2015–16 Birmingham Season
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Study Guide for Teachers and Students
Melody Mennite in Cinderella. Photo by Amitava Sarkar STUDY GUIDE FOR TEACHERS AND STUDENTS 1 TABLE OF CONTENTS PRE AND POST-PERFORMANCE ACTIVITIES AND INFORMATION Learning Outcomes & TEKS 3 Attending a ballet performance 5 The story of Cinderella 7 The Artists who Created Cinderella: Choreographer 11 The Artists who Created Cinderella: Composer 12 The Artists who Created Cinderella Designer 13 Behind the Scenes: “The Step Family” 14 TEKS ADDRESSED Cinderella: Around the World 15 Compare & Contrast 18 Houston Ballet: Where in the World? 19 Look Ma, No Words! Storytelling in Dance 20 Storytelling Without Words Activity 21 Why Do They Wear That?: Dancers’ Clothing 22 Ballet Basics: Positions of the Feet 23 Ballet Basics: Arm Positions 24 Houston Ballet: 1955 to Today 25 Appendix A: Mood Cards 26 Appendix B: Create Your Own Story 27 Appendix C: Set Design 29 Appendix D: Costume Design 30 Appendix E: Glossary 31 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Students can describe how ballets tell stories without words; • Compare & contrast the differences between various Cinderella stories; • Describe at least one dance from Cinderella in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures. §114.22. LANGUAGES OTHER THAN ENGLISH LEVELS I AND II (4) Comparisons. The student develops insight into the nature of language and culture by comparing the student’s own language §110.25. ENGLISH LANGUAGE ARTS AND READING, READING (9) The student reads to increase knowledge of own culture, the culture of others, and the common elements of cultures and culture to another. -
British Ballet Charity Gala
BRITISH BALLET CHARITY GALA HELD AT ROYAL ALBERT HALL on Thursday Evening, June 3rd, 2021 with the ROYAL BALLET SINFONIA The Orchestra of Birmingham Royal Ballet Principal Conductor: Mr. Paul Murphy, Leader: Mr. Robert Gibbs hosted by DAME DARCEY BUSSELL and MR. ORE ODUBA SCOTTISH BALLET NEW ADVENTURES DEXTERA SPITFIRE Choreography: Sophie Laplane Choreography: Matthew Bourne Music: Wolfgang Amadeus Mozart – Gran Partita and Eine kleine Nachtmusik Music: Excerpts from Don Quixote and La Bayadère by Léon Minkus; Dancers: Javier Andreu, Thomas Edwards, Grace Horler, Evan Loudon, Sophie and The Seasons, Op. 67 by Alexander Glazunov Martin, Rimbaud Patron, Claire Souet, Kayla-Maree Tarantolo, Aarón Venegas, Dancers: Harrison Dowzell, Paris Fitzpatrick, Glenn Graham, Andrew Anna Williams Monaghan, Dominic North, Danny Reubens Community Dance Company (CDC): Scottish Ballet Youth Exchange – CDC: Dance United Yorkshire – Artistic Director: Helen Linsell Director of Engagement: Catherine Cassidy ENGLISH NATIONAL BALLET BALLET BLACK SENSELESS KINDNESS Choreography: Yuri Possokhov THEN OR NOW Music: Piano Trio No. 1, Op. 8 by Dmitri Shostakovich, by kind permission Choreography: Will Tuckett of Boosey and Hawkes. Recorded by musicians from English National Music: Daniel Pioro and Heinrich Ignaz Franz von Biber – Passacaglia for solo Ballet Philharmonic, conducted by Gavin Sutherland. violin, featuring the voices of Natasha Gordon, Hafsah Bashir and Michael Dancers: Emma Hawes, Francesco Gabriele Frola, Alison McWhinney, Schae!er, and the poetry of -
History of the Birmingham Hippodrome
School Project FAQ’s 1 History of the Birmingham Hippodrome 1890: First edition of ordnance survey maps show back to back housing covering the entire Birmingham Hippodrome site. 1895: The Assembly Rooms on the corner of Hurst Street and Inge Street are erected. 1899: The Tower of Varieties and Circus opens on 9th October 1899. It was constructed for Henry and James Draysey in a circus format with seating encircling the performance ring. 1900: The auditorium is reconstructed, incorporating stalls seating, dress circle gallery and boxes. Now names the Tivoli Theatre of Varieties and was the first venue to offer 2 shows nightly as a variety theatre – with the emphasis on music- hall. 1903: Renamed The Hippodrome .A rocky period of closures, openings, (closed for three years from 1914 due to WW1 1924: Purchased by Moss Empire s and remained in their control for around 55 years. Refurbished the theatre with a new entrance so that people didn’t have to queue outside for their tickets in the rain and replaced the circle and balcony with one large circle. 1957: The start of the annual Christmas Pantomime 1963: Renamed the Birmingham Theatre by Moss Empires. 1963 : Saw the advent of rock ‘n’ roll and lots of music performances including the Beatles, they came in March at the bottom of the bill and then back in November twice as sell out headline performers! There was so much hysteria around the theatre they had to come in dressed as policemen to avoid the crowds! 2 1964 : There was no panto this year – instead there was a six month run of My Fair Lady with Birmingham born Tony Britton (Fern Britton’s dad!) – It was a box office smash! 1972: Name reverts back to the Hippodrome. -
The Sleeping Beauty Untouchable Swan Lake In
THE ROYAL BALLET Director KEVIN O’HARE CBE Founder DAME NINETTE DE VALOIS OM CH DBE Founder Choreographer SIR FREDERICK ASHTON OM CH CBE Founder Music Director CONSTANT LAMBERT Prima Ballerina Assoluta DAME MARGOT FONTEYN DBE THE ROYAL BALLET: BACK ON STAGE Conductor JONATHAN LO ELITE SYNCOPATIONS Piano Conductor ROBERT CLARK ORCHESTRA OF THE ROYAL OPERA HOUSE Concert Master VASKO VASSILEV Introduced by ANITA RANI FRIDAY 9 OCTOBER 2020 This performance is dedicated to the late Ian Taylor, former Chair of the Board of Trustees, in grateful recognition of his exceptional service and philanthropy. Generous philanthropic support from AUD JEBSEN THE SLEEPING BEAUTY OVERTURE Music PYOTR IL’YICH TCHAIKOVSKY ORCHESTRA OF THE ROYAL OPERA HOUSE UNTOUCHABLE EXCERPT Choreography HOFESH SHECHTER Music HOFESH SHECHTER and NELL CATCHPOLE Dancers LUCA ACRI, MICA BRADBURY, ANNETTE BUVOLI, HARRY CHURCHES, ASHLEY DEAN, LEO DIXON, TÉO DUBREUIL, BENJAMIN ELLA, ISABELLA GASPARINI, HANNAH GRENNELL, JAMES HAY, JOSHUA JUNKER, PAUL KAY, ISABEL LUBACH, KRISTEN MCNALLY, AIDEN O’BRIEN, ROMANY PAJDAK, CALVIN RICHARDSON, FRANCISCO SERRANO and DAVID YUDES SWAN LAKE ACT II PAS DE DEUX Choreography LEV IVANOV Music PYOTR IL’YICH TCHAIKOVSKY Costume designer JOHN MACFARLANE ODETTE AKANE TAKADA PRINCE SIEGFRIED FEDERICO BONELLI IN OUR WISHES Choreography CATHY MARSTON Music SERGEY RACHMANINOFF Costume designer ROKSANDA Dancers FUMI KANEKO and REECE CLARKE Solo piano KATE SHIPWAY JEWELS ‘DIAMONDS’ PAS DE DEUX Choreography GEORGE BALANCHINE Music PYOTR IL’YICH TCHAIKOVSKY -
Former K Bar, 16 Hurst Street, Birmingham B5 4BN CONTACT US
LEASEHOLD BAR OPPORTUNITY Former K Bar, 16 Hurst Street, Birmingham B5 4BN CONTACT US Prominent location close to Birmingham Hippodrome Viewing is strictly by prior appointment with Colliers International, through: An established bar and nightclub location Paul Hands Offering accommodation at ground and first floor Licensed & Leisure +44 121 265 7517 [email protected] Property Ref: 19782 Colliers International Eleven Brindleyplace 2 Brunswick Square Brindleyplace Rent - £50,000 p.a. plus VAT, if applicable BIRMINGHAM B1 2LP +44 121 265 7500 www.colliers.com/uk/leisure Former K Bar, 16 Hurst Street, Birmingham, B5 4BN LOCATION First Floor The property is located at Hurst Street, close to the junction Function room area with bar servery (currently unused). with Smallbrook Queensway, adjacent to Birmingham’s China Catering kitchen with dumb waiter to ground floor. Rear Town, Birmingham Hippodrome Theatre and the Arcadian hallway with ladies and gents toilets and beer cellar, having Centre and is also within a few minutes walk of the Bullring goods delivery lift from rear service yard. Shopping Centre and New Street Station. The immediate surrounding uses are a combination of bar/restaurant and Second Floor entertainment venues with a Chinese restaurant Mint Bar To manager’s office and storeroom. being adjacent and the Oceana Nightclub opposite. Other Service Area leisure uses in the area include the Circus Casino, Chung Ying There is a delivery service yard giving access to the rear of the Gardens Restaurant, as well as the Ibis, Holiday Inn and premises with a bottle store area. Radisson Hotel. RATEABLE VALUE DESCRIPTION The property is listed on the 2010 Valuation List as having a The property forms part of a multi-let building of steel and Rateable Value of £30,000. -
Royal Opera House Performance Review 2006/07
royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 1 Royal Opera House Performance Review 2006/07 The Royal Ballet - The Royal Opera royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 2 Contents 01 TH E ROYA L BA L L E T PE R F O R M A N C E S 02 TH E ROYA L OP E R A PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 3 3 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 01 TH E ROYA L BA L L E T PE R F O R M A N C E S royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 4 4 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 GI S E L L E NU M B E R O F PE R F O R M A N C E S 6 (15 matinee and evening 19, 20, 28, 29 April) AV E R A G E AT T E N D A N C E 91% CO M P O S E R Adolphe Adam, revised by Joseph Horovitz CH O R E O G R A P H E R Marius Petipa after Jean Coralli and Jules Perrot SC E N A R I O Théophile Gautier after Heinrich Meine PRO D U C T I O N Peter Wright DE S I G N S John Macfarlane OR I G I N A L LI G H T I N G Jennifer Tipton, re-created by Clare O’Donoghue STAG I N G Christopher Carr CO N D U C T O R Boris Gruzin PR I N C I PA L C A S T I N G Giselle – Leanne Benjamin (2) / Darcey Bussell (2) / Jaimie Tapper (2) Count Albrecht – Edward Watson (2) / Roberto Bolle (2) / Federico Bonelli (2) Hilarion – Bennet Gartside (2) / Thiago Soares (2) / Gary Avis (2) / Myrtha – Marianela Nuñez (1) / Lauren Cuthbertson (3) (1- replacing Zenaida Yanowsky 15/04/06) / Zenaida Yanowsky (1) / Vanessa Palmer (1) royal_ballet_royal_opera.qxd 18/9/07 14:15 Page 5 5 TH E ROYA L BA L L E T PE R F O R M A N C E S 2 0 0 6 / 2 0 0 7 LA FI L L E MA L GA R D E E NU M B E R O F PE R F O R M A N C E S 10 (21, 25, 26 April, 1, 2, 4, 5, 12, 13, 20 May 2006) AV E R A G E AT T E N D A N C E 86% CH O R E O G R A P H Y Frederick Ashton MU S I C Ferdinand Hérold, freely adapted and arranged by John Lanchbery from the 1828 version SC E N A R I O Jean Dauberval DE S I G N S Osbert Lancaster LI G H T I N G John B. -
Ballet Notes Cover: Greta Hodgkinson and Guillaume Côté (2005)
The Taming of the Shrew March 2007 Ballet Notes Cover: Greta Hodgkinson and Guillaume Côté (2005). This page: John Cranko with Stuttgart Ballet’s Marcia Haydée and Richard Cragun in rehearsal (c.1969). The Taming of the Shrew A ballet in two acts after William Shakespeare Choreography: John Cranko Copyright: Dieter Graefe Produced and Staged by: Reid Anderson Originally Reproduced from the Benesh Notation by: Jane Bourne Music: Domenico Scarlatti, arranged by Kurt-Heinz Stolze, published by Edition Modern AG Set and Costume Design: Susan Benson Lighting Design: Robert Thomson Assistant to Miss Benson: Marjory Fielding This production entered the repertoire of The National Ballet of Canada on February 13, 1992; Walter Carsen, O.C. totally underwrote the original production and generously sponsored the 2006 refurbishment. Presenting Sponsor: 3 Synopsis Baptista, a rich gentleman of Padua, has two Scene 4: A street daughters. The elder, Katherina, an intelligent, All the neighbours gather to attend Katherina’s outspoken woman, is thought to be a shrew by wedding. They find it hysterical that she has the townsfolk. What Katherina really resents is the agreed to marry such a man. Bianca’s suitors preferential attention paid to her silly, vain sister, gleefully join them in a playful, silly dance. Bianca, by everyone. Despite her objections, Scene 5: Baptista’s house Katherina is married to Petruchio. Petruchio mar- Katherina is dragged to her wedding kicking and ries Katherina for her money and sets out to bully screaming by her father. Petruchio arrives late her into submission. But who tames whom, the and behaves outrageously. -
Ashton Triple Cast Sheet 16 17 ENG.Indd
THE ROYAL BALLET Approximate timings DIRECTOR KEVIN O’HARE Live cinema relay begins at 7.15pm, ballet begins at 7.30pm FOUNDER DAME NINETTE DE VALOIS OM CH DBE FOUNDER CHOREOGRAPHER The Dream 55 minutes SIR FREDERICK ASHTON OM CH CBE Interval FOUNDER MUSIC DIRECTOR CONSTANT LAMBERT Symphonic Variations 20 minutes PRIMA BALLERINA ASSOLUTA Interval DAME MARGOT FONTEYN DBE Marguerite and Armand 35 minutes The live relay will end at approximately 10.25pm Tweet your thoughts about tonight’s performance before it starts, THE DREAM during the intervals or afterwards with #ROHashton FREE DIGITAL PROGRAMME SYMPHONIC Royal Opera House Digital Programmes bring together a range of specially selected films, articles, pictures and features to bring you closer to the production. Use promo code ‘FREEDREAM’ to claim yours (RRP £2.99). VARIATIONS roh.org.uk/publications 2016/17 LIVE CINEMA SEASON MARGUERITE OTELLO WEDNESDAY 28 JUNE 2017 AND ARMAND 2017/18 LIVE CINEMA SEASON THE MAGIC FLUTE WEDNESDAY 20 SEPTEMBER 2017 LA BOHÈME TUESDAY 3 OCTOBER 2017 CHOREOGRAPHY FREDERICK ASHTON ALICE’S ADVENTURES IN WONDERLAND MONDAY 23 OCTOBER 2017 THE NUTCRACKER TUESDAY 5 DECEMBER 2017 CONDUCTOR EMMANUEL PLASSON RIGOLETTO TUESDAY 16 JANUARY 2018 TOSCA WEDNESDAY 7 FEBRUARY 2018 ORCHESTRA OF THE ROYAL OPERA HOUSE THE WINTER’S TALE WEDNESDAY 28 FEBRUARY 2018 CONCERT MASTER VASKO VASSILEV CARMEN TUESDAY 6 MARCH 2018 NEW MCGREGOR, THE AGE OF ANXIETY, DIRECTED FOR THE SCREEN BY NEW WHEELDON TUESDAY 27 MARCH 2018 ROSS MACGIBBON MACBETH WEDNESDAY 4 APRIL 2018 MANON THURSDAY 3 MAY 2018 LIVE FROM THE SWAN LAKE TUESDAY 12 JUNE 2018 ROYAL OPERA HOUSE WEDNESDAY 7 JUNE 2017, 7.15PM For more information about the Royal Opera House and to explore our work further, visit roh.org.uk/cinema THE DREAM SYMPHONIC VARIATIONS Oberon, King of the Fairies, has quarrelled with his Queen, Titania, who refuses to MUSIC CÉSAR FRANCK hand over the changeling boy. -
Bournonville À Biarritz 6Th Édition
ACADEMIE Bournonville à Biarritz 6th édition from July 28th to August 2nd 2014 Artistic director Monik Elgueta - Biarritz Artistic consultant Eric Viudes In partnership with the city of Biarritz and the Centre Chorégraphique National Malandain Ballet Biarritz Auguste Bournonville (1805-1879) Teachers Auguste Bournonville who was the son of Antoine frank andersen Bournonville, a French dancer and Director of the Royal Danish Ballet from 1985 ballet teacher who lived in exile in to 1994 and from 2002 to 2008 and of the Royal Swedish Ballet from 1995 to 1999. Danemark, studied ballet with his Professor of Dance Acedemy in Beijing father in Copenhagen before com- pleting his training in Paris with erik aschengreen Pierre Gardel and Auguste Vestris. Danish professor, dance historian and ballet He joined the Paris Opera in 1826, critic but left France in 1830 to become a principal at the Royal Danish Ballet and succeeded his father as a ballet dinna bjorn master, a post that he held until 1877. Throughout his life Director of the Norwegian National Ballet from he supported the lightness , the elegance and the phra- 1990 to 2002 and of the finnish National Ballet sing of the French balletic style. The style that he taught from 2001 to 2008, international guest teacher and that survived him thanks to an uninterrupted tradi- tion. The author of around fifty ballets essentially resting eva kloborg on a harmonious and happy vision of life, Bournonville, Character dancer at the Royal Danish Ballet and international guest teacher in spite of the way ballet changed during his lifetime, as testified by the “romantic ballet”, gave equal importance to male and female dancers. -
Espying Balletic Heights by Lynn Matluck Brooks
Photo: Kevin Burdette Espying Balletic Heights by Lynn Matluck Brooks I couldn’t pass up the opportunity to see classic works by classy companies at ballet-drenched Lincoln Center last week. I was in the city for research at the Jerome Robbins Dance Division of the New York Public Library for the Performing Arts, adjacent to the Metropolitan Opera House. The library’s closing at 6 p.m. gave me just enough time to grab a bite of dinner and take my seat at the Met th for American Ballet Theatre (ABT) on Tuesday evening, May 27 , and at the David H. Koch Theater for New York City Ballet (NYCB) th on Wednesday, May 28 . The opportunity afforded me a chance to see great dancers, in great companies, on great stages, dancing great works. Just do it! And I did. Not a review of the performances, this essay is a reflection on the experience of being there and doing that. The enormity of the red-carpeted Met lobby, its chandeliers glittering, its liveried ushers, its stunningly dressed (well, in some cases) patrons is delicious in itself. Looking straight out at the fountain on a late-spring evening, and at the hordes of people hanging out and criss-crossing the plaza, feels like an iconic New York experience. Finding my way to a high-up seat in the nearly-full house, I peered down at the far-off stage. Yet that stage seems vast—deep, wide, and well used for its nearly 50 years supporting dance and opera. ABT performed its production of La Bayadère, with choreography by Natalia Makarova “after Marius Petipa” (his version premiered in 1877, St. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
Differently 1, 2 & 3 Bedroom Apartments
VIEW DIFFERENTLY 1, 2 & 3 BEDROOM APARTMENTS PRIME CANAL POSITION AND CITY FOR CITY VIEWS LIVING ON-SITE CONCIERGE AND RESIDENTS GYM LUXURY AND DESIGNER TOUCHES THROUGHOUT LUXURIOUS CITY Birmingham’s tallest skyscraper ____________ 4 Life revolves around you ________________ 6 A room with a view ____________________ 8 The epitome of design and quality __________ 10 Elevated above the rest ________________ 13 Sophistication & style __________________ 14 A space to suit you ____________________ 16 The finishing touches __________________ 18 A place to call home __________________20 A team you can trust ___________________22 Contact ___________________________23 CITY CENTRE SKYSCRAPER 3 BIRMINGHAM’S TALLEST SKYSCRAPER Discover a luxurious Standing in the city’s beating Europe’s youngest city is a renowned new home where city heart, The Bank presents a range seat of learning, drawing thousands of luxurious one, two and three of international students to its five life revolves around you. bedroom apartments in Birmingham’s outstanding universities. A further 15 tallest residential building. At over universities (offering the widest range 100 metres in height, this 33 storey of courses) are all within skyscraper offers unrivalled views an hour’s drive. across one of Europe’s most vibrant Attracting more people moving cities and its distinctive network of from London than any other city, working canals. Birmingham is also at the centre With the Metro tramline right on of one of the largest Business, the doorstep, an on-site gym, Professional & Financial Services shared open space and ready clusters in Europe. Home to HSBC’s access to everything offered by new UK banking HQ, Birmingham this exuberant and multicultural also boasts large regional offices for metropolis, life at The Bank just such high profile names as Deutsche couldn’t be more desirable.