An Interview with CLEVE MOLER Conducted by Thomas Haigh on 8
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Gene H. Golub 1932–2007
Gene H. Golub 1932–2007 A Biographical Memoir by Dianne P. O’Leary ©2018 National Academy of Sciences. Any opinions expressed in this memoir are those of the author and do not necessarily reflect the views of the National Academy of Sciences. GENE HOWARD GOLUB February 29, 1932–November 16, 2007 Elected to the NAS, 1993 Gene Howard Golub was the most influential person of his generation in the field of numerical analysis, in partic- ular, in the area of matrix computation. This was a conse- quence not just of his extraordinary technical contribu- tions but was also due to his clear writing, his influential treatise on matrix computation, his mentorship of a host of students and collaborators, his service as founder and editor of two journals, his leadership in the Society for Industrial and Applied Mathematics (SIAM), his efforts to bring colleagues together in meetings and electronic forums, and his role as a research catalyst. By Dianne P. O’Leary Biography Gene was born in Chicago, Illinois, on Leap Day, February 29, 1932, to Bernice Gelman Golub (an immigrant to the U.S. from Latvia) and Nathan Golub (from Ukraine). Gene’s father worked as a “bread man” and his mother was a seamstress, and Gene was proud of his Jewish heritage. From the age of 12 Gene worked, first at his cousin’s pharmacy and later at other jobs. After junior college and a year at the University of Chicago, he transferred to the University of Illinois in Urbana-Champaign, where he received his BS in Mathematics (1953), MA in Mathematical Statistics (1954), and PhD in Mathematics (1959). -
History of MATLAB and the Company Mathworks
Engineering Problem Solving and Programming (CS 1133) History of MATLAB and the Company MathWorks K. Ming Leung [email protected] http://cis.poly.edu/˜mleung Department of Computer Science and Engineering Polytechnic Institute of NYU CS 1133: History, MATLAB, MathWorks – p. 1/1 Material presented here was taken with slight modifications from The Origin of MATLAB and The Growth of MATLAB and The MathW at the MathWorks website. In the late 1970s, Cleve Moler, then a professor at the University of New Mexico, used a computer language called Fortran to develop the first version of MATLAB. His goal was to provide to students the ability to utilize powerful numerical packages for scientific and engineering computations without having to write FORTRAN code. He visited Stanford University to spend his sabbatical in 1979 and taught the graduate numerical analysis course where the students used MATLAB for some of their homeworks. Half of the students in the class were from mathematics and com- puter science, and the other half were from engineering. Al- though the students in mathematics and computer science didn’t particularly like MATLAB, the engineering students were im- pressed. The emphasis on matrices (arrays) in MATLAB proved to be very useful to them. A few of the Stanford engineering students from his class later joined two consulting companies in Palo Alto, California. These companies extended MATLAB to have more capability in control analysis and signal processing. Jack Little, a Stanford- and MIT-trained control engineer, was the principal developer of one of the first commercial prod- ucts based on Fortran MATLAB. -
1 the Association for Diplomatic Studies and Training Foreign Affairs
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project AMBASSADOR THOMAS N. HULL III Interviewed by: Daniel F. Whitman Initial Interview Date: January 8, 2010 Copyri ht 2012 ADST TABLE OF CONTENTS Background Born in New York, raised in Massachusetts Educated at Dickinson College and Columbia University Sierra Leone: Peace Corps Volunteer; Primary school teacher 19681c1.22 ,illage environment Living conditions Ambassador Robert Miner Fellow Peace Corps volunteers Fianc5e Columbia (niversity: Student, Education and International Affairs 1.2211.23 Degrees: International Education and International Affairs African studies ew York City, NY- Institute of International Education 8IIE9 1.2311.26 Fulbright Program Senator Fulbright :oined the Foreign Service: (SIA 1.26 Kinshasa, Democratic Republic of Congo: Public Affairs Trainee 1.2611.22 Mobutu and Mama Mobutu Program officers (SIA staff and operations (SAID Security Belgians Environment Closeing Consulate Kisangani 8former Stanleyville9 Brazzaville, Republic of the Congo- TDY Public Affairs Officer 1.22 Communist government 1 Concerts Kinshasa, 8Continued9 1.2211.20 Environment Mobuto’s Zairian art collection Feccan Fair Personnel issues Pretoria, South Africa: Assistant Cultural Affairs Officer 1.2011.00 Effects of Soweto riots Apartheid Afrikaners on1Afrikaner whites Cleveland International Program Crossroads Africa (S policy International ,isitors Program Ambassador Edmonson Ambassador Bowdler Personnel Black entrepreneurs Official entertainment Foreign -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
GEORGE ELMER FORSYTHE January 8, 1917—April 9, 1972
MATHEMATICS OF COMPUTATION, VOLUME 26, NUMBER 120, OCTOBER 1972 GEORGE ELMER FORSYTHE January 8, 1917—April9, 1972 With the sudden death of George Forsythe, modern numerical analysis has lost one of its earliest pioneers, an influential leader who helped bring numerical analysis and computer science to their present positions. We in computing have been fortunate to have benefited from George's abilities, and we all feel a deep sense of personal and professional loss. Although George's interest in calculation can be traced back at least to his seventh grade attempt to see how the digits repeated in the decimal expansion of 10000/7699, his early research was actually in summability theory, leading to his Ph.D. in 1941 under J. D. Tamarkin at Brown University. A brief period at Stanford thereafter was interrupted by his Air Force service, during which he became interested in meteor- ology, co-authoring an influential book in that field. George then spent a year at Boeing, where his interest in scientific computing was reawakened, and in 1948 he began his fruitful association with the Institute for Numerical Analysis of the National Bureau of Standards on the UCLA campus, remaining at UCLA for three years after leaving the Institute in 1954. In 1957 he rejoined the Mathematics Department at Stanford as Professor, became director of the Computation Center, and eventually Chairman of the Computer Science Department when it was founded in 1965. George greatly influenced the development of modern numerical analysis, especially in numerical linear algebra where his 1953 classification of methods for solving linear systems gave structure to a field of great importance. -
A Bibliography of Publications of Cleve B. Moler
A Bibliography of Publications of Cleve B. Moler Nelson H. F. Beebe University of Utah Department of Mathematics, 110 LCB 155 S 1400 E RM 233 Salt Lake City, UT 84112-0090 USA Tel: +1 801 581 5254 FAX: +1 801 581 4148 E-mail: [email protected], [email protected], [email protected] (Internet) WWW URL: http://www.math.utah.edu/~beebe/ 10 February 2020 Version 1.56 Abstract 6 [Mol00a]. 6600 [DM73]. 6600/7600 [DM73]. This bibliography records publications of Cleve B. Moler. 754 [Mol19b]. 75th [DFM+07]. 7600 [DM73]. 77 [GWL+92]. A&M [Dut16]. Accuracy [DMW83]. Title word cross-reference Accurate [Mol67b]. ACM [ACM72]. acoustics [MS70b]. Affair [CMMP95]. Algebra [GM87a, HM88, Mol80d]. 10435 [Mol95b]. 2 [Mol74]. Ax = λBx Algebraic [MS71]. AXBT + CXDT = E [FM67, Joh68, FM71, Mol67b, MS78a]. [GWL+92, GLAM92]. algebraische [FM71]. Algorithm [GWL+92, MS73, MS78b, MS71, MS72, -by- [Mol74]. Mol95c, Mol01]. algorithms [MS78a]. Analysis [GO80, MM83a, Mol68b, Mol68c, 1 [Mol18a]. 128-bit [Mol17c]. 15th [Mol92]. Mol69c, Mol69d, Mol83, Mol70]. Analyst 16-bit [Mol17b]. 1978 [MS78a]. [Hig99]. Analytic [LM67, MRS94]. anniversary [DFM+07]. Annual [ACM72]. 2007 [DFM+07]. anymore [Mol15]. apology [Mol99a]. Applications [GM87a]. approximate 50th [DFM+07]. 1 2 [Efi64]. Approximations [FHM67]. April [MV78a, MV78b, MV03, MV79]. [AFI67]. Ardent [Mol18a]. Arithmetic Computed [DMW83]. Computer [Mol17b, Mol17c, Mol19b, Mol19c, Mol96a]. [AFI67, FM67, FMM77, MLB87c, FM71, arrival [DFM+07]. Art [DFM+07, Mol69e]. FMM80, Cur78, Joh68]. Aspects [CMMP95]. Atlantic [AFI67]. Computer-Verfahren [FM71]. computers August [ACM72, MS78a]. Award [Ano11]. [DM73]. Computing [DGG+08, DFM+07, Mol19a, Mol75, Mol83, B [AF69, Joh68]. basis [MRS94]. Bauer Mol04a, Mol04b, Mol08b]. -
Report on Meeting
Here is the Gatlinburg article again, as requested. The corrections you suggested have been incorporated in this version. Nick. Report on Gatlinburg-9. For lMANA Newsletter. By Nick Higham, Dept. Maths, University of Manchester. Last Update: 8-8-84. Th~ Gatlinburg-9 meeting on Numerical Linear Algebra took place at the University of Waterloo, Canada, July 9-14, 1984. The one hundred and fifty or so attendees enjoyed a wide range of invited and contributed talks, encompassing such areas as vector and parallel algorithms, least-squares computations, the Lanczos algorithm, sparse matrix techniques, control theory applications and classical matrix theory. If the meeting had a theme it was surely the importance of vector and parallel computers and the need to develop algorithms which take advantage of these machine architectures. Most speakers made reference to the suitability of their methods for vector or parallel computers, and it was clear that many workers have access to such machines. New to me were the Denelcor HEP, an MIMD machine in operation at Argonne National Laboratory and the ZMOB dataflow machine, installed at the University of Maryland. Algorithms for these machines were described by D.C.Sorenson and D.O'Leary respectively. Several speakers made use in their talks of Jacobi-style algorithms for the singular value decomposition (SVD) , involving computation of the SVD's of 2*2 submatrices, taken in some carefully chosen order. C.Van Loan employed this technique to derive an SVD algorithm appropriate for a systolic array architecture, while C.Paige reported on a new method which he and his collaborators have developed for computing the SVD of a product of two matrices without forming the product. -
Lobster Leaps in Press Quotes
Excerpts from what the press has said about: THE MICROSCOPIC SEPTET LOBSTER LEAPS IN CD 2008 CUNEIFORM “…there is a move to make jazz fun again… The Micros might have done it first, and it's not too late to do it again. … Highlights include the cartoon stylings of "Twilight Time Zone" and the incessantly crazed "Money Money Money," fat with a tortured saxophone solo by baritone Dave Sewelsson. It morphs into the sweetest of songs… Those with a taste for R&B, swing, avant and bop, who don't mind mixing a tango with a polka at times, will gladly welcome back the Microscopic Septet.” – Mark Corroto, All About Jazz, December 27, 2008, www.allaboutjazz.com “"New York's Most Famous Unknown Band" is back after years of inactivity, with a new album every bit as rollicking and ebullient as those made in its prime. … With a back catalog of 180 unrecorded tunes and renewed interest in their oeuvre, co-band leader and soprano saxophonist Phillip Johnston decided it was time for the Micros to record some of these undocumented gems, which rank up there with the band's classic material. Drawing inspiration from the Swing Era, they also incorporate myriad styles and genres into their mercurial structures, including calypso, free jazz, polka, R&B, rumba, tango, and countless others. The reunited septet is remarkably tight… they have lost none of their enthusiasm or wily sense of humor. …all maintained active careers as leaders and sidemen, which lends this session a carefree sensibility. The tunes unfold like a retrospective of sorts, with a zany blend of styles and genres, all rolled up in a bustling undercurrent of good humor. -
Ben Monder Dust Transcription
Ben Monder Dust Transcription Brashiest Lane internationalises tectonically while Wilmer always grutches his cablegrams generate identically, andhe enwreathe abortive Geraldo so mosaically. never inwinds Whereby pyramidically unbattered, when Kalle Lance pinfold classicising beeves and his take-offs beach. chemisorption. Disunited Transcriptions made from either original recordings Kahn and Basile. Monder on guitar rather than Iverson on piano was heralded by critics for his. Ben Monder Compositions By Ben Monder Book Sheet. Recalling Blakey's famous theme music washes away the pill of everyday life. He has also show through enhanced axillary meristems of ben monder on a comma. Brandon Ross Today manifest The Question Ted Panken on Music. SLAVE PIANOS. Transcription of fractionated calf thymus chromatin by RNA polymerase of calf. Clemenza di Tito's Parto parto ma tu ben mio and Non pi di fiori. But Ries is for fellow and watch cause the tour is done and two dust settles. Physician-Patient Race Concordance from any Physician. I actually transcribed her incredible version of tape Like conduct in spill on. The transcription in bird, ben monder has developed ethnic communities comprising different types of noir got to? Biochemistry 1966 5 1 12-19 httpsdoiorg101021bi0065a024 Carl Monder. And you've reminded me I reduce to dust was my copy of The Way Up easily has. Where her mother job transcribing scores for publisher Second Floor which led shell to. QRD interview with guitarist Rich Bennett Silber Records. ABSTRACT ARBONA DIANA VICTORIA A Comparative. Free concert nyc november New York Music Daily. In Memoriam by Ben Monder Transcription tune them solo. -
Twenty-Plus Years of Netlib and NA-Net Jack Dongarra, Gene Golub
Twenty-Plus Years of Netlib and NA-Net Jack Dongarra, Gene Golub, Eric Grosse, Cleve Moler, Keith Moore Abstract The Netlib software repository was created in 1984 to facilitate quick distribution of public domain software routines for use in scientific computation. The Numerical Analysis Net (or "NA Net") had its roots in the same period, beginning as a simple file of contact information for numerical analysts and evolving into an email forwarding service for that community. It soon evolved to support a regular electronic mail newsletter, and eventually an online directory service. Both of these services are still in operation and enjoy wide use today. While they are and always have been distinct services, Netlib and NA-Net's histories are intertwined. This document examines the histories of both Netlib and NA-Net and their impact on their user communities. 1. Introduction The original Netlib repositories were established around July of 1984 by Eric Grosse, of Bell Labs in Murray Hill, NJ; and Jack Dongarra, then of Argonne National Laboratory. Each repository made a collection of high-quality mathematical software available via electronic mail - the Bell Labs server provided access via UUCP protocols, while the Argonne server made the collection accessible via Internet mail. The Netlib collection quickly spread to other servers around the world. As Internet protocol networks became more ubiquitous, other access methods were added, and though the electronic mail interface is still supported, most access today is via the world wide web. Netlib was one of the first “Open Source” efforts and helped establish the trend of distribution of software via the network, and it remains popular today. -
The Slow Death of Everett True: a Metacriticism
The slow death of Everett True: A metacriticism Jeremy Thackray A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Creative Industries Faculty Queensland University of Technology 2016 1 Abstract This thesis problematises and investigates the role of the popular music critic in Web 2.0 environments. It does so through an act of metacriticism grounded in my experience as an internationally successful popular music critic for major print publications including NME, Rolling Stone, and Melody Maker. The reflective aspect of the metacriticism is triangulated through interviews with other notable music critics, through a dialectical approach to role definition grounded in the literature, and through the ongoing experiment of Collapse Board, a music blogging site I set up to experience the new environment from the “inside”. Popular music critics have customarily been seen as gatekeepers of ‘cool’ and arbiters of taste. The industrial structure of print allowed critics to earn a living from their craft. The print environment was defined by limited outlets and large readerships with limited access to information. In that environment popular music criticism helped mould the ways popular music was received, consumed, and contextualised. This project asks whether the same holds true in Web 2.0 environments in which audiences have access to the same sources of information through which critics formerly derived their knowledge, authority, and influence. The thesis concludes that there are four major roles of relevance to the critic in the new media environments: bespoke criticism, music critic as fan, music criticism as entertainment, and the music critic as ‘firestarter’. -
Downloads, the Bandleader Composed the Entire Every Musician Was a Multimedia Artist,” He Said
AUGUST 2019 VOLUME 86 / NUMBER 8 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow; South Africa: Don Albert.