DOCSLIB.ORG

The Myth Continues in Percy Jackson: a Look Into Mythology and Its Persistence Today

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Myth Continues in Percy Jackson: a Look Into Mythology and Its Persistence Today Butler University Digital Commons @ Butler University Undergraduate Honors Thesis Collection Undergraduate Scholarship 2014 The Myth Continues in Percy Jackson: A look into mythology and its persistence today Maia Anne Swanson Butler University Follow this and additional works at: https://digitalcommons.butler.edu/ugtheses Part of the Ancient History, Greek and Roman through Late Antiquity Commons, and the Comparative Literature Commons Recommended Citation Swanson, Maia Anne, "The Myth Continues in Percy Jackson: A look into mythology and its persistence today" (2014). Undergraduate Honors Thesis Collection. 274. https://digitalcommons.butler.edu/ugtheses/274 This Thesis is brought to you for free and open access by the Undergraduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Undergraduate Honors Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. BUTLER UNIVERSITY HONORS PROGRAM Honors Thesis Certification Please type all information in this section: Applicant Maia Anne Swanson (Name as it is to appear on diploma) Thesis title The Myth Continues in Percy Jackson: A look into mythology and its persistence today Intended date of commencement May 10 ----------------------------------- Read,approved,anddn~ ( Thesis adviser(s) !j~ ~ 3/14 J Iii Date U I et "'I :.--;-r") fj ~7 =a r /-" C.l ''',;::; II) r '1 ( .1<---- -LJ CUj I-d)" yL I') Date Reader(s) Ly"./AJ ,E_- h VATI(__. Date Y-IY-'~ Date S-J3-14: Certified by Director, Honors Program Date For Honors Program use: Level of Honors conferred: University Departmental The Myth Continues in Percy Jackson: A look into mythology and its persistence today A Thesis Presented to the Department of Classical Studies College of Liberal Arts and Sciences and The Honors Program of Butler University In Partial Fulfillment of the Requirements for Graduation Maia Anne Swanson April 28, 2014 Introduction It is easy for us modern readers to forget that there was a difference between Greek and Roman literary mythology because they were first written down so long ago, yet so closely related. The way we talk about the Greco-Roman pantheon implies that we do not separate the two sets of gods as being unique. Clearly there is a difference between them since they did spring from two unique cultures. The Romans borrowed many things from the Greeks, like their pottery and sculpture and visitations to the Delphic Oracle, but they held a culture of their own that was different from being Greek. That is why using all of these different epics, Hesiod's Theogony, Homer's Iliad, Virgil's Aeneid, and Ovid's Metamorphoses, is so important. Each one incorporates something uniquely Greek or Roman, especially at the beginning of written mythology. Hesiod and Homer were the first ones to write down the mythology of their religion. That being said, I am strictly looking at their works in the context of literature. The stories these authors told were not new stories to the Greeks by any means, but they were told in such a way that we have continued to read them. We all know the basics of Greek myths, like the Trojan Horse and the Minotaur in the Labyrinth, but we still like to read or watch or hear different variations on the tales. Homer and Hesiod knew their audiences wanted a new story. Instead of singing the end of the Trojan War, Homer instead sang about how one man's anger endangered so many. Hesiod also gave a new way of thinking about where the gods came from. The best description is that he was "organizer and interpreter of traditional tales."! For Hesiod it did not matter that Tartarus 1 Graf, p.87 2 spawned so many monsters because it was still their start and it was still about the start of all the tales to come. Move forward about seven centuries and these epic poems are well known. So well known, in fact, that Roman poets have emulated them many times over. Virgil's Aeneid is by far one of the best because he was able to combine Homer's two works, yet make it into a Roman's myth. Aeneas is everything that a good Roman should be; he gives his duty to the gods, is brave and strong, and he is committed to his people and their allies. His story is no less known to the people, but Virgil makes him into a Roman hero. Ovid picks up his mantle soon after, but he is much more interested in the things in the stories of the gods and men together. The Romans already know of the great heroes, but what about all of those other smaller myths involving the gods' interactions with human kind? These myths are about the changes to the world and the gods committing some of them to the humans. Ancient Greek mythology has been continually adapted - having started with the Romans variations and moving forward to present - because there is something about it that is culturally relevant. We still like the stories about the gods and heroes because there is something within each myth that is relatable to modem thought. Graf states that true myths are told over and over again thus changing through the ages? He believes that myths are meant to change and adapt with each culture they pass through. They are also cultural memories, and each new generation adds a certain memory to them.' Listening to modem students talk about how whiny Achilles can be or how weak Diomedes is is what I mean about adding a memory. Those emotions from men are still existent, but what 2 Greek Mythology, p. 3 3 Religions a/the Ancient World, p. 55 3 they imply about the man has changed. Therefore the earliest poets to write down the myths are exactly that, they are only the first to do it but by no means are they the end. Riordan sees the use of mythology as a way to entertain his readers, but he is also teaching them so much about these two ancient cultures. He is constantly reminding his readers too that America has them to thank for the inspiration for many of its physical structures as well as government (since we do have a democratic-republic, taking the best from each civilization). We have kept the gods alive with our Western thought because the stories have now passed to us to retell and give new meaning to. There are no more heroes that seem as selfish as Achilles or as pious as Aeneas. All of Riordan's heroes are relatable, especially to the young adults Riordan is writing for. On top of that, his gods are just as accessible to the heroes in the story as the ancient Greeks saw them. His stories should not be dismissed simply because they are written for young adults. If anything, they should be exalted in their combinations of simplicity and complexity. Riordan is able to bring in so many of the ancient Greek and Roman myths, without overwhelming the readers, but then on top of that he adds monsters from ancient Eastern cultures (like from the Persian Empire and Egypt). He presents a new type of hero in Percy, one that can be championed by all who read. In a simple view, Percy does not put up with bullies and he always does what is right for his friends and family. In a more complex way, he challenges gods who have done wrongs to their heroes and he defeats the greatest of monsters and Titans. Young adult series always appear simple, but there is a deeper meaning that does not always come through on first sight. Percy puts up with the ordinary challenges of growing up while still being a demigod. 4 There are five novels in the Percy Jackson & the Olympians series. It is about a young demigod, Percy Jackson son of Poseidon, on his survival from the threats of all kinds of ancient Greek monsters and a war with the Titans of old. Percy is a regular 21 st century kind of kid. He has problems with ADHD and dyslexia, which often lead to troubles with other kids at his many boarding schools. Through it all though, he has his mother, Sally Jackson, whom he can rely upon. That is until he is attacked by the Minotaur and forced to go to Camp Half-Blood, a camp for other Greek demigod children. Percy learns that the ancient Greek gods have moved with Western thought and are now situated in modern day America. He is claimed by his divine father, whom he has never met, the ancient Greek god of the sea, Poseidon. The power of Poseidon is transferred to Percy in a diluted form, meaning he can control almost all the waters of the world with little effort, which helps him survive the same monsters it attracts. There is also the problem of the Great Prophecy, which states a child of the Big Three gods will either be the champion or destroyer ofMt. Olympus. First Percy must go on a quest in order to save his mother and to create peace between his father and his uncles, Zeus and Hades, the Big Three gods. He takes two companions on his quests, his friend Grover the satyr and his newfound ally Annabeth, daughter of Athena. During his quest Percy learns that the king of the Titans, Kronos, is regenerating and Luke, Annabeth and Grover's oldest friend, is helping him from within Camp Half-Blood. Percy, with his strong morals, knows he must stop Kronos, rather than join him, even though the Olympians have not helped him and have blamed him up to this point.
Load more

Recommended publications
  • The Real Protector Hare Krishna Dear Devotees, Please Accept My
    The Real Protector Date: 2005-01-19 Author: Shyam Sundara das Hare Krishna dear devotees, Please accept my humble obeisances. All glories to Srila Prabhupada and Srila Gurudev. While I was passing through many temples of demigods viz., Siva, Anjaneya, Ganesha and Goddess Durga and so on, I got confused as to whom I should really surrender and pray for any benediction. By the mercy of Lord Krishna when I opened SB 10.2.26, my doubt got vanquished miraculously and the Lord's merciful answer is elucidated below through His Divine Grace Srila Prabhupada: "Men of small intelligence worship the demigods, and their fruits are limited and temporary." Worship of demigods may be useful for a limited time, but the result is antavat, perishable. This material world is impermanent, the demigods are impermanent, and the benedictions derived from the demigods are also impermanent, whereas the living entity is eternal (nityo nityānaam cetanas cetanānām). Every living entity, therefore, must search for eternal happiness, not temporary happiness, The word 'satyam param dhīmahi' indicate that one should search for the Absolute Truth, not the relative truth. While offering prayers to the Supreme Personality of Godhead, Nrsimhadeva, Prahlad Maharaja said "bālasya neha śaraṇaṁ pitarau nṛsiṁha nārtasya cāgadam udanvati majjato nauḥ" Generally it is understood that the protectors for a child are his parents, but this is not actually the fact. The real protector is the Supreme Personality of Godhead. " taptasya tat-pratividhir ya ihāñjaseṣṭas tāvad vibho tanu-bhṛtāṁ tvad-upekṣitānām" - If neglected by the Supreme Personality of Godhead, a child, despite the presence of his parents, will suffer, and a patient, despite all medical help, will die.
    [Show full text]
  • Rothaug, Alexander
    Alexander Rothaug, Die drei Parzen (The Three Fates) 1870 – Vienna - 1946 tempera on canvas, circa 1910 48 ¾ by 68 ½ inches (124 by 174 cm) signed upper left: ‘ALEXANDER’ and upper right: ‘ROTHAUG’ provenance: Private collector, Germany, acquired directly from the artist, circa 1910; and by descent in the family until 2019 exhibited: Künstlerhaus, Vienna, XXXVI Jahresausstellung, 1910, no. 358. literature: “Jahresausstellung im Künstlerhaus,” Deutsches Volksblatt, March 17, 1910, p. 9 and April 3, 1910, p. 18. “36 Jahresausstellung im Künstlerhaus,” Wiener Abnendpost, March 23, 1910, p. 3. “Jahresausstellung im Künstlerhaus,” Neues Wiener Tagblatt, March 26, 1910, p. 1. “Kunstaustellungen – Künstlerhaus,” and “Besuch des Kaisers im Künstlerhaus,” Neue Frei Presse, March 24, 1910, p. 8 and April 3, 1910, p. 9. note: Born into a family of artists, including his father, his first teacher, and his older brother, Leopold, Alexander Rothaug (fig. 1) was active as a painter, stage designer, and illustrator in both Austria and Germany. He trained first in sculpture at the Vienna Academy of Fine Arts but in 1885 switched to painting, studying especially with the orientalist painter Leopold Carl Müller. Following Müller’s death in 1892, Rothaug went to Munich working primarily as a prolific magazine illustrator and had his first public exhibitions, but most importantly during the time spent in Munich he studied the work of the popular and sensational painter Franz von Stuck (1863-1928). Following in that master’s line, Rothaug produced a great many mythological and literary subjects as well as an occasional religious one, episodes from Wagner’s Ring Cycle, and his own inventive allegories, costumes for operas, and imaginary portraits of historical figures.
    [Show full text]
  • If You Like Percy Jackson and Rick Riordan Juvenile Science Fiction
    If You Like Percy Jackson and Rick Riordan Juvenile Science Fiction/Fantasy J F AND Frostborn (Thrones and Bones) Lou Anders Destined to take over his family farm in Norrøngard, Karn would rather play the board game, Thrones and Bones, until half-human, half frost giantess Thianna appears and they set out on an adventure, chased by a dragon, undead warriors, an evil uncle, and more. J F BEC The Star Thief Lindsey Becker Young parlor maid Honorine and her friend Francis find themselves in the middle of an epic feud between a crew of scientific sailors and the magical constellations come to life. J F SER The Storm Runner J.C. Cervantes To prevent the Mayan gods from battling each other and destroying the world, thirteen-year-old Zane must unravel an ancient prophecy, stop an evil god, and discover how the physical disability that makes him reliant on a cane also connects him to his father and his ancestry. J F CHO Aru Shah and the End of Time Roshani Chokshi Twelve-year-old Aru Shah has the tendency to stretch the truth to fit in at school. Three schoolmates don't believe her claim that the museum's Lamp of Bharata is cursed, and they dare Aru to prove it. But lighting the lamp has dire consequences. Her classmates and beloved mother are frozen in time, and it's up to Aru to save them. J F DAS The Serpent's Secret Sayantani DasGupta Up until her twelfth birthday, Kiranmala considered herself an ordinary sixth- grader in Parsippany, New Jersey, but then her parents disappear and a drooling rakkhosh demon shows up in her kitchen.
    [Show full text]
  • Ship-Of-The-Dead-Excerpt.Pdf
    ONE Percy Jackson Does His Level Best to Kill Me “TRY IT AGAIN,” Percy told me. “This time with less dying.” Standing on the yardarm of the USS Constitution, looking down at Boston Harbor two hundred feet below, I wished I had the natural defenses of a turkey buzzard. Then I could projectile vomit on Percy Jackson and make him go away. The last time he’d made me try this jump, only an hour before, I’d broken every bone in my body. My friend Alex Fierro had rushed me back to the Hotel Valhalla just in time for me to die in my own bed. Unfortunately, I was an einherji, one of Odin’s immor- tal warriors. I couldn’t die permanently as long as I expired within the boundaries of Valhalla. Thirty minutes later, I woke up as good as new. Now here I was again, ready for more pain. Hooray! “Is this strictly necessary?” I asked. Percy leaned against the rigging, the wind rippling little waves through his black hair. He looked like a normal guy—orange T-shirt, jeans, bat- tered white leather Reeboks. If you saw him walking down the street, you wouldn’t think, Hey, look, a demigod son of Poseidon! Praise the Olympians! He didn’t have gills or webbed fingers, though his eyes were sea green—about the same shade I 4 RICK RIORDAN imagined my face was just then. The only strange thing about Jackson was the tattoo on the inside of his forearm—a trident as dark as seared wood, with a single line underneath and the letters SPQR.
    [Show full text]
  • Visitor Learning Guide
    VISITOR LEARNING GUIDE 1 Produced by The Wilderness Society The Styx Valley of the Giants oers the opportunity to experience one of the world’s most iconic and spectacular forest areas. For decades the Wilderness Society has worked with the broader community to achieve protection for the Styx and we want to share it, and some of its stories, with you. This guide is not meant to be a comprehensive overview of the Styx, Tasmania’s forests or World Heritage. Rather, it is designed to share a cross-section of knowledge through simple stories that follow a common theme on each of the identified walks. With its help, we hope you will learn from this spectacular place, and leave knowing more about our forests, their natural and cultural legacy and some other interesting titbits. The Wilderness Society acknowledges the Tasmanian Aboriginal community as the traditional owners and custodians of all Country in Tasmania and pays respect to Elders past and present. We support eorts to progress reconciliation, land justice and equality. We recognise and welcome actions that seek to better identify, present, protect and conserve Aboriginal cultural heritage, irrespective of where it is located. Cover photo: A giant eucalypt in the Styx Valley, Rob Blakers. © The Wilderness Society, Tasmania 2015. STYX VALLEY OF THE GIANTS - VISITOR LEARNING GUIDE TO ELLENDALE MT FIELD FENTONBURY NATIONAL PARK WESTERWAY B61 TYENNA Tyenna River TO NEW NORFOLK TO LAKE PEDDER & HOBART & STRATHGORDON MAYDENA FOOD & ACCOMMODATION There’s some great accommodation and food options on your way to the Styx. Westerway • Blue Wren Riverside Cottage • Duy’s Country Accommodation Styx River • Platypus Playground Riverside Cottage Styx River .
    [Show full text]
  • “Wow," Thalia Muttered. "Apollo Is Hot." "He's the Sun God," I Said
    “Wow," Thalia muttered. "Apollo is hot." "He's the sun god," I said. "That's not what I meant.” ― Rick Riordan, The Titan's Curse tags: apollo, gods, hot, olympians, percy-jackson, sun, thalia 3546 likes like “Grover was sniffing the wind, looking nervous. He fished out his acorns and threw them into the sand, then played his pipes. They rearranged themselves in a pattern that made no sense to me, but Grover looked concerned. "That's us," he said. "Those five nuts right there." "Which one is me?" I asked. "The little deformed one," Zoe suggested. "Oh, shut up.” ― Rick Riordan, The Titan's Curse tags: acorns, percy-jackson, zoe-nightshade 3072 likes like “The real story of the Fleece: there were these two children of Zeus, Cadmus and Europa, okay? They were about to get offered up as human sacrifices, when they prayed to Zeus to save them. So Zeus sent this magical flying ram with golden wool, which picked them up in Greece and carried them all the way to Colchis in Asia Minor. Well, actually it carried Cadmus. Europa fell off and died along the way, but that's not important." "It was probably important to her.” ― Rick Riordan, The Sea of Monsters tags: annabeth-chase, gold, humor, percy-jackson 2673 likes like “What if it lines up like it did in the Trojan War ... Athena versus Poseidon?" "I don't know. But I just know that I'll be fighting next to you." "Why?" "Because you're my friend, Seaweed Brain. Any more stupid questions?” ― Rick Riordan, The Lightning Thief tags: annabeth-chase, athena, percy-jackson, poseidon 2519 likes like “Dreams like a podcast, Downloading truth in my ears.
    [Show full text]
  • Two Muses Slumming It 4/1/2021
    Two Muses Slumming It by Yussef El Guindi Samara Harris Samara Harris Literary Agency samaraharris.com [email protected] (773)852-2262 Yussef El Guindi, 325 Summit Avenue, East, Apt. 15, Seattle, WA 98102 C:206-841-0101 [email protected] Cast THALIA: Muse of Comedy, any age, race, or gender (though might be male). MELPOMENE: Muse of Tragedy, any age, race or gender (though might be a woman). SAM: Hopeful actor, male (could also be a woman), any race, early 20s, struggling to emotionally stay afloat. TERPSICHORE: Muse of Dance, any age, race or gender (though might be a woman). (Two Muses in someone’s home. One is MELPOMENE, Muse of Tragedy, the other is THALIA, Muse of Comedy. Thalia looks upset, Melpomene is consoling him.) MELPOMENE There, there. It’s not so bad. It could be worse. THALIA How? Worse how? MELPOMENE Well... THALIA We’ve been downloaded - please note the terminology, “You are to be downloaded”, not “Assigned”, or “Encouraged to inspire”, but “downloaded” into this wreckage of someone’s... (Looking around the living room.) pizza-strewn - is this even a living room? Please note the sea of empty beer cans by the pizza vomit. MELPOMENE It’s two beer cans. THALIA “Downloadable”. That’s how we’re conceived now by the powers that be. We’re part of the gig economy. We’re like something delivered by “Doordash”, or “Uber Eats”. Want to be inspired? We’ll send you a bunch of Muses and you too might become a genius artist. The great Muses in their infinite abilities to be anywhere will come to your place and make your pieces shine, whatever crap you’re working on.
    [Show full text]
  • The Heroes of Olympus Series Guide
    The Heroes of OlympusSERIES GUIDE 9.25 IN This guide is aligned with the College and Career Readiness Anchor Standards (CCR) for Reading in the areas of Literature, Writing, and Language. The broad CCR standards are the foundation for the grade level–specific Common Core State Standards. Each question and activity in this guide includes a reference for a specific grade-level strand, domain, and standard. Disney • HYPERION BOOKS C50% B The Lost Hero Discussion Questions The following questions may be utilized throughout the series study as reflective writing prompts. Alternatively, they can be used as targeted questions for class discussion and reflection. 1 As the novel opens, Riordan tells us that Jason “woke in the backseat of a school bus, not sure where he was, holding hands with a girl he didn’t know.” Predict what role Jason’s lack of understanding about who he is will play in the novel. 2 Piper strives to make herself blend in, though Jason describes her as a “seriously pretty.” What are some of the reasons she prefers to remain unnoticed? What do these answers tell us about her personality? 3 The author uses some unusual first lines to introduce the chapters. Which one is your favorite? For what reason? 4 Explain the significance of being “claimed” for demigods. What is it about this tradition that provides campers at Camp Half-Blood a sense of belonging? 5 Leo harbors a great deal of guilt about the death of his mother. Is he justified in doing so? Have you ever felt a responsibility for events that were beyond your control? How did you work past feeling you were to blame? 6 Describe Jason, Piper, and Leo.
    [Show full text]
  • Folktale Types and Motifs in Greek Heroic Myth Review P.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic Quest
    Mon Feb 13: Heracles/Hercules and the Greek world Ch. 15, pp. 361-397 Folktale types and motifs in Greek heroic myth review p.11 Morphology of the Folktale, Vladimir Propp 1928 Heroic quest NAME: Hera-kleos = (Gk) glory of Hera (his persecutor) >p.395 Roman name: Hercules divine heritage and birth: Alcmena +Zeus -> Heracles pp.362-5 + Amphitryo -> Iphicles Zeus impersonates Amphityron: "disguised as her husband he enjoyed the bed of Alcmena" “Alcmena, having submitted to a god and the best of mankind, in Thebes of the seven gates gave birth to a pair of twin brothers – brothers, but by no means alike in thought or in vigor of spirit. The one was by far the weaker, the other a much better man, terrible, mighty in battle, Heracles, the hero unconquered. Him she bore in submission to Cronus’ cloud-ruling son, the other, by name Iphicles, to Amphitryon, powerful lancer. Of different sires she conceived them, the one of a human father, the other of Zeus, son of Cronus, the ruler of all the gods” pseudo-Hesiod, Shield of Heracles Hera tries to block birth of twin sons (one per father) Eurystheus born on same day (Hera heard Zeus swear that a great ruler would be born that day, so she speeded up Eurystheus' birth) (Zeus threw her out of heaven when he realized what she had done) marvellous infancy: vs. Hera’s serpents Hera, Heracles and the origin of the MIlky Way Alienation: Madness of Heracles & Atonement pp.367,370 • murders wife Megara and children (agency of Hera) Euripides, Heracles verdict of Delphic oracle: must serve his cousin Eurystheus, king of Mycenae -> must perform 12 Labors (‘contests’) for Eurystheus -> immortality as reward The Twelve Labors pp.370ff.
    [Show full text]
  • Epigraphic Bulletin for Greek Religion 1996
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 12 | 1999 Varia Epigraphic Bulletin for Greek Religion 1996 Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou Electronic version URL: http://journals.openedition.org/kernos/724 DOI: 10.4000/kernos.724 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 January 1999 Number of pages: 207-292 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, Joannis Mylonopoulos and Eftychia Stavrianopoulou, « Epigraphic Bulletin for Greek Religion 1996 », Kernos [Online], 12 | 1999, Online since 13 April 2011, connection on 15 September 2020. URL : http://journals.openedition.org/kernos/724 Kernos Kemos, 12 (1999), p. 207-292. Epigtoaphic Bulletin for Greek Religion 1996 (EBGR 1996) The ninth issue of the BEGR contains only part of the epigraphie harvest of 1996; unforeseen circumstances have prevented me and my collaborators from covering all the publications of 1996, but we hope to close the gaps next year. We have also made several additions to previous issues. In the past years the BEGR had often summarized publications which were not primarily of epigraphie nature, thus tending to expand into an unavoidably incomplete bibliography of Greek religion. From this issue on we return to the original scope of this bulletin, whieh is to provide information on new epigraphie finds, new interpretations of inscriptions, epigraphieal corpora, and studies based p;imarily on the epigraphie material. Only if we focus on these types of books and articles, will we be able to present the newpublications without delays and, hopefully, without too many omissions.
    [Show full text]
  • KB 2-19 / the Deliverance of Sisupala KRSNA, the Supreme Personality of Godhead
    KB 2-19 / The Deliverance of Sisupala KRSNA, The Sup... http://prabhupadabooks.com/kb/2/19?d=1 Prabhupada > Books > KRSNA, The Supreme Personality > Volume 2 > KB 2-19 / The Deliverance of 19 / The Deliverance of Śiśupāla King Yudhi ṣṭ hira became very happy after hearing the details of the Jarāsandha episode, and he spoke as follows: "My dear Kṛṣṇ a, O eternal form of bliss and knowledge, all the exalted directors of the affairs of this material world, including Lord Brahmā, Lord Śiva and King Indra, are always anxious to receive and carry out orders from You, and whenever they are fortunate enough to receive such orders, they immediately take them and keep them in their hearts. O Kṛṣṇ a, You are unlimited, and although we sometimes think of ourselves as royal kings and rulers of the world and become puffed up over our paltry positions, we are very poor in heart. Actually, we are fit to be punished by You, but the wonder is that instead of punishing us, You so kindly and mercifully accept our orders and carry them out properly. Others are very surprised that Your Lordship can play the part of an ordinary human, but we can understand that You are performing these activities just like a dramatic artist. Your real position is always exalted, exactly like that of the sun, which always remains at the same temperature both during the time of its rising and the time of its setting. Although we feel the difference in temperature between the rising and the setting sun, the temperature of the sun never changes.
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]