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The Anatomy of a Best-Seller: the Making of "Come in Spinner"
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1990 The anatomy of a best-seller: the making of "Come in spinner" Marilla North University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation North, Marilla, The anatomy of a best-seller: the making of "Come in spinner", Master of Arts (Hons.) thesis, Department of English, University of Wollongong, 1990. -
'The Shark Caller' and 'The Dog with Seven Names'
‘The Shark Caller’ and ‘The Dog with Seven Names’ and ‘Crafting Animal Characters in Fiction for Young Readers’ Dianne Wolfer Student number 10173725 Dip.Ed. (Melbourne State College, 1982) MA (Creative Writing) (University of Western Australia, 2005) This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities (English and Cultural Studies) 2017 Abstract The fiction component of this thesis consists of two novels, The Dog with Seven Names and The Shark Caller. These works are linked by their usage of animal characters and their exploration of social themes. The Dog with Seven Names is a work of historical fiction for a young readership of 9-12 years; it uses an animal viewpoint to explore the impact of war upon north-western Australia 1939-1943. The Shark Caller is a contemporary cross-cultural quest-fantasy for a young readership of 10-14 years; it explores environmental issues set in the New Ireland Province of Papua New Guinea. Shark involves human protagonists who become embroiled in a fantasy scenario involving confrontation with undersea creatures; Dog uses an animal to narrate a sequence of events in close parallel with researched history of the period. In this way each novella could be said to work variations upon a clutch of thematic and technical concerns with animal portrayals (of differing kinds) presenting a major creative challenge in each case. The accompanying exegesis, “Crafting Animal Characters in Fiction for Young Readers”, explores my own authorial practice in the context of a discussion based on a wider survey of exemplar Australian children’s titles featuring animal characters. -
For Industry, Taste and Hand-Eye Coordination: Art Education in Sydney from 1850 to 1915
For Industry, Taste and Hand-eye Coordination: Art Education in Sydney from 1850 to 1915 Rebecca Kummerfeld Thesis submitted in fulfillment of requirements for the degree of Doctor of Philosophy (Ph.D.) Faculty of Education and Social Work together with the Faculty of Arts University of Sydney 2015 ABSTRACT This thesis explores the history of art education in Sydney from 1850 to 1915. This was a foundational period for the establishment of both art and education in Sydney. It was a time during which structures of schooling first emerged, technical instruction became a priority and a government supported art gallery was established. I draw on a wide range of English and Australian sources to consider what comprised art education in Sydney during this foundational period. It is a topic that has received little scholarly attention, but is important for allowing those currently involved in art education an understanding of the foundations on which our current system was built. This thesis focuses on four key research questions. The first, ‘why teach art?’ is examined through analysis of discourse surrounding art education in this period. Three major motivations that informed the provision of art education in Sydney are identified: the importance of art for industry, a desire to teach taste and the broader educational benefit of art instruction for improving hand-eye coordination. ‘Where was art taught?’ is a second major focus. The art instruction offered through schools, technical colleges, exhibitions and galleries is examined in order to map the landscape of art education in Sydney. This thesis offers a novel contribution through the creation of a chronology, tracing the development of art instruction across a range of educational institutions. -
Australian Women in the United States, 1910–1960
TRAVELLING TO TOMORROW: AUSTRALIAN WOMEN IN THE UNITED STATES, 1910–1960 Anne Rees February 2016 A thesis submitted for the degree of Doctor of Philosophy of The Australian National University © Copyright by Anne Rees, 2016 THESIS CERTIFICATION I declare that this thesis, submitted in fulfilment of the requirements of the award of Doctor of Philosophy, in the School of History at the Australian National University, is wholly my own original work unless otherwise referenced or acknowledged and has not been submitted for qualifications at any other academic institution. Anne Rees February 2016 ABSTRACT ‘I always find a visit to the United States exhilarating,’ wrote Dorothy Jenner in her autobiography. ‘They are light years ahead of us, sometimes on the wrong foot, but more often on the right one.’ For this Sydney-born actress and journalist, who visited America on five occasions between 1915 and 1967, venturing across the Pacific was not just a physical journey but an exercise in time travel, an opportunity to launch herself into a new and better world to come. An unorthodox but far from unique figure, Jenner was one of thousands of twentieth-century Australian women who headed abroad in search of wider horizons but chose to deviate from the well-worn path to London. Travelling instead to the United States, they pursued study, work and adventure in a nation that many, like Jenner, saw as charging ahead along an imagined highway into the future. This thesis tells the story of these transnational Australians and positions them as actors in the development of Australian-US relations. -
Introduction Final/98
‘A world-proof life’: Eleanor Dark, a writer in her times, 1901- 1985 ‘A world-proof life’: Eleanor Dark, a writer in her times, 1901- 1985 By Marivic Wyndham UTSePress, Sydney Licence Information This work is licensed under the Creative Commons ‘By Attribution,’ ‘Non Commercial,’ ‘No Derivative Works.’ See http://creativecommons.org.au/licences for more details. Copyright Information This work is copyright. Apart from fair dealing for the purposes of research or study, reproduction in any form by any means for public or commercial use is prohibited without the written permission of the copyright owner. Contributors retain copyright ownership of their individual works and assert their moral right to be identified as authors. © Marivic Wyndham First Published in 2007 Cover photo Eleanor and Eric Dark at their Blue Moutains cave retreat, c. 1940s. Courtesy of Joris Ivens National Library of Australia Cataloguing-in-Publication entry Wyndham, Marivic. 'A world-proof life': Eleanor Dark, a writer in her times, 1901-1985. Bibliography. ISBN 9780980284027 (online). 1. Dark, Eleanor, 1901-1985. 2. Women authors - Australia - Biography. I. Title. A823.2 Published by UTSePress, Sydney 2007 University Library University of Technology, Sydney PO Box 123 BROADWAY NSW 2007 AUSTRALIA Contents Contents........................................................................................... iii Acknowledgements ...........................................................................1 Prologue.............................................................................................3 -
Celebrating Independent Thought Isaa Twenty Years On
CELEBRATING INDEPENDENT THOUGHT ISAA TWENTY YEARS ON 2015 CONFERENCE PROCEEDINGS INDEPENDENT SCHOLARS ASSOCIATION OF AUSTRALIA INC CONTENTS Celebrating Independent Thought: ISAA Twenty Years On EDITOR’S INTRODUCTION 1 2015 Conference Proceedings Elizabeth Morrison Independent Scholars Association of Australia Inc PANEL. REFLECTING ON TWENTY YEARS OF ISAA 5 ISBN 978-0-9807641-9-2 David Headon ISSN 2203-1367 Ann Moyal Published by the Independent Scholars Association of Australia Inc in 2016 Gretchen Poiner Copyright © 2016 Independent Scholars Association of Australia Inc Auriol Weigold Copyright of each paper reverts to the author on publication. Doug Cocks Reproduction and communication for other purposes: Except as permitted under Mike Austin the Act, no part of this volume may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All ANNUAL LECTURE. INDEPENDENCE AND 19 requests for reproduction or communication should be made to ISAA: INTEGRITY IN THE PUBLIC DOMAIN PO Box 268, Canberra City ACT 2601, Australia A SUMMARY www.isaa.org.au Julian Disney [email protected] Editor: Elizabeth Morrison ‘A MAN MUST MAKE HIS OWN DECISIONS’ 23 Production: Caren Florance THE INDEPENDENCE OF DAVID SYME, PRESS SUPREMO Cover design and image: Catherine Rogers Elizabeth Morrison Note on cover image: This old river red gum near Wilpena Pound in the Flinders Ranges FLORA SHAW 33 was photographed by prominent Australian photographer Harold Cazneaux, who made the well-known and popular photographic print ‘Spirit of Endurance’ in 1937, included A ‘LADY FROM LONDON’ IN 1890S QUEENSLAND in most histories of Australian photography. -
A Study of Creativity and Cultural Production in Contemporary Australian Children’S Picture Books
True Stories About Tall Tales: A study of creativity and cultural production in contemporary Australian children’s picture books Chloe Killen BArts, BComn (Hons) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in Communication & Media, School of Design, Communication and Information Technology, Faculty of Science and Information Technology, University of Newcastle, Australia. February 2016 Statement of Originality The thesis contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to the final version of my thesis being made available worldwide when deposited in the University’s Digital Repository, subject to the provisions of the Copyright Act 1968. Signed: ……………………………… Date: ……………………………… Name: Chloe Greentree Russell Killen Declarations I hereby declare that the work embodied in this thesis generated the following publications. Journal Articles Killen, C. (2011). ‘Investigating creativity in the Production of Australian Children’s Picture Books: A foundation for future research’ in Clifton Evers (Ed.), Altitude: An e-journal of the emerging humanities. Vol 9, 2011. ISSN 14444-1160. Killen, C. (2010). ‘Investigating Creativity in the Production of Australian Children’s Literature: Implications for Teaching and Learning’ in The International Journal of the Book. Vol 7, No 3, 2010. Champaign, Illinois, USA: Common Ground Publishing LLC. Conference Papers (Refereed) Killen, C. (2012). ‘Once upon a time: constructing narrative and the role of storytelling in the (digital) future of Australian children’s picture books’, in C.