A Thematic Index of the Works for Woodwinds by Eugene Bozza (B

Home , Eugene (1989), Pi (instrument)

Louisiana State University LSU Digital Commons

LSU Historical Dissertations and Theses Graduate School

1989 A Thematic Index of the Works for Woodwinds by Eugene Bozza (B. 1905). Lois Jeanne Kuyper-rushing Louisiana State University and Agricultural & Mechanical College

Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses

Recommended Citation Kuyper-rushing, Lois Jeanne, "A Thematic Index of the Works for Woodwinds by Eugene Bozza (B. 1905)." (1989). LSU Historical Dissertations and Theses. 4855. https://digitalcommons.lsu.edu/gradschool_disstheses/4855

This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS

The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any fimA a P AnmmitAr nrinfAr

The quality of this reproduction is dependent upon the quality of the copy Sutmiiiicu. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely afreet reproduction.

In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.

Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book.

Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order.

University Microfilms international A Ocii O tJ<—. — n ______»:___ r -\ U C M I I V W C I I >1IIVI I I la u v i I V-/VJI ll{JOI ly 100 North Zeeb Road. AnnArbor. Ml 48106-1346 USA 313/761-4700 800/521-0600

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Order N u m b e r 9025316

a 4.1, ^ __ ^ 4.:^ ; a u.1 j z i~ v . . i._ x > ______•T^. d ju ciu ab iv IXIUCA Ui. bJUC VYU1A3 1U1 WUUUWXUUO L>jr JU/UgViXV A - » \ J £ j Zj < X (b. 1905)

Kuyper-Rushing, Lois Jeanne, D.M.A.

The Louisiana State University and Agricultural and Mechanical CoL, 1989

UMI SOON.ZeebRd. Ann Aibor, MI 48106

A Monograph

Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts

The School of Music

by Lois Kuyper-Rushing B.A., Central College, 1977 M.M., Louisiana State University, 1978 December 1989

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Dedicated to the memory of my father, H. Hospers Kuyper

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGEMENTS

I would like to recognize a number of people for

their assistance to me in preparing this document. Mark

Ostoich and Earnest Harrison, my two major professors at

Louisiana State University, and Wallace McKenzie, also at

Louisiana State University, have guided me through my

years of study. Lyle Merriman, former Dean of the School

of Music at LSU, presently Director of the School of Music

at Penn State University in University Park, PA, provided

me with the initial idea for the index, and Raymond

Martin, Central College, Pella, Iowa, suggested the

listing of the identical themes. I thank these two not

only for their ideas, but for their unfailing

encouragement.

I owe a debt of gratitude to two professors at

Kansas State University. I wish to thank Hanley Jackson

for his help with learning and using a music-writing

computer program, and Chappell White for his numerous

suggestions and words of advice concerning the index.

I also wish to thank the faculty and staff of the

Kansas State University Library where I have been a Music

Cataloger for the past three years. Without the

iii

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. encouragement and time allowance generously granted by

Sharon Roberts, Marilyn Turner, Charlene Grass and Brice

Hcbrock, I could never have completed this document.

Finally, 1 wish to thank my family. I thank my

parents, Hospers and Joyce Kuyper, for their years of

every type of support, my children Anthony and Johanna for

understanding when their mother's attention was focused

away from their interests, and especially my husband,

Steve, for his years of patience, advice, encouragement,

typing, baby sitting, and overall involvement and interest

in the project.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. •TABLE OF CONTENTS

ACKNOWLEDGEMENTS ...... ill

LIST OF ILLUSTRATIONS ...... vi

ABSTRACT ...... vii

INTRODUCTION ......

Chapter

TIT •* A I • r u u i i i ••••••••••••••••••••

TT a t j a t ? “x v r r \ p i r n r t o u t j a t j v t XX • v C v L a i i l ; xiitvjxjxon A s/xut ...... 2 5

III. CLARINET ...... H >

• SAXOPHONE ...... 5 9

V. BASSOON ...... 7 3 > H

• DUETS ......

VII. TRIOS ......

VIII. QUARTETS ...... 1 0 5

IX. QUINTETS AND LARGER CHAMBER ENSEMBLES . . . . 1 1 5

gT?T TjnmT?n

APPENDIX

1 . CONCORDANCE OF THEMATIC SIMILARITIES . . . .

2 . LETTER OF PERMISSION FROM ALPHONSE LEDUC, EDITEURS DE MUSIQUE, PARIS, FRANCE . . . . .

3 . LETTER OF PERMISSION FROM SOUTHERN MUSIC COMPANY, SAN ANTONIO, TEXAS ...... 1 6 4

4 . LETTER OF PERMISSION FROM GERARD BILLAUDOT, EDITEUR, PARIS, FRANCE ......

VITA ...... 168

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. LIST OF ILLUSTRATIONS

Figure Page

1. First movement of a multi -movement piece with distinctive movement titles ...... 8

2. Single movement with introduction...... 8

3. Single movement with two themes ...... 9

4. Frrst movement of a multi—movement piece without distinctive titles for each movement .... 9

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT

The introduction to this thematic index deals with

the life of Eugene Bozza. Bozza studied at the Paris

Conservatory m r e e rrmes ror tnree separate awards* In

1924 he graduated with the first prize in violin. In 1931

he was awarded the first prize in conducting and in 1934

he won the first prize in composition and the Premier

Grand Prix de Rome. Bozza's professional career included

five years as solo violinist with L 'Orchestra de Pasdeloup

(1925-30), one year as conductor of the Ballet Russe de

Monte Carlo (1931-32), eleven years as Chef d'Orchestre at

the Opera Comique (1939-1950) and twenty-five years as the

n •roA+’Ar IPa a 1 o 4 An p 1 o Mn e; 4 /«niA / 1 OCAw1 50"7C / -l l\ .

Valenciennes, France. He composed works in a wide variety

of genres throughout his career and into his retirement.

The heart of the monograph is a thematic index of

the works for woodwinds by Bozza, including unaccompanied

solos, accompanied solos, etudes, duets, trios, quartets,

quintets and larger chamber ensemble works. The first

five chapters include works for solo instruments (solos

and etudes) and the final four chapters include works for

chamber ensembles. Within the chapters of solo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. instrumental music, the works are grouped by pieces for

unaccompanied solo instrument, accompanied solo instrument

and etudes collections. Within each of these groups and

in the chamber music chapters, the works are arranged

chronologically. Each citation consists of the title,

publisher, date of publication, a brief description of the

piece (e.g., number of movements, introduction, cadenza,

etc.) and a brief musical example of each theme occurring

in the piece.

One of the more interesting aspects of Bozza's

compositions is his use of similar thematic material in

two or more works. Appendix 1, a Concordance of Thematic

Similarities, groups the works which have similar thematic

material. In this section, one can locate a piece or

etude for solo woodwind or woodwind ensemble by Bozza and

determine what other pieces or etudes have similar

thematic material.

Vlll

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. INTRODUCTION

EUGENE BOZZA (b. 1905)

Eugene Bozza was born on April 4, 1905 in Nice,

France.^ He was the son of Umberto Bozza, violinist, and

Honorine Molino.

Bozza began his musical training at the age of five,

studying violin with his father. At the age of eleven he

entered the Royal Conservatory of Saint Cecilia of Rome.

He completed his studies there in 1919 at the age of

seventeen, when he received his diploma as a Professor of

Violin.

In 1922 Bozza entered the Paris Conservatory of

Music, studying violin with Edouard Nadaud. He was

awarded the first prize of violin in 1924 at the age of

nineteen.

From 1925 to 1930, Bozza was solo violinist with

i'Orchestre de Pasaeioup. He performed with this

orchestra throughout France, Holland, Austria and Greece.

■Hrne most detailed account of the life of Eugene Bozza that is available at this time is found in Denise Cecils Regex'S Rov/en r nThs Contributions for Sassoon with Piano Accompaniment and Orchestral Accompaniment by Eugene Bozza with Analyses of Representative Solo Compositions" (D.M.A. diss.. University of Southern Mississippi, 1978), 73-81. The majority of that which follows is drawn from this document. 1

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Bozza rsGHucrsu uli€ P ^ n s Conssrvstory in 193G as a

new student in conducting, studying with Henri Rabaud. In

1931, while completing his military service, he was

awarded the first prize in conducting. Later that year he

was appointed to the Ballet Russe de Monte Carlo as

conductor.

In 1932 Bozza entered the Paris Conservatory for the

third time. His studies, this time in the area of

composition, were with Henri Busser. In 1934, after

winning the first prize in composition, he was awarded the

Premier Grand Prix de Rome for his work Legende de

Roukmani. The prize entitled him to spend four years and

five months at the Villa of the Medicis in Rome. During

this time, he composed numerous works including Concertino

for saxophone and an opera entitled Leonidas. The first

movements of two separate works, one entitled Trois

impressions for flute and piano and another entitled Deux

impressions for flute and harp are entitled "La Fontaine

de la Villa Medicis". Although they were not composed

during this time period, they certainly owe their

programmatic titles to Bozza:s time in Rome.

Following his return from Rome, Bozza returned to

conducting. He was appointed Chef d 1Orchestre at the

Opera. CCmiv^uc in Pa.2TiS xn 1939. In this position, Bozza

conducted symphonic and operatic literature throughout

Europe. Bozza continued to compose while he conducted,

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3

a. net during ins tenure us Chsf d 1 Orchss^rs he won ifie Prix

d'Italia for his comic opera Beppo (1963).

The decade of the 1940s was a productive one for

Bozza. Ke wrote nine compositions for solo -woodwind

instruments with piano or orchestral accompaniment, four

collections of etudes for woodwind instruments and four

compositions for various woodwind ensembles. In 1942 his

ballet Fetes romaines was published, and in 1943 his mass

entitled Messe a la Saintete Pie XII appeared.

In 1950, Bozza became the director of the Ecole

Nationals de Musique, Valenciennes, France, a post he held

until his retirement in 1975 at the age of seventy.

During his years at the Conservatory at Valenciennes he

continued to compose, especially in the area of chamber

music. A few examples of compositions from this time

period for woodwind ensembles include the following:

Divertissements for three bassoons (1954), Trois pieces

pour une musique de nuit for flute, oboe, clarinet and

bassoon (1954), Pentaphonie for woodwind quintet (1969),

Serenade en trio for flute, clarinet and bassoon (1971),

and Ouatre movements for seven wind instruments (1972).

In 1958, Bozza married Nelly Baude. She was a

pianist who had won the first Prize at the Paris

Conservatory before accepting a position as a professor at

the Ecole Nationale de Music at Valenciennes. They had

two children, Pierre and Cecile.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Since his retirement in 1S75, Bozza has continued to

compose. In 1975 his Graphismes. "preparation a la

lecture des differents graphismes musicaux contemporains

. . . "2 were published. These sets of four studies using

new notational signs and contemporary techniques were

published for flute, oboe, clarinet, bassoon, horn,

trombone and trumpet, and they were Bozza*s first attempt

at using these 20th-century techniques for woodwinds. His

compositions for woodwind instruments since 1975 include

Contrastes I for flute and bassoon, Contrastes II for oboe

and bassoon, Contrastes III for clarinet and bassoon, and

Cinq chansons for flute and bassoon. Virtually no new

material by Bozza has appeared since the publication of

Rag music for 5 timbales, glockenspiel, xylophone,

marimba, vibraphone, percussion (1 player) and piano in

1981 until 1988 when Trois evocations for two flutes was

published.

Bozza has been granted numerous awards and honors in

Europe. Several of these include The Legion d*Konneur.

Officier des Psaimes Academiques. Chevalier de la Couronne

de Belgique. Officier du Herite Nationale. Chevalier de

1 1ordre des Arts et des Lettres. Officier d l'Ordre du

Nichair. Medaille d*argent de la ville de Paris. Grand

Croix du Merit Musical. Medaille de vermait Arts Sciences

et Lettres. and the Medaille de la ville de Valenciennes.

Bozza, Eugene, Graphismes (Pans: Leduc, 1975) , 1.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5

et Lettres. and the Medaille de la ville de Valenciennes.

Eugene B o z z a has contributed to many areas of music

in the twentieth century as a pedagogue, a composer, a

conductor, a performer and a music conservatory

administrator. Music students involved with the

performance of woodwind music have an abundance of

literature by Bozza: unaccompanied solo works, works for

solo instruments accompanied by piano or orchestra,

studies and chamber music. This wealth of woodwind

literature, varying from the simple to the intricately

complex, deserves a wide audience in the recital halls of

tomorrow.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6

THE THEMATIC INDEX

ORGANIZATION

The works are divided into nine categories,

designated by Roman numerals: I, works for flute; II,

works for oboe; III, works for clarinet; IV, works for

saxophone; V, works for bassoon; VI, duets; VII, trios;

VIII, quartets; IX, quintets and larger groups of woodwind

instruments. Within each of the categories for solo

instruments, there are three subcategories: the addition

of the letter "a" after the Roman numeral indicates an

unaccompanied work; the addition of the letter "b" after

the Roman numeral indicates a work for solo instrument

with piano or orchestral accompaniment; the addition of

the letter "c" after the Roman numeral indicates a

collection of etudes.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NUMBERING

Within each subcategcry, the works are arranged

chronologically. If two or more works within one

subcategory were published in the same year, they are

arranged alphabetically.

Lowercase Roman numerals are used to refer to single

movements of multi-movement pieces. Thus, Ib:4i refers to

the first movement of Trois Impressions for flute and

piano, with the title of the movement following the

lowercase Roman numeral (Figure 1).

Ib:4 TROIS IMPRESSIONS pour flute et piano, Paris, France, 1953.

Three movements.

i. La Fontaine de la Villa Medicis

Tranquille et doucement reveur

dans tin rythme _ j couple «r cans rigueur 11

Figure 1 First movement of a multi-movement ~iece with distinctive movement titles.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. The lowercase Roman numerals refer to individual

movements or etudes as opposed to individual themes within

a movement or etude. Therefore, if a one-movement piece

has an introduction and a single theme, each of these

themes would not be assigned a lowercase Roman numeral;

rather, each would have the descriptive heading "intro" or

"theme" (Figure 2).

Ia:l IMAGE pour flute seule, op. 38, Paris, Leduc, 1940.

Single movement with introduction.

Intro (Lent) ) /T>

lavac la caractir a d’una improvisation) Theme Allegro ma non troppo

Ischarxando)

Figure 2 Single movement with introduction.

If the piece is a single-movement piece with multiple

themes (Figure 3) or a multi-movement piece with numbered

m ^ t*> +" e ( e ^ i r i n f i tto f i f l o c -P /->>»* _ \ V wO \ W«h. V w J-V*/X1AUX V x u u a x ltlUVCluCllL.O /

(Figure 4), the term describing tempo or style is used.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. IIb:7 PASTORALE pour hautbois et piano, Paris. Leduc. 1979.

Single movement (two themes)

Andantino pastorale

7 r ? r i

Figure 3 Single movement with two themes.

Ib:6 CONCERTINO DA CAMERA pour flute et orchestre a cordesr Paris, Leduc, 1964.

Three movements

i. Fantasque et leger

af --- -

Figure 4 First movement of a multi-movement piece without distinctive titles for each movement.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I . FLUTE

A. Unaccompanied

T ^ § 1 T ^ ^ ^ ^ « » M JT 1 ^ JL M M ^ ate ate teft ^ ^ ^ J ____ -i-a..j. xrinu£i p O u x iiui.6 S 6 u i 6 ; Op. j o , rdllS, LeQUC, 1940.

Single movement with introduction.

Intro (Lent)

m f iavec le caraciir a d’una improvisation) Theme Allegro ma non troppo

(scherxando)

la:2 PHORBEIA pour flute seule, Paris, Leduc, 1978.

OXU^XC UlUVCittClIL WXU11 XXXUXUUUUUXUlli

Intro Calme i— i ? 1 »

--- - i --- !--

m f

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 1

Theme

la: 3 INTERLUDE pour flutes a bee soprano et alto (un seul executant) ou pour flute traversxere, Paris, Leduc, 1S78.

Single movement

T’VtCkmo

Calme

p ills so)

B . Accompanied

lb: 1 ARIA pour violin ou flute et piano, Paris, Leduc, 1936.

Single movement.

Theme

Andante ma non troppo — ism. Sl 70. f} a o -0- -0 m 0 T m , f1-- — TT.i— i—i—i—_ — i--- 3 1 1 1 ~ *1— S— ^TT— *—!—M " — j—1--- eJ — J —

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 2

Ib:2 AGRESTIDE pour flute et piano, op. 44, Paris, Leduc, 194-.

Single movement with introduction.

Modere, dans le style d’une pastorae

Theme ^oux> melancoliqae sans rtgueur

Andantino (souple et sans riguenrK 88= J^) iavec u n e sonorite calme ez peneirame)

mf tres souple

lb:3 FANTAISIE ITALIENNE pour flute et piano, Paris, Leduc, 1953.

Single movement (two themes) with introduction

Intro

Moderato

Theme

Allant

P d o le s Allegro

Allegro scherxando

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3

Ib:4 TROIS IMPRESSIONS pour flute et piano, Paris, Leduc, 1953.

Three movements.

i. La Fountaine de la Villa Medicis

dans un rythme _ souple et sans rigueur U n . La Petite Nymphe de Diane

Modere, dans le style d’une pastorale . . r r > , — $ $ r . f fV b r 3*= trhs doux, sans riguaur iii. La Danse d'Elke

Andantino (soupie et sans rigueur) £ at £5*. hi

P librement, expressif

lb:5 SOIR DANS LES MONTAGNES pour flute et piano, Paris, Leduc, 1954.

Single movement.

Theme Moderato f±, # .Q I i m mf P

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4

±b:6 CONCc Rt INO DA CAMERA pour flute et orchestre a cordes, Paris, Leduc, 1964.

Three movements.

i. Fantasque et ieger 3* >jt_ ^ kf-b*. -j-

ii. Larghetto

iii. Allegro brillante

Allegro brillante (J=126) >

f scharxando

Ib:7 DIALOGUE pour flute & piano, Paris, Billaudot, 1972.

Single movement.

Theme

Allegro giusto Dolce e Bspressivo , ^ V*-' V - ______Va-______V- ^ jw- £

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5

Ib:8 BERCEUSE pour flute ou hautbois et piano, Paris, Leduc, 1976.

Single movement.

Theme

Calme

Ib;9 AIR DE VIELLE pour flute ou hautbois et piano, Paris, Leduc, 1976.

Single movement.

Theme

Allegro

•P

r-rv n *r______nutc wu.___ _ iiaub.wu.b . . w ^/iauu...... f raris, Leduc, 1976.

Single movement.

Theme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 6

Ib:il v u**j-RE PIECES FA£XLES pour flute et piano Paris Leduc, 1976. ' '

Four movements.

i. Reves d ’enfants Andantino

ii. Le Campanile

Allegretto giocoso I J ~rt £

iii. Menuet des pages

Moderato

iv. Eili-Eili, melodie hebraique

Andante espressivo £ 3=

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 7

lb:12 CINQ CHANSONS SUR DES THEMES JAPONAIS pour flute et piano, Paris, Leduc, 1978.

Five movements.

i. Chant triste d'Iwate

J =56 P m

ii. Lutte des guerriers a cheval

J=106

iii. Les eaux de Kusatsu

J=60 —;------n # ------0 ~ . — * P F 1------f* "mn 1 L"'i i» 4----- —*--- anr--i t " i r-i . , J 1 r- » p o g -" * — } E J 1 - .. 3 m f

iv. Chant d 1amour

(J=80-104)

v. Les moissonneurs de Miyazaki

(J=112)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 8

C . Etudes

Ic:l 14 ETUDES - ARABESQUES pour flute, Paris, Leduc, 1340.

i. (a piacere)

(a piacere)

ii. Allegro Allegro (120=J) (leggiero)

iii. Moderato ma con tenerezza Moderato ma con tenerezza

Molto moderato

Molto moderato leggiero e espre ssivo I *-

v. Allegro moderato

All° moderato

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 9

VI. Moderato

Moderato t_____ -j-1

vii. Andantino Andantino (6en legato e senza rigore) Avec tine sonorite ealme et penetrant©. With quiet and touching sound mil dinsa stiller! asd tisfsn Klan^. C o n a n a sonoridad tranquilla y penetcnte.

3..1L ir^ r ^|g•^

viii. Allegretto scherzando

A H tt° scherzando >

ix. Rapido e leggiero

Rapido e lsy5t£tc

x. Allegro vivace

All° vivace (scherzando)

xi. Allegro vivace

AllA I tO vivace *

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 0

xii. Lento Lento Avec Xe caractere d'une improvisation. Like an improvisation. in der Art einer improvisation. Con el caracier de ana improvisacion.caracier

xiii. Moderato

nxOucx. aw u \uufcbba ^ r senza rigore

xiv. Veloce

Veloce (140=J) Marquez un pen et allongez les notes portant le signe - A little marked. The notes bearing the sign - will be plaid longer. Etwas betont. Die mit dem Merkmal - bezeichnete Noten werden verlangert. Mar car un poco y alar gar las notas llevando el signo -

Ic:2 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, Paris, Leduc, 1S73.

i. Capriccioso Capriccioso doXce_

ii. Souple Souple (J=£o) imuHi

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 1

i n . (lisse)

lissa iv. Scherzando (Allegro con moto)

*j-£-

v. Moderato

/ vi. Lento

Lento (J=50) tern po rubato 4 l\ ( /i\ --- —-- k—*—f c S ------IL ^-n.» ^ ^--- icr-r-p 7 J. i c ■1 ' •

tendre vii. Presque vif

Presque vif (Capricieux)

viii. (expressif)

nsf expressif

i E= ... . ' '

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 2

ix. Animato

Animates ..—v. /TN

s cher xando x. Un peu vif

Un peu vif Rrr- 5______w ? a-- b* *>

Ic:3: GRAPHISMES, preparation a lecture des differents graphismes musicaux contemporains [pour] flute.. Paris, Leduc, 1975.

J=80

ii.

J=90

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 3

m a .

&) l> HI >— 3- l-3_l FT"I K */ K v _=2 L i> n.

£ =5*

iiib.

=132 >

IV.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 4

D . Other

Id. 1 TROIS CADENCES POUR LE CONCERTO EN SOL DE MOZART pour flute, Paris, Leduc, 1949.

Three cadenzas.

i. Allegro Maestoso 214s mesu.ro 215

ii.

Adagio non troppo CADENZA 1 molto espr

iii.

Rondo T? ui Minnetto 154o sissrc

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. II. OBOE AND ENGLISH HORN

A. Unaccompanied

SUITE MONODIQUE pour iiautioois, Paxis, Leduc, 1971.

Six movements.

i. Capricieux Capricieux

ii. Tres modere, avec fantaisie extatique T res moder^', avec fantaisie extatique

iv. Modere, dans le style d ’une pastorale

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 6

v. (doux mais en dehors)

douse ma i s en dehors

vi. Anime Anime P P sch ers& sd o

B. Accompanied

IIb:l DIVERTISSEMENT for English horn and piano (original version), op. 39, San Antonio, Texas, Southern Music Co., 1958.1

Single movement (three themes) with introduction.

Intro

Lento rit. In the manner of an improvisation

5355

Moderato

Moderato J*=100

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 7

Andantino J=68

i t

aolto msp r m t s l v o

Allegretto scherzando

Allegretto scherzando Jr. Ur.o J .=100 scherzando

IIb:2 FANTAISIE PASTORALE pour hautbois et piano (ou orchestre), op. 37, Paris, Leduc, 1939.

Single movement (two themes) with introduction.

Intro

Lent avec le caractere d'une improvisation

M o d e r a t o

Moderato

a»«eunm xonarilm c a l m t at pm & t r c n z a

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 8

Allegro ma non troppo

Allegro ma non troppo -4

IIb:3 CONTE PASTORAL pour hautbois et piano, Paris, Leduc, 1953.

Single movement (two themes) with introduction.

Intro

Andantino

Allegro vif

Allegro vif Scherzando r —1 r m M J 1— • - i P S* m m \ + ^ *^ ' ' ’ \ n m ■ * — - r iSr.s

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 2 9

IIb:4 FANTAISIE ITALIENNE pour hautbois et piano, Paris, Leduc, 1953.

Single movement (two themes) with introduction.

Intro (Moderato)

Allant

Allsnt $0 i F a P dolce

Allegro

Allegro s e h m r x a n d o

lib:5 LIED pour cor anglais et piano, Paris, Leduc, 1954.

Single movement.

Theme

Moderato (84=J*) 3— l

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 0

lib:6 SONATE pour hautbois et piano, Paris, Leduc, 1971.

Four movements.

Tres calme t piacmrm

d o lc e

ii. Vif

Vif (J=120)

iii. Extremement tendre, expressif

Extrlsis!!i6Rt tflsdrc, expressif

iv. Anime Anim6

>[ □ ! m/-

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. lib:7 BERCEUSE pour flute ou hautbois et piano, Paris Leduc, 1976.

Single movement.

Theme

Calme /) .

IIb:8 AIR DE VIELLE pour flute ou hautbois et piano, Paris, Leduc, 1976.

Single movement.

Theme

Allegro f\ a m

rib:9 AIR PASTORAL pour flute ou hautbois et piano, Paris, Leduc, 1976.

Single movement.

Theme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 2

lib:10 PASTORALE pour hautbois et piano, Paris, Leduc, 1979.

Single movement (two themes).

Andantino pastorale

Andantino pastorale J.=76 tr'as a I’a is a I

Plus anime

Pins anime -fl- = ....

m f _ m/-

C . Etudes

H e : 1 18 ETUDES pour hautbois, Paris, Leduc, 1950.

A/T_ J n u u c— i a. tu

Moderato a placerm, cvcc tote csrcssers £*sas isprcvisstlon I -r*r------

ii. Moderato Moderato exp res sif et so u p le

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 3

iii. Allegro giocoso

Allegro giocoso fj S' *__ :—•--,--- ^

iv. Tres moderement

Tres moderement ^ Blen chante avec one eonorlte ample et onetueaxe frfTCiECTT rff r-jf m f —

v . Allegretto scherzando Allegretto scherzando ± - 4

vi. Andantino Andantino avec one jolie sonorite

vii. Andantino Andantino av ec one rnlmf I»f T>*nArr,T>±0

n f iV F ^ I'I* [J Tftf P " ! .jL\ i y\\ i E 2 viii. Tarentelle (Allegro vivace)

Tarentelle (Allegro vivace)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 4

IX Andantino

Andantino

X. Reeltativo

Recitativj fZ\

xi. Allegro moderato (grazioso) Allegro moderato (grazioso)

F m f -

xii. Allegro moderato

Allegro moderato

xiii. Allegro vivo

Allegro vivo . £ U -Sj ‘| u mf

xiv. Sicilienne

Sicilienne JL £ - X r r P dole*

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 5

xv. Improvisation (D'Apres la FANTAISIE PASTORALE POUR HAUTBOIS ET PIANO)

xvi. Recitativo (Moderato)

xvii. Presto Presto J=138

m f -

xviii. Moderato

Moder;

lie:2 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, Paris, Leduc, 1972.

Moderato

Moderai

mclto legato

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 6

ib. Allegretto giocoso Allegreto giocoso A Vm- m cat 7* f" mf

ii- Ben moderato

Ben Moderato

iii. (dolce) (J=48)

p— ■= (dolce)

iv. Scherzando (Allegro moderato)

Scherzando (Allegro con aoto)

v. Lento

. I _ . Lento tempo runato /T\ rs i fSE -*st f vi. Moderato

Moderato

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 7

vii. Allegro vivo

AllegTO vivo

viii. Moderato piacevole

Modcy&to piaqgvoi

ix. Animato

A&imato

x. Quasi una improvisationo Quasi una improvisationo

xii. Un poco vivo

Un poco vivo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 8

xiii. Animato Animato (J=160)

xiv. Allegro scherzando Allegro scherzando jr - J - Jr- T -« •* ifrrgrgi

m/-

IIc:3 GRAPHISMES, preparation a la lecture des diiierents graphismes nvusicaux, contemporains Paris, Leduc, 1975. '

l_ Q I — O' LT F

ii.

J=90 WS- E s a * . * vn |3-1)—£?-»!— I i

171/.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 3 9

iiia.

6> m T l> -il III l> 1 l> ._0__. i_- >» '—3—'

a), R™ ill i • Riiiit n"! i.1 Si R i 1- 7 m m n 1 l> n. > >

ft * =1-+1---^------!

iiib.

iv.

m/< mp

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. III. CLARINET

B. Accompanied

Illb:1 ARIA pour clarinette en Sib et oiano, Paris, Leduc. 1936.

Sincrle movement.

Theme

Andante ma non troppo I '-5-1

Illb:2 DIVERTISSEMENT for Bb clarinet and piano, op. 39, transcribed by David Hite, San Antonie . Texas, Southern Music Co., 1958.1

Single movement (three themes) with introduction.

Tn-h-rn

Lento In the manner of an improvisation

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 1

Moderate Moderato Ji=l(X)

Andantino

A 9

malzo *spr-msslvo Allegretto scherzando Allegretto scherzando J.=100

Illb:3 FANTAISIE ITALIENNE pour clarinette [Sib] et piano, Paris, Leduc, 1939.

Single movements (two themes) with introduction.

Intro

Allant

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 2

Allegro Allegro

Illb:4 PULCINELLA cour clarinette Sib et piano, Paris, Leduc, 1944.

Single movement (two themes).

Allegro vivo Allegro vivo scherxando

I m 8f Tres souple

Tres souple fj * L m axprassif.

Illb:5 BUCOLIOUE pour clarinette Sib et piano, Paris, TJJCUUV^ f n QA o •

Single movement (two themes) with introduction.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 3

Andantino mosso ma non troppo Andantino mosso ma non troppo a 3------P*N /T'~ljk- -F' -T F-.-J f t r r ig f ' j i 1- dolce espressif

Scherzo

Scherzo 139=.

III£5:6 CONCERTO pour clarinette [Sib^ et orchestre de chambre, Paris, Leduc, 1952.

Threa movements.

i. Allegro moderato

Allegro moderato (J=120)

£ -If leger ii. Andantino

Andantino (J=60 environ)

h -F1-? > mf dolce iii. vif Vi£ (J.=108) . i . A ^ A -m-

scherzando

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 4

Illb:7 CLARIBEL pour clarinette [Sib] et piano, Paris, Leduc, 1952.

Single movement with four themes.

Moderato Moderato

Andantino Andantino

Allegro vivo Allegro vivo

Meno mosso Meno mosso is. .. m m dolce

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 5

Illb:8 BALLADE pour bass clarinet et piano (original version), San Antonio, Texas, Southern Music Co., 1958.2

Single movement (four themes).

Allegro moderato Allegro noderato J=100 f\_____ marcato

Lento

dolce, expressive Allegro Allegro J=120

I ■>-- r f marcato

Allegro vivo Allegro vivo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 6

xxib:9 IDYLLE pour clarinette Sib et piano, Paris, Leduc, 1959.

Single movement.

Hodsrsto Moderato £ -Ph»- & P dolce-

IIIb:10 PRELUDE ET DIVERTISSEMENT pour saxophone alto ou clarinette Si'° et Piano, Paris, Leduc, 1960.

Single movement (two themes).

Modere Modere" (av«c un« gr anda )

Allegro giocoso

Allegro giocoso______

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 7

m b : 11 CAPRICE IMPROVISATION pour clarinette Sib et piano, Paris, Leduc, 1963.

Single movement (four themes).

Fantasgue et leger Fantasque et leger (J=140)

mf Meno mosso Meno mosso •to r P*-

mf Andante Andante

TP < poco. Allegro giocoso Allegro giocoso

/■ scherzando

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 8

IXXb:12 EPITHALAME pour clarinette [Sib] & piano, Billaudot, Paris, 1971.

Single movement.

Theme < J = 60 )

(lisse)

IIIb:13 SUITE pour Clarinette en Sib et piano, Paris, Leduc, 1974.

Three movements.

i. Moderato avec souplesse Moderato avec souplesse (54= J)

ii. Reveur, presque lent Reveur: orescrue lent

iii. Anime

Anime

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 4 9

Illb:14 RHAPSODIE NIQOISE pour clarinette en Sib et piano, Paris, Leduc, 1977.

Single movement (six themes) with introduction.

Introduction (Maestoso) Maestoso

> > > i f marcato (molto espressivo)

molto exoressivo Allegro

Allegro (J=132)

in PIPS ff marcato

Calme Calme hm W "Tfc 'em P T Iw pp calme; e expressivo2 -2

Allegretto vivace

Allegretto vivace (^=184)^^

Lent Lest i i - » y -

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 0

3.00(170 Allegro (J =120)

C . Etudes

xllc:i 14 ETUDES DE MECANISME pour clarinette en Sib, Paris, Leduc, 1948.

i. Moderato

ft* T V V T-T i* •

ii. Allegretto

iii. Vif et gai Vif et gai P _ ^ f-f- . T- »

iv. Recitativo Recitativo _ 3 - b s ^ F F F ^ F Ft

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. b l

v- Andante sostenuto Andantino sostenuto (doux et expressifl

I & p (evec une sonorire calme ex pen4tranie

V i . Allegro vivo Allegro vivo

/ Ischerxando)

vii. Adagio espressivo

Adagio espressive____

P dolce viii. Andante ma non troppo Andante ma non troppo >

‘-JM

ix. Allegro Allegro (120= J)

x. Allegro moderato

Allegro moderato.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 2

xi. Presto Presto U- £

xii. Moderato (tempo rubato) Moderato (Tempo rubato)

xiii. Allegro vivo Allegro vivo Ji

vtf {scherzando)

xiv. Allegretto Allegretto

IIIc:2 DOUZE ETUDES pour clarinette, Paris, Leduc, 1953.

i. Moderato

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 3

xi - Sciierzando

Scherzando (Moderato)

iii. Allegretto At la

P If -P\ N

iv. Moderato dolce

Moderato dolce

V. Vif

vi. Allegro vivo Allegro vivo », Jt ^

I - * r - ff'

vii. Moderato

Moderato ___ r , r r \ 1® M P & • 1 m I 11 M r r r viii. Andantino Andantino (J=60) dolce ______JL

£ > •f

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 4

IX.

xi. Giocoso (Moderato) Giocoso (Moderato)

XXI.

■fr-Srf- f

IIIc: 3 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, Paris, Leduc, 1972.

i. Recitativo

Recitativo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 5

n . (J=48)

iii. Moderato Moderato______

iv. Allegretto Allegretto ^ \ i ( f } ILJ g j j 1 1 2> scherzando v. Moderato, quasi pastorale Moderato, quasi pastorale Idolcissimo, senza rigore)

^ ^ i v

vi. Capriccioso

Capriccio

vii. Bene moderato Bene moderato

viiia. Allegretto Allegretto

' J scherzanao

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 6

viiib. Sottile e liquido

Sottile e liquido

ix. Allegro

Aiiegro* % * _ / I_

x. Vivo

p p xi. Allegro giocoso Allegro giocoso ■3 3

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 7

IIIc:4 GRAPHISMES pour clarinette en Sib, preparation a ia lecture de differents graphismes musicaux contemporaines, Paris, Leduc, 1975.

i n .

(Groupes pouvant etre joues dans n’ioporte quel ordre)

1 VMS-

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 5 8

iv. Cadenza Cadenza (J=100)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. IV. SAXOPHONE

A. Unaccompanied

IVa:l IMPROVISATION ET CAPRICE pour saxophone solo, Paris, Leduc, 1952.

Two movements.

i. Improvisation

(a Piacere) Moderato

1 1 . Caprice

Allegro moderato 6

IVa:2 PIECE BREVE pour saxophone seul , Paris, Leduc, 1955.

Singie movement with introduction.

Intro Lent (avec le caracier e d'une improvisation)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6 0

Vivo

Vivo 96=J.

Accompanied

IVbsl ARIA pour saxophone alto Mib et piano, Paris, Leduc, 1936.

Single movement.

Theme

Andante non troppo

IVb: 2 CONCERTINO pour saxophone alto et orchestre (ou piano), Paris, Leduc, 1939.

Three movements.

i. Fantasque et leger

Fantasque et leger (J=120)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 61

ii. Andantino sostenuto

Andantino sostenuto j P ' X f i r r^/ ifr ^ ty ir ^ douz et expressif " iii. Allegro vivo

Allegro vivo (J.=160)

IVb: 3 DIVERTISSEMENT for Englishhorn and piano, op. 39, transcribed by David L. Hite, San Antonio, Texas, Southern Music Co., 1958.1 Single movement (three themes) with introduction.

Intro 8va ad lib Lento In the manner of an improvisation 5 rit.

W. J p Moderato

Moderato J*=100

Andantino

Andantino J=68

? Z VO

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6 2

Allegretto scherzando

_ v * i T * Leduc, 1944.

Single movement, (two themes).

Allegretto vivo Allegretto vivo ji

Tres souple

(Trhs souple)

"f expressif

ivb: 5 SCARAMQUCHE oour saxoohone Mi^ et pia^o, ^ar^s, Leduc, 1944.

Single movement with introduction.

Intro

iihegro ufa qUast cadenza fiAJt

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ivb:6 FANTAISIE ITALIENNE pour saxophone alto et piano Paris, Leduc, 1946.

Single movement (two themes) with introduction.

Intro

Allant

Allegro

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6 4

IVb:7 IMPROMPTU ET DANSE pour saxophone alto [tenor ou baryton] et piano, Paris, Leduc, 1954.

Single movement (two themes) with introduction.

Intro Maestoso <~ place re, avec le caracihre d'une improvisation) 4 * * r~ ^ ^ ^

mf ■ Andantino Andantino

Allegro vivo (DANSE) Allegro vivo (DANSE) r~ 3

IVb:8 PRELUDE ET DIVERTISSEMENT pour saxophone alto ou clarinette Sib et piano, Paris, Leduc, 1960.

Single movement (two themes).

Modere Modere (cruec itne grande lendresse) > _feA-e 9 A ..

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6 5

Allegro giocoso Allegro giocoso

IVb:9 LE CAMPANILE pour saxophone Ki'D et piano, Paris, Leduc. 1964.

Single movement.

Theme Allegretto giocoso

IVb: 10 CHANSON "X BERCER pour saxophone alto Mib et Piano, Paris, Leduc, 1964.

Single movement.

Theme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 66

I V b : 1 1 GAVOTTE DES DAMOISELLES pour saxophone alto Mib et piano, Paris, Leduc, 1964.

Single movement.

Theme

M o d1.0 giocoso (132=J)

IVb:12 MENUET DES PAGES pour saxophone alto Mib et piano, Paris, Leduc, 1964.

Single movement.

Theme

Moderato

IVb:13 PARADE DES PETITS SOLDATS pour saxophone alto en Mib et piano, Paris, Leduc, 1964.

Single movement.

Theme

Tempo di Marcia 0 5 * * r*N- i f o-r- .— t-t— m r ■ -f i r f I - -U 1-f p | p

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6 7

IVb: 14 PETITE GAVOTTE pour saxophone alto en Mi15 et piano, Paris, Leduc, 1964.

Single movement.

A A V V./*>

P (expressivo ed sJ e;ance)

IVb:15 REVES D'ENFANT pour saxophone alto Mib et piano, Paris, Leduc, 1964.

Single movement.

Theme

Andantino

IVb:16 NOCTURNE - DANSE pour saxophone alto et piano, Paris, Leduc, 1968.

Two movements (second movement has two themes).

i. (Kiddush)

Tranquille et doucement reveur (KIDDUSH) " £ *

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 68

ii. Danse

Allegro giocoso J=120

>■

iib. Meno mosso

Meno mosso (.axprassif at sans rigueur)

IVb:17 TARANrELLE pour saxophone alto et piano, Paris, Leduc, 1968.

Single movement with cadenza.

Theme Allegro vivo (J. =160) £= ' T\rv' f scherxando Cadenza

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 6 9

IVb: 18 DIPTYQUE pour saxo alto en Mib et piano, Paris, Leduc, 1970.

Two movements.

i. Andantino Andantino (J=60 environ) dales ,

p ii. Final

Allegro moderato (J=120)

C . Etudes

IVc:1 DOUZE ETUDES - CAPRICES pour saxophone, Paris, Leduc, 1944.

i. Moderato

ii. Allegretto scherzando Allegretto scherzando

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 70

iii. Allegro vivo

Allegro vivo -a— ■ £S ^ scherzando iv. Recitativo

fTf****- -a

V. Gai et vif Gai et vif 3-1

leger et gai vi. Moderato (a Piacere) Moderato IIt. » P 5 ^ 3 (a piacere, avec le caractera d'ana improvisation) vii. Allegro moderato Allegro moderato <5 6

viii. Presto et non troppo Presto et non trooDo

legato et staccato P -f-PPP ix. Allegro Moderato (Grazioso) Allegro moderato i

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 1

x. Andantino Andantino (souple et sans rigueur)

avec urte sonoritG ccime et penetrsnte xi. Caprice d'Apres le Concertino (CONCERTINO Dour Saxo et orchestre) Caprice d’apr&s le Concertino (Fantasque et leger)

(.soaple et gr a d e aa) xii. Theme

-rf^Trf IT; /SI

espressivo

xiia. lere Variation Moderato

g T h M 11

xiib. 2- Variation

Vif

i i f - = xiic. 3- Variation Calzne

if* 'i*

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 2

xiid. 4- Variation Scherzando

. is J&0- £ — "t— > t- |-1— > r r p , | i I > i -W >• i-i &• ./ 3 xiie. 5- Variation

f i T V s .

p mf « 73

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. V. BASSOON

A. Unaccompanied

Va:l PIECES BREVES Dour basson seul, Paris, Leduc, 1968.

Three movements.

i . Lento Lento

J r / h f * i i. Scherz ando Scherzando (All° con moto)

iii. (ad. lib. sans rigueur de mesure)

ad li6.sans rigueur de mesure

kI~ CD *• F- i-3

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 4

B. Accompanied

Vb:l RECIT, SICILIENNE ET RONDO pour basson et piano, Paris, Leduc 1936.

Single movement, three themes.

Recit

Moderato /r\

Sicilienne

Allant iip-,. » «r~> , _— k— li5 i d T *' — „ * T'

Rondo

Allegro „ ^ P -0 - ml i t t—j- ; I i ~ | i i 1 ' 1 LJ j •lj £ . i-j— 5-y-j --./ Tj.i— J u S t iTr — ii .i— ^ ------U*" -*>4— t r- '' \ 1 1 ' ' I l*r mf seherxando

2 FANTAISIE pour basson et piano, Paris, Leduc 1945

Single movement, four themes.

Lent Lent lavsc le ceractZr e d’une improvisation)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 5

Andantino ma non troppo Andantino ma non troppo

f seherxando

Meno mosso Meno mosso I !Tbr^- L|— t+-- p , . „ L ^ r -- !■ M l - M ^4 = M f c = f

Vb:3 CONCERTINO pour basson et orchestre de chainbre, Paris, Leduc 1946.

Three movements.

i. Allegro con moto Allegro con moto (J=128)

f scherx-ando _

ii. Andante scorrevole tranquilio Andante scorrevole tranquilio

i =F P doux et expressif

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 6

iii. Allegro vivo Allegro vivo

Vb:4 BURLESQUE pour basson et piano, Paris, Leduc 1957.

Single movement, two themes.

Allegro moderato

Allegro Eoderaio

Moderato

Vb*5 ESPIEGLERIE pour basson et piano, Paris., Leduc 1960.

Single movement.

Theme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 7

V b :6 PRELUDE ET DIVERTISSEMENT pour basson et piano, Paris, Leduc 1960.

Single movement, two themes.

Modere

Modere (ov«c one grande tendresse)

"f < All® giocoso All° giocoso

Vb:7 NOCTURNE - DANSE pour basson et piano, Paris, Leduc, 1967. Two movements (second has two themes).

i. (Kiddush) Tranquille et doucement r'Sveur (dans wn rythme souple ez sans r-ignotar)

wf —= r ii. Danse Allegro giocoso (J=104-120) jr • , TT

iib. Meno mosso Meno mosso (expressif et sans arig-uerur)

V I LhT‘O il

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 7 8

V b :8 SHIVA pour basson et piano, Paris, Leduc 1974.

Single movement (five themes).

Modere Modere (j=46-48) souple volu6ie lisse

- BP f ■■ -i— i i ~

» P ------I_5 . Tempo fluctuant Tempo fluctuant (avee de 6 rusqties impulsions de soudaines attentes) tres doux Jr . .::: = 4 = [ = » - ^ - — f j r |

Librement Librement (J=50)

Vif (J*=168) (scherzando) ttv ______A:

Meno mosso Meno mosso l i f t - - S&L

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 79

C . Etudes

Vc:l QUINZE ETUDES JOUENALIERES pour basson, op. 54, Paris, Leduc, 1945.

i. Moderato Moderato I, \m. I,

ii. Presto ma non troppo Presto sa son troppo

-pp -f legato e staccato

iii. Allegro vivo

Allegro vivo

iv. Moderato Moderato

7 ^ vtp

v. Andantino

Andantino

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission 8 0

vi. Andante mosso

Andante mosso (decompose on 6)

louse un son clatr ez &ian souzenu)

vii. Allegretto Allegretto

viii. Allegro con fuoco

Allegro con fuoco

ix Allegretto

Allegretto

mf scherxando

x. Andantino Andantino (souple et sans rigueur)

£«•* b*-'

of s « 8c u n s sonorize c a l m e ez p/netrsnte

x i . Allegro moderato Allegro moderato

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8 1

xii. Andantino ma non troppo Andantino ma non troppo_

l— 3 -

Sdatf

xiii t (Csdsncs 2 ib*) Cadence ad lib. — 2

xiv. Moderato

Moderato IP "=F Jy J y ; ^ LlJ

xv. Theme (Allegretto) Allegretto (Javadis melodic hindoue) is. +-i- -i---y—p- M

xva. 1— Variation

xvb. 2- Variation Vif

r i r i T ' i r '\ >' f

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8 2

xvc. 3s Variation

Calme 3

xvd. 4- Variation Scherzando *■ 'io-P

0 i 1— 1— 1 iSwan 1 arw ; i £ 0 1 * " u y j 1 -U I I U 1- I "M

xve. 5- Variation Calme ______

Vc:2 DOUZE CAPRICES pour basson, Paris, Leduc 1968.

i. Scherzando

Scherzando

ii. Moderato

Moderato

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8 3

iii. Andantino

Andantino ~>E =&= dolce? -

iv• Allsyro maestoso

v. Moderato Moderato

VI. Moderato Moderato,

vii. Maestoso Maestoso > £ ,1 -vT "f =

viii. Allegro Allegro

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8 4

ix- Andante expressivo

x. Vivo Vivo

xi. Allegro vivo Allegro vivo

xii. Moderato (DANUKA) Moderato (DANUKA)

Vc: 3 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, Paris, Leduc 1972.

i . Lento

Lento (J = 5 0 ) ____ ts- ) M- ff ' ’’JT m i k 1 ^ J 1 V 3 . " ■» i /

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8 5

ii. Scherzando Scherzando Allegro con moto (J*=132 )

iii. Moderato Moderato c o n fantasia, estetico /TS

iv. Presto vivo Presto vivo

n/ _

v. Libero Libero

vi. Recitativo Recitative

:* i

vii. Animato (Scherzando) Animato (Scherzando)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 86

viii. Allegro giocoso Allegro giocoso (J=160)

ix. Giocoso Giocoso (2«£^£ero e place vole)

x. Lento liquido

Lento e liquido

Vc:4 GRAPHISMES, preparation a lecture des differents grapnismes musicaux contemporains, [pour] basson, Paris, Leduc, 1975.

J=ioo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 8 7

i i .

J»=100 Jr. & £

.kJ

lixa.

a) m m -1 i> n |> -t ■> f>„rTn •> [>t R

> > > 6> m “ n m i. m 7 |n m n “ i> n. *=i.UUi ^ ---- 0*-^------

f mf f zf

iiib.

(J=60)

(Groupes pouvant 'etre joues dsns n’importe quel ordrt)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. V I . DUETS

In this chapter, the voice with the first appearance of a theme will be cited. If thematic material occurs in the second voice it will be included provided it appears within the bounds of the first citation.

V I ; 1 SONATINE fiGxs st jDctsson, Lsd/uc, 193S.

Three movements.

i. Allegro (flute)

Allegro

ii. Andantino

iii. Vif (flute)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. VI:2 SHEPHERDS OF PROVENCE, Divertissement Pastorale op. 43, original duet for oboe and English horn San Antonio, Texas, Southern Music Co., 1939.1

Four movements.

i. Pastorale Provengale (oboe)

Moderato J=100

ii. Call at Dawn (Chant des mergers yrovencaux) (oboe)

iiio Beneath the Stars (Sous les Etoiles) (oboe)

Calm J=76______^ __ _ » ],rf r t t ’£ SEE

espresstvo iv. Fete Villageoise (oboe)

Allegro vivo *.=126

^■Composed in 1939. Printed in VADE - MECUM OF THE OBOIST, 7th ed., Copyright 1940 by Albert J. Andraud, transferred to Southern Music Co., 1958. Used by permission of Southern Music Company, San Antonio, Texas 78232.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 0

VI: 3 DUETTINO pour deux bassons, Paris, Leduc, 1954.

Four movements.

Allegro moderato (2nd bassoon)

Allegro moderato > > >>

ii. Andantino (2nd bassoon)

Andantino

doles iii. Allegro ma non troppo (2nd bassoon)

Allegro ma non troppo (srretto canonic/ue) i>_ ... , >

iv. Allegro ma non troppo (1st bassoon)

Allegro ma non troppo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 91

VI:4 DEUX IMMPRESSIONS pour flute et harpe, Paris, Leduc, 1367.

Three movements.

i. La Fontaine de la Villa Medicis (flute) Tranquille et doncement r^eveur

d a n s a n r y t h m e souplo at sans rigueur

ii. La Petite Nymphe de Diane (flute)

Mociere, dans le style d’une pastorale

I t r a s doux, sans rigueur iii. La Danse D'elke (flute)

Andantino (so-uple et sans r-igueTnr) rr i trr t— --- -

P li&rement, axpressif

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 2

VI:5 POLYDIAPHONIE pour flute et guitare, Paris, Leduc, 1972.

Three movements.

i. Souple, avec fantaisie

Souple, avec fantaisie S pour 4 do Ice £

m/ III—.

I f m/ nif

ii. Souple

Souple J=80

pppp

iii. (a piacere)

t a t s St a x vi6r«i*

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 3

VI: 6 TROIS MOuvsMENTS pour flute et clarinette en Si*5, Paris, Leduc, 1974.

Three movements.

... w w w «m> Allegretto (J=120)

^TS

ii. Moderato (clarinet)

Moderato espressivo, legato

iii. Allegro giocoso (flute) Allegro giocoso seherxando _ > _

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 4

VI:7 BERCEUSE ET SERENADE pour flute et guitare, Paris, Leduc, 1976.

Two movements.

i. Berceuse (flute)

ii. Serenade

Allegretto

VI :8 CONTRASTES I oour flute et basson, Paris, Leduc, 1977.

Eight movements.

i . Andante

Andante (J'=152)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 5

ii. Moderato

Moderato J=80

iii. Allegretto (flute)

Allegretto (J. 100)

4 - " ¥ m

iv. Allegretto

Allegretto (J=ll6) P= I f- / > > > a.-

v * Larghetto sostenuto (flute)

Lar ghetto sostervuto ii = &

v i . Caline (flute)

Calme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 6

vi i. Allegre11o (flute)

Allegretto (J=13 2)

viii. Allegro

Allegro (J=120)

VI:9 CONTRASTES II pour hautbois et basson, Paris, Leduc, 1977.

Seven movements.

i. Calme (oboe)

Calme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission 9 7

ii. Andante

iii. Moderate

Moderato J=108

iv. Allegretto (oboe)

Allegretto (J. 100)

v. Allegretto

Allegretto (J=116)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 98

vi. Avec indolence et melancoiie (oboe) Avec indolence et melancoiie

vii. Allegro

VI: 10 CONTRASTES III pour clarinette et basson, Paris, Leduc, 1977.

Eight movements,

i. Moderato

Moderato J=108

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 9 9

ii. Adagio (clarinet)

iv. Allegretto

Allegretto (J=116)

-— ^ j - ^ s a -N- M r ~ :=:| f? 1 = - - J* '— ' ^

> > > X — £------• r M — M 0 \J \ j ,L ,1 f

v. Allegretto mosso (clarinet)

Allegretto mosso (J=126) :yrS|j.:2E=il— —-h— pi 1 1 — i - ftf) '* A ' 1 . 1 X *— t i V 11 .1-1 1~=3--1 w — ! i-i-l - _j— t r — r • .. ^.-J. ~ ?Sfrj« -

vi. Largiietto sostenuto (clarinet)

Lar ghetto sostenuto /i u, - — “V A> J . " L 0 r r p i ^ t sr-----r- ^ uj. i - » - P

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 100

vii. Allegretto (clarinet)

Allegretto (J=132)

viii. Allegretto (clarinet)

Allegretto (J. 100) i -

V I -11 TROIS PIECES pour flute et guitare, Paris, Leduc, 1977.

Three movements.

i. Capriccioso, fantastico (flute)

Capriccioso, fantastico Pf f- Ttrie f~ r p * f r-i^r !* r-f Fr i i. Calme (flute)

Calme

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 101

iii. Allegro vivo

Allegro vivo m I . ar ! lb

VI: 12 TROIS EVOCATIONS pour deux flutes seules, Paris.. Leduc. 1988.

Three movements.

Un reflet dans le vent

J=60

mf souple ii. Chant dans un paysage triste

souple Calme

PP iii. Danse de Shiva

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. V IZ • XIVXV^O

In this chapter, the voice with the first appearance of a theme will be cited. If the thematic material occurs in other voices they will be cited provided this material appears within the bounds of the first citation.

VII:1 FUGHETTE - SICILIENNE - RIGAUDON pour hautbois, clarinette, basson, Vincennes, Editions Paul Ricard, 1934.

Three movements.

i. Fughette (clarinet)

All r>a It. ^ l.jt* v f ■V s c h a r x a n d o ii. Sicilienne

Moderato

102

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 0 3

iii. Rigaudon (oboe)

2 SUITS BREVE EN TRIO.- hautbois. clarinette et basson, Paris, Leduc, 1947.

Three movements,

i. Allegro moderato (oboe and clarinet)

Allegro moderato

ii. Allegro vivo (oboe)

Allegro vivo J. =160

T iii. Adagio espressivo Adagio espressivo a dolce ------"f- ht-f-

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 104

iv. Final (oboe)

Allegro vivo

f scharzando

VI j.: 3 DIVERTISSEMENTS pour trors cssscns, Paris, i^ediiC, 1954.

Three movements.

i. Allegro moderato (1st and 2nd bassoon)

Allegro moderato (92=J)

1— 1** ^ i 1 \ |T-- El • ' j j --- P - t u r

-- - ,r— ___ p _

»f

ii. Adagio, ma non troppo (3rd bassoon)

Adagio, ma non troppo (J=58)

iii. Allegro giocoso (1st bassoon)

Allegro giocoso (J=120)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 0 5 VII:4 SERENADE EN TRIO pour flute, ciarinette et bassonf Farrs, Deciuc, 1971*

Three movements.

i. Entree (unison voices) Allegro vivo (J=i44) (strieteaent cr. a e s ’Jre^

ii. Fughette (bassoon)

p —==— —==— p

iii. Gigue (flute)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. VIII. QUARTETS

In this chapter, the voice with the first appearance of a theme will be cited. If thematic material occurs in other voices it will be cited, provided it appears within the bounds of the first citation.

VIII:1 ANDANTE ET SCHERZO, quatour de saxophones, Paris, Leduc, 1938.

Two movements.

i. Andante (tenor saxophone)

Moderato

u . acnerzo

Assez vi£

t P ' (scherzando) t

4 M - t?--- p -

106

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 0 7

VIII:2 NUAGES pour quatuor de Saxophones, Paris, Leduc, 1946.

Single movement.

Theme (soprano and alto saxophone)

Allegro vivo

rap

VIII:3 JOUR D'ETE A LA MONTAGNE pour quatre flutes, Paris, Leduc, 1954.

Four movements.

i. Pastorale (2nd flute)

Andantino (J^=120 )

jt a o ice

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 108

ii. Aux bords du torrent (3rd and 4 th flutes)

Allegro vivo )J= 100) 3 3 3 —r — g i , , , , :1— ■. i — J" ■ T* "j".. M mC m fo l#,r kJ *+ d~ .J ^ * i * ! 1 _ if • * 1 _ p------i 3 3 33 .______^ n . ____ J — 9,------

iii. Le chant des forets (1st flute)

iv. Ronde (1st flute)

Allegro, gai et enjoue

VIII:4 TROIS PIECES POUR UNE MUSIQUE DE NUIT pour flute, hautbois, clarinette et basson, Paris, Leduc, 1954.

Three movements.

i. Andantino (flute)

Andantino ---- ■.... £5*\ m 0 j l1> ft tr r * ---- n—i— | * P m tfMb ^m = -i F=:|i l = t F^ ----1 ^

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 0 9

ii. Allegro vivo

Allegro vivo (104 =J.)

iii. Moderato (clarinet and bassoon)

Moderato (72=J)

j ...... Ifr ^ 1 H __ _ 3 ir * ^ mf ^ — i=-i---i---i-- n — J J d . £ = f c h = * = l •f

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 110 VIII:5 SERENADE (quatuor a vent), pour flute, hautbois, clarinette en sib et basson, Paris, Leduc, 1969.

Three movements.

Allegro vivo (unison voices)

Allegro vivo *1=144

ii. Calme (bassoon)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. I l l

VIII:6 SONATINE pour quatre clarinettes inegale: 1 pte clarinette Mib, 2 clarinettes Sib, et 1 clarinette basse Sib ou pour quatour a vent: flute, nautbois, clarinette Si° et basson, Paris, Leduc, 1971.

Three movements.

i. Allegro vivo (unison voices)

Allegro vivo

ii. Calme (bass clarinet)

iii. Allegro vivo

Allegro vivo P

to * &r~a' r- i'U I 11 ' M -i> > M | a f £ P f HM- f i —

- ¥ p . . > k. . . k . * # -f. 4 ^ — —*■ m i—• f f ^ r f h i . TO•j *— P P j = ^

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 112

VIII:7 ATMOSPHERES pour quatre flutes et orchestre de chambreParis, Leduc, 1978.

Two movements.

i. Incantatoire (1st flute) Incantatoire (J=69) (Dans iffl rytfamo souple et sans rigueur)

ii. Allegro (unison voices) Allegro (J=120)

! irrTL__ hjf/E;: ff ^

VIII:8 TROIS PIECES pour quatre flutes en ut, Paris, Leduc, 1979.

Three movements.

i. Tres modere (souple)

Ires modere (souple) J=S0

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 113

ii. Andantino (1st flute)

Andanti fr f ifg r I

iii. Allegro (1st flute)

Allegro

i f

VIII:9 DEUX ESQUISSES pour quatuor de flutes, Paris, Leduc, 1972.

Two movements,

i. Les sons et les parfurns dan la plaine (4th flute)

Tranquiile et doucement reveur

P (.Dans un rylhme souple et sans rigueur)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 1 4

ii. Reflet dans le vent

Vif (J>=160)

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. IX. QUINTETS AND LARGER CHAMBER ENSEMBLES

In this chapter, the voice with the first appearance of the theme will be cited. If thematic material appears in other voices it will be cited, provided it appears within the bounds of the first citation.

IX:1 VARIATIONS SUR UN THEME LIBRE pour quintette a vent, op. 42, Paris, Leduc, 1943.

Theme and seven variations

Theme (unison voices)

Andantino

le Variation (flute and oboe)

Allegretto (92=J .)

115

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 116

2e Variation (flute, oboe and clarinet)

Andantino (80= J)

■> -P- dt £= i

p - =

3e Variation

Vi£ > P I i I f-i- i-i- i =*=--

* i s * £ A f e j L £ f c £

if. *. A*. *3> *■ 5- £

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 1 7

4e Variation (flute, oboe, clarinet) Caine

¥ Sourdine

5e Variation (flute, oboe, clarinet, horn)

Allegro (120= J)

(Otez la Sourdine >

6e Variation (horn) Allegro vivo (132-«. )environ ft HrS :v =!.:^ = = a =P= a plein

7e Variation

Lento (Choral)

Reproduced with permission of the copyright owner Further reproduction prohibited without permission. 1 1 8

IX:2 SCHERZO pour quintet a vent, op. 48 , Paris, Leduc, 1944.

Single movement.

Theme (flute and clarinet)

Allegro vivo

IX:3 PENTAPHONIE pour quintette a vent, Paris, Leduc, 1969.

Three movements.

i. Praludium (clarinet)

Allegro vivo ■ R R f = = r- HI ff

ii. Epitaphe (clarinet)

Trancuille et doucesent reveor 14 12 TUTT i

dans a n rythme souple et sans rigueur

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 1 9

ill. Dialogue (Scherzo)

Allegro vivo

IX:4 LUCIOLES pour ensemble de clarinettes, Paris, Leduc, 1963.

Single movement.

Theme (1st, 2nd and 3rd clarinets)

Allegro vivo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 120 IX:5 QUATEE MOUVEMENTS pour septuor a vent*, Paris, Leduc- 1972.

Four movements.

i . Lent

p p -

ii. Anaantino (oboe)

xFor flute, oboe, clarinet, bassoon, horn in F, trumpet, and trombone -

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 121

iii. Allegro (flute, oboe, clarinet)

Allegro

iv. Allegro vivo (flute and clarinet)

Allegro vivo

91*f

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 122

IX:6 OCTANPHONIE pour 2 hautbois, 2 clarinettes Sib, 2 cors et 2 bassons, Paris, Leduc, 1972=

Four movements.

Molto moderate (clarinets, 1st horn, bassoons)

Molto moderato (5 6=w)

ii. Anaantino (1st ■,

Andantino J=72

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 2 3

ill. Allegro vivo (oboes and clarinets)

Allegro vivo

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. SELECTED BIBLIOGRAPHY

Gifford, Virginia Snodgrass, comp. Music for Oboe. Oboe D'Amore, and English Horn: A Bibliography of Materials at the Library of Congress. The Music Reference Collection, Number 1. Westport, CT: Greenwood Press, 1983.

Londeix, Jean-Marie. 125 ans de Musigue pour Saxophone: Repertoire general des oeuvres et des ouvrages d 1enseicpsmsnt pour le saxophone. Paris: Alphonse Leduc, Editions Musicales, 1971.

______. Music for Saxophone, volume II: General repertoire of music and educational literature for the saxophone. Cherry Hill, NJ: Roncorp Publications, 1985.

Merriman, Lyle C. Woodwind Research Guide: A Selective Bibliography of Materials Pertaining to the Literature. Development, and Acoustics of Woodwind Instruments - Evanston, IL: The Instrumentalist Co., 1978.

Musigue pour Clarinette. Paris: Alphonse Leduc, Editions Musicales, n.d.

Musigue pour Flute. Paris: Alphonse Leduc, Editions Musicales, n.d.

Musigue pour Saxophone. Paris: Alphonse Leduc, Editions Musicales, n.d.

Pellerite, James. A Handbook of Literature for the Flute, 2nd ed. Bloomington, IN: Zalo Publications, 1965.

Rowan, Denise Cecile Rogers. "The Contributions for Bassoon with Piano Accompaniment and Orchestral Accompaniment of Eugene Bozza." D.M.A. diss., University of Southern Mississippi, 1978.

Vester, Frans. Flute Repertoire Catalogue. London: Musica Rara, 1967.

124

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Voxman, Himie and Lyle Merriman, comp. Woodwind Ensemble Music Guide. Evanston, IL: The Instrumentalist Co., 1974.

______, Woodwind Solo and Study Music Guide. Evanston, IL: The Instrumentalist Co., 1975.

Wilkins, Wayne, ed. and comp. 1975 Supplement to the Index of Clarinet Music. Magnolia, AR: The Music Register, 1975.

______, The Index of Clarinet Music. Magnolia, AR: The Music Register, 1975.

______, The Index of Bassoon Music, including the Index of Baroque txlo sonatas. Magnolia, AR: The Music Register, 1976.

______, The Index of Oboe Music including the Index of Baroque Trio Sonatas. Magnolia AR: The Music Regi ster, 1976.

______, 1976 - 1977 Supplement to the Index of Bassoon Music. Magnolia, AR: The Music Register, 1977.

______, 1976 - 1977 Supplement to the Index of Oboe Music. Magnolia, AR: The Music Register, 1977.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. APPENDIX i

Concordance of Thematic Similarities

Each theme which appears in more than one piece is listed in this appendix followed by the title(s) of the piece(s) which have similar thematic material. Pieces for solo winds (concert pieces or etudes) are listed first, followed by works for chamber ensembles. The solo plcGcS aic ^TGupeu by UlSurUITienwr aliu Viwhill eaCh instrument group concert pieces (accompanied or unaccompanied) are listed first, followed by etudes. Each of these groups is arranged alphabetically.

SOLO WORKS FOR FLUTE

AGRESTIDE pour flute et piano, op. 44, intro, Ib:2, p. 12 14 ETUDES ARABESQUES pour flute, no. 13, Ic:lxiii, p. 20 SUITE MONODIQUE pour hautbois, movement 4, IIa:liv, p. 25

AGRESTIDE pour flute et piano, op. 44, theme, Ib:2, p. 12 1 A vmrTT\T?C _ UTl'X £1 A *7 Tm* 7**4 4 j . * t iLxui/£iO nx\noijOyuijO xxuuC; i i v j • / t xu>* x v x x ; p. 19 18 ETUDES pour hautbois, no. 7, IIc:lvii, p. 33 DOUZE ETUDES - CAPRICES pour saxophone, no. 10, IVc:lx p. 71 QUINZE ETUDES JOURNALIERES pour basson, op. 64, no. 10, Vc:lx, p. 80

ARIA pour violin ou flute et piano, theme, Ib:l, p. 11 18 ETUDES pour hautbois, np. 9, Ilctlix, p. 34 ARIA pour clarinette en Si° et piano, theme, Illb:1, p. 40 14 ETUDES DE MECHANISME pour clarinette en Si , no. 8, IIIc:lviii, p. 51 . ARIA pour saxophone alto Mi et piano, theme, IVb:l, r\ C.CI r * —

126

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 2 7

CONCERTINO DA CAMERA pour flute et orchestre a chcrdes, movement l, Ib:6i, p. 14 . CAPRICE IMPROVISATION pour clarinette Si et piano, 1st theme, IIIb:lli, p. 47

FANTAISIE ITALIENNE pour flute et piano, all 3 themes, Ib:3, p. 12” BERCEUSE ET SERENADE pour flute et guitarre, movement 1 and 1st theme (Allant), IV:6i, p. 94 FANTAISIE ITALIENNE pour hautbois et piano, all 3 themes, xm:4, p. 2s - FANTAISIE ITALIENNE pour clarinette [Si ] et piano, all 3 themes, IIIb:3, p, 41 FANTAISIE ITALIENNE pour saxophone alto et piano, all 3 themes, IVb:6, p. 63 RECIT, SICILIENNE ET RONDO pour basson et piano, all 3 themes, Vb:1, p. 74

IMAGE pour flute seule, op. 38, intro and theme, Ia:l, p.10 PIECE BREVE pour saxophone seul, intro and theme, IVa:2, p. 59

QUATRE PIECES FAQILES pour flute et piano, movement 1, Ib:ll, p. 16 . REVES D'ENFANT pour saxophone alto Mi et piano, theme, IVb:15, p.” 67

QUATRE PIECES FAQILES pour flute et piano, movement 2, Ib:llii, p. 16 . LE CAMPANILE pour saxophone Mi et piano, theme, IVb:9, p. 65

QUATRE PIECES FAQILES pour flute et piano, movement 3, Ib:lliii, p. 16 . MENUET DES PAGES pour saxophone Mi et piano, theme, IVb:12, p. 66

TROIS IMPRESSIONS pour flfite et piano, movements 1-3, Ib:4, p. 13 DEUX IMPRESSIONS pour flute et harpe, movements 1-3, VI:4, p. SI

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 2 8

TROIS IMPRESSIONS pour flute et piano, movement 1, rb:4i, p. 13 DEUX IMPRESSIONS pour flute et harpe, movement 1, VI:4i, p. 91 ATMOSPHERES pour quatre flutes et orchestre de chambre, movement 1, VIII:7i, p. 112 IMPROVISATION ET CAPRICE pour saxophone solo, movement 1, IVa:li, p. 59 DOUZE ETUDES—CAPRICES pour saxophone, no. 6, IVcilvi,

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. n 2 9

ETUDES FOR FLUTE

14 ETUDES - ARABESQUES pour flute, no. 2, Icilll, p. 18 14 ETUDES DE MECHANISMS pour clarinette en Sib, no. 9, IIIc:lix, p. 51 DOUZE CAPRICES pour basson, no. 8, Vc:2viii, p. 83

14 Et u DeiS — ARABESQUES pour flute, no. 2, Ic:Irr, p. 18 AGRESTIDE pour flute et piano, op. 44, theme, lb:2, pc 12 18 ETUDES pour hautbois, no. 7, lie:Ivii, p. 32 DOUZE ETUDES - CAPRICES pour saxophone, no. 10, IVc:lx p. 71 QUINZE ETUDES JOURNALIERES pour basson, op. 54, no. 10, V c :lx, p. 80

14 ETUDES - ARABESQUES pour flute, no. 4, Ic:lvi, p. 18 18 ETUDES pour hautbois, no. 1, IIc:li, p. 32 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, no. 8 (2nd theme), IIIc:3viiib, p. 56 JOUR D'iTE A LA MONTAGNE pour quatre flutes, movement 3, VIII:3iii, p. 108

14 ETUDES - ARABESQUES pour flute, no. 5, Ic:lv, p. 18 NUAGES Dour quatuor de saxophones, theme, VIII:2, p. 107 SCHERZO pour quintette a vent, op. 48, movement 1, IX:2a, p. 118 LUCIOLES pour ensemble de clarinettes, theme, j.X:4, p. 119 IMPROVISATION ET CAPRICE pour saxophone solo, movement 2, IVarlii, p. 59 DOUZE ETUDES - CAPRICES pour saxophone, no. 7, IVcrlvii, p. 70 JOUR D'ETE A LA MONTAGNE cour quatuor flutes, movement 1, VIII:3i, p. 106

The themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET CAPRICE, ETUDE - CAPRICE, and JOUR D'£t £ A LA MONTAGNE are exactly the same. The two sets of 3 > - o r % o a v «l WAiViHV W «kl\A »

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 0

14 ETUDES - ARABESQUES pour flute, no. 13, Ic:lxiii, p.20 AGRESTIDE pour flute et piano, op. 44, intro, Ib:2, p. 12 SUITE MONODIQUE pour hautbois, movement 4, Ilarliv, p. 25

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 1, Ic:2i, p. 20 POLYDIAPHONIE pour flute et guitars, movement 1, VI:5i, p. 92

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 3, Ic:2iii, p. 21 EPITHALAME pour clarinette & piano, theme, IIIb:12, p. 48

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 4, Ic:2iv, p. 21 PIECES BREVES pour basson seul, movement 2, Va:lii, p. 73 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 4, IIc:2iv, p. 36

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 5, Ic:2v, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 6, IIc:2vi, p. 36 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, no. 3, IIIc:3iii, p. 55 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 3, Vc:3iii, p. 85

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 6, Ic:2vi, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 5, IIc:2v, p. 36 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 1, Vc:3i, p. 84

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 7, Ic:2vii, p. 21 POLYDIAPHONIE pour flute et guitarre, movement 3, VI:5iii, p. 92

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 8, Ic:2viii, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 1 (1st theme), IIc:2ia, p. 35 SUITE MONODIQUE pour hautbois, movement 2, lla:lii, p. 25 (similar)

DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 9, Ic:2ix, p. 22 > SUITE MONODIQUE pour hautbois, movement 6, IIa:l, p. 26 o n z e Et u d e s s u r d e s m o d e s kaehatiques pour clarinette no. 4, IIIc:3iv, p. 55 o n z e Et u d e s s u r d e s m o d e s kaenatiques pour basson, no. 7, Vc:3vii, p. 85

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 2

SOLO WORKS FOR OBOE

DIVERTISSEMENT for English horn and piano (original version), op. 39, themes 1-4, IIb:l, p. 27 " DIVERTISSEMENT for BD clarinet and piano, op. 39, themes 1-4, IIIb:2, p. 40 DIVERTISSEMENT for English horn and piano (original version), transcribed by David Hite for alto saxophone, op. 39, themes 1-4, IVb:3, p. 5 1 PULCINELLA pour clarinette Si [ou] saxophone Mi et piano, 1st theme (matches 4th theme), IIIb:4 and IVb:4, pp. 42 and 62 ESPIEGLERIE pour basson et piano, theme (matches 4th theme), Vb:5, p. 76

FANTAISIE ITALIENNE pour hautbois et piano, all 3 themes, IIb:4, p. 26 FANTAISIE ITALIENNE pour flute et piano, all 3 themes, Ib:3, p. 12 . FANTAISIE ITALIENNE pour clarinette [Si"] et piano, all 3 themes, IIIb:3, p. 41 FANTAISIE ITALIENNE pour saxophone alto et piano, all 3 themes, IVb:6, p. 63 RECIT, SICILIENNE ET RONDO pour basson et piano, all 3 themes, Vb:i, p. 74 BERCEUSE ET SERENADE pour flute et guitarre, movement 1 and 1st theme (Allant), IV:6i, p. 94

FANTAISIE PASTORALE pour hautbois et piano (ou orchestre), op. 37, intro, IIb:2, p. 27 18 ETUDES pour hautbois, no. 15, Ilcrlxv, p. 35

SONATE pour hautbois et piano, movement 4, IIb:6iv, p. 30 SUITE pour clarinette en Si , movement 3, IIIb:13iii, P* 48 . .b TRCIS MOUVEMENTS pour flute et clarinette en Si , movement 3, VI:6iii, p. 93

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 3

SUITE MONODIQUE pour hautbois, movement 2, IIa:lii, p. 25 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 8, Ic:2viii, p. 20 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 1 (1st theme), IIc:2ia, p. 35

SUITE MONODIQUE pour hautbois, movement 4, IIa:iiv, p. 25 AGRESTIDE pour flute et piano, op. 4- Ib:2, p. 12 j.4 ETUDES - ARABESQUES pour flute, no. 13, Ic:Ixiii. p. 20

SUITE MONODIQUE pour hautbois, movement 6, IIa:l, p. 26 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 9, Ic:2ix, p. 22 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, no. 4, IIIc:3iv, p. 55 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 7, Vc:3vii, p. 85

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 4

ETUDES FOR OBOE

18 ETUDES pour hautbois, no. 1, lie:li, p. 32 14 ETUDES - ARABESQUES pour flute, no. 4, Ic:lvi, p. 18 ONZE ETUDES SUR DES MODES KARNA,riQUES pour clarinette, no. 8 (2nd theme). IIIc:3v'iiib, p. 56 JOUR D'ETE A LA MONTAGNE pour quatre flutes, movement 3, VIII:3iii, p. 108

18 ETUDES pour hautbois, no. 5, lie:lv, p. 33 DOUZE ETUDES - CAPRICES pour saxophone, no. 2, IVc:lii, p. 69

18 ETUDES pour hautbois, no. 7, IIc:lvii, p. 33 AGRESTIDE pour flute et piano, op. 44, theme, Ib:2, p. 12 14 ETUDES - ARABESQUES pour flute, no. 7, Ic:lvii, p. 19 DOUZE ETUDES - CAPRICES pour saxophone, no. 10, IVc:lx p. 71 QUINZE ETUDES JOURNALIERES pour basson, op. 64, no. 10, Vc:lx, p. 80

18 ETUDES pour hautbois, no. 9fc IIc:lix, p. 34 ARIA pour clarinette en Si et piano, theme, IIIb:l, p. tv4 A ARIA pour violin ou flute et piano, theme, Ib:l, P* 11 .b 14 ETUDES DE MECHANISME pour clarinette en Si , no. 8, IIIc:lviii, p. 51 . ARIA pour saxophone alto Mi et piano, theme, IVb:l, p. 60

18 ETUDES pour hautbois, no. 15, IIc:lxv, p. 35 FANTAISIE PASTORALE pour hautbois et piano (ou orchestre), op. 37, intro, IIb:2, p. 27

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 5

QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no- 1 (1st theme), IIc:2ia, p. 35 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 8, Ic:2viii, p. 21 SUITE MONODIQUE pour hautbois, movement 2, Ilatlii, p. 25

QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 3, IIc:2iii, p. 36 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, no. 2, IIIc:3ii, p. 55

QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 4, IIc:2iv, p. 36 PIECES BREVES pour basson seul, movement 2, Va:lii, p. 73 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 4, Ic:2iv, p. 21

QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 5, IIc:2v, p. 36 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 6, Ic:2vi, p. 21 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 1, Vc:3i, p. 84

QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautIV.WX& «? e> f no. 6, IIc:2vi, p. 36 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 5, Ic:2v, p. 21 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, no. 3, IIIc:3iii, p. 55 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 3, Vc:3iii, p. 85

QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 7, IIc:2vii, p. 37 ONZE ETUDES SUR DES MODES KARNATIQUES pour clarinette, no. 10, IIIc:3, p. 56

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 6

SOLO WORKS FOR CLARINET

ARIA pour clarinette en Sib et piano, theme, IIIb:l,p. 40 ARIA pour violin ou flute et piano, theme, Ib:I, p. 11 18 ETUDES pour hautbois, no. 9, IIc:lix, p. 34 14 ETUDES DE MECHANISMS pour clarinette en Sib, no. 8, IIIc:lviii, p. 51 ARIA pour saxophone alto Hib et piano, theme, IVb:1, p. 60

CAPRICE IMPROVISATION pour clarinette Sib et piano, 1st theme, IIIb:IIi, p. 47 CONCERTINO DA CAMERA pour flute et orchestre a chordes, movement 1, Ib:6i, p. 14

CAPRICE IMPROVISATION pour clarinette Sib, theme 2, IIIb:llii, p. 47 SHIVA pour basson et piano, 5th theme, Vb:8, p. 78

CONCERTO pour clarinette et orchestre de chambre, movement 1, IIIb:6i, p. 43 DIPTYQUE pour saxo alto en Mib et piano, movement 2 J.TT7T*> V • 1-L. SS-t..*.Q-? ■? . -r\ P" • £Q

CONCERTO pour clarinette et orchestre de chambre, movement 2, IIIb:6ii, p. 43 DOUZE ETUDES pour clarinette, no. 8, IIIc:2viii, p. 53

CONCERTO pour clarinette et orchestre de chambre, movement 3, IIIb:6iii, p. 43 DOUZE ETUDES pour clarinette, no. 5, IIxc:2v, p. 53

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 7

DIVERTISSEMENT for B clarinet and piano, op- 39, themes 1-4, IIIb:2, p. 40 DIVERTISSEMENT for English horn and piano (original version), op. 39, themes 1-4, IIb:l, p. 26 DIVERTISSEMENT for English horn and piano (original version), transcribed by David Hite for alto saxophone, op. 39, themeg 1-4, IVb:3, p. 61 PULCINELLA pour clarinette Si" [ou] saxophone Mi" et piano, 1st theme (matches 4th theme), IIIb:4 and IVb:4, pp. 42 and 62 ESPIEGLERIE pour basson et piano, theme (matches 4th theme), Vb:5, p. 76

EPITHALAME pour clarinette & piano, theme, IIIb:12, p. 48 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 3, Ic:2iii, p. 21

FANTAISIE ITALIENNE pour clarinette [Sib ] et piano, all 3 themes, IIIb:3, p. 41 FANTAISIE ITALIENNE pour flute et piano, ail 3 themes, Ib:3, p. 12 FANTAISIE ITALIENNE pour hautbois et piano, all 3 themes, IIb:4, p. 29 FANTAISIE ITALIENNE pour saxophone alto et piano, all 3 themes, IVb:6, p. 63 RECIT, SICILIENNE ET RONDO pour basson et piano, all 3 themes, Vb:l, p. 74 BERCEUSE ET SERENADE pour flute et guitarre, movement 1 and 1st theme (Allant), IV:6i, p. 94

IDYLLE pour clarinette Sib et piano, theme, IIIb:9, p. 46 DOUZE ETUDES pour clarinette, no. 7, IIIc:2vii, p. 53

PULCINELLA pour clarinette Sib [ou] saxophone Mib et piano, 1st theme, IIIb:4 and IVb:4, pp. 42 and 62 DIVERTISSEMENT for English horn and piano (original version), transcribed by David Hite for alto saxophone, op. 39, 4th theme, IVb:3iv, p. 62 DIVERTISSEMENT for English horn and piano (original version), op. 39, 4th theme, IIb:liv, p. 27 DIVERTISSEMENT for B clarinet and piano, op. 39, 4th theme, IIIL:2rv, p. 42 ESPIEGLERIE pour basson et piano, theme, Vb:5, p. 76

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 3 8

PULCINELLA pour clarinette Sib et piano, 2 theme, Illb:4ii, p. 42 PULCINELLA pour saxophone mib et piano, movement 2, TVhidi i . -D. 62

SUITE pour clarinette en Sib, movement 3, IIIb:13iii, p. 48 SONATE pour hautbois et piano, movement 4, IIb:6iv, p. 30 TROIS MOUVEMENTS pour flute et clarinette en Si , movement 3. Vl:6iii, p. 93

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ETUDES FOR CLARINET

14 ETUDES DE MECHANISME pour ciarinette en Sib, no. 4. IIIc:liv, p. 50 DOUZE ETUDES - CAPRICES pour saxophone, no. 4, IVc:liv, p. 70

14 ETUDES DE MECHANISME pour ciarinette en Sib, no. 5, IIIc:lv, p. 51 CONCERTINO pour saxophone alto et orchestre (ou piano), movement 2, IVb:2ii, p. 60

14 ETUDES DE MECHANISME pour ciarinette en Sib, no. 6, Illcrlvi, p. 51 QUINZE ETUDES JOURNALIERES pour basson, op. 64, no. 9, Vc:lix, p. 80

14 ETUDES DE MECHANISME pour ciarinette en Sib, no. 8, IIIc:lviii, p. 51 ARIA pour violin ou flute et piano, theme, Ib:l, p. 18 ETUDES pour hautbois, no. 9, Ilcrlix, p. 34 ARIA pour ciarinette en Sib et piano, theme, IIIb:l p. 40 ARIA pour saxophone alto Mib et piano, theme, IVb:l p. 60

14 ETUDES DE MECHANISME pour ciarinette en Sib, no. 9, IIIc:lix.- p- 51 14 ETUDES - ARABESQUES pour flute, no. 2, Ic:lii, p. 18 DOUZE CAPRICES pour basson, no. 8, Vc:2viii, p. 83

DOUZE ETUDES pour ciarinette, no. 3, IIIc:2iii, p. 53 DOUZE ETUDES - CAPRICES pour saxophone, no. 9, IVcrlix, p. 70

DOUZE ETUDES pour ciarinette, no. 5, IIIc:2v, p. 53 CONCERTO pour ciarinette et orchestre de chambre, movement 3, IIIb:6iii, p. 43

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission 1 4 0

DOUZE ETUDES pour ciarinette,.no. 7, IIIc:2vii, p. 53 IDYLLE pour ciarinette Si et piano, theme, Illb:9 p. 46

DOUZE ETUDES pour ciarinette, no. 8, IIIc:2viii, p. 53 CONCERTO pour ciarinette et orchestre de chambre, movement 2, Illb:6ii, p. 43

DOUZE ETUDES pour ciarinette, no. 12, IIIc:2xii, p. 54 DOUZE ETUDES - CAPRICES pour saxophone, no. 8, IVcrlviii, p. 70

ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 2, IIIc:3ii, p. 55 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 3, XIc:2iii, p. 36

ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, nc. 3, IIIc:3iii, p. 55 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 5, Ic:2v, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 6, IIc:2vi, p. 36 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 3, Vc:3iii, p. 85

ONZE ETUDE SUR DES MODES KARNATIQUES pour ciarinette, no. 4, IIIc:3iv, p. 55 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 9, Ic:2ix, p. 22 SUITE MONODIQUE pour hautbois, movement 6, IIa:l, p. 26 ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 7, Vc:3vii, p. 85

ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 6, IIIc:3vi, p. 55 SUITE MONODIQUE pour hautbois, movement 1, IIa:li, p. 25

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 1

ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 8 (2nd theme), IIIc:3viiib, p. 56 14 ETUDES - ARABESQUES pour flute, no. 4, Icrlvi, p. 18 18 ETUDES pour hautbois, no. 1, Ilcrli, p. 32 JOUR D'ETE X LA MONTAGNE pour quatre flutes, movement 3, VIII:3iii, p. 108

ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 10, IIIc:3, p. 56 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 7, IIc:2vii, p. 37

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 142

SOLO WORKS FOR SAXOPHONE

ARIA pour saxophone alto Mib et piano, theme, IVb:1, p. 60 ARIA pour violin ou flute et piano, theme, Ib:l, p. 11 18 ETUDES pour hautbois, no. 9, IIc:lix, p. 34 ARIA pour ciarinette en Sib et piano, theme, IIIb:l, p. 40 14 ETUDES DE MECHANISME pour ciarinette en Si°, no. 8, IIIc:lviii, p. 51

LE CAMPANILE pour saxophone Mib et piano, theme, IVb:9, p. 65 QUATRE PIECES FAQILES pour flute et piano, movement 2, Ib:llii, p. 16

CHANSON A BERCER pour saxophone alto Mib et piano, theme, IVb:10, p. 65 DOUZE ETUDES - CAPRICES pour saxophone, no. 12, theme, IVc:lxii, p. 71

CONCERTINO pour saxophone alto et orchestre (ou piano), movement 2, IVb:2ii, p. 61 14 ETUDES DE MECHANISME pour ciarinette en Sib, no. 5, IIIc:lv, p. 51

CONCERTINO pour saxophone alto et orchestre (ou piano), movement 3, IVb:2iii, p. 61 TARANTELLE pour saxophone alto et piano, theme, IVb:17, p. 68

DIPTYQUE pour saxo alto en Mib et piano, movement 2 IVb:18ii, p. 69 CONCERTO pour ciarinette et orchestre de chambre, movement 1, IIIb:6i, p. 43

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 3

DIVERTISSEMENT for English horn and piano (original version), transcribed by David Hite for alto saxophone, op. 39, themes 1-4, IVb:3, p. 62 DIVERTISSEMENT for English horn and piano (original version), op. 39, themes 1-4, IIb:l, P- 27 DIVERTISSEMENT for B clarinet and piano, op. 39, themes 1-4, IIIb:2, p. 42 , PULCINELLA pour ciarinette Si [ou] saxophone Mi et piano, 1st theme (matches movement 4), Illb:4 and IVb:4, pp. 42 and 62 ESPIEGLERXE pour basson et piano, theme (matches 4th theme), Vb:5, p. 76

FANTAISIE ITALIENNE pour saxophone alto et piano, all 3 themes, IVb:6, p. 63 FANTAISIE ITALIENNE pour flute et piano, all 3 themes, lb:3, p. 12 FANTAISIE ITALIENNE pour hautbois et piano, all 3 themes, IIb:4, p. 29 . FANTAISIE ITALIENNE pour ciarinette [Si ] et piano, all 3 themes, IIIb:3, p. 41 RECIT, SICILIENNE ET RONDO pour basson et piano, all 3 themes, Vb:1, p. 74 BERCEUSE ET SERENADE pour flute et guitarre, movement 1 and 1st theme (Allant), IV:6i, p. 94

IMPROVISATION ET CAPRICE pour saxophone solo, movement 1, IVa:li, p. 59 TROIS IMPRESSIONS pour flute et piano, movement 1, Ib:4i, p. 13 DEUX IMPRESSIONS pour flute et narpe, movement 1, VI:4i, p. 9l" ATMOSPHERES pour quatre flutes et orchestre de chambre, movement 1, VIII;7i, p. 112 DOUZE ETUDES - CAPRICES pour saxophone, no. 6, IVc:lvi, p. 70

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 4

IMPROVISATION ET CAPRICE pour saxophone solo, movement 2, IVa:lii, p. 59 NUAGES pour quatuor de saxophones, theme, VIII:2, p. 107 SCHERZO pour quintette a vent, op. 48, movement 1, IX:2a, p. 118 LUCIOLES pour ensemble de clarinettes, theme, IX:4~, p. 119 14 ETUDES - ARABESQUES pour flute, no. 5, Ic:lv, p. 18 DOUZE ETUDES - CAPRICES pour saxophone, no. 7, aVc : Iv n , p. '0 JOUR D'ETE A LA MONTAGNE pour quatuor flutes, movement 1 VITI*3’ o n n*7

U MENUET DES PAGES pour saxophone alto Mi et piano, theme, IVb:12, p. 66 QUATRE PIECES FAQILES pour flute et piano, movement 3, lb:11, p. 16

NOCTURNE - DANSE pour saxophone alto et piano, movements 1-2, Vb:16, p. 67 NOCTURNE - DANSE pour basson et piano, movements 1-2, Vb:7, p. 77

PIECE BREVE pour saxophone seul, intro and theme, IVa:2, p. 59 IMAGE pour flute seule, op. 38, intro and theme, Ia:i, p. 10

PRELUDE ET DIVERTISSEMENT pour saxophone alto ou ciarinette Si et piano, 2 themes, IIIb:10 and IVb:7, p. 46 and pp. 64 PRELUDE ET DIVERTISSEMENT pour basson et piano, 2 themes, Vb:6, p. 77

"The themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET CAPRICE, ETUDE - CAPRICE, and JOUR D'ET^ X LA MONTAGNE are exactly the s.ame. The two sets of themes are near "matches.”

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 5

PULCINELLA pour ciarinette Si [ou] saxophone Mi et piano, 1st theme, XXIb:4 and IVb:4, pp. 42 and 62 DIVERTISSEMENT for English horn and piano (original version), transcribed by David Kite for alto saxophone, op. 39, 4th theme, IVb:3iv, p. 62 DIVERTISSEMENT for English horn and piano (original version), op. 39, 4th theme. IIb:liv, p. 27 DIVERTISSEMENT for B clarinet and piano, op. 39, 4th theme, IIIb:2iv, p. 41 ESPIEGLERIE pour basson et piano, theme, Vb:5, p. 76

V PULCINELLA pour saxophone mi et piano, 2nd theme, IVbs4ii, p. 62 . PULCINELLA pour ciarinette SiD et piano, movement 2, IIIb:4ii, p. 42

REVES D'ENFANT pour saxophone alto Mib et piano, theme, IVb:15, p. 67 QUATRE PIECES FA£ILES pour flute et piano, movement 1, lb:11, p. 16

TARANTELLE pour saxophone alto et piano, theme, IVb:17, p. 68 CONCERTINO pour saxophone alto et orchestre (ou piano), movement 3, IVb:2iii, p. 61

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 6

ETUDES FOR SAXOPHONE

DOUZE ETUDES - CAPRICES pour saxophone, no. 1, IVc:li. p. 69 QUINZ2 ETUDES JOUSNALIERES pour basson, op. 64, no. 1 Vc:li, p. 79

DOUZE ETUDES — CAPRICES pour saxophone, no. 2, IVcilii, p. 69 18 ETUDES pour hautbois, no. 5, IIc:lv, p. 33

DOUZE ETUDES - CAPRICES pour saxophone, no. 4, IVc:liv, P» 70 v. 14 ETUDES DE MECHANISME pour ciarinette en Si , no. 4, IIIc:liv, p. 50

DOUZE ETUDES - CAPRICES pour saxophone, no. 6, IVc:lvi, p. 70 TROIS IMPRESSIONS pour flute et piano, movement 1, Ib:4i, p. 13 DEUX IMPRESSIONS pour flute et harpe, movement I, VI:4i, p. 91 ATMOSPHERES pour quatre flutes et orchestre de chambre, movement 1, VIII:7i, p. 112 IMPROVISATION ET CAPRICE pour saxophone solo, movement 1, IVa:li, p. 59

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. DOUZE ETUDES - CAPRICES pour saxophone, no. 7, IVc:lviir. p. 70 NUAGES pour cruatuor de saxophones, theme, VIII:2, p. 107 SCHERZO D o u r quintette a vent, op. 48, movement 1, IX:2a, p. 118 LUCIOLES pour ensemble de clarinettes, theme, IX:4, p. 119 14 ETUDES - ARABisSQOiiS pour flute, no. 5, Ic:iv, p. 18 IMPROVISATION ET CAPRICE pour saxophone solo, movement 2, IVajlii, p. 59 JOUR D'ETE A LA MONTAGNE pour auatuor flutes, movement 1, VIII:3i, p. 107s

DOUZE ETUDES - CAPRICES pour saxophone, no. 8, IVc:lviii, p. 70 DOUZE ETUDES pour ciarinette, no. 12, IIIc:2xii, p. 54

DOUZE ETUDES - CAPRICES pour saxophone, no. 9, Iv*c:lix, o. 70 DOUZE ETUDES pour ciarinette, no. 3, IIIc:2iii, p. 53

DOUZE ETUDES - CAPRICES pour saxophone, no. 10, IVc:lx p. 71 AGRESTIDE pour flute et piano, op. 44, theme, Ib:2, p. 12 14 ETUDES - ARABESQUES pour flute, no. 7, Ic:lvii, p. 19 18 ETUDES pour hautbois, no. 7, IIc:lvii, p. 33 QUINZE ETUDES JOURNALIERES pour basson, op. 64, no. 10, Vc:lx, p. 80

DOUZE ETUDES - CAPRICES pour saxophone, no. 12, theme, IVc:lxii, p. 71 CHANSON A BERCER pour saxophone alto Mib et piano, theme, IVb:10, p. 65

3The themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET CAPRICE, ETUDE - CAPRICE, and JOUR D'tlt A LA MONTAGNE are exactly the same. The two sets of a >*o T,ma^r» 1r > A C M

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 8

DOUZE gTUDES - CAPRICES pour saxophone, no. 12, variations, IVc:lxii, p. 714 QUINZE ETUDES JOURNALIERES pour basson, op. 64, no. 15, variations, Vc:lxv, p. 81-82

4In these two etudes, each a theme and 5 variations, the variations are identical, but the themes differ.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 4 9

SOLO WORKS FOR BASSOON

ESPIEGLERIE pour basson et piano, theme, Vb:5, p. 76 DIVERTISSEMENT for English horn and piano (original version), oo- 39, 4th theme, IIb:liv, P* 27 ‘ DIVERTISSEMENT for B clarinet and piano, op. 39, 4th theme, IIIb:2iv, p. 40 DIVERTISSEMENT for English horn and piano (original version), transcribed by David Hite for alto saxophone, op. 39, 4th tjieme, IVb:3iv, p. 62 PULCINELLA pour ciarinette Si" [ou] saxophone Mi et piano, 1st theme, IIIb:4 and IVb:4, pp. 42 and 62

NOCTURNE - DANSE pour basson et piano, movements 1-2, Vb:7, p. 77 NOCTURNE - DANSE pour saxophone alto et piano, movements 1 - 2, Vb:l6, p. 67

PIECES BREVES pour basson seul, movement 2, Va:lii, p. 73 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 4; Ic:2iv, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 4, IIc:2iv, p. 36

PRELUDE ET DIVERTISSEMENT pour basson et piano, 2 themes, Vb:6, p. 77 PRELUDE ET DIVERTISSEMENT pour saxophone alto ou ciarinette Si et piano, 2 themes, IIIb:10 and IVb:7, p. 46 and pp. 64

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 0

RECIT, SICILIENNE ET RONDO pour basson et piano, all 3 themes, vb:l, p. 74 FANTAISIE ITALIENNE pour flute et piano, all 3 themes, Ib:3, p. 12 FANTAISIE ITALIENNE pour hautbois et piano, all 3 themes, IIb:4, p. 29 . FANTAISIE ITALIENNE pour ciarinette [SiD ] et piano, all 3 themes, Illb:3, p. 41 FANTAISIE ITALIENNE pour saxophone alto et piano, all 3 themes, IVb:6, p. 63 BERCEUSE ET SERENADE pour flute et guitarre, movement 1 and 1st theme (Allant), IV:6i, p. 94

SHIVA pour basson et piano, 5th theme, Vb:8, p. 78 CAPRICE IMPROVISATION pour ciarinette Si, theme 2, IIIb:llii, p. 47

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 1

ETUDES FOR BASSOON

DOUZE CAPRICES pour basson, no. S, Vc:2viii, p. 83 14 ETUDES - ARABESQUES pour flute, no. 2, Ic:lii, rsSf • — TS u 14 ETUDES DE MECHANISME pour ciarinette en Si", no. 9, IIIc:lix, p. 51

ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 1, Vc:3i, p. 84 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 6, Ic:2vi, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 5, IIc:2v, p. 36

ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 3, Vc:3iii, p. 85 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 5, Ic:2v, p. 21 QUATORZE ETUDES SUR DES MODES KARNATIQUES pour hautbois, no. 6. IIc:2vi, p. 36 ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 3, IIIc:3iii, p. 55

ONZE ETUDES SUR DES MODES KARNATIQUES pour basson, no. 7, Vc:3vii, x>. 85 DIX ETUDES SUR DES MODES KARNATIQUES pour flute. no. 9, Ic:2ix, p. 22 SUITE MONODIQUE pour hautbois, movement 6, IIa:l, p. 26 ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 4, lllc:3iv, p. 55

QUINZE ETUDES JQURNALIERES pour basson, op. 64, no. 1 Vc:li, p. 79 DOUZE ETUDES - CAPRICES pour saxophone, no. 1, IVc:li, p. 69

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 2

QUINZE ETUDES JOURNALIERES pour basson, op. 54, no. 6, Vc:lvi, p. 80 AGRESTIDE pour flute et piano, op. 44, theme, Ib:2, p. 12 14 ETUDES - ARABESQUES pour flute, no. 7, Ictlvii, p. 1 9 18 ETUDES pour hautbois, no. 7, IIc:lvii, p. 33 DOUZE ETUDES - CAPRICES pour saxophone, no. 10, IVcrlx p. 71

QUINZE ETUDES JOURNALIERES pour basson, op. 64, no. 9, Vc:lix, p. 80 v. 14 ETUDES DE MECHANISME pour ciarinette en Si", no. 6, IIIc:lvi, p. 51

QUNIZE ETUDES JOURNALIERES pour basson, op. 64, no. 15 {variations}, Vc:lxv? p. 81-82 DOUZE ETUDES - CAPRICES pour saxophone, no. 12 (variations), Ivc:lxii, p. 71

5In these two etudes, each a theme and 5 variations, the variations are identical, but the themes differ.

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 3

DUETS

BERCEUSE ET SERENADE pour flute et guitar re., movement 1 and 1st theme (Allant), IV:6i, p. 94 FANTAISIE ITALIENNE pour flute et piano, all 3 themes, Ib:3, p. 29 FANTAISIE ITALIENNE pour hautbois et piano, all 3 themes, IIb:4, p. 20 , FANTAISIE ITALIENNE pour ciarinette [SiD] et pian o, all 3 themes, IIIb:3, p. 41 FANTAISIE ITALIENNE pour saxophone alto et piano, all 3 themes, IVb:6, p. 63 RECIT, SICILIENNE ET RONDO pour basson et piano, all 3 themes, Vb:l, p. 74

CONTRASTES I pour flute et basson, no. 1, VI:8i, p. 94 CONTRASTES II pour hautbois et basson, no. 2, VI:9ii, p. 97 CONTRASTES III pour ciarinette et basson, no. 3, VI:lOiii, p. 99

CONTRASTES I pour flute et basson, no. 2, VI:8ii, p. 95 CONTRASTES II pour hautbois et basson, no. 3, VI:9iii, p. 97 CONTRASTES III pour ciarinette et basson, no. 1, VI:lOi, p. 96

CONTRASTES I pour flute et basson, no. 3, VI:8iii, p. 95 CONTRASTES II pour hautbois et basson, no. 4, VI:Siv p. 97 CONTRASTES III pour ciarinette et basson, no. 8, VI:10viii, p. 100

( CONTRASTES I pour flute et basson, no. 4, VI:8iv, p. 95 CONTRASTES II pour hautbois et basson, no. 5, VI:9v p. 97 i CONTRASTES III pour ciarinette et basson, no. 4, I VI:lOiv, p. 99 !

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CONTRASTES I pour flute et basson, no. 5, VI:8v, p. 95 CONTRASTES III pour hautbois et basson, no. 6, VI:lOvi, p. 99

CONTRASTES I pour flute et basson, no. 6, VI:8vi, p. 95 CONTRASTES II pour hautbois et basson, no. 1, VI:9 i, p. 96

CONTRASTES I pour flute et basson, no. 7, VI:8vii, p. 96 CONTRASTES III pour ciarinette et basson, no. 7, VI:lOvii, p. 100

CONTRASTES I pour flute et basson, no. 8, VI:8viii, p. 9 CONTRASTES II pour ciarinette et basson, no. 7, VI:9vii, p. 98

CONTRASTES II pour hautbois et basson, no. 1, VI:9i, p. CONTRASTES I pour flute et basson, no. 6, VI:8vi, D. 95

CONTRASTES II pour hautbois et basson, no. 2, VI:9ii p. CONTRASTES I pour flute et basson, no. 1, VI:8i, p. CONTRASTES III pour ciarinette et basson, no. 3, VI:10iii, p. 99

CONTRASTES II pour hautbois et basson, no. 3, Vl:9iii, p. 97 CONTRASTES I pour flute et basson, no. 2, VI:8ii, p. 95 CONTRASTES III pour ciarinette et basson, no. 1, VI:10i, p. 98

CONTRASTES II pour hautbois et basson, no. 4, VI:9iv p. CONTRASTES I pour flute et basson, no. 3, VI:8iii, p. 95 CONTRASTES III pour ciarinette et basson, no. 8, VI:10viii, p. 100

CONTRASTES II pour hautbois et basson, no. 5, VI:9v, p. CONTRASTES I pour flute et basson, no. 4, V I :8iv, p. 95 CONTRASTES III pour ciarinette et basson, no. 4, VI:10iv, p. 99

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 5

CONTRASTES II pour ciarinette et basson, no. 7, VI:9vii, p. 98 CONTRASTES I pour flute et basson, no. 8, VI:8viii, p. 96

CONTRASTES III d o u t ciarinette et basson, no. 1, VI:lOi, p. 98 CONTRASTES II pour hautbois et basson, no. 3, Vl:9iii, p. 97 CONTRASTES I pour flute et basson, no. 2, VI:8ii, P • Ss

CONTRASTES III pour ciarinette et basson, no. 3, VlilOiii, p. 99 CONTRASTES I pour flute et basson, no. 1, VI:8i, p. 94 CONTRASTES II pour hautbois et basson, no. 2, VI:9ii p. 97

CONTRASTES III pour ciarinette et basson, no. 4, Vl:lOiv, p. 99 CONTRASTES I pour flute et basson, no. 4, VI:8iv, p. 95 CONTRASTES II pour hautbois et basson, no. 5, VI:9v fV. 0- * 7'

CONTRASTES III pour hautbois et basson, no. 6. VI:lOvi, p. 99 CONTRASTES I pour flute et basson, no. 5, VI:8v, p. 95

CONTRASTES III pour ciarinette et basson, no. 7, VI:10vii, p. 100 CONtjkastES -L pour flute et basson,«ssnri. rsrs-no. 7, VI:8vii, p. 96

CONTRASTES III pour ciarinette et basson, no. 8, VI:lOviii, p. 100 CONTRASTES I pour flute et basson, no. 3, VI:8iii, p. 95 CONTRASTES II pour hautbois et basson, no. 4, VI:9iv p. 97

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 6

DEUX IMPRESSIONS pour flute et harpe, movement 1, VI:4i, p. 91 TROIS IMPRESSIONS pour flute et piano, movement 1, Ib:4i, p. 13 ATMOSPHERES pour quatre flutes et orchestre de chambre, movement 1, VIII:7i, p. 112 IMPROVISATION ET CAPRICE pour saxophone solo, movement 1, IVa:li, p. 59 DOUZE ETUDES - CAPRICES pour saxophone, no. 6, IVc:lvi, p. 70

DEUX IMPRESSIONS pour flute et harpe, movements 1-3, VI:4, p. 91 TROIS IMPRESSIONS pour flute et piano, movements 1 - 3, Ib:4, p. 13

POLYDIAPHONIE pour flute et guitare, movement 1, VI:5i, p. 92 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 1, Ic:2i, p. 20

POLYDIAPHONIE pour flute et guitarre, movement 3, VI:5iii, p. 92 DIX ETUDES SUR DES MODES KARNATIQUES pour flute, no. 7, Ic:2vii, p. 21

u TROIS MOUVEMENTS pour flute et ciarinette en Si , movement 3, VI:6iii, p. 93 SONATE pour hautbois et piano, movement 4, IIb:6iv, P- 30 b SUITE pour ciarinette en Si , movement 3, IIIb:13m, p. 48

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TRIOS

SERENADE EN TRIO pour flute,- ciarinette et basson- movement 1-2, VII:4, p. 105 SERENADE (quatuor a vent), movement 1 - 2, VIII:5, p. 110 SONATINE pour quatre clarinettes inegales ou quatuor vent, movement 1-2, VTII:6, p. Ill

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 8

QUARTETS

ATMOSPHERES pour quatre flutes et orchestre de chambre, movement 1, VIII:7i, p. 112 TROIS IMPRESSIONS pour flute et piano, movement 1. Ib:4i, p. 13 DEUX IMPRESSIONS pour flute et harpe.- movement 1, V I : 4i, p. 91 IMPROVISATION ET CAPRICE pour saxophone solo, movement 1, IVa:li, p. 59 DOUZE ETUDES - CAPRICES pour saxophone, no. 6, IVc:lvi, p. 70

JOUR D'ETE A LA MONTAGNE pour quatuor flutes, movement 1, VIII:3i, p. 107 NUAGES pour quatuor de saxophones, theme, VIII:2, p. 107 SCHERZO pour quintette a vent, op. 48, movement 1, IX:2a, p. 118 LUCIOLES pour ensemble de clarinettes, theme, IX:4, p. 119 14 ETUDES - ARABESQUES pour flute, no. 5, Ic:lv, p. 18 IMPROVISATION ET CAPRICE pour saxophone solo, movement 2, IVa:lii, p. 59 DOUZE ETUDES - CAPRICES pour saxophone, no.7,IVc:lvii, p. 706

JOUR D'ETE A LA MONTAGNE pour quatre flutes, movement 3, VIII:3iii, p. 108 14 ETUDES - ARABESOUES pour flute, no. 4, Ic:lvi, p. 18 18 ETUDES pour hautbois, no. 1, IIc:li, p. 32 ONZE ETUDES SUR DES MODES KARNATIQUES pour ciarinette, no. 8 (2nd theme), IIIc:3viiib, p. 56

tPhe themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET CAPRICE, ETUDE - CAPRICE, and JOUR D ’Bt I A LA MONTAGNE are exactly the same. The two sets of themes are near "matches,"

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 5 9

NUAGES pour guatuor de saxophones, theme, VI 11:2, p. 107 SCHERZO pour quintette a vent, op. 48, movement 1. IX:2a, p. 118 LUCIOLES pour ensemble de clarinettes, theme, IX: 4, p. 119 14 ETUDES - ARABESQUES pour flute, no. 5, Ic:lv, p. 18 IMPROVISATION ET CAPRICE oour saxonhone solo, movement 2, IVa:lii, p. 59 DOUZE ETUDES - CAPRICES pour saxophone, no. 7, IVc:lvii, p. 70 JOUR D'ETE A LA MONTAGNE pour quatuor flutes, movement t v t t t . i ; - n v 7

SERENADE (quatuor a vent), movement 1 - 2, VIII:5, p. 110 SERENADE EN TRIO pour flute, ciarinette et basson, movement 1-2, VII:4, p. 105 SONATINE pour quatre clarinettes inegales ou quatuor a vent, movement 1-2, VIII:6, p. Ill

SERENADE (quatuor a vent), movement 3, VIII:5iii, p. 110 SCNATINE pour quatre clarinettes inegales ou quatuor a vent, movement 3, VIII:6iii, p. Ill

SONATINE pour quatre clarinettes inegales ou quatuor a vent, movement 1-2, VIII:6, p. Ill SERENADE EN TRIO pour flute, ciarinette et basson, movement 1-2, VII:4, p. 105 SERENADE (quatuor a vent), movement 1 - 2, VIII:5, p. 110

SONATINE pour quatre clarinettes inegales ou quatuor a vent, movement 3, VTII:6iii, p. Ill SERENADE (quatuor a vent), movement 3, VIII:5iii, p. 110

7The themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET -CAPRICE, ETUDE - CAPRICE, and JOUR D ’£t £ A LA MONTAGNE are exactly the same. The two sets of themes are near "matches

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 1 6 0

QUINTETS AND LARGER CHAMBER ENSEMBLES

LUCIOLES pour ensemble de clarinettes, theme, IX:4, p. 118 NUAGES pour quatuor de saxophones, theme, VIII:2, p. 107 SCHERZO pour quintette a vent, op. 48, movement 1, IX:2a, p. 118 14 ETUDES - ARABESQUES pour flute, no. 5, Ic:iv, p. 18 IMPROVISATION ET CAPRICE pour saxophone solo, movement 2, IVa:lii, p. 59 DOUZE ETUDES - CAPRICES pour saxophone, no. 7, IVc:lvii, p. 70 JOUR D'ETE A LA MONTAGNE pour quatuor flutes, movement 1, VIII:3i, p. 1078

OCTANPHONIE pour 2 hautbois, 2 clarinettes Sib, 2 cors et 2 bassons, movement 1-3, IX:6i. p. 122 QUATRE MOUVEMENTS pour septuor a vent , movement 1-3, IX:5i, p. 120

QUATRE MOUVEMENTS nour seotuor a vent10, movement 1-3, IX:5i, p. 120 OCTANPHONIE pour 2 hautbois, 2 clarinettes Sib, 2 cors et 2 bassons, movement 1-3, IX:6i, p. 122

8Thas-themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET CAPRICE, ETUDE - CAPRICE, and JOUR D'It E X LA MONTAGNE are exactly the same. The two sets of themes are near "matches."

9For flute, oboe, clarinet, bassoon, horn in F, t t s.n.c2. trombone

10For flute, oboe, clarinet, bassoon, horn in F, trumpet and trombone

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. 161

SCHERZO pour quintette a vent. oo. 48, movement 1, IX:2a, p. 118 NUAGES pour quatuor de saxophones, theme, VIII:2, p. 107 LUCIOLES pour ensemble de clarinettes, theme, IX:4, p. 119 14 ETUDES - ARABESOUES pour flute, no. 5, Ic:lv, p. 18 IMPROVISATION ET CAPRICE pour saxophone solo, movement 2, IVa:lii, p. 59 DOUZE ETUDES — CAPRICES pour saxophone, no. 7, IVc:lvii, p. 70 JOUR D'ETE A LA MONTAGNE pour quatuor flutes, movement 1, VIII:3i, p. 10711

11The themes in NUAGES, SCHERZO and LUCIOLES are exactly the same, and the themes in the ETUDE - ARABESQUE, IMPROVISATION ET CAPRICE, ETUDE - CAPRICE, and JOUR D'ETE A LA MONTAGNE are exactly the same. The two sets of themes are near "matches."

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A P P E N D IX 2

LETTER OF PERMISSION FROM ALPHONSE LEDUC,

EDITEURS DE MUSIQUE,

PARIS, FRANCE

l O Z

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. feDITHURS A PA R I S D E M U S I Q U E D E P U I S 18-fl

Paris, le 27 ianuter 19??.

I Jin A III»»'I 1(1 UKII I tIAMI HI Mrs. Lois Kuyper-Rushing III I t.l I 1505 Hillcresc ItfU.V JO Il« M MM. MANHATTAN* KS 66502 |'lll"l It S4 IIIU kit It MM HIM.I li. S. A.

A I I I H < I P Ml M» A lit I I Alt! It Ml ’Ml III i ».| I Ml Id I ItY M IS./! M .VI I Chere Madame* API I n III INK|l II Ml III IN Suite A votrc lettre du 20 jnnvicr que nous tronsmet Monsieur m II*.) (pi II * »Nl Ml Mike Warren* nous vous autorisons s rcproduirc dcs oxtrsits d*oeuvres d ’Eugene Bozza pour I'ouvrage que vous preparez actucllcmcnt.

Nous vous reraercions d'indiquer notre firme d'editeurs et de nous adresser un exemplalre des parution.

Monsieur Bozza esc toujours tres fatigue et nous ne pensons pas qu'il reponde a vos courriers, d'autant qu'il ne connatt pas l'anglais.

Veuillez agreer, chere Madame, 1'expression de nos sentiments distingues.

pour A. Leduc 6 Ciei Jean Leduc I

Alphonse Leduc - 175, rue Saini-Honore - I’-n Cakx <>i S.A.R.L au upiul A t.-iK'S <»«l l: • RC PARIS H 172 0*. " A ■ CC P PARIS 11‘M-H • SIlUiT 772 «V. t m KMK.. API: 1112 Telephone : (I) 42.96.89.11 - Telex : KOUiOUt2i27-w

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A P P E N D IX 3

LETTER OF PERMISSION FROM SOUTHERN MUSIC COMPANY,

SAN ANTONIO, TEXAS

164

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. S outhern M usic C o m p a n y abthur a. ephross Publishing Division Director* Publications TELEPHONE - 512-226-8167 P.O. BOX 329 « SAN ANTONIO, TEXAS 78292

February 8. 1989

Ms- Lois Kuyper-Rushing Libraries Kansas State University ManilaLLan, KS 66506 Dear Ms. Kuyper-Rushing: Thank you for your letter of February 1st regarding the use of our editions of Bozza in your thesis. The correct form of credit for all three pieces is: Copyright 1939 by Albert J. Andraud Used by permission of Southern Music Co. Thank you for writing us. Sincerely yours, SOUTHERN MUSIC COMPANY

ARTHUR J. EPHROSS Director of Publications AJE:jos

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A P P E N D IX 4

LETTER OF PERMISSION FROM GERARD BILLAUDOT,

EDITEUR,

PARIS, FRANCE

1 nf<

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. [ 1 6 7 ]

girsrd fcillaudot editeur PARIS. LX 29 JUIN 1989

FD/Gh.c Mademoiselle Lois Kuyper-Rushing KANSAS STATE UNIVERSITY Manhattan, Kansas 66506 USA

Mademoiselle,

J'ai bien regu votre lettre du 7 juin 1989, mais n'ai jamais regu votre rdponse du mois de fdvrier 1988.

Je vous donne bien volontiers l'autorisation de reproduire les extraits des deux oeuvres d'Eug&ne B022A dans votre these, catte autorisation est donnde uniquement dans ce but.

Je vous prie d'agrder, Mademoiselle, l'assurance de aes sentiments distingues. t.I

DERVEAUX.

!9*oo • C.e,P. PARIS 3.713-IA M * 14. RUC DE L'CCHtQUIER 73010 RARtS - TfiU: (O 47.70.14.40

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. VITA

Lois Kuyper-Rushing was born on April 27, 1955, in

Pella, Iowa. She attended elementary and secondary public

schools in Pella, Iowa. Her Bachelor of Music degree from

Central College in Pella, Iowa was awarded in 1977. The

Master of Music in oboe performance was awarded in 1978

from Louisiana State University.

She has also studied privately with Jay Light of

Drake University and Susan Brasier-Hicks of the University

of Kansas. Kuyper-Rushing's orchestral experience

includes two seasons playing English horn with the Baton

Rouge Symphony, one summer season as Oboe I with the Baton

Rouge Sympony, one season as substitute Oboe II with the

New Orleans Philharmonic and one season as substitute Oboe

II with the Des Moines Symphony, as well as playing with

numerous community orchestras in Iowa and Kansas.

Since 1986, she has been on the faculty at the

Kansas State University Library. She serves as the Music

Cataloger.

168

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. DOCTORAL EXAMINATION AND DISSERTATION REPORT

Candidate: Lois Kuyper-Rushing

Maior Field: M usic

Title of Dissertation: A THEMATIC INDEX OF THE WORKS FOR WOODWINDS BY EUGENE BOZZA ( b . 1 9 0 5)

Approved:

[ajor Professor and Chairman

EXAMINING COMMITTEE:

. i ~ m a

Date of Examination: ______

July 25, 1989______

Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.