DOCSLIB.ORG

Various Gittin' to Know Y'all Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Various Gittin' to Know Y'all Mp3, Flac, Wma Various Gittin' To Know Y'All mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Gittin' To Know Y'All Country: France Released: 1970 Style: Free Jazz MP3 version RAR size: 1141 mb FLAC version RAR size: 1741 mb WMA version RAR size: 1720 mb Rating: 4.5 Votes: 963 Other Formats: DMF AU MIDI MOD VOC WAV MP1 Tracklist Hide Credits Gittin' To Know Y'All / Part I Alto Saxophone – Roscoe MitchellBaritone Saxophone – John SurmanConductor, Composed By, Trumpet – Lester BowieDrums – –The Baden-Baden Claude Delcloo, Tony OxleyPiano – Dave BurrellPiano [Prepared] – A 23:35 Free Jazz Orchestra Leo CuypersSoprano Saxophone – Joseph JarmanTenor Saxophone – Alan Skidmore, Bernt Rosengren, Gerd Dudek, Heinz SauerTrombone – Albert Mangelsdorff, Eje ThelinTrumpet – Hugh Steinmetz, Kenny Wheeler Gittin' To Know Y'All / Part II Alto Saxophone – Roscoe MitchellBaritone Saxophone – John SurmanConductor, Composed By, Trumpet – Lester BowieDrums – –The Baden-Baden Claude Delcloo, Tony OxleyPiano – Dave BurrellPiano [Prepared] – B1 8:25 Free Jazz Orchestra Leo CuypersSoprano Saxophone – Joseph JarmanTenor Saxophone – Alan Skidmore, Bernt Rosengren, Gerd Dudek, Heinz SauerTrombone – Albert Mangelsdorff, Eje ThelinTrumpet – Hugh Steinmetz, Kenny Wheeler Ved Soerevatn –The Terje Rypdal B2 Bells – Claude DelclooComposed By – Terje RypdalFlute – Joseph 8:38 Group JarmanFlute, Oboe – Bernt RosengrenVocals – Karin Krog For My Two J.B.'s B3 –Karin Krog 1:06 Composed By, Vocals – Karin Krog –The Willem May Hunting Song B4 Breuker - John 4:47 Bass Clarinet – John SurmanComposed By – Willem Breuker Surman Duo Companies, etc. Manufactured By – Nippon Columbia Co., Ltd. Credits Artwork [Cover And Graphic Work] – Wolfgang Baumann Bass – Barre Phillips (tracks: A to B2), Palle Danielsson (tracks: A to B2) Bass Clarinet – Willem Breuker (tracks: A, B1, B4) Drums – Steve McCall (tracks: A to B2) Guitar – Terje Rypdal (tracks: A to B2) Photography By – Irmtraud Wirth, Jörg Becker Producer, Liner Notes – Joachim E. Berendt* Notes Recorded live during the annual Baden-Baden Free Jazz Meeting at Südwestfunk Uko Studio I on December 12 to 14, 1969. Manufactured by Nippon Columbia Co., Ltd. Made in Japan ¥1,900 Gatefold sleeve. 見本盤 [=Sample record] printed on white label. Other versions Category Artist Title (Format) Label Category Country Year Gittin' To Know Y'All (LP, MPS 15269 ST Various MPS Records MPS 15269 ST Germany 1970 Album) Gittin' To Know Y'All (LP, MPS 15038 Various MPS Records MPS 15038 France 1970 Album) Gittin' To Know Y'All (CD, POCJ-2553 Various MPS Records POCJ-2553 Japan 1998 Album, RE) Gittin' To Know Y'All (CD, UCCU-9018 Various MPS Records UCCU-9018 Japan 2003 Album, Ltd, RE, RM, Pap) Gittin' To Know Y'All (LP, ULS-1714 Various MPS Records ULS-1714 Japan 1975 Album, Promo, RE) Related Music albums to Gittin' To Know Y'All by Various Joachim Kühn Trio, Albert Mangelsdorff Quintet, Andrzej Trzaskowski Sextet - Jazz Jamboree '65 Volume 02 John Surman • Alan Skidmore • Tony Oxley - Jazz In Britain '68-'69 Claude Delcloo, Arthur Jones - Africanasia Various - 2. Internationales New Jazz Meeting Auf Burg Altena Lester Young - Lester Young: Live At The Birdland, Volume II Kenny Wheeler, Norma Winstone, John Taylor with The Maritime Jazz Orchestra - Siren's Song Gerd Dudek / Leszek Zadlo / Alan Skidmore / Ali Haurand / Pierre Courbois - European Jazz Quintet III. The Globe Unity Orchestra - Intergalactic Blow.
Load more

Recommended publications
  • The Alan Skidmore Quintet Once Upon a Time...Mp3, Flac
    The Alan Skidmore Quintet Once Upon A Time.... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Once Upon A Time.... Country: UK Released: 1970 MP3 version RAR size: 1113 mb FLAC version RAR size: 1898 mb WMA version RAR size: 1480 mb Rating: 4.9 Votes: 613 Other Formats: MPC DMF VOC AU AA FLAC DXD Tracklist Hide Credits Once Upon A Time A1 Written-By – Surman* Majaera A2 Written-By – Oxley* The Yolk A3 Written-By – Taylor* Old San Juan B1 Written-By – Warren* Free For Al B2 Written-By – Surman* Image B3 Written-By – Surman* Companies, etc. Printed By – Clout & Baker Ltd. Credits Bass – Harry Miller Design [Cover] – Roi Castle Drums – Tony Oxley Engineer – Bill Price, David Grinsted* Flugelhorn – Kenny Wheeler Liner Notes – Roger Eames Piano – John Taylor Producer – Peter Eden Tenor Saxophone – Alan Skidmore Notes The back cover shows an "indicator hole" to let the inner sleeve peep through: blue = stereo, red = mono. Cover: Deram Nova Label: Decca Nova Other versions Category Artist Title (Format) Label Category Country Year The Alan Once Upon A CDSML 8406 Skidmore Time.... (CD, Album, Vocalion CDSML 8406 UK 2005 Quintet RE, RM) The Alan Once Upon A Deram, SDN 11 Skidmore SDN 11 UK 1970 Time.... (LP, Album) Decca Quintet The Alan Once Upon A DL 3004 Skidmore Deram DL 3004 Japan 1970 Time.... (LP, Album) Quintet The Alan Once Upon A UCCM-9256, Deram, UCCM-9256, Skidmore Time.... (CD, Album, Japan 2008 SDN 11 Deram SDN 11 Quintet RE, RM, Pap) Comments about Once Upon A Time.... - The Alan Skidmore Quintet Vutaur Just what you'd expect from the musicians involved (quite a stellar all-star British jazz cast of talent in fact), this is at the not quite free-jazz end of Ian Carr's Nucleus type sound, vaguely Canterbury- esque in its textures and mood, but lacking the rock edge that would have made it interesting for me.
    [Show full text]
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Marching Song
    MARCHING SONG/THE MIKE WESTBROOK CONCERT BAND SIDE THREE Marching Song Notes PERSONNEL DETAILS : musicians involved : SIDE ONE Marching Song Notes TRANSITION 3:01 HOORAY ! WALTZ Mike Westbrook —_ piano HOORAY! 6:24 trumpet solo: Holdsworth side one: side three: (Westbrook) Westbrook Dave Holdsworth trumpet, fluegel horn (Westbrook) alto solo: Osborne Through the city streets the crowd cheers its There is a lull in the fighting. The soldiers, HOME 9:44 trombone solo: — Griffiths Bowen, Fisher, Holdsworth, Lowther Kenny Wheeler trumpet, fluegel horn crowd sounds: Bill Price heroes, off to the glory of war, young, anonymous instruments in the conflict, relax and (Westbrook) bass duet: Miller, Griffiths, Gibbs, Rutherford, Harvey, Fry Greg Bowen trumpet LANDSCAPE 15:28 flute solo: Living invincible, drunk with patriotic pride, gleaming become human—individuals who can laugh, Lawrence Surman, Osborne, Warren, Skidmore, Tony Fisher trumpet (Westbrook) bass duet; Miller, in the sun. love, dream of beautiful things that, threatened, ROSIE 6:36 trumpet solo: Holdsworth Smith, Living (Hooray only) Phillips Landscape; here the conflict will take place. But are most precious. But the shadow of war is Henry Lowther trumpet (Westbrook) Miller, Lawrence, Jackson, Marshall Ronnie Hughes trumpet Sax. duet: Surman, human events are no more than momentary there, and they prepare for what must come. Part PRELUDE 4:43 woodwind: Living, of them yearns for battle. HOME, TENSION Malcolm Griffiths trombone Osborne interruptions in the earth's cycle. (Surman) Osborne, as above but Hughes replaces Fisher Paul Rutherford trombone WALTZ 5:54(for Joanna) soprano solo: Surman Skidmore LANDSCAPE, TRANSITION, ROSIE side two: Side four: Mike Gibbs trombone (Westbrook) TENSION 4:38 PRELUDE, TARNISHED, MEMORIAL When the soldier moves into the landscape, he saxophone duet: Surman, Waiting for the inevitable, the dark hours are full Eddie Harvey trombone (Surman) Westbrook Skidmore of tormented visions, and unbearable memories Tom Bennellick french horn SIDE TWO is a being from another world.
    [Show full text]
  • NJA British Jazz Timeline with Pics(Rev3) 11.06.19
    British Jazz Timeline Pre-1900 – In the beginning The music to become known as ‘jazz’ is generally thought to have been conceived in America during the second half of the nineteenth century by African-Americans who combined their work songs, melodies, spirituals and rhythms with European music and instruments – a process that accelerated after the abolition of slavery in 1865. Black entertainment was already a reality, however, before this evolution had taken place and in 1873 the Fisk Jubilee Singers, an Afro- American a cappella ensemble, came to the UK on a fundraising tour during which they were asked to sing for Queen Victoria. The Fisk Singers were followed into Britain by a wide variety of Afro-American presentations such as minstrel shows and full-scale revues, a pattern that continued into the early twentieth century. [The Fisk Jubilee Singers c1890s © Fisk University] 1900s – The ragtime era Ragtime, a new style of syncopated popular music, was published as sheet music from the late 1890s for dance and theatre orchestras in the USA, and the availability of printed music for the piano (as well as player-piano rolls) encouraged American – and later British – enthusiasts to explore the style for themselves. Early rags like Charles Johnson’s ‘Dill Pickles’ and George Botsford’s ‘Black and White Rag’ were widely performed by parlour-pianists. Ragtime became a principal musical force in American and British popular culture (notably after the publication of Irving Berlin’s popular song ‘Alexander’s Ragtime Band’ in 1911 and the show Hullo, Ragtime! staged at the London Hippodrome the following year) and it was a central influence on the development of jazz.
    [Show full text]
  • Kent Jazz News Comes out in September
    NEW KENT free by post And members of Medway JazzSo- News from Kent/U.K. Autumn 2014 ciety December 2013 The Derek Nash Jazz / Funk Extravaganza Coming to Kent September 19 At the Anchorians Ruby Club Darland Ave, Gillingham Derek is always a welcome visitor to Medway, and he never fails to excite and get your feet tapping weather you wish or not. So we can expect a night to remember, some great funk and swinging jazz, fast and furious but also slow with feeling on ballads. Make a note in your diary and make sure you come Derek Nash Early. (see What Where When) CC Les Freres Smith C C Les Freres Smith, are returning after their last tour in 2012, if you heard them, and wish to see them again, or missed then in 2012, now is your second chance. CC Les Freres Smith are a 12 piece Afrobeat band from Paris who are coming to the UK for a 3 date tour C C in action at one of their concerts in October 23-25. See What Where When Greg Abate Published by Medway Jazz Society Established 1997 KJN is published four times a year. Page 3, What-When-Where. Plus newsletter in between issues of KJN. 4, This and That. Join Medway Jazz Society. Receive our newsletter + Kent Jazz 5, Jazz in London ‘London Jazz News. Festival’ For Jazz news, information, listings. 6 Jazz around the UK All of this, and more can be found on our on internet site. www.medwayjazz.co.uk 7 to 10, Listings Please send your letters, information, 11 Blasts form the past 1, The to the above address, or Email Fred Cogger Band [email protected] Deadline for Winter issue, November 12 Jazz in Kent 2 Advertising on the internet You can advertise on the our website 13 Two exciting bands-appearing at www.medwayjazz.co.uk Two Traditional jazz, £5 quarter page ad A5 Page per 14 Blasts from the past Don Rendell month Sextet send your copy to me.
    [Show full text]
  • A Power Stronger Than Itself
    A POWER STRONGER THAN ITSELF A POWER STRONGER GEORGE E. LEWIS THAN ITSELF The AACM and American Experimental Music The University of Chicago Press : : Chicago and London GEORGE E. LEWIS is the Edwin H. Case Professor of American Music at Columbia University. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 2008 by George E. Lewis All rights reserved. Published 2008 Printed in the United States of America 16 15 14 13 12 11 10 09 08 1 2 3 4 5 ISBN-13: 978-0-226-47695-7 (cloth) ISBN-10: 0-226-47695-2 (cloth) Library of Congress Cataloging-in-Publication Data Lewis, George, 1952– A power stronger than itself : the AACM and American experimental music / George E. Lewis. p. cm. Includes bibliographical references (p. ), discography (p. ), and index. ISBN-13: 978-0-226-47695-7 (cloth : alk. paper) ISBN-10: 0-226-47695-2 (cloth : alk. paper) 1. Association for the Advancement of Creative Musicians—History. 2. African American jazz musicians—Illinois—Chicago. 3. Avant-garde (Music) —United States— History—20th century. 4. Jazz—History and criticism. I. Title. ML3508.8.C5L48 2007 781.6506Ј077311—dc22 2007044600 o The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. contents Preface: The AACM and American Experimentalism ix Acknowledgments xv Introduction: An AACM Book: Origins, Antecedents, Objectives, Methods xxiii Chapter Summaries xxxv 1 FOUNDATIONS AND PREHISTORY
    [Show full text]
  • 25 Years of the London Jazz Festival
    MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay MUSIC FROM OUT THERE, IN HERE: 25 YEARS OF THE LONDON JAZZ FESTIVAL Emma Webster and George McKay Published in Great Britain in 2017 by University of East Anglia, Norwich NR4 7TJ, UK as part of the Impact of Festivals project, funded by the Arts and Humanities Research Council, under the Connected Communities programme. impactoffestivals.wordpress.com ACKNOWLEDGEMENTS This book is an output of the Arts and Humanities Research Council collaborative project The Impact of Festivals (2015-16), funded under the Connected Communities Programme. The authors are grateful for the research council’s support. At the University of East Anglia, thanks to project administrators CONTENTS Rachel Daniel and Jess Knights, for organising events, picture 1 FOREWORD 50 CHAPTER 4. research, travel and liaison, and really just making it all happen JOHN CUMMING OBE, THE BBC YEARS: smoothly. Thanks to Rhythm Changes and CHIME European jazz DIRECTOR, EFG LONDON 2001-2012 research project teams for, once again, keeping it real. JAZZ FESTIVAL 50 2001: BBC RADIO 3 Some of the ideas were discussed at jazz and improvised music 3 INTRODUCTION 54 2002-2003: THE MUSIC OF TOMORROW festivals and conferences in London, Birmingham, Cheltenham, 6 CHAPTER 1. 59 2004-2007: THE Edinburgh, San Sebastian, Europe Jazz Network Wroclaw and THE EARLY YEARS OF JAZZ FESTIVAL GROWS Ljubljana, and Amsterdam. Some of the ideas and interview AND FESTIVAL IN LONDON 63 2008-2011: PAST, material have been published in the proceedings of the first 7 ANTI-JAZZ PRESENT, FUTURE Continental Drifts conference, Edinburgh, July 2016, in a paper 8 EARLY JAZZ FESTIVALS 69 2012: FROM FEAST called ‘The role of the festival producer in the development of jazz (CULTURAL OLYMPIAD) in Europe’ by Emma Webster.
    [Show full text]
  • Konnex-Katalog 51Xx
    Konnex-Katalog 51xx KCD 5100 EUROPEAN JAZZ ENSEMBLE "25th Anniversary Tour" CHARLIE MARIANO, JOACHIM KÜHN, PAOLO FRESU, CONNY BAUER, JARMO HOOGENDIJK, ALLAN BOTSCHINSKY, ALAN SKIDMORE, JIRI STIVIN, STAN SULZMAN, GERD DUDEK, ROB VAN DEN BROECK, ADELHARD ROIDINGER, ALI HAURAND, TONY LEVIN & DANIEL HUMAIR KCD 5102 “Surface” HOLGER MANTEY piano, MATHIAS SCHUBERT tenor sax KCD 5103 ORGANIZED CHAOS PETER BROETZMANN tenor sax, tarogato, e-flat clarinet, bass sax NICKY SKOPELITIS e lectric guitar SHOJI HANO drums KCD 5104 ORANGE TOWN WOLFGANG SCHLUETER marimba & vibraphone CHRISTOPH SPENDEL piano KCD 5105 EUROPLOSION ACHIM JAROSCHEK piano & MANI NEUMEIER perc. KCD 5106 DAS ROSA RAUSCHEN II FELIX WAHNSCHAFFE alto sax, JOHN SCHRÖDER guitar OLIVER POTRATZ bass, ERIC SCHAEFER drums KCD 5108 SCHINDERKARREN MIT BUFFET “Jazz & Lyrik” PAUL EßER narration, GERD DUDEK sax, JIRI STIVIN flutes, clarinet, ALI HAURAND bass KCD 5109 WOKONDA ACHIM JAROSCHEK piano GÜNTER „BABY” SOMMER persusion KCD 5110 FRONTIER TRAFFIC MARIANO alto sax, ALI HAURAND bass, DANIEL HUMAIR drums KCD 5111 DUBBEL DUO ANDRE GOUDBEEK saxes, PETER JACQUEMYN bass PETER KOWALD bass, JEFFREY MORGAN saxes KCD 5112 AHOI THORSTEN KLENTZE guitar, JOST HECKER cello, ROGER JANOTTA saxes, MARIKA FALK percussion KCD 5113 ERNST BIER/MACK GOLDSBURY QUARTET MACK GOLDSBURY saxes, HERB ROBERTSON trumpet MATTHIAS BAETZEL hammond organ, ERNST BIER drums KCD 5115 TAKE NO PRISONERS BERT WILSON saxes, JEFFREY MORGAN piano KCD 5114 ASAF SIRKIS & INNER NOISE STEVE LODDER church organ, MIKE OUTRAM guitar ASAF
    [Show full text]
  • The Jazz Rag
    HEADING HEADING THE JAZZ RAG ISSUE 123 AUTUMN 2012 2012 BRITISH JAZZ AWARDS: UK £2.75 THE NOMINATIONS Jamie Brownfield by Merlin Daleman CONTENTS NEW RELEASES FROM UPBEAT JAZZ JAMIE BROWNFIELD PHOTOGRAPHED BY MERLIN DALEMAN AT THIS YEAR'S URDVD251 THE BIG CHRIS BARBER BAND DVD BIRMINGHAM INTERNATIONAL JAZZ AND BLUES FESTIVAL. JAMIE IS Live on the Isle of Wight Fantastic live concert recording of The Big Chris Barber Band. ONE OF THE NOMINATIONS FOR RISING STAR IN THE BRITISH JAZZ 18 tracks running 90 minutes – not to be missed! AWARDS (PAGES 18-19). URCD249 THE LONDON SWING ORCHESTRA The Roaring Twenties 4 NEWS 25th Anniversary recording from Graham Dalby and the orchestra (formerly The Grahamophones) 20 terrific tracks. 5 UPCOMING EVENTS URCD242 SISTER ROSETTA THARPE – The Queen of Hot Gospel 6 WHERE DID IT ALL START? Includes previously unreleased recordings including her own wedding! A great rarity! RON SIMPSON ON EUROPEAN JAZZ BANDS AND November 2012 is the 10th Anniversary of THEIR ORIGINS the passing of Lonnie Donegan and we have five terrific albums of Lonnie’s great music for you to choose from: 9 JAZZ IN THE MOVIES JAZZ ON FILM URCD214 Jubilee Concert 1981 1st Half ANDREW PATRICK ON JAZZ FILMS URCD212 The Last Tour – 2002 his last recording URCD218 Jubilee Concert 1981 2nd Half URCD200 This Yere De Story – BBC broadcast - his life in words & music1994 11 SOUTHPORT MELODIC JAZZ/JAZZ: Complete track listings and personnel online. All CDs available from good record shops – distributed by RSK – BODY AND SOUL or online together with the full Upbeat Jazz catalogue at www.upbeatmailorder.co.uk 12 DANNY POLO AMERICANS Upbeat Mail Order also stocks many third party labels SUBSCRIBE TO THE JAZZ RAG IN LONDON including Lake, 504, PEK, Jasmine, Proper, JSP, Frog and Raymer Sound and many more….
    [Show full text]
  • Johannes Bauer
    Johannes Bauer Discography | Diskographie 15.03.2019 2019 – 03 Zlatko Kaucic – Diversity Not Two Records, MW 969-2 Not Two Records, MW 969-2 Zlatko Kaučič – Ground Drums, Percussion Johannes Bauer – Trombone CD#5 »MED-ANA« 1. Med-Ana – 11:34 / 2. Med-Ana – 3:34 / 3. Med-Ana – 8:21 / 4. Med-Ana – 8:52 / 5. Med-Ana – 2:53 / 6. Šmartno Suita – 23:55 Tracks 1 to 5 – Recorded at Medana “Old Movie Theatre” on September 15, 2012. Track 6 – Recorded at Brda Contemporary Music Festival, Italy on September 13, 2014. 5 CDs in single printed paper-sleeves housed in a sturdy cardboard box-set with a magnetic locking. Contains a 12-page booklet with an interview, line-ups, liner notes and photographs. Only CD #5 with Johannes. 2018 – 01 Jeb Bishop, Matthias Müller, Matthias Muche – Konzert für Hannes Not Two Records, MW 961-2 Jeb Bishop – trombone Matthias Müller – trombone Matthias Muche – trombone 1. 07:39 / 2. 06:07 / 3. 09:03 / 4. 07.59 / 5. 07:40 / 6. 07:09 Recorded live at Stadtgarten Köln on May 5th 2016 Tribut Recording Johannes Bauer Discography 2 | 44 2017 – 01 Johannes Bauer / Peter Broetzmann – Blue City Trost Records, TR155 Peter Brötzmann: tenor & alt sax, tarogato, b-flat clarinet Johannes Bauer: trombone 1 Name That Thing 28:42 2 Blue City 5:11 3 Poppy Cock 15:25 4 Heard And Seen 14:05 5 Hot Mess 6:10 Mastered By – Martin Siewer, Photography – Philippe Renaud Live at Blue City Osaka / Japan 16. October 1997 2014 – 02 Barry Guy New Orchestra Small Formations – Mad Dogs On The Loose Not Two Records , MW925-2, 4 × CD, Album Barry Guy bass
    [Show full text]
  • Discographie
    CHRISTIAN SCHOLZ UNTERSUCHUNGEN ZUR GESCHICHTE UND TYPOLOGIE DER LAUTPOESIE Teil III Discographie GERTRAUD SCHOLZ VERLAG OBERMICHELBACH (C) Copyright Gertraud Scholz Verlag, Obermichelbach 1989 ISBN 3-925599-04-5 (Gesamtwerk) 3-925599-01-0 (Teil I) 3-925599-02-9 (Teil II) 3-925599-03-7 (Teil III) [849] INHALTSVERZEICHNIS I. PRIMÄRLITERATUR 389 [850] 1. ANTHOLOGIEN 389 [850] 2. VORFORMEN 395 [865] 3. AUTOREN 395 [866] II. SEKUNDÄRLITERATUR 439 [972] III. HÖRSPIELE 452 [1010] ANHANG 460 [1028] IV. VOKALKOMPOSITIONEN 460 [1029] V. NACHWORT 471 [1060] [850] I. PRIMÄRLITERATUR 1. ANTHOLOGIEN Absolut CD # 1. New Music Canada. A salute to Canadian composers and performers from coast to coast. Ed. by David LL Laskin. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von Hildegard Westerkamp u. a. CD Absolut CD # 2. The Japanese Perspective. Ed. by David LL Laskin. Special Guest Editor: Toshie Kakinuma. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von Yamatsuka Eye & John Zorn, Ushio Torikai u. a. CD Absolut CD # 3. Improvisation/Composition. Beilage in: Ear Magazine. New York o. J., o. Angabe der Nummer. Beiträge von David Moss, Joan La Barbara u. a. CD The Aerial. A Journal in Sound. Santa Fe, NM, USA: Nonsequitur Foundation 1990, Nr. 1, Winter 1990. AER 1990/1. Mit Beiträgen von David Moss, Malcolm Goldstein, Floating Concrete Octopus, Richard Kostelanetz u. a. CD The Aerial. Santa Fe, NM, USA: Nonsequitur 1990, Nr. 2, Spring 1990. AER 1990/2. Mit Beiträgen von Jin Hi Kim, Annea Lockwood, Hildegard Westerkamp u. a. CD The Aerial.
    [Show full text]