Romeo and Juliet
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BENVOLIO but New Struck Nine. ROMEO Ay Me! Sad Hours Seem Long
BENVOLIO/ROMEO BENVOLIO Good-morrow, cousin. ROMEO Is the day so young? BENVOLIO But new struck nine. ROMEO Ay me! sad hours seem long. Was that my father that went hence so fast? BENVOLIO It was. What sadness lengthens Romeo's hours? ROMEO Not having that, which, having, makes them short. BENVOLIO In love? ROMEO Out-- BENVOLIO Of love? ROMEO Out of her favour, where I am in love. BENVOLIO Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! ROMEO Alas, that love, whose view is muffled still, Should, without eyes, see pathways to his will! BENVOLIO Tell me in sadness, who is that you love. ROMEO What, shall I groan and tell thee? BENVOLIO Groan! why, no. But sadly tell me who. ROMEO In sadness, cousin, I do love a woman. BENVOLIO I aim'd so near, when I supposed you loved. ROMEO/JULIET ROMEO [To JULIET] If I profane with my unworthiest hand This holy shrine, the gentle fine is this: My lips, two blushing pilgrims, ready stand To smooth that rough touch with a tender kiss. JULIET Good pilgrim, you do wrong your hand too much, Which mannerly devotion shows in this; For saints have hands that pilgrims' hands do touch, And palm to palm is holy palmers' kiss. ROMEO Have not saints lips, and holy palmers too? JULIET Ay, pilgrim, lips that they must use in prayer. ROMEO O, then, dear saint, let lips do what hands do; They pray, grant thou, lest faith turn to despair. JULIET Saints do not move, though grant for prayers' sake. -
Koel Chatterjee Phd Thesis
Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar. -
Romeo Juliet
The Connell Guide to Shakespeare’s Romeo and Juliet by Simon Palfrey Contents Introduction 4 What’s in a name? 69 A summary of the plot 8 How does Juliet speak her love? 75 What is the play about? 10 How does Shakespeare handle time in Romeo and Juliet? 80 How does Romeo and Juliet differ from Shakespeare’s comedies? 12 Why is Juliet so young? 91 Why is Romeo introduced to us How does Shakespeare show Juliet’s indirectly? 24 “erotic longing”? 100 What do we make of Romeo’s first Is there a moral in this play? 106 appearance? 28 NOTES How is Juliet introduced? 31 The characters 7 How Shakespeare changed his source 17 Why is Mercutio so important? 37 Benvolio 26 The critics on Romeo 22 How does Mercutio prepare us for Six key quotes from the play 53 The balcony scene 58 Juliet? 47 Ten facts about Romeo and Juliet 64 Cuts, censorings and performance versions 72 Why is Romeo’s first glimpse of Juliet so The Friar 86 important? 51 Four ways critics have seen the tragedy 98 How exceptional are the lovers? 108 What is it that makes the balcony scene A short chronology 116 so memorable? 55 Bibliography 120 Introduction: the world’s into: but the nature of their love is also born profoundly from it. greatest love story? In the first acts of the play, much of the energy and vitality comes from Romeo’s friend, Mercutio. Romeo and Juliet is routinely called “the world’s He is the most vehemently anti-romantic figure greatest love story”, as though it is all about imaginable. -
Romeo and Juliet by William Shakespeare Abridged for The
Romeo and Juliet by William Shakespeare Abridged for the Shakespeare Schools Festival by Martin Lamb & Penelope Middelboe 30 MINUTE VERSION © Shakespeare Schools Festival (SSF) “We are such stuff as dreams are made on.” Copyright of the abridged scripts rest with Shakespeare Schools Festival charity. Your registration fee only allows you to perform the abridgement during the current Festival. You may not share the script with other schools, or download all the scripts for personal use. A public performance of the SSF abridged script must be premiered at the professional SSF theatre. 1 LIST OF ROLES Prince Escalus PRINCE OF VERONA Paris A YOUNG COUNT Montague HEAD OF THE HOUSE OF MONTAGUE Capulet HEAD OF THE HOUSE OF CAPULET Romeo MONTAGUE’S SON Mercutio KINSMAN TO THE PRINCE, FRIEND TO ROMEO Benvolio NEPHEW TO MONTAGUE, FRIEND TO ROMEO Tybalt NEPHEW TO LADY CAPULET Juliet DAUGHTER TO CAPULET Nurse to Juliet Lady Montague WIFE TO MONTAGUE Lady Capulet WIFE TO CAPULET Friar Lawrence OF THE FRANCISCAN ORDER, FRIEND TO ROMEO Friar John OF THE FRANCISCAN ORDER Balthazar SERVANT TO ROMEO Sampson SERVANTS TO CAPULET & Gregory Abraham SERVANT TO MONTAGUE An Apothecary Citizens, Revellers And Others 2 PROLOGUE CHORUS Two households both alike in dignity, In fair Verona where we lay our scene From ancient grudge, break to new mutiny, Where civil blood makes civil hands unclean: From forth the fatal loins of these two foes, A pair of star crossed lovers take their life: Whose misadventured piteous overthrows, Doth with their death bury their parents’ strife. SCENE 1 A street ENTER SAMPSON and GREGORY of the house of Capulet, in conversation. -
Visual Story Show Notes These Are Notes of Things That May Happen During the Show, Or That You May Want to Think About for the Play
Visual Story Show Notes These are notes of things that may happen during the show, or that you may want to think about for the play. • The play is approximately an hour and forty minutes. There is no interval for this performance. A bell will ring in the Piazza five minutes before the play starts. A second bell will ring two minutes before the play starts to let you know it is time to sit down. • At the beginning of the play there is loud music, with drumming and trumpets. When the band plays, the music can seem quite loud because the Globe is shaped like a giant drum. • There is a siren sound when an actor descends from a trap door above the stage, it seems as if he is flying. • Some of the actors will walk through the yard to get to the stage and off the stage. There is a lot of stage fighting, none of it is real fighting but it is only pretend, so nobody gets hurt. The knives and daggers the actors use are pretend ones. • During the party scene some characters will be in fancy dress and some will be wearing masks to hide their faces. • Fake blood is used twice during the show. • At the end of the show, there is a lot of dancing, it’s the jig. • At the end of the show, two confetti cannons will go off from the middle gallery. They go off suddenly, but there is nothing to be frightened about. • Shakespeare’s Globe is an open air theatre, so it is best to wear suitable clothes. -
Romeo and Juliet
ROMEO AND JULIET William Shakespeare Contributors: Brian Phillips, Brian Gatten, Julie Blattberg Note: This SparkNote uses The Norton Shakespeare edition of Romeo and Juliet. Some line and scene numbers may vary in other editions. Copyright © 2002 by SparkNotes LLC All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without the written permission of the Publisher. SPARKNOTES is a registered trademark of SparkNotes LLC. This edition published by Spark Publishing Spark Publishing A Division of SparkNotes LLC 76 9th Avenue, 11th Floor New York, NY 10011 ISBN 1-4014-0435-9 Text design by Rhea Braunstein Text composition by Jackson Typesetting Printed and bound in the United States of America 01 02 03 04 05 SN 9 8 7 6 5 4 3 2 1 www.sparknotes.com INTRODUCTION A PROLOGUE FROM THE BARD Brave scholars, blessed with time and energy, At school, fair Harvard, set about to glean, From dusty tomes and modern poetry, All truths and knowledge formerly unseen. From forth the hungry minds of these good folk Study guides, star-floss’d, soon came to life; Whose deep and deft analysis awoke The latent “A”s of those in lit’rary strife. Aim far past passing—insight from our trove Will free your comprehension from its cage. Our SparkNotes’ worth, online we also prove; Behold this book! Same brains, but paper page. If patient or “whatever,” please attend, What you have missed, our toil shall strive to mend. CONTENTS CONTEXT 1 PLOT OVERVIEW 4 CHARACTER LIST 8 ANALYSIS OF MAJOR CHARACTERS 11 Romeo 11 Juliet 12 Friar Laurence -
Romeo and Juliet Act 3 Page | 69 Act 3, Scene 1
Romeo and Juliet Act 3 Act 3, Scene 1 Enter MERCUTIO, BENVOLIO, Mercutio's PAGE, and others MERCUTIO, his page, and BENVOLIO enter with other men. BENVOLIO BENVOLIO Page | 69 I pray thee, good Mercutio, let's retire. I'm begging you, good Mercutio, let's call it a day. It's hot The day is hot; the Capulets, abroad; outside, and the Capulets are wandering around. If we bump And if we meet we shall not 'scape a brawl, into them, we'll certainly get into a fight. When it's hot outside, For now, these hot days, is the mad blood stirring. people become angry and hotblooded. MERCUTIO MERCUTIO 5 Thou art like one of those fellows that, when he enters the You're like one of those guys who walks into a bar, slams his confines of a tavern, claps me his sword upon the table and says sword on the table, and then says, “I pray I never have to use “God send me no need of thee!” and, by the operation of the you.” By the time he orders his second drink, he pulls his second cup, draws it on the drawer when indeed there is no need. sword on the bartender for no reason at all. BENVOLIO BENVOLIO Am I like such a fellow? Am I really like one of those guys? MERCUTIO MERCUTIO Come, come, thou art as hot a Jack in thy mood as any in Italy, Come on, you can be as angry as any guy in Italy when you're and as soon moved to be moody, and as soon moody to be in the mood. -
Mercutio Wall Info Photos + Basic Information Country of Origin Italy Birthday: October 12 Hometown: Verona Relationship
farcebook Home Profile Friends Inbox (1) Settings Log out Mercutio 5 minutes ago Wall Info Photos + Single and ready to mingle! Basic Information Country of Origin Italy Birthday: October 12 View photos of me ( 4 ) Hometown: Verona Relationship Status: Single Political Views: Democrat Bio: I am a young man that likes to hang out with my friends Romeo and Benvolio. I love the women and will always have my friends’ backs. Information Favorite Quotations: Relationship Status: “If love be rough with you, be rough with love. Prick love for pricking and you beat Single love down.” Current City: Verona Birthday: October 12 Personal Information: Friends Activities: Hanging with Romeo and Benvolio Being a player Interests: Women Fighting with Tybalt Joking around with my friends Romeo Benvolio Juliet Websites used for Pictures and Information: 1- http://the-mousetrap.net/2012/04/meet-the-final-four-mercutio/ 2- http://www.fanpop.com/clubs/romeo-and-juliet- 1968/images/21831976/title/romeo-photo 3- http://thewallmachine.com/3LJPMg.html Rosaline Angelica Lord 4- http://www.fanpop.com/clubs/juliet-montague- Montague 1968/images/24389094/title/juliet-capulet-montague-photos-photo 5- http://www.isabetta.com/?cat=4 farcebook Home Profile Friends Inbox (1) Settings Log out Mercutio 5 minutes ago Wall Info Photos + Romeo, if you see this, come find me as soon as possible! RIP. You were like another son to me. You will be missed. View photos of me ( 4 ) Send a message I told you to quit the fighting. Now one of my best friends is gone. RIP. We’ll meet again someday. -
English Productions of Measure for Measure on Stage and Screen
English Productions of Measure for Measure on Stage and Screen: The Play’s Indeterminacy and the Authority of Performance Thesis submitted for the degree of Doctor of Philosophy at the Department of English and Creative Writing Lancaster University March, 2016 Rachod Nusen Declaration I declare that this thesis is my own work, and has not been submitted in substantially the same form for the award of a higher degree elsewhere. Acknowledgements First and foremost, I would like to express my deepest gratitude to my supervisor, Professor Alison Findlay. Without her advice, kindness and patience, I would be completely lost. It is magical how she could help a man who knew so little about Shakespeare in performance to complete this thesis. I am forever indebted to her. I am also indebted to Dr. Liz Oakley-Brown, Professor Geraldine Harris, Dr. Karen Juers-Munby, Dr. Kamilla Elliott, Professor Hilary Hinds and Professor Stuart Hampton-Reeves for their helpful suggestions during the annual, upgrade, mock viva and viva panels. I would like to acknowledge the Shakespeare Centre Library and Archive, the National Theatre Archive, the Shakespeare’s Globe Library and Archives, the Theatre Collection at the University of Bristol, the National Art Library and the Folger Shakespeare Library on where many of my materials are based. Moreover, I am extremely grateful to Mr. Phil Willmott who gave me an opportunity to interview him. I also would like to take this opportunity to show my appreciation to Thailand’s Office of the Higher Education Commission for finically supporting my study and Chiang Mai Rajabhat University for allowing me to pursue it. -
Romeo and Juliet Act 2 Summary Notes
Romeo and Juliet Act 2 Summary Notes See Act 2 PowerPoint to accompany notes. Play Quia review games and take my Quia practice quizzes to prepare yourself for quizzes and the final exam. Act 2 Prologue Summarizes Act 1 Addresses the speed in which Romeo and Juliet have fallen in love Makes fun at the way in which Romeo abandoned Rosaline quickly for Juliet Now old desire doth in his death-bed lie, And young affection gapes to be his heir; That fair for which love groan'd for and would die, With tender Juliet match'd, is now not fair. Act 2, Scene 1 Romeo’s friends, Mercutio and Benvolio, go looking for Romeo. They think that Romeo is still in love with Rosaline. Benvolio and Mercutio do not know that Romeo is headed to the Capulet orchard. They do not know Romeo is now in love with Juliet Mercutio calls out to Romeo in search of him by teasing him about Rosaline’s seductive beauty. Mercutio: I conjure thee by Rosaline's bright eyes, By her high forehead and her scarlet lip, By her fine foot, straight leg and quivering thigh And the demesnes that there adjacent lie, That in thy likeness thou appear to us! Romeo hides. Benvolio asks that he leave Romeo alone. After much joking around, Mercutio and Benvolio give up and go home to bed. Romeo symbolically separates from his friends in this scene when he jumps over the Capulet wall. He cannot let his friends know he is in love with Juliet. For Mercutio, love is a physical conquest. -
Romeo and Juliet Teachers' Pack
ROMEO AND JULIET TEACHERS’ PACK Shakespeare Unlocked brings Shakespeare’s most popular plays to life for young people by showing how actors and directors work to interpret and take ownership of Shakespeare’s text. There are 12 short films for each play: 3 scenes filmed in colour, in the theatre and 8 workshops, filmed in black and white, with actors and directors exploring those scenes. There is also a short film about this theatre production. These films and the teachers’ pack build on the approach developed in the RSC’s Stand up for Shakespeare manifesto. We know that children and young people can experience Shakespeare in ways that excite, engage and inspire them. We believe that young people get the most out of Shakespeare when they, like actors, experience and explore the plays actively. We want young people to: Do it on their feet, See it live and Start it earlier. RSC/Ellie Kurttz The Teachers’ Pack is aimed at the teaching The scene text which is needed for several of Key Stage 3 and 4 English. It can also be activities is on the BBC Shakespeare Unlocked used for Key Stage 5 and Theatre Studies. web pages. bbc.co.uk/shakespeare It includes: Curriculum targets • An introduction to each of the three scenes The activities in this pack support students’ • Suggestions for ideas to consider with your understanding of: students before and after watching each • Character and motivation scene and workshop film. • Themes and ideas • Activities to further students’ understanding • The author’s craft of the play. These require a cleared space to work in. -
Shakespeare in the Restoration: Nahum Tate's the History of King Richard the Second, the History of King Lear, and the Ingratitude of a Common-Wealth
This dissertation has been 65—3820 microfilmed exactly as received AYRES, James Bernard, 1933— SHAKESPEARE IN THE RESTORATION: NAHUM TATE'S THE HISTORY OF KING RICHARD THE SECOND, THE HISTORY OF KING LEAR, AND THE INGRATITUDE OF A COMMON-WEALTH. The Ohio State University, Ph.D., 1964 Language and Literature, modern University Microfilms, Inc., Ann Arbor, Michigan SHAKESPEARE IN THE RESTORATION: NAHUM TATE'S THE HISTORY OF KING RICHARD THE SECOND. THE HISTORY OF KING LEAR. AND THE INGRATITUDE OF A COMMON-WEALTH DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James Bernard Ayres, B.A., A.M. ****** The Ohio State U niversity 1964 Approved by Department of English ACKNOWLEDGMENTS I am Indebted to my adviser, Professor John Harold Wilson, for the answers 'o questions I c e rta in ly would not have thought about, for his patience in helping me, through broken hand and jaw, to understand the varieties of Restoration tragedy, and for permitting me the use of his library and valuable notes on Restoration drama, esp ecially Emmett Avery's unpublished records of the London stage, 1660-1700. I would also like to thank Gary D. W illh ard t and Joseph A. Johnson, J r ., for reading and commenting upon the various chapters. 11 VITA March 25, 1933 Born - Kansas City, Missouri 1953 — 1955 .... United States Army 1958 .......................B.A., Baylor University, Waco,Texas 1958-1960 .... Graduate Assistant, Department of English, Florida State University, Tallahassee, Florida I960 ....................... A.M., Florida State University, Tallahassee, Florida 1960-196^ ...