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To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law fi rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations. -
AP1 Companies Affiliates
AP1 COMPANIES & AFFILIATES 100% RECORDS BIG MUSIC CONNOISSEUR 130701 LTD INTERNATIONAL COLLECTIONS 3 BEAT LABEL BLAIRHILL MEDIA LTD (FIRST NIGHT RECORDS) MANAGEMENT LTD BLIX STREET RECORDS COOKING VINYL LTD A&G PRODUCTIONS LTD (TOON COOL RECORDS) LTD BLUEPRINT RECORDING CR2 RECORDS ABSOLUTE MARKETING CORP CREATION RECORDS INTERNATIONAL LTD BOROUGH MUSIC LTD CREOLE RECORDS ABSOLUTE MARKETING BRAVOUR LTD CUMBANCHA LTD & DISTRIBUTION LTD BREAKBEAT KAOS CURB RECORDS LTD ACE RECORDS LTD BROWNSWOOD D RECORDS LTD (BEAT GOES PUBLIC, BIG RECORDINGS DE ANGELIS RECORDS BEAT, BLUE HORIZON, BUZZIN FLY RECORDS LTD BLUESVILLE, BOPLICITY, CARLTON VIDEO DEAGOSTINI CHISWICK, CONTEMPARY, DEATH IN VEGAS FANTASY, GALAXY, CEEDEE MAIL T/A GLOBESTYLE, JAZZLAND, ANGEL AIR RECS DECLAN COLGAN KENT, MILESTONE, NEW JAZZ, CENTURY MEDIA MUSIC ORIGINAL BLUES, BLUES (PONEGYRIC, DGM) CLASSICS, PABLO, PRESTIGE, CHAMPION RECORDS DEEPER SUBSTANCE (CHEEKY MUSIC, BADBOY, RIVERSIDE, SOUTHBOUND, RECORDS LTD SPECIALTY, STAX) MADHOUSE ) ADA GLOBAL LTD CHANDOS RECORDS DEFECTED RECORDS LTD ADVENTURE RECORDS LTD (2 FOR 1 BEAR ESSENTIALS, (ITH, FLUENTIAL) AIM LTD T/A INDEPENDENTS BRASS, CHACONNE, DELPHIAN RECORDS LTD DAY RECORDINGS COLLECT, FLYBACK, DELTA LEISURE GROPU PLC AIR MUSIC AND MEDIA HISTORIC, SACD) DEMON MUSIC GROUP AIR RECORDINGS LTD CHANNEL FOUR LTD ALBERT PRODUCTIONS TELEVISON (IMP RECORDS) ALL AROUND THE CHAPTER ONE DEUX-ELLES WORLD PRODUCTIONS RECORDS LTD DHARMA RECORDS LTD LTD CHEMIKAL- DISTINCTIVE RECORDS AMG LTD UNDERGROUND LTD (BETTER THE DEVIL) RECORDS DISKY COMMUNICATIONS -
The Qur'anic Manuscripts
The Qur'anic Manuscripts Introduction 1. The Qur'anic Script & Palaeography On The Origins Of The Kufic Script 1. Introduction 2. The Origins Of The Kufic Script 3. Martin Lings & Yasin Safadi On The Kufic Script 4. Kufic Qur'anic Manuscripts From First & Second Centuries Of Hijra 5. Kufic Inscriptions From 1st Century Of Hijra 6. Dated Manuscripts & Dating Of The Manuscripts: The Difference 7. Conclusions 8. References & Notes The Dotting Of A Script And The Dating Of An Era: The Strange Neglect Of PERF 558 Radiocarbon (Carbon-14) Dating And The Qur'anic Manuscripts 1. Introduction 2. Principles And Practice 3. Carbon-14 Dating Of Qur'anic Manuscripts 4. Conclusions 5. References & Notes From Alphonse Mingana To Christoph Luxenberg: Arabic Script & The Alleged Syriac Origins Of The Qur'an 1. Introduction 2. Origins Of The Arabic Script 3. Diacritical & Vowel Marks In Arabic From Syriac? 4. The Cover Story 5. Now The Evidence! 6. Syriac In The Early Islamic Centuries 7. Conclusions 8. Acknowledgements 9. References & Notes Dated Texts Containing The Qur’an From 1-100 AH / 622-719 CE 1. Introduction 2. List Of Dated Qur’anic Texts From 1-100 AH / 622-719 CE 3. Codification Of The Qur’an - Early Or Late? 4. Conclusions 5. References 2. Examples Of The Qur'anic Manuscripts THE ‘UTHMANIC MANUSCRIPTS 1. The Tashkent Manuscript 2. The Al-Hussein Mosque Manuscript FIRST CENTURY HIJRA 1. Surah al-‘Imran. Verses number : End Of Verse 45 To 54 And Part Of 55. 2. A Qur'anic Manuscript From 1st Century Hijra: Part Of Surah al-Sajda And Surah al-Ahzab 3. -
Film Tourism in India – a Beginning Towards Unlocking Its Potential
Film tourism in India – a beginning towards unlocking its potential FICCI Shoot at Site 2019 13 March 2019 Film tourism is a growing phenomenon worldwide, fueled by both the growth of the entertainment industry and the increase in international travel. Film tourism sector has seen tremendous growth in the past few years. It represents a gateway to new and more intense ways of experiencing destinations. At the same time, it creates the potential for new communities by way of an exchange of insights, knowledge and experience among the tourists themselves. Films play a significant role in the promotion of tourism in various countries and different states of India. A film tourist is attracted by the first-hand experience of the location captured on the silver screen. Not only is film tourism an excellent vehicle for destination marketing, it also presents new product development opportunities, such as location tours, film museums, exhibitions and the theme of existing tourist attractions with a film connection. This report focusses on the concept of film tourism and the various initiatives taken by both the state and central government of India for boosting film induced tourism through their respective film production policies. Dilip Chenoy Secretary General - Federation of Indian Chamber of Commerce and Industry Foreword The significance of cinema in today’s times has gone beyond its intended purpose of mass entertainment. Cinema is a portal for people to escape from reality and into their world of fantasy. Cinema is a source of inspiration for some, a source of entertainment for some and a source of education for some. -
The Jewish Discovery of Islam
The Jewish Discovery of Islam The Jewish Discovery of Islam S tudies in H onor of B er nar d Lewis edited by Martin Kramer The Moshe Dayan Center for Middle Eastern and African Studies Tel Aviv University T el A v iv First published in 1999 in Israel by The Moshe Dayan Cotter for Middle Eastern and African Studies Tel Aviv University Tel Aviv 69978, Israel [email protected] www.dayan.org Copyright O 1999 by Tel Aviv University ISBN 965-224-040-0 (hardback) ISBN 965-224-038-9 (paperback) All rights reserved. No part of this publication may be reproduced in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publisher. Publication of this book has been made possible by a grant from the Lucius N. Littauer Foundation. Cover illustration: The Great Synagogue (const. 1854-59), Dohány Street, Budapest, Hungary, photograph by the late Gábor Hegyi, 1982. Beth Hatefiitsoth, Tel Aviv, courtesy of the Hegyi family. Cover design: Ruth Beth-Or Production: Elena Lesnick Printed in Israel on acid-free paper by A.R.T. Offset Services Ltd., Tel Aviv Contents Preface vii Introduction, Martin Kramer 1 1. Pedigree Remembered, Reconstructed, Invented: Benjamin Disraeli between East and West, Minna Rozen 49 2. ‘Jew’ and Jesuit at the Origins of Arabism: William Gifford Palgrave, Benjamin Braude 77 3. Arminius Vámbéry: Identities in Conflict, Jacob M. Landau 95 4. Abraham Geiger: A Nineteenth-Century Jewish Reformer on the Origins of Islam, Jacob Lassner 103 5. Ignaz Goldziher on Ernest Renan: From Orientalist Philology to the Study of Islam, Lawrence I. -
Samuelson Clinic Files Amicus Brief in Sony V. Cox
USCA4 Appeal: 21-1168 Doc: 29-1 Filed: 06/01/2021 Pg: 1 of 43 Case No. 21-01168 _____________________________________________________________ IN THE UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT ____________________________________________________ SONY MUSIC ENTERTAINMENT, ET AL., Plaintiffs-Appellees, v. COX COMMUNICATION, INC. and COXCOM, LLC, Defendants-Appellants. (see full caption on inside cover) _____________________________________________________________ BRIEF OF AMICI CURIAE ELECTRONIC FRONTIER FOUNDATION, CENTER FOR DEMOCRACY AND TECHNOLOGY, AMERICAN LIBRARY ASSOCIATION, ASSOCIATION OF COLLEGE AND RESEARCH LIBRARIES, ASSOCIATION OF RESEARCH LIBRARIES, AND PUBLIC KNOWLEDGE IN SUPPORT OF DEFENDANTS- APPELLANTS AND REVERSAL ____________________________________________________ On Appeal from the U.S. District Court for the Eastern District of Virginia Case No. 1:18-cv-950-LO-JFA Hon. Liam O’Grady _____________________________________________________________ Mitchell L. Stoltz Corynne McSherry ELECTRONIC FRONTIER FOUNDATION 815 Eddy Street San Francisco, California 94109 (415) 436-9333 [email protected] Counsel for Amici Curiae (Additional counsel listed on signature page) USCA4 Appeal: 21-1168 Doc: 29-1 Filed: 06/01/2021 Pg: 2 of 43 SONY MUSIC ENTERTAINMENT; ARISTA MUSIC; ARISTA RECORDS, LLC; LAFACE RECORDS LLC; PROVIDENT LABEL GROUP, LLC; SONY MUSIC ENTERTAINMENT US LATIN LLC; VOLCANO ENTERTAINMENT III, LLC; ZOMBA RECORDINGS LLC; SONY/ATV MUSIC PUBLISHING LLC; EMI AL GALLICO MUSIC CORP.; EMI ALGEE MUSIC CORP.; EMI APRIL MUSIC INC.; EMI BLACKWOOD MUSIC INC.; COLGEMS-EMI MUSIC INC.; EMI CONSORTIUM MUSIC PUBLISHING INC., d/b/a EMI Full Keel Music; EMI,CONSORTIUM SONGS, INC., d/b/a EMI Longitude Music; EMI FEIST CATALOG INC.; EMI MILLER CATALOG INC.; EMI MILLS MUSIC, INC.; EMI UNART CATALOG INC.; EMI U CATALOG INC.; JOBETE MUSIC CO. -
JULIA D. GREER (State Bar No
Case 3:16-cv-00951-RS Document 39 Filed 05/20/16 Page 1 of 4 1 JEFFREY G. KNOWLES (State Bar No. 129754) JULIA D. GREER (State Bar No. 200479) 2 SCOTT C. HALL (State Bar No. 232492) COBLENTZ PATCH DUFFY & BASS LLP 3 One Montgomery Street, Suite 3000 San Francisco, California 94104-5500 4 Telephone: 415.391.4800 Facsimile: 415.989.1663 5 Email: [email protected], [email protected], 6 [email protected] 7 Attorneys for Plaintiffs ARISTA MUSIC, ARISTA RECORDS, LLC, 8 LAFACE RECORDS LLC, SONY MUSIC ENTERTAINMENT, SONY MUSIC 9 ENTERTAINMENT US LATIN LLC, AND ZOMBA RECORDING, LLC 10 LLP [Additional Counsel Listed On Signature Pages] 11 ASS B 12 UNITED STATES DISTRICT COURT & 13 NORTHERN DISTRICT OF CALIFORNIA, SAN FRANCISCO DIVISION UFFY D 14 15 ARISTA MUSIC, ARISTA RECORDS, LLC, Case No. 3:16-cv-00951 RS ATCH ATCH LAFACE RECORDS LLC, SONY MUSIC P 16 ENTERTAINMENT, SONY MUSIC JOINT STIPULATION AND [PROPOSED] ENTERTAINMENT US LATIN LLC, AND ORDER REGARDING CONSOLIDATED 17 ZOMBA RECORDING LLC, OPPOSITION BRIEF OF PLAINTIFFS ARISTA MUSIC, ARISTA RECORDS, 415.391.4800 • Fax 415.989.1663 18 Plaintiffs, LLC, LAFACE RECORDS LLC, SONY OBLENTZ C MUSIC ENTERTAINMENT, SONY 19 v. MUSIC ENTERTAINMENT US LATIN LLC, AND ZOMBA RECORDING LLC IN 20 RADIONOMY, INC., RADIONOMY SA, RESPONSE TO DEFENDANTS' RADIONOMY GROUP, B.V., and MOTIONS TO DISMISS 21 ALEXANDRE SABOUNDJIAN, an individual, Judge: Hon. Honorable Richard Seeborg 22 Dept.: Courtroom 3, 17th Floor One MontgomeryOne Street,3000, Suite Francisco, San California 94104-5500 Defendants. 23 Trial Date: None Set -
PRINT CULTURE and LEFT-WING RADICALISM in LAHORE, PAKISTAN, C.1947-1971
PRINT CULTURE AND LEFT-WING RADICALISM IN LAHORE, PAKISTAN, c.1947-1971 Irfan Waheed Usmani (M.Phil, History, University of Punjab, Lahore) A THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY SOUTH ASIAN STUDIES PROGRAMME NATIONAL UNIVERSITY OF SINGAPORE 2016 DECLARATION I hereby declare that this thesis is my original work and it has been written by me in its entirety. I have duly acknowledged all the sources of information which have been used in the thesis. This thesis has also not been submitted for any degree in any university previously. _________________________________ Irfan Waheed Usmani 21 August 2015 ii ACKNOWLEDGEMENT First I would like to thank God Almighty for enabling me to pursue my higher education and enabling me to finish this project. At the very outset I would like to express deepest gratitude and thanks to my supervisor, Dr. Gyanesh Kudaisya, who provided constant support and guidance to this doctoral project. His depth of knowledge on history and related concepts guided me in appropriate direction. His interventions were both timely and meaningful, contributing towards my own understanding of interrelated issues and the subject on one hand, and on the other hand, injecting my doctoral journey with immense vigour and spirit. Without his valuable guidance, support, understanding approach, wisdom and encouragement this thesis would not have been possible. His role as a guide has brought real improvements in my approach as researcher and I cannot measure his contributions in words. I must acknowledge that I owe all the responsibility of gaps and mistakes in my work. I am thankful to his wife Prof. -
Ls 5 2 7 4 8/1 1 / 9 5 MI K E OSB O R N E WB R U 88 BE
Ls5274 8/11/95 MIKE OSBORNE WBRU 88 BENEVOLENT SI PROVIDENCE RI 02906 CLUB NOUVEAU RIp-It Records A Deleon Of Bar-Be' Jet Enterteinfnent Group. Inc. vc_rythins I black flaturing tfl.(_ hit ins,1 as 1.«IL It QIP-IT QE:20112D6 • 715 N. Ferncreck Ave. • Olando. FL 5280_ • (407) 898-2009 AUGUST II, 1995 VOLUME XIX NUMBER 23 Cover Story Impromp2 24 s e clt Publisher's Page 5 News 6 Music Report I 0 Music Reviews 16 Yesteryear/Starview 46 csalluLarirwase Jazz Notes I 5 BRE Flix 18 Video Visions 20 Hip Hop Era 21 In Other Media 22 Gospel 23 last Word 46 cilkvarties 19r. iress ea• miii Singles Chart 12 Album Chart 14 The Sweetest Sixteen New Music 9 Jan Chart 15 Not even a full year has passed since Brandy's self-titled debut album on Atlantic hit the market, ne./3 icsrua w eipmsa rt s and this sixteen-year-old is at the top of the R&B heap. She beat out such multi-platinum artists as Carolinas 27 Mid Atlantic 29 Janet Jackson, Mary J. Blige, and Anita Baker at the Lady Of Soup Awards. She strolled away with four Ohio Valley 30 of the coveted statuettes, winning in every category she was nominated. On top of all of this, Brandy North East 31 Mid South 33 was named spokeswoman for the 1995 Sears/Seventeen Peak Performance Scholarship Program and Mid West 35 Tour. The program's aim is to empower and help young women achieve their personal goals. South East 39 West 41 Here's to the little lady of soul. -
Antonio “La” Reid
ICON words DOMINIQUE CARSON L.A. Reid has many titles under his belt: musician, songwriter, record producer, music executive, former music judge, and now chairman and CEO of Epic Records. The entertainment industry undeniably recognizes his contributions in music, business, and entrepreneurship. The Grammy Award- winning executive has mentored some of the biggest names in music including P!nk, TLC, Toni Braxton, Mariah Carey, Usher, Donnell Jones, and Outkast. His work is commended because he understands the importance of being business ANTONIO savvy, turning a prospective artist’s dream into a reality, and composing and recording material that will leave the world stunned. L.A Reid turned his life- long passion of music into a business empire emulated by aspiring business men. But achievements didn’t come automatically--he took risks, embraced his humble beginnings as an artist, believed in his former record label, and wasn’t afraid of “LA” REID change and the process of evolution. Reid’s musical debut began when he was a member of the R&B band, The Deele, which also included Kenneth “Babyface” Edmonds. The group recorded their groundbreaking hit, “Two Occasions” in the 1980s. Even though the group disbanded before the single was released, it is still considered one of the greatest R&B tracks of all time. The group performs the single occasionally at concerts because it will always be a Top 10 hit for listeners. Fans can sing the lyrics to a significant other when trying to reconcile. After his stint in Deele ended, Reid launched LaFace Records with Babyface in Atlanta, Georgia in 1989. -
Sini Calligraphy: the Preservation of Chinese Muslims' Cultural
SINI CALLIGRAPHY: THE PRESERVATION OF CHINESE MUSLIMS’ CULTURAL HERITAGE A THESIS SUBMITTED TO THE GRADUATE DIVISION AT THE UNIVERSITY OF HAWAI’I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Hala Ghoname Thesis committee: Kate A. Lingley, Chair Paul Lavy James D. Frankel 1 Contents: I. Introduction----------------------------------------------------------------------------------3 II. Chapter 1: History and Origins of Sini Calligraphy - The Story of Arabic and Chinese Writing------------------------------------------10 - Islam in China-------------------------------------------------------------------------24 - Chinese Arabic Calligraphy (Sini Calligraphy)-----------------------------------29 III. Chapter 2: The Status of Sini Calligraphy in the Present Day. - Definition of Sini Script in the Modern Day--------------------------------------41 - Function and Style--------------------------------------------------------------------42 - Development of Style and Relations with Islamic Countries-------------------47 - Change of Tools and Practice--------------------------------------------------------51 - Case Study; The Calligraphy of Haji Noor Deen Mi Guangjiang--------------54 - Haji Abdul Hakim---------------------------------------------------------------------60 - Sini Calligraphy Outside of China--------------------------------------------------62 IV. Chapter 3: Challenges facing the preservation of Sini Calligraphy. - Sinicization and the use of Arabic language---------------------------------------67 -
How Parks V. Laface Uses the Artistic Relevance Test to Adjudicate Artistic Content Mitchell David Greggs
Washington and Lee Law Review Volume 61 | Issue 3 Article 6 Summer 6-1-2004 Shakin' It to the Back of the Bus: How Parks v. LaFace Uses the Artistic Relevance Test to Adjudicate Artistic Content Mitchell David Greggs Follow this and additional works at: https://scholarlycommons.law.wlu.edu/wlulr Part of the Constitutional Law Commons, and the Entertainment, Arts, and Sports Law Commons Recommended Citation Mitchell David Greggs, Shakin' It to the Back of the Bus: How Parks v. LaFace Uses the Artistic Relevance Test to Adjudicate Artistic Content, 61 Wash. & Lee L. Rev. 1287 (2004), https://scholarlycommons.law.wlu.edu/wlulr/vol61/iss3/6 This Note is brought to you for free and open access by the Washington and Lee Law Review at Washington & Lee University School of Law Scholarly Commons. It has been accepted for inclusion in Washington and Lee Law Review by an authorized editor of Washington & Lee University School of Law Scholarly Commons. For more information, please contact [email protected]. Shakin' It to the Back of the Bus: How Parks v. LaFace Uses the Artistic Relevance Test to Adjudicate Artistic Content Mitchell David Greggs* Table of Contents I. Introduction ................................................................................ 1288 II. Reasons for the Enactment of Section 43(a) of the Lanham Act and Its Relation to the Right of Publicity ............................. 1291 III. The V arious Tests ....................................................................... 1293 A. The Likelihood of Confusion Test ................................... 1294 B. The Alternative Avenues Test ............................................. 1299 C. The Artistic Relevance Test ................................................. 1302 D. How the Artistic Relevance Test Has Moved to the Front of the Pack ................................................................. 1311 IV.