A Novel Set in Florence in the Time of Lorenzo De Medici 1472-1478 PDF Book Please Email Webmaster Fantasticfiction

Total Page:16

File Type:pdf, Size:1020Kb

A Novel Set in Florence in the Time of Lorenzo De Medici 1472-1478 PDF Book Please Email Webmaster Fantasticfiction A TABERNACLE FOR THE SUN: A NOVEL SET IN FLORENCE IN THE TIME OF LORENZO DE MEDICI 1472- 1478 PDF, EPUB, EBOOK Linda Proud | 494 pages | 05 May 2005 | The Godstow Press | 9780954736729 | English | Oxford, United Kingdom A Tabernacle for the Sun: A Novel Set in Florence in the Time of Lorenzo De Medici 1472-1478 PDF Book Please email webmaster fantasticfiction. On one hand, I wanted to see more of him, but An incredibly rich historical novel set in Florence in the years leading to the Pazzi conspiracy against Lorenzo de' Medici. Not registered? Thepassionate intensity of Antonio's feelings for his Etruscan hilltown, Volterra, and the motives that led him into the Pazzi conspiracy to kill Giuliano de'Medici were entirely convincing. Isabel Lawder rated it really liked it Oct 17, The best way to keep in touch is via my newsletter. Wonderful about the e-book, and thank you for the "thanks"! Original Title. If you know the history, don't expect surprise The novel puts the reader in the period and guides the reader through interesting times and challenging ideas. Indeed, even though Lorenzo de' Medici is a central figure in the plot, he is not as present or as characterized as the artists and writers who surround him. Dec 31, Ila rated it liked it Shelves: historical. This was a reread. Details if other :. I had no idea, then, that I was writing a trilogy and that it would take thirty years to complete. About Linda Proud. Set in and the Pazzi Conspiracy with the Medici Family. I supported myself with a career in picture research, then in teaching creative writing to American students on Oxford programmes. Dec 10, Laura Emery rated it it was amazing. It is clear the author knows this time period extremely well, and paints a vivid picture not only of the historical events, but of the art, culture, philosophy and so on. He is very drawn to the pagan gods and soaks up the Platonic philosophy. The first of a trilogy! He is desperate to meet Marsilio Ficino and join the Academy but Ficino proves to be even more elusive than Tommaso himself. Tommaso,the central character, impressed me less -perhaps because it is not easy for a woman author to write in the first person as a man. One does not always hear the inner voice of God at critical moments - on the other hand, grace might reveal itself in another way after grievous downturns; effect can be blown away from its cause by any small change of events; your inner feelings impair correct perception of your surroundings. Tommaso becomes the scribe of Angelo Poliziano, a member of the Platonic Academy. But Tommaso sees and speaks with the knowledge of a mature man looking back on his life, as he writes his story in for his fellow humanist-intellectual, Erasmus of Rotterdam. An excellent introduction to the late 15th century in Italy and the Humanist movement of the time, especially the Florence of the young Lorenzo de' Medici, told through the eyes of a young man who becomes a scribe, and eventually a neoPlatonist himself. Since its first publication in , A Tabernacle for the Sun has met rapturous response from readers and reviewers and has become a classic travel companion for anyone going to Tuscany, as recommended by Lonely Planet guide to Florence and Tuscany. Four-star for some historical uncertainly. Based on fact, it is beautifully written by Linda Proud who takes the reader into the heart of Lorenzo de Medici's Florence, and shows us via philosophy, music and art the flowering of the Renaissance era. Linda Proud. Not you? Error rating book. Please try again or alternatively you can contact your chosen shop on or send us an email at. I loved this book, first of the Botticelli Trilogy. I also worked as an editor with one of the top literary consultancies, helping first time authors improve their chances of publication. Ambra Sargentini rated it it was amazing Dec 19, Open Preview See a Problem? Quantity Add to basket. Other editions. Enlarge cover. A Tabernacle for the Sun: A Novel Set in Florence in the Time of Lorenzo De Medici 1472-1478 Writer I had a glorious two years of belated childhood then everything went dark. More Italian colour and vivacity would have lifted the experience for me; Linda Proud paints a beautiful scene. His best friend is Filippino Lippi, an apprentice of Botticelli, and Tommaso is used to model the figure of Mercury in the Primavera. To avoid the turmoil, both inner and outer, he takes refuge in the painter's workshop where his friend, Filippino, is an apprentice. The Other Boleyn Girl. Antonio and the Bishop are soon in conflict, and Tommaso begins to feel pulled two ways. The Botticelli Trilogy 1. Dawn Groesbeck rated it it was amazing Jun 05, Forgotten password Please enter your email address below and we'll send you a link to reset your password. I had never read a novel with Angelo as a character and I loved Linda Proud's endearing interpretation of him. James Clavell. It should be uploaded by mid-May at the latest. Please email webmaster fantasticfiction. Details if other :. An exceptional historical novel of Renaissance Florence! This was a reread. It was quiet. It is thoughtful, beautiful, respectful, well written and conceived, with depth of philosophical understanding and knowledge of the period. Not registered? Jan 25, Italo Italophiles rated it it was amazing. So well crafted - I was drawn back to another time, and way of thinking and living. Isabel Lawder rated it really liked it Oct 17, Cheryl rated it it was amazing Jul 01, For example, why the Germany duke commissioned a copy of the Metaphysics in such clandestine manner and who was he, who was the scribe writing in Poggio's hand that humbled the narrator? Wonderful about the e-book, and thank you for the "thanks"! Rating details. Bring Up the Bodies. Linda Proud clearly loves her period and her characters and this makes the reading a moving experience. I went into this period as a painter, came out as a writer, and since then I've said yes to everything and life has been completely magical. The story covers his youth in Volterra and the start of his life in Florence. Deeply researched and true to events as recorded, except for a few details relating to fictional characters. A Tabernacle for the Sun: A Novel Set in Florence in the Time of Lorenzo De Medici 1472-1478 Reviews His boyish love of Lorenzo has transformed into hatred. To ask other readers questions about A Tabernacle for the Sun , please sign up. A Tabernacle for the Sun is a wonderful book for those who wish to learn more about the fascinating time of the Italian Renaissance, and for those who wish their knowledge of that time to be placed in a novel setting, bringing it to life. If you have changed your email address then contact us and we will update your details. Bring Up the Bodies. The book was comparable to a series of beautiful paintings of life at that time. I am not a big fan of first-person narrative, but the author used this mode to be an advantage. Of course, the inaccuracy of wiki articles is well-known, but the author also acknowledged some intentional deviations from historical events. Freedom - is it Florence without the Medici, or a condition of the soul? Want to Read Currently Reading Read. I went into this period as a painter, came out as a wri I was born in the land of no hope and, around age 19, opted out and started saying no to everything life had to offer. Newer Post Older Post Home. Related Articles. Some of the characters warmly engaged me like Tommaso's friend Angelo Poliziano,the famous humanist poet and close friend of Lorenzo de' Medici. His best friend is Filippino Lippi, an apprentice of Botticelli, and Tommaso is used to model the figure of Mercury in the Primavera. Giuliano dies in the attack. Readers also enjoyed. Refresh and try again. Forgotten password Please enter your email address below and we'll send you a link to reset your password. Sarah Waters. A really beautiful interesting book following the young Tommaso de Maffei from the sack of Volterra to the Pazzi conspiracy to murder the Medicis. Isabel Lawder rated it really liked it Oct 17, This book is a well researched masterpiece told from the respective of a great character. Avid Reader April 29, at AM. Rating details. Thus he is writing down his story for his friend, Erasmus. Linda Proud is my new favorite author. Philippa Gregory. Trivia About A Tabernacle for Most of the other major characters in the book are based on real people from the Italian Renaissance, and the author stays very close to history in their depiction and the description of events. I've been distracted by a glorious spring but with the next rainy period next week, they say Pallas and the Centaur will be converted into an ebook. I loved this book, first of the Botticelli Trilogy. This is the question facing Tommaso de' Maffei, an apprentice scribe who cannot forgive Lorenzo for sacking his native city of Volterra. About Linda Proud. It is clear the author knows this time period extremely well, and paints a vivid picture not only of the historical events, but of the art, culture, philosophy and so on. I only have a general knowledge of this period, and relied heavily on the internet for reminding me of names and the details of events.
Recommended publications
  • Lorenzo De Medici a Brief Biography Medici-A-Brief-Biography.Html by Robbi Erickson July 21, 2005
    Lorenzo de Medici a Brief Biography http://www.googobits.com/articles/p0-1594-lorenzo-de- medici-a-brief-biography.html by Robbi Erickson July 21, 2005 Lorenzo de Medici was the grandson of Cosimo de Medici, and he took the reigns of control over Florence from Cosimo in 1469. (Rabb and Marshall, 1993, p. 28). While Cosimo had taken a low profile approach to governing Florence, Lorenzo was not afraid of confrontation, and he took a more prominent position in Florence society. Shortly after his inheritance of his grandfather’s position, his father also passed and left him with a sizable fortune. Newly married to Clarice Orsini, Lorenzo had the support of two powerful families behind him. (Durant, 1953, pp. 110-111). Young and inexperienced in bureaucracy, this transition in power could have been the perfect time for another power source to take over the city. However this was not the case, as his family, friends, debtors, and associates of the Medici were so numerous, that the young man had plenty of support and guidance in his rule. He was still highly criticized for being young, so Lorenzo hired the best minds in the area to act as 1 political and financial councilors to him. (Durant, 1953, p. 111). While Lorenzo maintained this council throughout his career, he soon developed his own good judgement that their input was not needed very often. In 1471 Lorenzo renewed the Medici’s connection to the Papacy, and was granted management rights over the Papacy finances once again. However, upon his return to Florence Lorenzo’s success in Rome was met with his first major crisis of his rule.
    [Show full text]
  • I Am Just a Pazzi
    I Am Just a Pazzi an adventure for Rapiers of the Renaissance Introduction: this scenario is based closely on an actual event, the Pazzi Conspiracy – an attempted coup d’état Easter Sunday 1478 against Medici rule. Several hours of insurrection ensue but the city rallies behind Lorenzo – then as darkness falls something unclean is brought to bear… PCs: this scenario is for 4-6 PCs, ideally with connections to the household of Lorenzo de Medici. At least one of the PCs should be a young Daughter of Circe under the tutelage of Olympia, who is currently the mistress of Lorenzo de Medici. Otherwise he or she could have some other way of telling fortunes. There is a considerable amount of violence in this scenario and at least half the PCs should be combat capable. But there is also a supernatural climax featuring an extremely nasty demon, so ensure at least one of the PCs has a weapon capable of harming such creatures. At least one PC should be near to Lorenzo de Medici in the Duomo. At least one should remain in the Palazzo Medici. The Daughters of Circe do not frequent churches and will be at home in Olympia’s rooms on the Casa Sasseti. Otherwise PCs can choose where to be, within reason. None of the PCs can be Pazzi adherents. Plotters: Objective Background Stefano da Bagnone kill Lorenzo in the Duomo ave townsman – student Antonio Maffei kill Lorenzo in the Duomo Patrician – priest Francesco de Pazzi kill Giuliano in the Duomo Patrician – banker Bernardo Bandini Baroncelli kill Giuliano in the Duomo Patrician – black sheep Jacopo de Pazzi
    [Show full text]
  • “Unlucky in Affairs of Business….” Turning Points in the Life of Lorenzo
    “Unlucky in affairs of business….” Turning Points in the life of Lorenzo de Medici Harry Don Stephenson, Jr. Faculty Advisor: Thomas Robisheaux, Ph.D. Fred W. Schaffer Professor of History History Department November 2015 This project was submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Graduate Liberal Studies Program in the Graduate School of Duke University. Copyright by Harry Don Stephenson, Jr. 2015 i Contents Abstract ………………………………………………………………………………………………………………………………….…iii List of Tables and Figures ……………………………………………………………………………………………………….…iv Acknowledgements …………………………………………………………………………………………………………………..v Introduction ………………………………………………………………………………………………………………………………1 Chapter One: Banking in Fifteenth Century Italy………………………………………………………………………. 5 Chapter Two: Family Tree ………………………………………………………………………………………………………...12 Chapter Three: Lorenzo in Rome – 1466 ………………………………………………………………………………….. 30 Chapter Four: The Pazzi Conspiracy- April 1478 ………………………………………………………………………. 36 Chapter Five: The Pazzi War – 1479-1480 ………………………………………………………………………………….50 Chapter Six: Restoration with Rome - 1488 …………………………………………………………………………….. 59 Chapter Seven: Conclusion ……………………………………………………………………………………………………… 66 Bibliography ii Abstract The Medici family name is inextricably tied to Florence and the Italian Renaissance. For three hundred and fifty years, through twelve generations, the Medici lived in, work in, and to a considerable degree ruled the city. No Medici name rises higher in recorded history than Lorenzo di Piero de’ Medici. Lorenzo il Magnifico is remembered as a patron of the arts, poet, humanist, diplomat and savior of Florence during the Pazzi War. His legacy as a competent banker, manager and caretaker of the family business empire is sadly much less triumphant. Through the “quirks of genealogical fortune”, including a string of untimely deaths of male members of the Medici, Lorenzo found himself to be the sole owner of the Medici Bank in its sixth decade of business.
    [Show full text]
  • Media Alert: Frick to Present the First Exhibition on Florentine Sculptor Bertoldo Di Giovanni
    MEDIA ALERT: FRICK TO PRESENT THE FIRST EXHIBITION ON FLORENTINE SCULPTOR BERTOLDO DI GIOVANNI LONG IDENTIFIED AS A STUDENT OF DONATELLO AND INSTRUCTOR OF MICHELANGELO, BERTOLDO IS REDEFINED IN TERMS OF HIS DISTINCT STYLE AND ACHIEVEMENTS September 18, 2019, through January 12, 2020 Next fall The Frick Collection will present the first exhibition to focus on the Florentine sculptor Bertoldo di Giovanni (ca. 1440–1491). This monographic display of more than twenty statues, reliefs, medals, and statuettes will bring together the artist’s entire extant oeuvre and is exclusive to the New York City institution, which owns the only sculptural figure by the artist outside of Europe. This comprehensive exhibition will offer the first chance to fully explore longstanding questions of attribution, function, groupings, and intended display. The exhibition of Bertoldo’s artistic production in bronze, wood, and terracotta will highlight the ingenuity of the sculptor’s design across media. A number of objects that share common iconography will be included, displayed in a way that will shed light on his creative process, which has puzzled scholars for the past century. Bertoldo di Giovanni: The Renaissance Bertoldo di Giovanni (ca. 1440–1491), Shield Bearer, early 1470s, gilded bronze, The Frick Collection of Sculpture in Medici Florence, follows a series of acclaimed Frick shows on Renaissance sculptors and is organized by Aimee Ng, Associate Curator; Alexander J. Noelle, Anne L. Poulet Curatorial Fellow; and Xavier F. Salomon, Peter Jay Sharp Chief Curator; with the assistance of Julia Day, Associate Conservator, who has been coordinating and conducting an extensive scientific analysis of the objects.
    [Show full text]
  • Profiling Women in Sixteenth-Century Italian
    BEAUTY, POWER, PROPAGANDA, AND CELEBRATION: PROFILING WOMEN IN SIXTEENTH-CENTURY ITALIAN COMMEMORATIVE MEDALS by CHRISTINE CHIORIAN WOLKEN Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Edward Olszewski Department of Art History CASE WESTERN RESERVE UNIVERISTY August, 2012 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Christine Chiorian Wolken _______________________________________________________ Doctor of Philosophy Candidate for the __________________________________________ degree*. Edward J. Olszewski (signed) _________________________________________________________ (Chair of the Committee) Catherine Scallen __________________________________________________________________ Jon Seydl __________________________________________________________________ Holly Witchey __________________________________________________________________ April 2, 2012 (date)_______________________ *We also certify that written approval has been obtained for any proprietary material contained therein. 1 To my children, Sofia, Juliet, and Edward 2 Table of Contents List of Images ……………………………………………………………………..….4 Acknowledgements……………………………………………………………...…..12 Abstract……………………………………………………………………………...15 Introduction…………………………………………………………………………16 Chapter 1: Situating Sixteenth-Century Medals of Women: the history, production techniques and stylistic developments in the medal………...44 Chapter 2: Expressing the Link between Beauty and
    [Show full text]
  • THE FLORENTINE HOUSE of MEDICI (1389-1743): POLITICS, PATRONAGE, and the USE of CULTURAL HERITAGE in SHAPING the RENAISSANCE by NICHOLAS J
    THE FLORENTINE HOUSE OF MEDICI (1389-1743): POLITICS, PATRONAGE, AND THE USE OF CULTURAL HERITAGE IN SHAPING THE RENAISSANCE By NICHOLAS J. CUOZZO, MPP A thesis submitted to the Graduate School—New Brunswick Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Art History written under the direction of Archer St. Clair Harvey, Ph.D. and approved by _________________________ _________________________ _________________________ New Brunswick, New Jersey May, 2015 ABSTRACT OF THE THESIS The Florentine House of Medici (1389-1743): Politics, Patronage, and the Use of Cultural Heritage in Shaping the Renaissance By NICHOLAS J. CUOZZO, MPP Thesis Director: Archer St. Clair Harvey, Ph.D. A great many individuals and families of historical prominence contributed to the development of the Italian and larger European Renaissance through acts of patronage. Among them was the Florentine House of Medici. The Medici were an Italian noble house that served first as the de facto rulers of Florence, and then as Grand Dukes of Tuscany, from the mid-15th century to the mid-18th century. This thesis evaluates the contributions of eight consequential members of the Florentine Medici family, Cosimo di Giovanni, Lorenzo di Giovanni, Giovanni di Lorenzo, Cosimo I, Cosimo II, Cosimo III, Gian Gastone, and Anna Maria Luisa, and their acts of artistic, literary, scientific, and architectural patronage that contributed to the cultural heritage of Florence, Italy. This thesis also explores relevant social, political, economic, and geopolitical conditions over the course of the Medici dynasty, and incorporates primary research derived from a conversation and an interview with specialists in Florence in order to present a more contextual analysis.
    [Show full text]
  • The Evolution of the Medici Portrait: from Business to Politics
    THE EVOLUTION OF THE MEDICI PORTRAIT: FROM BUSINESS TO POLITICS A Thesis Submitted to the Office of Graduate Studies College of Arts and Sciences of John Carroll University in Partial Fulfillment of the Requirements for the Degree of Master of Arts By Mark J. Danford Spring, 2013 This thesis of Mark Danford is hereby accepted ________________________________________ ____________________ Reader – Dr. Edward Olszewski Date ________________________________________ ____________________ Reader – Dr. Brenda Wirkus Date ________________________________________ ____________________ Advisor – Dr. Linda Koch Date I certify that this is the original document ________________________________________ ____________________ Author – Mark J. Danford Date Acknowledgements There are many people I would like to thank for their encouragement and support during my graduate studies. I would like to thank the following people at John Carroll University: Dr. William Francis Ryan for introducing me to the Humanities Program; Dr. Brenda Wirkus for advising me and working with my hectic schedule so that I could complete my studies; and Dr. Linda Koch for providing me with an excellent foundation in the field of Art History as well as taking the extra time out of her schedule in order to be my thesis advisor. I would also like to thank Dr. Edward Olszewski from Case Western Reserve University for agreeing to be an additional reader of my thesis and offering his expertise concerning Florence and the Medici. I would like to thank the following people for making my research a little easier and offering me access to the curatorial files in their respective institutions: Andrea Mall from Registration at the Toledo Museum of Art; Anne Halpern from the Department of Curatorial Records at the National Gallery of Art; and Jennifer Vanim from the department of European Painting & Sculpture before 1900 at the Philadelphia Museum of Art.
    [Show full text]
  • Contested Civic Space: the Piazza Della Signoria in Medicean Florence
    Eastern Michigan University DigitalCommons@EMU Senior Honors Theses & Projects Honors College 2021 Contested civic space: The Piazza della Signoria in Medicean Florence Joanne Wisely Follow this and additional works at: https://commons.emich.edu/honors Part of the History Commons Recommended Citation Wisely, Joanne, "Contested civic space: The Piazza della Signoria in Medicean Florence" (2021). Senior Honors Theses & Projects. 698. https://commons.emich.edu/honors/698 This Open Access Senior Honors Thesis is brought to you for free and open access by the Honors College at DigitalCommons@EMU. It has been accepted for inclusion in Senior Honors Theses & Projects by an authorized administrator of DigitalCommons@EMU. For more information, please contact [email protected]. Contested civic space: The Piazza della Signoria in Medicean Florence Abstract The heart of civic life in Renaissance Florence was an open square called the Piazza della Signoria. The piazza was the site of debates, executions, and power struggles, making it the most contested space in the city. Florentines held tremendous pride in their republic and often commissioned sculptural works to represent their civic values, displaying them publicly in the piazza. This research examines the shifting messages of sculptural works in the Piazza della Signoria during three distinct periods: from the piazza's creation in 1300 until 1494; from the expulsion of the Medici in 1494 until their return in 1512; and after 1512 during the Medici’s reign as the Dukes of Florence. Degree Type Open
    [Show full text]
  • Engaging Symbols
    Engaging Symbols GENDER, POLITICS, AND PUBLIC ART IN FIFTEENTH-CENTURY FLORENCE Adrian W.B. Randolph Yale University Press New Haven and London Copyright © 2002 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Leslie Fitch Set in Fournier and Futura type by Leslie Fitch Printed in Italy at Conti Tipocolor Libiury of Congress Cataloging-in- PuBLiCATiON Data Randolph, Adrian W. B., 1965- Engaging symbols: gender, politics, and public art in fifteenth-century Florence/ Adrian W. B. Randolph, p. cm. Includes bibliographical references and index. ISBN 0-300-09212-1 I. Art, Italian—Italy—Florence— 15th century. 2. Gender identity in art. 1. Title. N6921.F7 R32 2002 709'.45*51090 24—dc2i 2001008174 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. 10 987654321 Contents Acknowledgments ix Introduction: Florence, Inc. i 1 Common Wealth: Donatello’s Ninfa Fiorentina 19 2 Florentia Figurata 76 3 Engaging Symbols: Legitimacy, Consent, and the Medici Diamond Ring 108 4 Homosocial Desire and Donatello’s Bronze David 139 5 Spectacular Allegory: Botticelli’s Pallas Medicea and the Joust of 1475 193 6 O Puella Furax: Donatello’s Judith and Holofernes and the Politics of Misprision 242 Notes 287 Bibliography 339 Index 375 Photography Credits 381 4 Homosocial Desire and Donatello’s Bronze David El Davit della cone e una figura et non e perfecta, perche la gamba sua di drieto e schiocha.
    [Show full text]
  • Semi-Fictionalized History As Teaching Aids
    Semi-fictionalized History as Teaching Aids Opportunities for learning history in Assassin’s Creed II as a digital game and novel Lena Svensson Report No. 2013:107 ISSN: 1651-4769 Göteborgs universitet Institutionen för tillämpad informationsteknologi Göteborg, Sverige, Oktober 2013 ABSTRACT Master’s dissertion in Learning, Communication and IT, 15 hp. Titel: Semi-fictionalized History as Teaching Aids – Opportunities for learning history in Assassin’s Creed II as a digital game and novel. Author: Lena Svensson Institution: IT Göteborgs Universitet, Institutionen för tillämpad informationsteknologi Supervisor: Jonas Lindroth Examiner: Göran Karlsson Rapportnummer: 2013:107 This study is a hermeneutic content analysis of both a digital videogame, in this case Assassin’s Creed II, and the written story based on that game, Assassin’s Creed Renaissance. The analysis is done from the perspective of using these two accounts as study material when teaching about Italy, especially Florence. The study investigates how reliable the game and the book are as historical sources, what differences in ways of portraying history between the book and the game, and how the game mechanics affect the portrayal of history. The findings show that the game and book often in themselves cannot be seen as reliable sources since the designers and writer have taken some artistic freedom, moving or adding structures, adding fictional characters, altering historical facts, focusing on spectacular events and artefacts and neglecting to include facts that are not important for the story line. The game portrays history differently from the book by being able to show actions and pictures, and letting the gamer walk around, free to explore the cities and towns.
    [Show full text]
  • The Case of Medici
    e - I S S N 1 9 8 4 - 7238 An Analytical Approach to the Italian Renaissance through Popular TV: The case of Medici Abstract Annachiara Mariani This article explores the educational value of using audiovisual media University of Tennessee - USA to enhance the learning of history and civilization in foreign language [email protected] and culture classes. More specifically, it analyzes the pedagogical impact of learning about the Italian Renaissance through a television series about the Medici family, the most acclaimed patrons of the Renaissance. Focusing on the televised adaptation of this family, the article examines how media can revisit and reshape the history of this period through streaming television distribution, the important and highly popular internet-based delivery system of services such as Netflix, Hulu, HBO Go, Amazon Prime Video, YouTube TV, Sling TV, and Fubo TV. I argue that students can become conscious of the mechanisms of historical adaptation by considering their own learned perspectives, and by reshaping them through a highly dramatized and psychologically rooted narrative. Questioning students about the extent to which their understanding of the past is filtered or modified through popular culture—and about the way popular culture uses the past—leads them to think critically about historical continuity. The article pays specific attention to the two main characters in the series, entitled Medici: The Magnificent (2018): the hero, Lorenzo de’ Medici, and the villain, Jacopo Pazzi. An accurate historical and cinematic discussion of the two characters will allow me to elucidate the medium-specific potential of the TV series to teach historical facts.
    [Show full text]
  • Content Reading Selections T Map Activities T Handseon Activities
    $% $*7*-*;"5*0/40'5)&1"45 5–8+(SBEFT $% 3FOBJTTBODF Go to DBSTPOEFMMPTBDPN GPSBMPXFSMFWFMWFSTJPOPGFWFSZSFBEJOHQBTTBHF Renaissance provides students a glimpse into the European world from roughly the 1300s to the 1600s. It features reading selections with boldfaced vocabulary words. A glossary provides denitions of those terms. Challenging activities enable students to explore history, geography, literature, music, and $POUFOU3FBEJOH4FMFDUJPOTt.BQ"DUJWJUJFTt)BOETPO"DUJWJUJFT art from the Renaissance period. The activities promote reading, critical thinking, writing, research, and map skills. A variety of assessment strategies include matching, multiple choice, constructed response, and critical thinking questions. A time line of the period is also included. An alternative version of the reading selections at a lower reading level is available for download at www.carsondellosa.com. For correlations to national, state, and provincial standards, also visit www.carsondellosa.com. $% .BSL5XBJO.FEJB$BSTPO%FMMPTB1VCMJTIJOH--$ (SBEFTo 10#PY (SFFOTCPSP /$64" DBSTPOEFMMPTBDPN Printed in the USA Visit activities.carsondellosa.com for FREE activities! Renaissance Table of Contents Table of Contents Introduction ....................................................................................................................................iii Time Line of the Renaissance .......................................................................................................iv Good News for the City of Florence, The Late Middle Ages ..........................................................1
    [Show full text]