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												Archetypes in Female Characters of Game of Thrones
Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Gloria Makjanić Archetypes in Female Characters of Game of Thrones Završni rad Zadar, 2018. Sveučilište u Zadru Odjel za anglistiku Preddiplomski sveučilišni studij engleskog jezika i književnosti (dvopredmetni) Archetypes in Female Characters of Game of Thrones Završni rad Student/ica: Mentor/ica: Gloria Makjanić dr. sc. Zlatko Bukač Zadar, 2018. Makjanić 1 Izjava o akademskoj čestitosti Ja, Gloria Makjanić, ovime izjavljujem da je moj završni rad pod naslovom Female Archetypes of Game of Thrones rezultat mojega vlastitog rada, da se temelji na mojim istraživanjima te da se oslanja na izvore i radove navedene u bilješkama i popisu literature. Ni jedan dio mojega rada nije napisan na nedopušten način, odnosno nije prepisan iz necitiranih radova i ne krši bilo čija autorska prava. Izjavljujem da ni jedan dio ovoga rada nije iskorišten u kojem drugom radu pri bilo kojoj drugoj visokoškolskoj, znanstvenoj, obrazovnoj ili inoj ustanovi. Sadržaj mojega rada u potpunosti odgovara sadržaju obranjenoga i nakon obrane uređenoga rada. Zadar, 13. rujna 2018. Makjanić 2 Table of Contents 1. Introduction ..................................................................................................................... 3 2. Game of Thrones ............................................................................................................. 4 3. Archetypes ...................................................................................................................... - 
												
												Passwords of Westeros a Game of Thrones-Inspired Wordlist
Passwords of Westeros A Game of Thrones-inspired Wordlist This wordlist was created by identifying the unique words in some of the most popular user-created pages at FANDOM’s gameofthrones.wikia.com. They are numbered to correspond with three roles of a 20-sided die. The list was created by the Electronic Frontier Foundation and maybe freely distributed use under the Creative Commons Attribution 3.0 United States license. Any trademarks within the word list are the property of their respective trademark holders, who are not affiliated with the Electronic Frontier Foundation and do not sponsor or endorse these passwords. - 
												
												As Tourism Ireland Adds Another New Section to Tapestry in Week Six of Its Global Game of Thrones® C…
18/09/2018 Flyer - Winter is ‘looming’ … as Tourism Ireland adds another new section to tapestry in week six of its global Game of Thrones® c… Winter is ‘looming’ … as Tourism Ireland adds another new section to tapestry in week six of its global Game of Thrones® campaign It’s week 6 of Tourism Ireland’s Game of Thrones® campaign, which is rolling out around the world to coincide with season 7, showcasing Northern Ireland to millions of fans. Tourism Ireland has released another time-lapse video of the weaving of the latest section of its Game of Thrones® tapestry, hanging in the Ulster Museum in Belfast. This week’s section includes a collection of scenes from “Eastwatch,” episode 5 of season 7: in Dragonstone, Daenerys once again convenes her war council. There, Jon receives a raven from Winterfell, warning that the Night King and his army of Wights are marching towards Eastwatch- by-the-Sea. After secretly meeting with Jaime, Tyrion rendezvouses with Davos and Gendry to escape Kings Landing and return to Dragonstone. Jon, Jorah, Davos and Gendry are joined by the Hound, Beric Dondarrion, Thoros of Myr Tormund Giantsbane, as they lead an expedition beyond the Wall to capture a Wight – alive. http://tourismirl.newsweaver.ie/Flyer/m0qde5q1ot2igo1g69mr6z?email=true&a=11&p=52227209 1/2 18/09/2018 Flyer - Winter is ‘looming’ … as Tourism Ireland adds another new section to tapestry in week six of its global Game of Thrones® c… As well as the time-lapse video, Tourism Ireland has also released another cinemagraph (or “living” photograph) this week as part of this campaign. - 
												
												Download 1St Season of Game of Thrones Free Game of Thrones, Season 1
download 1st season of game of thrones free Game of Thrones, Season 1. Game of Thrones is an American fantasy drama television series created for HBO by David Benioff and D. B. Weiss. It is an adaptation of A Song of Ice and Fire, George R. R. Martin's series of fantasy novels, the first of which is titled A Game of Thrones. The series, set on the fictional continents of Westeros and Essos at the end of a decade-long summer, interweaves several plot lines. The first follows the members of several noble houses in a civil war for the Iron Throne of the Seven Kingdoms; the second covers the rising threat of the impending winter and the mythical creatures of the North; the third chronicles the attempts of the exiled last scion of the realm's deposed dynasty to reclaim the throne. Through its morally ambiguous characters, the series explores the issues of social hierarchy, religion, loyalty, corruption, sexuality, civil war, crime, and punishment. The PlayOn Blog. Record All 8 Seasons Game of Thrones | List of Game of Thrones Episodes And Running Times. Here at PlayOn, we thought. wouldn't it be great if we made it easy for you to download the Game of Thrones series to your iPad, tablet, or computer so you can do a whole lot of binge watching? With the PlayOn Cloud streaming DVR app on your phone or tablet and the Game of Thrones Recording Credits Pack , you'll be able to do just that, AND you can do it offline. That's right, offline . - 
												
												GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear Delegate: I Have the Pleasure
GOCASK Government Cabinet of the Seven Kingdoms Topic: “The True Heir of the Seven Kingdoms Dear delegate: I have the pleasure of welcoming you to ULSACUNMUN 2020. My name is Kaory Rios and I am honored of being the president and creator of this year´s new committee GOCASK (government Cabinet of the Seven Kingdoms) based on The Game of Thrones series. I'm eager to get to know you, and make the best out of this Model of the United Nations. First of all I would like to tell you a little bit about myself. I´m 18 years old and also a senior in highschool. I enjoy hanging out with my friends, taking pictures, learning new languages, travelling, watching movies, among many other things. My plan is to study film in Puebla and become a director. This is my 5th MUN conference and my third as part of the chair. If there is something I know for sure is that MUN has helped me grow as a person by giving me leadership skills, and the opportunity of having a word that actually matters in world wide problems in order to find the best solution. This topic is more than exciting for me, and hopefully you´ll find the same way. I expect your utmost performance and for you to give your nonpareil effort that is needed for this committee. Remember to be confident with what you say, if you prepared well there is no reason to be nervous. I wish you the best of lucks and I hope this conference to be a remarkable experience for everyone. - 
												
												Henry Tudor and Elizabeth of York As Daenerys Targaryen and Jon Snow
Facultat de Filosofia i Lletres Memòria del Treball de Fi de Grau Rewriting Historical Characters: Henry Tudor and Elizabeth of York as Daenerys Targaryen and Jon Snow Maria Antònia Llabrés Font Grau d'Estudis Anglesos Any acadèmic 2018-19 DNI de l’alumne:43472881Y Treball tutelat per José Igor Prieto Arranz Departament de Filologia Espanyola, Moderna i Clàssica S'autoritza la Universitat a incloure aquest treball en el Repositori Autor Tutor Institucional per a la seva consulta en accés obert i difusió en línia, Sí No Sí No amb finalitats exclusivament acadèmiques i d'investigació Paraules clau del treball: reversal gender roles, historical discourse, power, recognition, fantasy Abstract This essay examines the relationship between the historical figures Henry VII and Elizabeth of York, and the fictional characters Jon Snow and Daenerys Targaryen from the popular TV series Game of Thrones. Through the analysis of the similarities between their lives, this project attempts to prove how both fictional characters are based and influenced by Henry VII and Elizabeth of York. Moreover, there is very little previous literature about the life of Elizabeth of York, obscuring and undermining her important role in putting an end to the Wars of the Roses. Thus, besides proving the relationship between these historical characters and the fictional ones, the aim of this paper is also to emphasise the historical importance given to Elizabeth of York in Game of Thrones by means of using her as a main source of inspiration for two of the most important an relevant characters of the series. As a result, this work also intends to prove how Game of Thrones demolishes gender boundaries by using characteristics of both Henry VII and Elizabeth of York to shape the characters of Jon Snow and Daenerys Targaryen. - 
												
												Daum, Peter Harris, Sam Houghteling, Rachel Lentz, David Mcivor, Morgann Means, Trenten Robinson, Erin Statz, Madison Taylor, Maura Williams, Mary Witlacil
TITLE PAGE Issue 1 Fall 2018 A Letter from the Department of Political Science at Colorado State University It is with great pleasure that we are publishing the fi rst issue of the Mountain West Journal of Politics and Policy, a journal produced by the Political Science community at Colorado State University. Th e goal of this journal is to include research articles and overviews of research agendas and projects by anyone in our community – faculty, graduate and undergraduate students and alumni, as well as students who produce research papers in political science courses. Th e Journal was coordinated by an editorial committee consisting, in alphabetical order, of: Gamze Cavdar, faculty, Karli Hansen, Academic Success Coordinator in Political Science, Matt Hitt, faculty and Undergraduate Coordinator, Sam Houghteling, Program Manager of the John Straayer Center for Public Service Leadership, Brad MacDonald, faculty, Ryan Scott, faculty, and Dimitris Stevis, faculty. Jennifer Hitt, Communications and Alumni Coordinator, has provided valuable publicity amd promotion support and advice. Katie Brown, Editor in Chief of the Journal of Undergraduate Research, did the layout of the Journal, and Hannah Haberecht designed the Journal cover. We want to thank the Chair of our Depart- ment, Dr. Michele Betsill, for her personal support and for the support of the Department. Each submission went through a double blind review process and was accepted only once revisions were satisfactory. We would like to thank the following reviewers: Timea Bailogh, Michele Betsill, Seth Crew, Gamze Cavdar, Courtenay Daum, Peter Harris, Sam Houghteling, Rachel Lentz, David McIvor, Morgann Means, Trenten Robinson, Erin Statz, Madison Taylor, Maura Williams, Mary Witlacil. - 
												
												Style and World-Building in George R. R. Martin's a Song of Ice and Fire
HELSINGIN YLIOPISTO Style and World-Building in George R. R. Martin's A Song of Ice and Fire Jaru Hirsso 013028752 Pro Gradu Spring 2015 Department of Modern Languages / English University of Helsinki Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Nykykielten laitos Tekijä – Författare – Author Jaru Tapio Hirsso Työn nimi – Arbetets titel – Title Style and World-Building in George R. R. Martin's A Song of Ice and Fire Oppiaine – Läroämne – Subject Englantilainen filologia Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä – Sidoantal – Number of pages year Pro gradu Huhtikuu 2015 82 Tiivistelmä – Referat – Abstract Tutkielmani käsittelee kielellisen tyylin ja maailmanrakennuksen suhdetta George R. R. Martinin fantasiakirjasarjassa A Song of Ice and Fire (suom. Tulen ja jään laulu). Tarkoituksena on erityisesti selvittää, miten kirjojen kieli poikkeaa tavanomaisesta englannin kielestä, ja miten kielen poikkeavat muodot puolestaan toimivat keskiaikaisen fantasiamaailman rakennuspalikoina. Susan Mandalan (2010) mukaan kielellinen tyyli on jäänyt lapsipuolen asemaan tieteis- ja fantasiakirjallisuuden tutkimuksessa: kieltä on lähes poikkeuksetta pidetty tavanomaisena tai heikkona, ja sen roolia on myös vähätelty. Mandalan mukaan tällaiset käsitykset ovat perusteettomina, ja hänen mielestään toimiva tyyli on todella tärkeässä roolissa nimenomaan näissä genreissä, sillä se on oleellinen osa muun muassa uskottavien vaihtoehtoismaailmojen luomista. Kirjojen maailma on keskiaikainen, - 
												
												Fire Vs Flame Warm Fire AGOT, Tyrion II: Tyrion Pulled out the Stopper, Tilted His Head, and Squeezed a Long Stream Into His Mouth
Appendix: Fire vs Flame Warm fire AGOT, Tyrion II: Tyrion pulled out the stopper, tilted his head, and squeezed a long stream into his mouth. The wine was cool fire as it trickled down his throat and warmed his belly. He held out the skin to Jon Snow. "Want some?" AGOT, Tyrion III: Mormont scarcely seemed to hear him. The old man warmed his hands before the fire. AGOT, Tyrion III: He shoved his hands into his armpits and walked faster, praying that Morrec had remembered to warm his bed with hot bricks from the fire. AGOT, Dany III: "A trader from Qarth once told me that dragons came from the moon," blond Doreah said as she warmed a towel over the fire. AGOT, Tyrion IV: I was about to settle down to a warm fire and a roast fowl, and that wretched singer had to open his mouth, he thought mournfully. AGOT, Cat VI: he commander, an anxious young knight with a pockmarked face, offered bread and cheese and the chance to warm themselves before his fire, but Mya declined. AGOT, Tyrion VI: "If so, I prefer to die comfortable," Tyrion replied. "We need a fire. The nights are cold up here, and hot food will warm our bellies and lift our spirits.” ACOK, Davos I: The Myrmen swapped jokes as they enjoyed the warmth of the fire, but young Lord Bar Emmon had turned a splotchy grey, and Lord Velaryon was watching the king rather than the conflagration. ACOK, Jon III: "Oh." Sam did not look anxious to meet Craster, even if it meant a warm fire. - 
												
												A Storm of Swords, All Maps
The North KEY Cities Towns Castles Ruins Ruined Castles The angs H Frostf aunted Skane The The F F S T orest rrozen The hadow ower ozen E WALL S TTHEH WALL hore C B T Gift astle lack he Skagos Q Eastwatch- Bay ueenscrown S ce by-the- ea of y of I Ba Seals Last Hearth s s f f f Bear Island The f i i l L l ast C C Sea Dragon R iviver y L e K e Point Long ake r arhold r G e h T Deepwood W Lonely Hills Motte ol fsw oo Weeping d The Dreadfort W Winterfell ater e d Hills re hea B W S W or ps o Torrhen's quare e h he r o h T h S S k S i H t e y s e n d y e n E B la K n n w n K r o o o t r i a t f n r I S e c S a B N h G R S amsgate R The Rills Barrowton O A D White Harbor Saltspear Widow's Watch Moat Cailin Oldcastle Blazewater Bay The BBiteite Flint's Finger The Neck Sisterton The Paps P C Sisters ebble ape G Three K reywater Watch raken F t Cliffs The lin Th F e in ge rs Iron Islands The Twins Cape of Eagles Old Wyk Blacktyde G Seagard reat Wyk Orkmont G reen The Eyrie Ironman's Bay F e of Arryn ork ValVale of Arryn Harlaw Oldstones G Saltcliffe P Blue Bloody ate yke F ork R R iverrun ed Fork Tuumblestonemblestone © 2011 Jeffrey L. - 
												
												The Winds of Winter - George R
THE WINDS OF WINTER - GEORGE R. R. MARTIN THE WINDS OF WINTER Released Chapters ANGRYGOTFAN.COM THE WINDS OF WINTER - GEORGE R. R. MARTIN CONTENT THEON................................................................................................. 4 ARIANNE...........................................................................................31 BARRISTAN.......................................................................................52 TYRION.............................................................................................. 55 VICTARION........................................................................................56 BARRISTAN II....................................................................................62 TYRION II..........................................................................................76 ARIANNE II........................................................................................95 MERCY............................................................................................120 ALAYNE...........................................................................................145 THE FORSAKEN..............................................................................174 ANGRYGOTFAN.COM THE WINDS OF WINTER - GEORGE R. R. MARTIN THEON The king's voice was choked with anger. "You are a worse pirate than Salladhor Saan." Theon Greyjoy opened his eyes. His shoulders were on fire and he could not move his hands. For half a heartbeat he feared he was back in his old cell under the - 
												
												Masculinity, Violence, and Abjection in a Song of Ice and Fire and Game of Thrones
CRIPPLES AND BASTARDS AND BROKEN THINGS: MASCULINITY, VIOLENCE, AND ABJECTION IN A SONG OF ICE AND FIRE AND GAME OF THRONES Tania Evans January 2019 A thesis submitted for the degree of Doctor of Philosophy Of the Australian National University Declaration of Originality This work has not previously been accepted for any degree and is the result of my own independent investigation, except where otherwise stated. Other sources are acknowledged by explicit references. An earlier version of the chapter “The Bear and the Maiden Fair” is published in Aeternum: The Journal of Contemporary Gothic Studies. All images are owned by Home Box Office (HBO) and are reproduced here for the purposes of research. Table of Contents Abstract ............................................................................................................................................................... 1 Acknowledgements ............................................................................................................................................ 2 Abbreviations ..................................................................................................................................................... 3 List of Figures ..................................................................................................................................................... 4 Introduction ........................................................................................................................................................ 8 Chapter