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King Arthur and Medieval Knights
Renata Jawniak KING ARTHUR AND MEDIEVAL KNIGHTS 1. Uwagi ogólne Zestaw materiałów opatrzony wspólnym tytułem King Arthur and Medieval Knights jest adresowany do studentów uzupełniających studiów magisterskich na kierun- kach humanistycznych. Przedstawione ćwiczenia mogą być wykorzystane do pracy z grupami studentów filologii, kulturoznawstwa, historii i innych kierunków hu- manistycznych jako materiał przedstawiający kulturę Wielkiej Brytanii. 2. Poziom zaawansowania: B2+/C1 3. Czas trwania opisanych ćwiczeń Ćwiczenia zaprezentowane w tym artykule są przeznaczone na trzy lub cztery jednostki lekcyjne po 90 minut każda. Czas trwania został ustalony na podstawie doświadcze- nia wynikającego z pracy nad poniższymi ćwiczeniami w grupach na poziomie B2+. 4. Cele dydaktyczne W swoim założeniu zajęcia mają rozwijać podstawowe umiejętności językowe, takie jak czytanie, mówienie, słuchanie oraz pisanie. Przy układaniu poszczegól- nych ćwiczeń miałam również na uwadze poszerzanie zasobu słownictwa, dlatego przy tekstach zostały umieszczone krótkie słowniczki, ćwiczenia na odnajdywa- nie słów w tekście oraz związki wyrazowe. Kolejnym celem jest cel poznawczy, czyli poszerzenie wiedzy studentów na temat postaci króla Artura, jego legendy oraz średniowiecznego rycerstwa. 5. Uwagi i sugestie Materiały King Arthur and Medieval Knights obejmują pięć tekstów tematycznych z ćwiczeniami oraz dwie audycje z ćwiczeniami na rozwijanie umiejętności słucha- nia. Przewidziane są tu zadania na interakcję student–nauczyciel, student–student oraz na pracę indywidualną. Ćwiczenia w zależności od poziomu grupy, stopnia 182 IV. O HISTORII I KULTURZE zaangażowania studentów w zajęcia i kierunku mogą być odpowiednio zmodyfiko- wane. Teksty tu zamieszczone możemy czytać i omawiać na zajęciach (zwłaszcza z grupami mniej zaawansowanymi językowo, tak by studenci się nie zniechęcili stopniem trudności) lub część przedstawionych ćwiczeń zadać jako pracę domo- wą, jeżeli nie chcemy poświęcać zbyt dużo czasu na zajęciach. -
Arthurian Legend
Nugent: English 11 Fall What do you know about King Arthur, Camelot and the Knights of the Round Table? Do you know about any Knights? If so, who? If you know anything about King Arthur, why did you learn about King Arthur? If you don’t know anything, what can you guess King Arthur, Camelot, or Knights. A LEGEND is a story told about extraordinary deeds that has been told and retold for generations among a group of people. Legends are thought to have a historical basis, but may also contain elements of magic and myth. MYTH: a story that a particular culture believes to be true, using the supernatural to interpret natural events & to explain the nature of the universe and humanity. An ARCHETYPE is a reoccurring character type, setting, or action that is recognizable across literature and cultures that elicits a certain feeling or reaction from the reader. GOOD EVIL • The Hero • Doppelganger • The Mother The Sage • The Monster • The Scapegoat or sacrificial • The Trickster lamb • Outlaw/destroyer • The Star-crossed lovers • The Rebel • The Orphan • The Tyrant • The Fool • The Hag/Witch/Shaman • The Sadist A ROMANCE is an imaginative story concerned with noble heroes, chivalric codes of honor, passionate love, daring deeds, & supernatural events. Writers of romances tend to idealize their heroes as well as the eras in which the heroes live. Romances typically include these MOTIFS: adventure, quests, wicked adversaries, & magic. Motif: an idea, object, place, or statement that appears frequently throughout a piece of writing, which helps contribute to the work’s overall theme 1. -
Cornwall in the Early Arthurian Tradition It Is Believed That an Actual “King Arthur” Lived in 6Th Century AD in the Southwe
Cornwall in the Early Arthurian Tradition Heather Dale April 2008 It is believed that an actual “King Arthur” lived in 6th Century AD in the southwestern area of Britain. A brief history lesson is needed to provide the backdrop to this historical Arthur. In 43 AD, the Romans occupied Britain, subduing the northern Pictish & Scottish tribes, and incorporating the pre-literate but somewhat more civilized Celtic peoples into the Roman Empire. The Romans intermarried with the Celts, who emulated their customs and superior technology; these Romanized Celts became known as Britons. When the Romans abandoned Britain in 410 AD, the Britons found themselves attacked on all sides: the northern tribes pushed south, the Irish raided from the west, and fierce Germanic tribes (Angles, Saxons, Jutes, Franks, Frisians) and Norsemen slowly pushed the Celts into southwestern Wales and Cornwall. Some even fled across to the Continent, establishing Brittany in western France and becoming known as Bretons. It is in this turbulent post-Roman time that a brave man, perhaps a sort of tribal chieftain, led a small force of Britons into battle with the Germanic tribes. And due to tactical skill, superior fighting prowess and/or incredible luck (we will never know) this Artorius or Arthur held back the Germanic hordes from his corner of Britain for 30 years, a full generation. This incredible feat is first mentioned in a 6th century quasi-historical Latin chronicle by the monk Gildas. Later chroniclers added detail of dubious historical accuracy but great heroism to the tale of Arthur. The Venerable Bede wrote in 731 AD about the first great victory over the Saxons at Mount Badon (surmised by some to be Liddington Castle near Swindon), and the Welsh chronicler Nennius bases his 9th century story on material from the rich Welsh storytelling tradition. -
The Legends of King Arthur
SÄNDNINGSDATUM: 2013-12-06 PRODUCENT: PAMELA TAIVASSALO WIKHOLM PROGRAMNR: 103173ra6 The Legends of King Arthur The Final Battle and Avalon Script and Word list Keith Foster: Once upon a time a battle between a father and a son ended in tragedy. In the battle of Camlann, King Arthur and his son Mordred fought. And the badly wounded King Arthur retreated to Avalon, which is said to have magic properties, in a hope that he heal hela, bota could be healed. King Arthur died, but the once and future king will return in the hour of England’s greatest need. Cliff Eastabrook: Now, the battle of Camlann, when Mordred, who had sought to usurp the country and take over all of Arthur’s lands while usurp lägga beslag på, tillskanska sig Arthur was away fighting on the continent. Mordred brought his armies to Camlann and there, despite dire förfärlig, hemsk, dire warnings from the ghost of Gawain, Arthur went into ödesdiger battle with him. Both armies were destroyed in a terrible battle. The bodies raven korp covered the ground, stained red with their blood. And the ravens feasted on their corpses. corps lik And amongst this carnage, Arthur and Mordred, his son, slew carnage blodbad, slakt each other. slew dräpte (slay,slew,slain – dräpa, slå ihjäl någon) 1 SÄNDNINGSDATUM: 2013-12-06 PRODUCENT: PAMELA TAIVASSALO WIKHOLM PROGRAMNR: 103173ra6 Mordred is growing up thinking he is the son of King Lot, but Morgause eventually tells him the truth of the matter and how he is the son of her and her half-brother Arthur, they both being children of Igraine. -
Read Ebook {PDF EPUB} the Story of Queen Guinevere and Sir Lancelot
Read Ebook {PDF EPUB} The Story Of Queen Guinevere And Sir Lancelot Of The Lake With Other Poems by Wilhelm Hertz The Story Of Queen Guinevere And Sir Lancelot Of The Lake: With Other Poems by Wilhelm Hertz. Access to raw data. The story of Queen Guinevere and Sir Lancelot of the lake. After the German of Wilhelm Hertz. With other poems. Abstract. Mode of access: Internet. To submit an update or takedown request for this paper, please submit an Update/Correction/Removal Request. Suggested articles. Useful links. Blog Services About CORE Contact us. Writing about CORE? Discover our research outputs and cite our work. CORE is a not-for-profit service delivered by the Open University and Jisc. Arthur, King. King Arthur was a legendary ruler of Britain whose life and deeds became the basis for a collection of tales known as the Arthurian legends. As the leading figure in British mythology, King Arthur is a national hero and a symbol of Britain's heroic heritage. But his appeal is not limited to Britain. The Arthurian story—with its elements of mystery, magic, love, war, adventure, betrayal, and fate—has touched the popular imagination and has become part of the world's shared mythology. The Celts blended stories of the warrior Arthur with those of much older mythological characters, such as Gwydion (pronounced GWID-yon), a Welsh priest-king. Old Welsh tales and poems place Arthur in traditional Celtic legends, including a hunt for an enchanted wild pig and a search for a magic cauldron, or kettle. In addition, Arthur is surrounded by a band of loyal followers who greatly resemble the disciples of Finn , the legendary Irish hero. -
Excalibur (Film)
Excalibur (film) Excalibur is a 1981 American epic fantasy film directed, produced, and co-written Excalibur by John Boorman that retells the legend ofKing Arthur and the knights of the Round Table, based on the 15th-century Arthurian romance Le Morte d'Arthur by Thomas Malory. It stars Nigel Terry as Arthur, Nicol Williamson as Merlin, Nicholas Clay as Lancelot, Cherie Lunghi as Guenevere, Helen Mirren as Morgana, Liam Neeson as Gawain, Gabriel Byrne as Uther Pendragon, Corin Redgrave as Cornwall, and Patrick Stewart as Leondegrance. The film is named after the legendary sword of King Arthur that features prominently in Arthurian literature. The film's soundtrack features the music of Richard Wagner and Carl Orff, along with an original score by Trevor Jones. Excalibur was shot entirely on location in Ireland, employing Irish actors and crew. It has been acknowledged for its importance to the Irish filmmaking industry and for helping launch the film and acting careers of a number of British and Irish actors, including Liam Neeson, Patrick Stewart, Gabriel Byrne and Ciarán Hinds.[4] Film critics Roger Ebert and Vincent Canby criticized the film's plot and characters,[6][7] although they and other reviewers[8] praised its visual style. Excalibur opened at number one in the United States, eventually grossing $34,967,437 on a budget of around US$11 million to rank 18th in that year's Theatrical release poster receipts.[5] by Bob Peak Directed by John Boorman Produced by John Boorman Contents Screenplay by John Boorman Plot Rospo Cast Pallenberg -
The Unity of Malory's Morte Darthur
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Kentucky University of Kentucky UKnowledge Literature in English, British Isles English Language and Literature 1965 The Book of Kyng Arthur: The Unity of Malory's Morte Darthur Charles Moorman University of Southern Mississippi Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Moorman, Charles, "The Book of Kyng Arthur: The Unity of Malory's Morte Darthur" (1965). Literature in English, British Isles. 43. https://uknowledge.uky.edu/upk_english_language_and_literature_british_isles/43 THE BOOK OF KYNG ARTHUR This page intentionally left blank THE UNITY OF MALORY'S MORTE DARTHUR CHARLES MOORMAN UNIVERSITY OF KENTUCKY PRESS Copyright @ 1965 by the University of Kentucky Press Library of Congress Catalog Card NO. 65-11825 TO R. M. LUMIANSKY "Wher is," he sayd, "be gouernour of Pis gyng?" -Sir Gawain and the Green Knight This page intentionally left blank ACKNOWLEDGMENTS For their permission to make use of copyrighted materials, I should like to thank the Oxford University Press. Portions of this volume have appeared in ELH, Mediaeval Studies, Jozlrnal of English and Germanic Philology, and PMLA, and I am grateful to the editors of those journals for their permission to reprint parts of those articles. -
Mordred Pdf, Epub, Ebook
MORDRED PDF, EPUB, EBOOK Colin Thompson | 240 pages | 09 Jan 2012 | Random House Australia | 9781741663839 | English | Milsons Point, Australia Mordred PDF Book Our Round Table. Sign In Don't have an account? Returning to the surface with Ritsuka and Mash, Mordred is unsatisfied, even though they retrieved the Grail. Rather than simply wish on the Grail to become king, she instead wishes to use it to challenge the sword of appointment as a method of proving kingship that even her father could not deny. Most early sources also bring in a second battle, at Winchester. He only wanted to be called "son" by the King. The squire points them toward King Taurus. She tries to do the same thing, but she destroys the watermelon instead. Therefore she is confident that Ritsuka will undo the Incineration of Humanity. He explains a lightning strike from him will fully activate the fog, and implores they stop him before he does. She then demands which village Chaldea escape, saying she'll give the villagers a quick death in exchange. In the Vulgate Mort Artu and consequently in Malory's Le Morte d'Arthur , the terrible final battle begins by an accident during a last-effort peace meeting between him and Arthur. Do not praise King Arthur. Categories : Arthurian characters Characters in works by Geoffrey of Monmouth Fictional cannibals Fictional offspring of incestuous relationships Fictional patricides King Arthur's family Knights of the Round Table Male characters in literature Male characters in television Male literary villains Mythological kings Mythological princes Mythological swordsmen. With no other choice he prepares to do it, but Percival knocks him unconscious and both druids are arrested with Kara sentenced to die and Mordred's fate to be decided later. -
Pendragon Treasures People
THE GREAT BOOK OF PENDRAGON TREASURES PEOPLE Two New Round Table Knights Following are two former player characters from an old Pendragon campaign that I ran last year. They were both rather interesting fellows who became Knights of the Round Table very shortly after it was founded. They might make interesting NPCs for other people's Pendragon campaigns. AMLYN TRIADADD, KNIGHT OF THE ROUND TABLE, "THE NEKKID KNIGHT" [517] Name: Amlyn Triadadd Siz: 15 Damage: 5d6 Homeland: Huntington Dex: 13 Healing Rate: 3 Culture: Cymric/Christian Str: 18 Movement Rate: 3 Lord: Earl of Logres Con: 15 Hit Points: 28 Glory: 7382 App: 12 Unconscious: 7 Shield: A gold cross upon a blue background. PERSONALITY TRAITS SKILLS COMBAT SKILLS Chaste 11 / Lustful 9 Awareness 10 Battle 6 Energetic 13 / Lazy 7 Boating 2 Horsemanship 15 Forgiving 16 / Vengeful 4 Chirurgery 1 Sword 17 Generous 12 / Selfish 8 Compose 3 Lance 15 Honest 9 / Deceitful 11 Courtesy 9 Dagger 4 Just 12 / Arbitrary 8 Dancing 2 Spear 5 Merciful 9 / Cruel 11 Faerie Lore 3 Modest 9 / Proud 11 First Aid 10 HORSES Pious 11 / Wordly 9 Flirting 5 Prudent 9 / Reckless 11 Folk Lore 2 Charger Temperate 10 / Indulgent 10 Gaming 9 6d6 Damage Trusting 12 / Suspicious 8 Hawking 3 Valorous 17 / Cowardly 3 Heraldry 2 Hunting 6 Directed: Suspicious Saxons +2 Intrigue 7 Orate 3 PASSIONS Play Harp 18 Amor (Guenever) 12 Read Latin 3 Hate (Saxons) 7 Recognize 5 Honor 10 Religion 6 Hospitality 10 Singing 3 Love (family) 11 Stewardship 2 Loyalty (Earl Robert) 18 Swimming 3 Loyalty (Friends) 10 Tourney 1 Loyalty (King Arthur) 7 EQUIPMENT Reinforced Norman Chain + Helm (12 pts) Sword BACKGROUND & PERSONALITY Amlyn first gained a name for himself when he defended a crone against a knight she had once ensorcelled. -
How Could the Body Politic Be Made to Work in the Absence of Its Head?”
Ditson !1 Kerry Ditson Professors Adams & Drimmer 24 April 2015 “How could the body politic be made to work in the absence of its head?”: Beheadings, Gender, and Power In Malory’s Morte Darthur The Wars of the Roses were without a doubt one of the most transformative and traumatic events of medieval England. This bloody conflict called into question commonly accepted notions of nobility, masculinity, kingship, governance, and violence. The deposition of Richard II in 1399 set into motion aftershocks that would be felt half a century later, as the notion of divinely anointed kingship was called into question—in a world where kings could be gotten rid of, who had the right to rule? The answer came down, in many ways, to one issue: blood. Blood and bodies both loomed large in the medieval imagination. Questions of physical fitness and weakness, superiority and inferiority and the ever-present worries about gender were all crucial to the way medievals understood the world about them. The violence of the civil war was something felt by all participants and most non- participants as well. It is hard to tell the exact number of the dead, though it is almost certainly not as great as many accounts put forward. “More than one observer put the number of those present in the Yorkist army at the battle of Towton in 1461 as 200,000. Writing shortly after the battle, the Milanese ambassador reported that some 28,000 men had lost their lives, while William Paston reported 20,000 killed… if the estimate for Ditson !2 the Yorkist army was true (and the Lancastrian army was agreed by most contemporaries to be even larger), then it follows that most Englishmen of fighting age were actually present on the battlefield at Towton.”1 This certainly could not have been the case—but the exaggerations prove that these were larger armies than had before been seen by almost anybody in the country. -
Alfred Tennyson, William Morris and the Revival of the Arthurian Legend in the Victorian Era
Frances Zapata Torres Alfred Tennyson, William Morris and the Revival of the Arthurian Legend in the Victorian Era Frances Zapata Torres The Middle Ages, also known as half-sister, Morgause. It was through this The Dark Ages, was a period when incestuous relationship that Mordred- Europe succumbed to social and Arthur’s future murderer - was begotten. economic chaos, the Black Plague, and Le Morte’s Arthur, finally, was not an many bloody wars. In these times of honorable figure at first. For upon turmoil, the legend of King of Arthur Merlin telling him that, as a divine was created to instill hope. Though it is punishment for his incestuous affair the part of England’s folklore, this legend man who would destroy him would be has become universally known. It is so born on Mayday, Arthur ordered all the popular, that medieval Arthurian children born on that day killed. His romances have had many modern plan failed, however, for Mordred was retellings. Of these, Alan Lupack argues rescued. that “no romance has been more influential or more often adapted or Tennyson’s Arthur, on the reworked… than Le Morte d’Arthur by contrary, is the “blameless King.”2 He Sir Thomas Malory.”1 Malory was did not have an incestuous affair with his influential especially during the half-sister, did not cruelly order all Victorian Age, when major Arthurian children born on Mayday to be killed, works based on Le Morte were and Mordred is the son of King Lot, not produced. Arthur’s son/ brother. “So perfect is he,” Lupack contends, “that Tennyson first Alfred Lord Tennyson wrote one defies his source [Le Morte] by making of those works. -
Welcome to Carousel Theatre's Production of Arthur: Boy King And
\ THEMES Bravery Welcome to Carousel Theatre’s Personal Growth production of Arthur: Boy King Enchantment and its companion Resource Guide History Love for Educators and Families Honour Forgiveness Adventure Chivalry Responsibility This Guide was created to prepare educators, families, TABLE OF CONTENTS and students for their upcoming adventure to Arthur: Boy (Page) King with a synopsis, theatre vocabulary, and more! 1. Themes We hope you find this Resource Guide helpful and as 2. Synopsis always, if you have any suggestions we would love to Character Breakdown hear from you. 3. Note from the Playwright 4. Interview with Director If you have any questions, please give us a call at 5. Reading List 604.669.3410 or email us at 6. Classroom Activities [email protected]. 7. Production Crew/Cast Interesting Links 8. Theatre Etiquette Theatre Terms 9. About Carousel Theatre School Matinees Family Performances Our Sponsors April 10 – 26, 2013 April 12 - 28, 2013 Contact Us 1 | P a g e Synopsis The moment young Arthur pulls the sword from the stone he is thrust into greatness as the King of Great Britain. He has the potential to become a great leader or cave into the fears and insecurities of any scared young man. Battles and controversy are ignited all around him but what is most important for Arthur is to understand himself. He must learn bravery, compassion and love before he can nobly wear the crown. The forces of the stars and the universe through Morgana battle with the forces of Merlin and his earthly magic to decide this young boy’s worthiness.