product Details About the Author. Mikhail Bulgakov. Tragedies, vol. How was your experience with this page? You can learn more about how we plus approved third parties use cookies and how to change your settings by visiting the Cookies notice. These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. -
Early Modern Culture and Literature: Renaissance Drama
Carleton University Fall 2012 Department of English Language and Literature ENGL 4304A Renaissance Drama Thurs. 11:35-2:25 (Please confirm location on Carleton Central) Instructor: Dr. David Stymeist Office: 1819 DT Office Phone: TBA Email: [email protected] Office Hours: TBA, or by appointment. Course Description This course is designed to examine of a selection of drama from the English Renaissance. This course will include work by Christopher Marlowe, Thomas Dekker, William Shakespeare, John Webster, Francis Beaumont, and John Ford. These plays will encompass the major dramatic genres of History, Comedy, and Tragedy, as well as a number of sub-genres, such as City Comedy, Satire, Domestic Tragedy, and the Revenge play. The cultural, political and intellectual contexts of individual plays will be discussed in detail, as well as the social and economic place of the stage in early modern England. There will be an emphasis on the commercial development of drama in the period. The course will also investigate how playwrights represent transgression, femininity, homosexuality, social and economic class differences, and criminality in the period. The practice of drama in the period will be examined through various critical and theoretical methodologies, including Feminist historiography, Queer theory, Cultural Materialism, and New Historicism. Classes will consist of a combination of lectures and discussion. I expect every student to attend lectures and come prepared to engage in a lively discussion of the plays. As this is a fourth year course, classes will especially emphasize active learning. The more you are willing to put into the class, the more you will get out of it! Primary Texts Anonymous. -
The Victor Black Label Discography
The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig ISBN 978-1-7351787-3-8 ii The Victor Black Label Discography Victor 25000, 26000, 27000 Series John R. Bolig American Discography Project UC Santa Barbara Library © 2017 John R. Bolig. All rights reserved. ii The Victor Discography Series By John R. Bolig The advent of this online discography is a continuation of record descriptions that were compiled by me and published in book form by Allan Sutton, the publisher and owner of Mainspring Press. When undertaking our work, Allan and I were aware of the work started by Ted Fa- gan and Bill Moran, in which they intended to account for every recording made by the Victor Talking Machine Company. We decided to take on what we believed was a more practical approach, one that best met the needs of record collectors. Simply stat- ed, Fagan and Moran were describing recordings that were not necessarily published; I believed record collectors were interested in records that were actually available. We decided to account for records found in Victor catalogs, ones that were purchased and found in homes after 1901 as 78rpm discs, many of which have become highly sought- after collector’s items. The following Victor discographies by John R. Bolig have been published by Main- spring Press: Caruso Records ‐ A History and Discography GEMS – The Victor Light Opera Company Discography The Victor Black Label Discography – 16000 and 17000 Series The Victor Black Label Discography – 18000 and 19000 Series The Victor Black -
The Righteous Brothers by Jerry Bfay At
The Righteous Brothers B yJerry Bfayat •— —■ a d i o , w i t h o u t a d o u b t , is t h e m o s t i m p o r - and “Leaving It All lip to You,” which years later tant vehicle for a recording artist. How became a Number One hit for Dale & Grace. Two- many times did y o u turn on your radio part harmony was not unique then - but a pair of and hear a great song b y a great a r t i s t s ! white boys emulating the great black two-part-har Rmaybe Johnny Otis singing “Willie and thm e Hand on y sound? That w as new. Jive,” the Magnificent Men doing “Peace of Mind,” or For Bobby Hatfield and Bill M edley (bom a m onth the Soul Survivors performing “Expressway (To Your apart in 1940), it began separately. Both started Heart)” - not realizing these were white performers, singing at Orange County, California, clubs as ones who had the soul and the ability to sound teenagers. In the early 1960s, Bobby had his group, black? Conversely, did you ever lis the Variations, and Bill his, the ten to an artist like Ella Fitzgerald, Paramours. In 1962, Bobby’s group Carmen McRae or Nancy Wilson incorporated with the Paramours. and say to yourself, “Wow, what a One of their first big shows together fantastic performer,” and assume was at the Rendezvous Ballroom, in she was white? That’s the wonder Balboa, California, a famous haunt ful thing about music: The great during the big-band era. -
2019 Seminar Abstracts: the King's Men and Their Playwrights
1 2019 Seminar Abstracts: The King’s Men and Their Playwrights Meghan C. Andrews, Lycoming College James J. Marino, Cleveland State University “Astonishing Presence”: Writing for a Boy Actress of the King’s Men, c. 1610-1616 Roberta Barker, Dalhousie University Although scholarship has acknowledged the influence of leading actors such as Richard Burbage on the plays created for the King’s Men, less attention has been paid to the ways in which the gifts and limitations of individual boy actors may have affected the company’s playwrights. Thanks to the work of scholars such as David Kathman and Martin Wiggins, however, it is now more feasible than ever to identify the periods during which specific boys served their apprenticeships with the company and the plays in which they likely performed. Building on that scholarship, my paper will focus on the repertoire of Richard Robinson (c.1597-1648) during his reign as one of the King’s Men’s leading actors of female roles. Surviving evidence shows that Robinson played the Lady in Middleton’s Second Maiden’s Tragedy in 1611 and that he appeared in Jonson’s Catiline (1611) and Fletcher’s Bonduca (c.1612-14). Using a methodology first envisioned in 1699, when one of the interlocutors in James Wright’s Historia Histrionica dreamt of reconstructing the acting of pre-Civil War London by “gues[sing] at the action of the Men, by the Parts which we now read in the Old Plays” (3), I work from this evidence to suggest that Robinson excelled in the roles of nobly born, defiant tragic heroines: women of “astonishing presence,” as Helvetius says of the Lady in The Second Maiden’s Tragedy (2.1.74). -
Part 1 of the Bibliography Catalogue
Bibliography - L&NWR Society Periodicals Part 1 Titles - A to LNWR Registered Charity - L&NWRSociety No. 1110210 Copyright LNWR Society 2014 Title Year Volume Page American European News Letter Drawing of Riverside Station and notes on the new station 1895 Archive Industrial Railways and tramways of Flintshire. Maps 7 photos. Ffrith branch 1998 18 The Argus Poignant rememberance. Collision of SS.Connemara Nov 1916 2006 13/09 97 Menu Card from Greenore Hotel opening. 2007 03/07 30 Sale of Quay St. station building in Dundalk. 2007 03/07 76 Bournemouth Graphic F.W.Webb Obituary. The Bournemouth Graphic. 1906 06/14 Business History Labour and Business in Modern Britain British Railway Workshops 1838-1914 1989 31/02 8 Branch Line News Supplement No.7 to Branch Line News sheet. Branch lines closed 1964-68. Other changes. 1969 120A Yorkshire & the Humber (South Yorkshire) Sheffield LNWR Goods 2001 09/22 210 North West England. Wapping Branch and Former Lime St. Tunnel Ventilation Chimney 2004 08/21 187 Wales. Spelling discrepancies 2004 10/16 235 Yorkshire & the Humber. Kirkburton Branch 2004 11/13 259 Yorkshire & the Humber. Deighton 2004 11/21 269 Yorkshire & the Humber. Deighton 2005 01/12 7 Bahamas Locomotive Society Journal 'Basher' Tank No.1054 - an account of the automatic vacuum brake. 2007 62 14 Bluebell News Arrival on Bluebell Railway of Semi Royal Saloon No.806 on 10/10/2000 2000 10 British Railways Illustrated Chapel-en-le-Frith 1957. Accident 1992 01/02 141 UVC. The Way We Were. Incs photos of LNWR locos 1992 01/04 171 Station Survey. -
Download Booklet
MONTEVERDI © Lebrecht Music & Arts Photo Library ???????????? Claudio Monteverdi (1567 – 1643) The Coronation of Poppea Dramma musicale in a Prologue and two acts Libretto by Giovanni Francesco Busenello, English translation by Geoffrey Dunn Prologue Fortune Barbara Walker soprano Virtue Shirley Chapman soprano Love Elizabeth Gale soprano Opera Ottone, most noble lord Tom McDonnell baritone Poppea, most noble lady, mistress of Nero, Janet Baker mezzo-soprano raised by him to the seat of empire Nero, Roman emperor Robert Ferguson tenor Ottavia, reigning empress, repudiated by Nero Katherine Pring mezzo-soprano Drusilla, lady of the court, in love with Ottone Barbara Walker soprano Seneca, philosopher, preceptor to Nero Clifford Grant bass Arnalta, aged nurse and confidante of Poppea Anne Collins mezzo-soprano Lucano, poet, intimate of Nero, nephew of Seneca Emile Belcourt tenor Valletto, page of the empress John Brecknock tenor Damigella, lady-in-waiting to the empress Iris Saunders soprano Liberto, Captain of the praetorian guard Norman Welsby baritone First soldier Robin Donald tenor Second soldier John Delaney tenor Lictor, officer of imperial justice Anthony Davey bass Pallas Athene, goddess of wisdom Shirley Chapman soprano Chorus of Sadler’s Wells Opera Orchestra of Sadler’s Wells Opera Raymond Leppard 3 compact disc one Time Page Act I 1 Sinfonia 2:55 p. 30 Prologue 2 ‘Virtue, go hide yourself away’ 7:16 p. 30 Fortune, Virtue, Love Scene 1 3 ‘Again I’m drawn here’ 8:32 p. 31 Ottone, Soldier 2, Soldier 1 4 ‘My lord, do not go yet!’ 9:54 p. 32 Poppea, Nero Scene 2 5 ‘At last my hopes have ended’ 6:38 p. -
The Saint's Tragedy 1
The Saint's Tragedy 1 The Saint's Tragedy The Project Gutenberg eBook, The Saint's Tragedy, by Charles Kingsley This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Saint's Tragedy Author: Charles Kingsley Release Date: February 27, 2004 [eBook #11346] Language: English Character set encoding: US-ASCII The Saint's Tragedy 2 ***START OF THE PROJECT GUTENBERG EBOOK THE SAINT'S TRAGEDY*** Transcribed by David Price, email [email protected] THE SAINT'S TRAGEDY PREFACE BY THE REV. F. D. MAURICE, M.A. (1848) The writer of this play does not differ with his countrymen generally, as to the nature and requirements of a Drama. He has learnt from our Great Masters that it should exhibit human beings engaged in some earnest struggle, certain outward aspects of which may possibly be a spectacle for the amusement of idlers, but which in itself is for the study and the sympathy of those who are struggling themselves. A Drama, he feels, should not aim at the inculcation of any definite maxim; the moral of it lies in the action and the character. It must be drawn out of them by the heart and experience of the reader, not forced upon him by the author. The men and women whom he presents are not to be his spokesmen; they are to utter themselves freely in such language, grave or mirthful, as best expresses what they feel and what they are. -
Romeo and Juliet Textbook.Pdf
Before Reading Video link at The Tragedy of Romeo and Juliet thinkcentral.com Drama by William Shakespeare VIDEO TRAILER KEYWORD: HML9-1034 Is LOVE stronger than HATE? It sounds like a story ripped from the tabloids. Two teenagers fall in RL 2 Determine a theme of a love at a party. Then they learn that their parents hate each other. text. RL 3 Analyze how complex The teenagers’ love is forbidden, so not surprisingly, they cling to characters develop over the course of a text, interact with each other even more tightly. Murder and suffering ensue, and by other characters, and advance the the end, a whole town is in mourning. What love can—and cannot— plot or develop the theme. RL 9 Analyze how an author overcome is at the heart of Romeo and Juliet, considered by many to draws on source material in a be the greatest love story of all time. specific work. RL 10 Read and comprehend dramas. L 3 Apply knowledge of language to understand how language DEBATE People say that love conquers all. Is this statement true, functions in different contexts or is it just a cliché? How powerful is love? Discuss this topic in a and to comprehend more fully when reading or listening. small group. Talk about instances in which love has brought people together as well as times when hate has driven them apart. Then form two teams and debate the age-old question, Is love stronger than hate? 1034 NA_L09PE-u10-brRome.indd 1034 1/14/11 8:34:36 AM Overview text analysis: shakespearean drama Act One You can probably guess that a tragedy isn’t going to end We meet the Montagues and the Capulets, with the words “and they all lived happily ever after.” two long-feuding families in the Italian city Shakespearean tragedies are dramas that end in disaster— of Verona. -
Illuminating an African Royal Dynasty in India
To print, your print settings should be ‘fit to page size’ or ‘fit to printable area’ or similar. Problems? See our guide: https://atg.news/2zaGmwp ISSUE 2466 | antiquestradegazette.com | 7 November 2020 | UK £4.99 | USA $7.95 | Europe €5.50 koopman rare art antiques trade P. Archambo KOOPMAN1733 (see Client Templates for issue versions) THE ART M ARKET WEEKLY [email protected] +44 (0)20 7242 7624 www.koopman.art Drouot closes again as Paris locks down by Laura Chesters Paris auction centre Hôtel Drouot has been forced to close its premises after French president Emmanuel Macron announced a second national lockdown. In a statement issued on October 29, the venue said: “In accordance with the French government’s directives, Drouot closes tonight until further notice. We will keep you informed as soon as possible of the auctions calendar.” More than 60 auction houses use the Drouot facilities to host sales. Many will now be moving their sales online. A Drouot spokesperson told ATG: “At the moment, auction houses are sorting themselves out. The majority of sales will go ahead and will take place remotely online via Drouot Digital.” Macron announced this latest lockdown will run until at least December 1. The new measures, enforced from October 30, have meant people can leave home only for essential work or medical reasons. Illuminating an African The situation will be reassessed every two weeks so it is unclear whether auctions in December will be open to the public. royal dynasty in India Non-essential businesses have been closed, but schools and factories will remain open.