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Exhibitionein Film Von Joanna Hogg Mit Viv Albertine, Liam Gillick & Tom Hiddleston
EXHIBITION ein Film von Joanna Hogg mit Viv Albertine, Liam Gillick & Tom Hiddleston | UK 2013 | 104 Minuten | englische Originalfassung mit deutschen Untertiteln | Fugu Filmverleih | Deutscher Kinostart: 11. Dezember 2014 “It’s in the Walls!” D in EXHIBITION SYNOPSIS Zwei Künstler, ein Haus, eine unkonventionelle Ehe. H und D leben in einem extravaganten Bau im Londoner Stadtteil Kensington. Sie arbeiten parallel an ihren Projekten, geben Telefoninterviews, lassen die Außenwelt nur gedämpft herein und verabreden sich über die Haussprechanlage zu Sex oder Abendessen. H. hat das Gefühl, schon zu lange an einem Ort zu leben. Er überzeugt D, das Haus zu verkaufen. Im Prozess der Ablösung gerät die Beziehung in eine Krise. Plötzlich erhält D, die Angst vor Veränderungen hat, das Angebot einer großen Einzelausstellung. Wird die Ehe zerbrechen oder ein Neuanfang gelingen? Stellt sich heraus, dass ihr Traumhaus die ganze Zeit schon ein Gefängnis war? PRESSENOTIZ EXHIBITION, der dritte Film der „einzigartig begabten Filmemacherin“ (Martin Scorsese) Joanna Hogg, ist ein großstädtisches Kammerspiel mit drei Darstellern: der Ex-Slits-Gitarristin Viv Albertine, dem Maler und Objektkünstler Liam Gillick und dem „H-House“ des Architekten James Melvin. PRODUKTIONSNOTIZEN EXHIBITION ist der dritte Spielfilm von Joanna Hogg, einer vor allem von der britischen Filmkritik umjubelten Filmregisseurin und –autorin, die 2007 mit UNRELATED auf sich aufmerksam machte und deren zweiter Spielfilm ARCHIPELAGO (2010) auch in Deutschland ins Kino kam. Beide Filme zeigten Hoggs Talent für Ensemblechoreografien, für einen analytisch- beobachtenden Stil und einen scharfen Blick auf die englische Mittelklasse – deren Verhaltensweisen, Ängste, Tabus und Verletzlichkeiten sie sehr genau kennt. UNRELATED und ARCHIPELAGO sind raue emotionale Dramen und spröde Sozialkomödien gleichermaßen, die ihre Autorin als originelle neue Stimme im britischen Kino ausweisen. -
Childrens-Media-Yearbook-2021.Pdf
The Children’s Media Yearbook is a publication of The Children’s Media Foundation Director, Greg Childs Administrator, Jacqui Wells The Children’s Media Foundation 15 Briarbank Rd London W13 0HH [email protected] First published 2021 © Diana Hinselwood for editorial material and selection © Individual authors and contributors for their contributions All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of The Children’s Media Foundation, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organisation. You must not circulate this book in any other binding or cover. Book design by Camilla Umar CHILDREN’S MEDIA YEARBOOK 2021 HOLD THE EMIL AND THE FRONT PAGE! DETECTIVES ONE YEAR ON: GIRAFFE INSIGHTS; LIFE IN WHAT’S CHANGED 6 LOCKDOWN 35 Diana Hinshelwood, Editor Maxine Fox THE ISSUES AHEAD 8 THE HUB, DISCOVERY KIDS Anna Home, Chair, CMF AND YOUTH 39 THE FOUNDATION LOOKS Helen Lockett TO THE FUTURE 11 ROBLOX IN LOCKDOWN 43 Greg Childs, Director, CMF Nikki Stearman CHILDREN’S MEDIA USE IN GREAT LOCKDOWN 46 EXPECTATIONS Caroline Casson WHATEVER HAPPENED TO THE THE SECRET GARDEN ONLINE HARMS BILL? 17 Jayne Kirkham CHILDREN’S MENTAL HEALTH 53 THE MERCY OF THE MARKET: Sallyann Keizer WHAT NEXT FOR PLAYING TO STAY CONNECTED 57 CHILDREN’S MEDIA? 21 Colin Ward Sonia Livingstone and Kruakae Pothong LET THE CHILDREN PLAY - 5RIGHTS FOUNDATION AND EVEN IF IT IS -
Master Class with George R.R. Martin: Selected Filmography 1 The
Master Class with George R.R. Martin: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Films and Television Series mentioned or discussed during the master class Game of Thrones (2011-2013). 2 seasons, 20 episodes. Creators: David Benioff and D.B. Weiss, U.S.A. Airs on HBO. Production Co.: HBO / Television 360 / Grok! Studio / Generator Entertainment / Bighead Littlehead / Embassy Films. The Twilight Zone (1959-1964). 5 seasons, 156 episodes. Creator: Rod Sterling, U.S.A. Originally aired on CBS. Production Co.: Cayuga Productions / CBS. Captain Video and His Video Rangers (1949-1955). 7 seasons, number of episodes unknown. Creator: James Caddiga, U.S.A. Originally aired on DuMont Television Network. Production Co.: DuMont Television Network. Rocky Jones, Space Ranger (1954). 2 seasons, 39 episodes. Creator: Roland D. Reed, U.S.A. Originally aired on DuMont Television Network. Production Co.: Roland Reed Productions / Space Ranger Enterprises. Tom Corbett, Space Cadet (1950-1955). 4 seasons, number of episodes unknown. Creator: unknown, U.S.A. Originally aired on CBS (1950), ABC (1951-1952), DuMont Television Network (1953-1954), and NBC (1954-1955). -
Helle Le Fevre Editor
HELLE LE FEVRE EDITOR FILM & TELEVISION THE ETERNAL DAUGHTER Director: Joanna Hogg Production Company: Element Pictures THE SOUVENIR PART II Director: Joanna Hogg Production Company: JWH Films, Element Pictures, A24 Official Selection, Cannes Film Festival (2021) THE SOUVENIR Director: Joanna Hogg Production Company: JWH Films, A24 Winner, World Cinema Dramatic Grand Jury Prize, Sundance Film Festival (2019) Nominated, Best Editing, British Independent Awards (2019) Official Selection, Berlin Film Festival (2019) ALL THE BEAUTY Director: Aasne Vaa Greibrokk Production Company: Motlys Nominated, Best Editing, Amanda Awards (2016) EXHIBITION Director: Joanna Hogg Production Company: Wild Horses Film Company, BBC Films Official Selection, Locarno Film Festival (2013) Official Selection, London Film Festival (2013) Official Selection, New York Film Festival (2013) ARCHIPELAGO Director: Joanna Hogg Production Company: Wild Horses Film Company Nominated, Best Film, London Film Festival (2010) LUX ARTISTS | 1 THE ENGLISHMAN Director: Ian Sellar Production Company: Mechanical Films UNRELATED Director: Joanna Hogg Production Company: Raw Siena Winner, Fipresci Prize, London Film Festival (2013) LITTLE SCARS Director: Jan Bauer Production Company: NFTS Winner, Student TV Award, Royal Television Society (2004) SHORT FILM HÆSTKUK/BEAST Director: Aasne Vaa Greibrokk Production Company: MER Film Nominated, Best Short, Amanda Awards (2019) AMASONE Director: Marianne O. Ulrichsen Production Company: MER Film Winner, Gold Hugo for Best Short Film, Chicago -
The Irights Report
Enabling Children and Young People to access the digital world... CREATIVELY KNOWLEDGEABLY AND FEARLESSLY www.irights.uk 2 Enabling Children and Young People to Access the Digital World Creatively, Knowledegeably and Fearlessly Contents Introduction 3 1. Children, Teens and the Internet – What’s Missing? 4 2. The iRights Framework 6 3. Answering the Questions 8 4. Putting iRights into The Commons 17 5. What Next? 18 6. Things You Can Do 22 7. iRights Signatories 23 Appendix A: The iRights (full text) Appendix B: Schillings Report (iRights: The Legal Framework) Appendix C: BBFC (blog) Appendix D: Children’s Commissioner for England Task Force (Growing Up Digital) Appendix E: Young Scot (press release) Enabling Children & Young People to Access the Digital World Creatively, Knowledegeably and Fearlessly 3 Introduction iRights is a civil society initiative that seeks to make the digital world a more transparent and empowering place for children and young people (under 18) by delivering a universal framework of digital rights, in order that young people are able to access digital technologies creatively, knowledgeably and fearlessly. The journey of iRights began in 2012, when I made a documentary ‘InRealLife’. The film explored the lives of teenagers growing up in a 24/7 connected world: the only world they have ever known. The film added to an existing debate about how to help children and young people take advantage of the vast potential of the digital world, whilst avoiding its dangers. And a growing concern that young people simply do not understand the ‘pushes and pulls’ built into emerging digital technologies, nor possess enough skills to access it’s infinite opportunities. -
Friday 14 February 2020, London. BFI Southbank's TILDA SWINTON
Friday 14 February 2020, London. BFI Southbank’s TILDA SWINTON season, programmed in partnership with the performer and filmmaker herself, will run from 1 – 18 March 2020, celebrating the extraordinary, convention-defying career of one of cinema’s finest and most deft chameleons. The BFI today announce that a number of Swinton’s closest collaborators will join her on stage during the season to speak about their work together including Wes Anderson (Isle of Dogs, The French Dispatch, The Grand Budapest Hotel, Moonrise Kingdom), Bong Joon-ho (Snowpiercer, Okja), Sally Potter (Orlando) and Joanna Hogg (The Souvenir, Caprice). Also announced today is Tilda Swinton’s Film Equipment (28 February – 26 April) a free exhibit to accompany the season which has been curated in close collaboration with BFI and Swinton’s personal archive. Alongside a programme of feature film screenings, shorts and personal favourites, the season will include Tilda Swinton in Conversation with host Mark Kermode on 3 March, during which Swinton will look back on her wide- reaching career as a performer across independent and Hollywood cinema, as well as producer, director and general ally of maverick free spirits everywhere. On the same evening will be Tilda Swinton and Wes Anderson on stage: A Magical Tour of Cinema – a unique chance to hear from two of the most fervent disciples of the church of make believe, as Swinton and Anderson take to the BFI stage to discuss their many collaborations and their film passions. The event will offer a glimpse into their intimate partnership as the two long-time co-conspirators and voracious cinephiles select and explore personal favourite gems from throughout cinema’s history. -
ALL CREATURES GREAT and SMALL the Bestselling Classic Common Core by James Herriot Aligned
ALL CREATURES GREAT AND SMALL The Bestselling Classic Common Core by James Herriot aligned An American Library Association Best Book For Young Adults Teacher’s Guide Reviewed by: The New York Times, The New York Times Book Review, Los Angeles Times, The Washington Post, San Francisco Chronicle, Chicago Tribune, Chicago Tribune Book World, Houston Chronicle, The Atlantic Monthly, Time magazine, Kirkus Reviews, Library Journal, Publishers Weekly Lexile Measure®: 990 Accelerated Reader: Book Level 6.8; Points 26.0 A MACMILLAN PUBLISHERS NONFICTION TEACHER’S GUIDE TO THE TEACHER COMMON CORE ALIGNED A bestselling memoir that has entertained and spoken to generations of readers for more than four decades, This is an ideal nonfiction book for middle school All Creatures Great and Small, James Herriot’s timeless and high school readers. We’ve included the relevant account of becoming a veterinarian in the English coun- Common Core State Standards for grades 9-10 as a guide to use as you develop a curriculum for your tryside, is the sort of book that routinely tops “my favorite” students. lists everywhere. We have also included some multi-modal extension And it’s easy to see why: Herriot’s stories of humor, pain, activities linked to the Standards as examples of how service, kindness, grace, respect, tradition, diligence, medi- the audiobook and other tools can be integrated into cal development, the bonds between mankind and ani- classroom instruction. mals, and appreciation for life itself are as irresistible as they aphre accessible, as moving and charming as they are Teacher’s readable and fun. Thus his collection of vignettes makes an PRAISE FOR Guide ideal text for today’s classrooms; brimming with anecdote JAMES HERRIOT and adventure, with observation and wonder, Herriot’s heartfelt account has long appealed to lovers of great sto- “This warm, joyous and often hilarious first-person rytelling (and animals) and reluctant readers alike. -
Kate Maravan
Eamonn Bedford Agency 1st Floor - 28 Mortimer Street London W1W 7RD EBA t +44(0) 20 7734 9632 e [email protected] represented by Eamonn Bedford www.eamonnbedford.agency KATE MARAVAN HEIGHT: 5’7” (170cm) HAIR: Blonde EYES: Blue TITLE (Role) DIRECTOR PRODUCTION COMPANY TELEVISION The Split (Trudy) Dee Kopang O’Leary Sister Ltd/BBC Pan Tau (Rebecca) Michael Zens Caligari Films Germany Holby City (Leigh Gladwin) Michael Lacey BBC Giri/Haji (Jane) Julian Farino Netflix for BBC Safe (Alex Marshall) Julia Ford Red Productions Doctors (Judith) Eddy Marshall BBC The Coroner (Ros Bryant) Ian Barber BBC New Tricks (Gill) Brian Grant Wall To Wall Emmerdale (Dr Josephine Abbott) Yorkshire Television Miranda (Helena) Juliet May BBC The Politician’s Husband (Lisa Stanley) Simon Cellan Jones Daybreak Lip Service - Series 2 (Cath) Jill Robertson Kudos Lewis - “Vipers” (Sophie Leland) David O’Neill ITV Whitechapel (Dulcie Vermillion) John Strickland Carnival Films Blue Murder (Fiona Wray) Menhaj Hudda ITV Broken News (Laura Dunsford) John Morton BBC Trial And Retribution (Miss Sugdon) Andy Hay La Plante Productions Absolute Power (Baroness Statham) Tristram Shapiro BBC Holby City (Rachel Warren) Fraser MacDonald BBC Doctors (Carol) Christopher Timothy BBC Outside The Rules (Gilly) Sally Apprahaimain BBC People Like Us (Anna) John Morton BBC Without Motive (Anne) Ferdinand Fairfax Holby City Jim Shields BBC In Deep (Lou) Paul Marcus The Bill (Alison Spencer) Tania Diez Thames Television Science In Action (Stella) Judith Tryer BBC Annie’s Bar (Laura -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Film Club Sky 328 Newsletter Freesat 306 MAY/JUNE 2020 Virgin 445
Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2020 Virgin 445 Dear Supporters of Film and TV History, Hoping as usual that you are all safe and well in these troubled times. Our cinema doors are still well and truly open, I’m pleased to say, the channel has been transmitting 24 hours a day 7 days a week on air with a number of premières for you all and orders have been posted out to you all every day as normal. It’s looking like a difficult few months ahead with lack of advertising on the channel, as you all know it’s the adverts that help us pay for the channel to be transmitted to you all for free and without them it’s very difficult. But we are confident we can get over the next few months. All we ask is that you keep on spreading the word about the channel in any way you can. Our audiences are strong with 4 million viewers per week , but it’s spreading the word that’s going to help us get over this. Can you believe it Talking Pictures TV is FIVE Years Old later this month?! There’s some very interesting selections in this months newsletter. Firstly, a terrific deal on The Humphrey Jennings Collections – one of Britain’s greatest filmmakers. I know lots of you have enjoyed the shorts from the Imperial War Museum archive that we have brought to Talking Pictures and a selection of these can be found on these DVD collections. -
John Gassner
John Gassner: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: Gassner, John, 1903-1967 Title: John Gassner Papers Dates: 1894-1983 (bulk 1950-1967), undated Extent: 151 document boxes, 3 oversize boxes (65.51 linear feet), 22 galley folders (gf), 2 oversize folders (osf) Abstract: The papers of the Hungarian-born American theatre historian, critic, educator, and anthologist John Gassner contain manuscripts for numerous works, extensive correspondence, career and personal papers, research materials, and works by others, forming a notable record of Gassner’s contributions to theatre history. Call Number: Manuscript Collection MS-54109 Language: Chiefly English, with materials also in Dutch, French, German, Greek, Hebrew, Italian, Norwegian, Polish, Portuguese, Spanish, Swedish, and Turkish Access: Open for research Administrative Information Acquisition: Purchases and gifts, 1965-1986 (R2803, R3806, R6629, G436, G1774, G2780) Processed by: Joan Sibley and Amanda Reyes, 2017 Note: The Ransom Center gratefully acknowledges the assistance of the Gladys Krieble Delmas Foundation, which provided funds to support the processing and cataloging of this collection. Repository: The University of Texas at Austin, Harry Ransom Center Gassner, John, 1903-1967 Manuscript Collection MS-54109 Biographical Sketch John Gassner was a noted theatre critic, writer, and editor, a respected anthologist, and an esteemed professor of drama. He was born Jeno Waldhorn Gassner on January 30, 1903, in Máramarossziget, Hungary, and his family emigrated to the United States in 1911. He showed an early interest in theatre, appearing in a school production of Shakespeare’s The Tempest in 1915. Gassner attended Dewitt Clinton High School in New York City and was a supporter of socialism during this era. -
Elliot Levey
Elliot Levey Agents Ruth Young Associate Agent Phoebe Trousdell [email protected] +44 (0)20 3214 0800 Assistant Lauren Morgan [email protected] +44 (0)20 3214 0800 Assistant Alex Campbell [email protected] +44 (0)20 3214 0800 Roles Film Production Character Director Company MURDER ON THE Rabbi Kenneth Branagh Twentieth Century Fox ORIENT EXPRESS DENIAL Roger Levey Mick Jackson Krasnoff / Foster Entertainment FALLEN Dr. Watkins Scott Hicks Lotus Entertainment/ Mayhem Pictures THE MASTER OF YORK Menachem Kieron Quirke Eagle Lion Monster Films FLORENCE FOSTER Edgar Booth Stephen Frears Florence Film Ltd JENKINS Cunningham Jr United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company THE LADY IN THE VAN Director Nicholas Hytner Van Production Ltd. SPOOKS Philip Emmerson Bharat Nalluri Shine Pictures & Kudos PHILOMENA Alex Stephen Frears Lost Child Limited THE WALL Stephen Cam Christiansen National film Board of Canada THE QUEEN Stephen Frears Granada FILTH AND WISDOM Madonna HSI London SONG OF SONGS Isaac Josh Appignanesi AN HOUR IN PARADISE Benjamin Jan Schutte BOOK OF JOHN Nathanael Philip Saville DOMINOES Ben Mirko Seculic JUDAS AND JESUS Eliakim Charles Carner Paramount QUEUES AND PEE Ben Despina Catselli Pinhead Films JASON AND THE Canthus Nick Willing Hallmark ARGONAUTS JESUS Tax Collector Roger Young Andromeda Prods DENIAL Roger Levey Denial LTD Television Production Character Director Company