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Hens Lay, People Lie: a Novel and an Exegesis
HENS LAY, PEOPLE LIE A Novel and an Exegesis Beyond Epistolarity: The Warp, the Weft and the Loom Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Glenice Joy Whitting Swinburne University of Technology Faculty of Higher Education, Lilydale 2012 Abstract This thesis is comprised of two components: 'Hens Lay, People Lie', a novel, and an exegesis, Beyond Epistolarity the Warp, the Weft and the Loom. Together they propose that 'creative epistolarity', namely imaginative writing with factual material, including personal letters, emails and journals, provides women with a safe space where knowledge can be intuited, articulated or performed. In this space, women find their own creative voice, write their stories and in turn, understand themselves. 'Hens Lay, People Lie' draws heavily on the epistolary genre but aims to move beyond that genre by using an auto/biographical and creative epistolary style better suited to reveal emotion and character. The novel illustrates that creative epistolarity intersects with feminism and postmodernism and is uniquely placed to empower women to write their stories. The exegesis discusses theories, methodologies, fictional techniques and creative decisions made during the writing of the novel. Key writerly choices are examined: the choice of an epistolary novel and the importance of creative epistolarity as a way of knowing the self as well as production of knowledge. The research process is practice-led research informed by personal correspondence and personal history in the autoethnographic mode. The exegesis presents a reflective examination of existing works in the genre of epistolary fiction and calls on the practices of exponents of the epistolary form such as Elizabeth Jolley, Nancy Turner and Lionel Shriver. -
Flexible Games by Which I Mean Digital Game Systems That Can Accommodate Rule-Changing and Rule-Bending
Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2013 Reading Committee: David Hendry, Chair David McDonald Nicolas Ducheneaut Jennifer Turns Program Authorized to Offer Degree: Information School ©Copyright 2013 Gifford Cheung 2 University of Washington Abstract Let’s Play Our Way: Designing Flexibility into Card Game Systems Gifford Cheung Chair of the Supervisory Committee: Associate Professor David Hendry Information School In this dissertation, I explore the idea of designing “flexible game systems”. A flexible game system allows players (not software designers) to decide on what rules to enforce, who enforces them, and when. I explore this in the context of digital card games and introduce two design strategies for promoting flexibility. The first strategy is “robustness”. When players want to change the rules of a game, a robust system is able to resist extreme breakdowns that the new rule would provoke. The second is “versatility”. A versatile system can accommodate multiple use-scenarios and can support them very well. To investigate these concepts, first, I engage in reflective design inquiry through the design and implementation of Card Board, a highly flexible digital card game system. Second, via a user study of Card Board, I analyze how players negotiate the rules of play, take ownership of the game experience, and communicate in the course of play. Through a thematic and grounded qualitative analysis, I derive rich descriptions of negotiation, play, and communication. I offer contributions that include criteria for flexibility with sub-principles of robustness and versatility, design recommendations for flexible systems, 3 novel dimensions of design for gameplay and communications, and rich description of game play and rule-negotiation over flexible systems. -
Shady Side Academy Senior School Summer Reading 2018 Summer Reading Is an Opportunity for You to Explore Some Contemporary Or Cl
Shady Side Academy Senior School Summer Reading 2018 Summer Reading is an opportunity for you to explore some contemporary or classic books, challenging yourself with new ideas or becoming immersed in a gripping plot. You should choose a book that appeals to you and enjoy the process of reading. This is not the time to choose the shortest book or scurry onto the internet for a bland and superficial summary; this is not a time to follow someone else’s expert recommendation. Rather, this is a time for you to lose yourself in a story, under a tree or near a body of water, basking in the beautiful summer. Dig in and enjoy! You will read two (2) books over the summer. You are required to read a book from the lower-form (III and IV) list or upper-form (V and VI) list as your form in the fall dictates, plus a second book of your own choosing that you have not previously read. This second book can be a work of non-fiction or fiction, and all literary genres are welcome. The only requirement is that the selection be age-appropriate — nothing for much younger readers, please. Upon returning to school, students will be asked to deliver a short talk on this book in their English classes during the first week or so. This talk must include a brief summary, but it should focus primarily on an evaluation of the book — what about it was most and least effective, enjoyable, confusing, inspiring, etc., supported by specific evidence. More information on the presentations will be provided in the fall, but students should know in advance that each talk will last approximately five minutes and be followed by a short question-and-answer session. -
Late Sixties Rock MP3 Disc Two Playlist.Pdf
Late Sixties Rock MP3 Disc Two Playlist Page One Of Three Title Artist Album 01 - Keep on Chooglin’ Creedence Clearwater Revival Bayou Country 02 - Voodoo Child (Slight Return) The Jimi Hendrix Experience Electric Ladyland 03 - Babe I’m Gonna Leave You Led Zeppelin Led Zeppelin I 04 - Move Over Janis Joplin Pearl 05 - Se a Cabo Santana Abraxas 06 - That Same Feelin’ Savoy Brown Raw Sienna 07 - Plastic Fantastic Lover Jefferson Airplane Surrealistic Pillow 08 - My Guitar Wants to Kill Your Mama Frank Zappa Single 09 - Sparks The Who Tommy 10 - Girl with No Eyes It's A Beautiful Day It's A Beautiful Day 11 - As You Said Cream Wheels of Fire 12 - Different Drum Linda Ronstadt & the Stone Poneys Evergreen, Volume 2 13 - These Boots Are Made for Walkin’ Nancy Sinatra Boots 14 - Iron Butterfly Theme Iron Butterfly Heavy 15 - Summertime Blues Blue Cheer Vincebus Eruptum 16 - Mississippi Queen Mountain Climbing! 17 - Working on the Road Ten Years After Cricklewood Green 18 - On the Road Again Canned Heat Boogie with Canned Heat! 19 - Freedom Richie Havens Woodstock 20 - Déjà Vu Crosby, Stills, Nash & Young Déjà Vu 21 - The Best Way to Travel The Moody Blues In Search of the Lost Chord 22 - Big Yellow Taxi Joni Mitchell Ladies of the Canyon 23 - If 6 Was 9 The Jimi Hendrix Experience Axis: Bold as Love 24 - Unconscious Power Iron Butterfly Heavy 25 - Break on Through (To the Other Side) The Doors The Doors 26 - I Feel Free Cream Fresh Cream 27 - I’m Free The Who Tommy 28 - Try (Just a Little Bit Harder) Janis Joplin I Got Dem 0l’ Kozmic Blues -
King Crimson Collectors' Club (1969-1974)
King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 King Crimson 1 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 Collectors' Club (1969-1974) di Gianluca Livi Articolo originariamente apparso in due puntate sui nn. 35 e 37 (rispettivamente Marzo/Aprile e Luglio/Agosto del 2008) di "Musikbox. Rivista di cultura musicale e guida ragionata al collezionismo", qui pubblicato, con alcune varianti, per gentile concessione dell'autore. Premessa (2008) Alla fine degli anni '90, stanco dei bootleg, Robert Fripp decise di commercializzare ufficialmente alcuni live dei King Crimson su cd, muovendo dal presupposto che, se fino a quel momento i fan avevano acquistato materiale del gruppo dal vivo di scarsa qualità, facendo guadagnare esclusivamente biechi 2 / 10 King Crimson Collectors' Club (1969-1974) Scritto da Gianluca Livi Mercoledì 30 Marzo 2016 19:23 imprenditori pirata, poteva egli stesso vendere le medesime esibizioni, ufficializzandone l'uscita sul mercato discografico e, congiuntamente, perseguendo anche un (legittimo) fine di lucro. Poiché anche parte delle registrazioni in suo possesso erano qualitativamente scadenti, conscio dell'impossibilità di immetterle nel mercato senza suscitare polemiche, decise di distribuirle solo agli iscritti di un club, il cosiddetto “Collector's Club”. Coloro che vi avessero aderito, previo versamento di una cifra iniziale abbastanza consistente, avrebbero ricevuto i titoli pubblicati di volta in volta, vedendosi scalato il valore di ogni singolo disco dalla quota d'iscrizione. L'iniziativa andò avanti con ottimi risultati fino al 2002, quando - abbandonato definitivamente il metodo dell'iscrizione al Club - i cd furono inseriti nel catalogo della DGM, unitamente ad album ufficiali dei Crimson e di altri artisti della scuderia. -
78071 187 14782.Pdf
03 "Se han convertido en una de esas bandas que están más allá de los géneros" “Tuvo muy buen muy recibimiento, pero casi inmediatamente“Tuvo después se transformó en una rareza, era difícil de pillar. id Smith, colaborador de las presti- ro 30, pensé que sería bueno hacer la versión que ejercen escapa a los confines del rock progresivo y giosas revistas Prog Magazine, MOJO, nueva para esa fecha, veinte años después. Por creo que la razón es que la música creada por la banda Classic Rock y Record Collector —en- fortuna, fui capaz de sacarlo a tiempo”, dice desde los sesenta y setentas, hasta los años ochenta, ha tre otras— mantuvo desde el año 1999 riendo. Esquizoides en el siglo XXI cubierto mucho terreno estilísticamente. No solo han un blog en el sitio oficial de King Crim- tocado un único tipo de música. Los discos que van des- Sson, posteriormente llamado Krimson News y -Imagino que nunca pensaste ver a King Crim- de In the court of the Crimson King hasta Discipline en luego Postcards from the yellow room. En el son activo 50 años después de su creación. Al el 81 -e incluso más allá, como Thrak en 1994-, casi to- año 2001 editó la biografía titulada In the court comienzo el proyecto se disolvió apenas se lan- dos suenan diferentes, en especial los primeros cuatro. of King Crimson, coincidiendo con el aniversa- zó el disco debut, y ha pasado por muchos quie- Incluso así, todos suenan como King Crimson. rio número 30 de la banda. ¿Por qué? “La res- bres en su historia. -
Social Psychology: a Very Short Introduction Buy CSS Books Online As Cash on Delivery All Over Pakistan | 03336042057
Buy CSS Books Online as Cash on Delivery All Over Pakistan https://cssbooks.net | 03336042057 DOWNLOAD CSS Notes, Books, MCQs, Magazines www.thecsspoint.com Download CSS Notes Download CSS Books Download CSS Magazines Download CSS MCQs Download CSS Past Papers The CSS Point, Pakistan’s The Best Online FREE Web source for All CSS Aspirants. Email: [email protected] BUY CSS / PMS / NTS & GENERAL KNOWLEDGE BOOKS ONLINE CASH ON DELIVERY ALL OVER PAKISTAN Visit Now: WWW.CSSBOOKS.NET For Oder & Inquiry Call/SMS/WhatsApp 0333 6042057 – 0726 540316 CSS Compulsory Solved MCQs from 2000 to 2019 & CSS Compulsory Solved Subjective Papers from 2016 to 2019 www.danzoman.com Kids Clothing Online Shop Best available Kids Dresses in Pakistan /danzomanofficial/ Buy CSS Books Online as Cash on Delivery All Over Pakistan https://cssbooks.net | 03336042057 Social Psychology: A Very Short Introduction Buy CSS Books Online as Cash on Delivery All Over Pakistan https://cssbooks.net | 03336042057 VERY SHORT INTRODUCTIONS are for anyone wanting a stimulating and accessible way into a new subject. They are written by experts, and have been translated into more than 40 different languages. The series began in 1995, and now covers a wide variety of topics in every discipline. The VSI library now contains over 400 volumes—a Very Short Introduction to everything from Psychology and Philosophy of Science to American History and Relativity—and continues to grow in every subject area. Very Short Introductions available now: ACCOUNTING Christopher Nobes ADVERTISING Winston Fletcher AFRICAN AMERICAN RELIGION Eddie S. Glaude Jr. AFRICAN HISTORY John Parker and Richard Rathbone AFRICAN RELIGIONS Jacob K. -
Core Techniques and Algorithms in Game Programming.Pdf
This document was created by an unregistered ChmMagic, please go to http://www.bisenter.com to register it. Thanks . [ Team LiB ] • Table of Contents • Index Core Techniques and Algorithms in Game Programming By Daniel Sánchez-Crespo Dalmau Publisher: New Riders Publishing Pub Date: September 08, 2003 ISBN: 0-1310-2009-9 Pages: 888 To even try to keep pace with the rapid evolution of game development, you need a strong foundation in core programming techniques-not a hefty volume on one narrow topic or one that devotes itself to API-specific implementations. Finally, there's a guide that delivers! As a professor at the Spanish university that offered that country's first master's degree in video game creation, author Daniel Sanchez-Crespo recognizes that there's a core programming curriculum every game designer should be well versed in-and he's outlined it in these pages! By focusing on time-tested coding techniques-and providing code samples that use C++, and the OpenGL and DirectX APIs-Daniel has produced a guide whose shelf life will extend long beyond the latest industry trend. Code design, data structures, design patterns, AI, scripting engines, 3D pipelines, texture mapping, and more: They're all covered here-in clear, coherent fashion and with a focus on the essentials that will have you referring back to this volume for years to come. [ Team LiB ] This document was created by an unregistered ChmMagic, please go to http://www.bisenter.com to register it. Thanks. [ Team LiB ] • Table of Contents • Index Core Techniques and Algorithms in Game Programming By Daniel Sánchez-Crespo Dalmau Publisher: New Riders Publishing Pub Date: September 08, 2003 ISBN: 0-1310-2009-9 Pages: 888 Copyright About the Author About the Technical Reviewer Acknowledgments Tell Us What You Think Introduction What You Will Learn What You Need to Know How This Book Is Organized Conventions Chapter 1. -
XXVI Space Utopia in the 1970S of the Twentieth Century on the Basis Of
XXVI Space Utopia in the 1970s of the Twentieth Century on the Basis of the Kobaïan World Łukasz Stec Introduction Utopia has been depicted in a plethora of works of culture. Thus, its omnipresence creates a considerable incentive to approach the subject from a completely different angle. Endeavouring to put the problem of utopia into wider perspective, this chap- ter focuses on music and its relation to utopian concepts and notions. Utopias tend to raise the problem of the world improvement. According to Lyman Tower Sargent “most utopias compare life in the present and life in the utopia and point out what is wrong with the way we now live, thus suggesting what needs to be done to improve things” (Sargent 2010: 5). When it comes to music, there have been plenty of bands approaching utopian- ism1; however, there is only one that stands out among the rest, i.e. Magma, a French group led by Christian Vander, a drummer, who along with other members of the 1 There is a long list of bands playing different kinds of music which referred to both utopia and dystopia. With regard to rock music, there are well-known albums such as Animals by Pink Floyd based on George Orwell’s Animal Farm and the opus magnum of Roger Waters The Wall, Brave New World by Iron Maiden based on Aldous Huxley, 666 by Aphrodite’s Child which is believed to have been staged in Barcelona and directed by Salvador Dalí. The topic of utopian discourse across media including music, computer games, films, visual arts is thoroughly discussed in the book (Im)perfection Sub- verted, reloaded and networked edited by Barbara Klonowska, Zofia Kolbuszewska and Grzegorz Maziarczyk (Klonowska, Kolbuszewska, Maziarczyk 2015). -
Tesi Del Dott. Jacopo Conti: Minimalismo ... -.:: Franco Fabbri
UNIVERSITÀ DEGLI STUDI DI TORINO FACOLTÀ DI SCIENZE DELLA FORMAZIONE CORSO DI STUDIO TRIENNALE IN D.A.M.S. DISSERTAZIONE FINALE Minimalismo, modalità e improvvisazione nella musica dei nuovi King Crimson Relatore: Candidato: Ernesto Napolitano Jacopo Conti matr. n° 259083 Anno accademico 2006 - 2007 A mia zia, che credeva in me e mi ha sempre sostenuto. 1 PREMESSA “King Crimson was more a revolving door than a band. ” - Robert Palmer La cronologia dei King Crimson (KC) dal 1969 al 2003 è assai articolata, e include vari stili e molti musicisti con una sola presenza fissa, quella di Robert Fripp (1946), chitarrista e compositore inglese fondatore del gruppo. Considerati tra i fondatori del progressive rock, pubblicano l’album In The Court Of The Crimson King 1 nel 1969 con Fripp alla chitarra, Ian McDonald (1946) al sax e al mellotron, Michael Giles (1942) alla batteria, Greg Lake (1948) al basso e alla voce e Peter Sinfield (1943) nel ruolo di paroliere. I lunghi brani strutturati, gli elaborati riff suonati all’unisono e i testi di ispirazione fantastica e fiabesca non solo diventano la caratteristica principale del gruppo, ma anche gli elementi fondanti del nuovo genere. Già con il secondo lp, In The Wake Of Poseidon (1970), la formazione viene rimodellata: Mel Collins (1947) prende il posto di McDonald al sax, Gordon Haskell canta in alcuni brani (durante la lavorazione del disco Greg Lake abbandona il gruppo per andare a costituire il trio Emerson, Lake & Palmer), si aggiunge al pianoforte Keith Tippett (1947). Il gruppo si scioglie per qualche mese dopo l’incisione del disco per poi tornare, con un’altra formazione, alla fine del 1970. -
Tzi4- COUNCIL DISTRICT NO. 1.3 APPROVAL for ACCELERATED
-. COUNCIL FILE No.IJ·~tZi4- COUNCIL DISTRICT NO. 1.3 APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _~} B. Quitclaim of Easement(s). __ .i' C. Dedication of Easement(s). } D. Release of Restriction(s). -;[} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVALIDISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED'" Council Office of the District Public Works Committee Chairperson "'DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 395 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date ----- scheduled in Council. AFTER COUNCIL ACTION: ~ Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ---1 Other: Send copies of adopted report aRB ORIGINAL RESOLUTION to Land Development Group. Attention: Jeff Moore (Mail Stop 901), and to Survey Division, Attention Jim Lantry (Mail Stop 904) for further processing PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS - E Office of the City Engineer Los Angeles California To the Honorable Council Of the City of Los Angeles Honorable Members: C. -
The Daily Egyptian, January 28, 1976
Southern Illinois University Carbondale OpenSIUC January 1976 Daily Egyptian 1976 1-28-1976 The aiD ly Egyptian, January 28, 1976 Daily Egyptian Staff Follow this and additional works at: http://opensiuc.lib.siu.edu/de_January1976 Volume 57, Issue 86 Recommended Citation , . "The aiD ly Egyptian, January 28, 1976." (Jan 1976). This Article is brought to you for free and open access by the Daily Egyptian 1976 at OpenSIUC. It has been accepted for inclusion in January 1976 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. ... > gus 'Bode 'Daily 13gyptian Gus says searching for search com Wednesday, January 28, 1976-Vol. ~ , No. 86 fjouthern nlinois University mittee5 around here is as searching a Job as the search itself. Brandt, F -Senate clash over guidelines By Ka thleen TakemolO ·dependenl rrom the administration Dally Egyptian Starr Writer regarding search committees. He said the guidelines "in no way ren eet what ' President Warr<'ll W. Brandt called other search committees have done." guidelines for participation on search Malvin Moor e Jr., professor in comm ittees approvc'<1 Tuesday by thp education adm inistration and foun· Faculty Senate a " censure" or his dations. pointed out that the guideline method of handling sea rch co mmittees. recommendations had been formulated The guidelines. passed unanimously before Brandt's administration at St U. by the Faculty ~nale . contain s{'veraJ 1\100r(' said the recommendation had recommendations which run counter to "no direction to him (Brandt ) in any procedures followed by past search way." commitu't-'S . Bra ndt sa id prlllr to Iht· Brandt qucsttont'rl the ~c mH (' bdore vole that tht.' ,l!u lch.' li nt>s W('n,' "ob· the vote (In whethl'r it intcndl'(i the vinus)v wrilll'n In ('ounl {'r whilt ha ~ ~ uldt'llIle5 to be adopted by all Ll nin'r alreact", h~n don('." !" lIy constltu(> nClt'S p~lrtl cl patin g on The rH.'w gUIJclinl's s t ~ ll e Ihal Ih(' ad S{'~If(' h ('ommlfl l"l'S .