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Shameless Sociology
Shameless Sociology Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt Shameless Sociology: Critical Perspectives on a Popular Television Series Edited by Jennifer Beggs Weber and Pamela M. Hunt This book first published 2020 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2020 by Jennifer Beggs Weber, Pamela M. Hunt and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-5744-8 ISBN (13): 978-1-5275-5744-4 For Nathan, my partner in crime. – Jennifer For Perry and Grace. – Pam TABLE OF CONTENTS Acknowledgments ..................................................................................... ix Introduction ................................................................................................ 1 Pamela M. Hunt and Jennifer Beggs Weber Part 1: Social Class Dominant Hasslin’ and Subordinate Hustlin’: A Content Analysis Using the Generic Processes that Reproduce Inequality ............................ 8 Alexis P. Hilling, Erin Andro, and Kayla Cagwin Shamefully Shameless: Critical Theory and Contemporary Television ... 29 Robert J. Leonard and Kyra -
Shameless Television: Gendering Transnational Narratives
This is a repository copy of Shameless television: gendering transnational narratives. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/129509/ Version: Accepted Version Article: Johnson, B orcid.org/0000-0001-7808-568X and Minor, L (2019) Shameless television: gendering transnational narratives. Feminist Media Studies, 19 (3). pp. 364-379. ISSN 1468-0777 https://doi.org/10.1080/14680777.2018.1468795 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Shameless Television: Gendering Transnational Narratives Beth Johnson ([email protected]) and Laura Minor ([email protected]) School of Media and Communication, University of Leeds, Leeds, UK Abstract The UK television drama Shameless (Channel 4, 2004-2011) ran for eleven series, ending with its 138th episode in 2011. The closing episode did not only mark an end, however, but also a beginning - of a US remake on Showtime (2011-). Eight series down the line and carrying the weight of critical acclaim, this article works to consider the textual representations and formal constructions of gender through the process of adaptation. -
Analysis of Instagram® Posts Referring to Cleft Lip
International Journal of Environmental Research and Public Health Article Analysis of Instagram® Posts Referring to Cleft Lip Magdalena Sycinska-Dziarnowska 1, Piotr Stepien 2, Joanna Janiszewska-Olszowska 3,*, Katarzyna Grocholewicz 1, Maciej Jedlinski 1 , Roberta Grassi 4 and Marta Mazur 5 1 Department of Interdisciplinary Dentistry, Pomeranian Medical University in Szczecin, 70111 Szczecin, Poland; [email protected] (M.S.-D.); [email protected] (K.G.); [email protected] (M.J.) 2 Department of Technology and Education, Koszalin University of Technology, 75453 Koszalin, Poland; [email protected] 3 Department of General Dentistry, Pomeranian Medical University in Szczecin, 70111 Szczecin, Poland 4 Department of Surgical, Medical and Experimental Sciences, University of Sassari, 07100 Sassari, Italy; [email protected] 5 Department of Oral and Maxillofacial Sciences, Sapienza University of Rome, 00161 Rome, Italy; [email protected] * Correspondence: [email protected] Received: 17 June 2020; Accepted: 8 October 2020; Published: 12 October 2020 Abstract: Background: Social media has become a source of medical information. Cleft lip and palate is a visible congenital anomaly. The aim of the study was to analyze Instagram® posts on the topic of cleft lip. Methods: Instagram® posts with “#cleftlip” from March 2014–March 2017 were accessed. Separate lists of expressions (hashtags, meaningful words, words with emojis or emojis alone) were prepared for primary posts and for replies. Thirty expressions statistically most frequent in primary versus secondary posts and 30 in secondary versus primary posts were identified (Group 1) as well as 30 English words or hashtags (Group 2), non-English words or hashtags (Group 3) and emojis (Group 4). -
STUART JOHNSON Electrician/Film&TV Lighting Gaffer
STUART JOHNSON Electrician/Film&TV Lighting Gaffer 07708720366 [email protected] Imdb Stuart Johnson XIII J I B Registered electrician City and Guilds Electrical Installation Part I 1996 & Part II 1997 AM1 & AM2 1998. Vocational Qualification 050(NVQ) 1998. Royal Air Force City and Guilds Electrical/Electronics Competences 2001. 17th Edition IEE Wiring Regs. Full driving licence, HGV Class 2. Ipaf cherry picker licence. 2018 James Arthur & Anne Marie (music vid) Gaffer, Dop Sam Meyer. https://youtu.be/pRfmrE0ToTo Little Joe (Feature Film) Best boy, Gaffer Werner Stibitz. Bureau Films Ltd. The Valley of the Fox (German TV Film) Best boy, Gaffer Roland Schnitter. UFA Fiction Germany. Paul Pogba World Cup interview (Fox USA) Gaffer. Dop Adam Docker, Red Earth Studio. Cancer Awareness (Commercial) Gaffer. Dop Adam Gillham, MTP Ltd. Man City (Spirable promo) Gaffer. The Mob Films. Jessica Hennis-Hill Adidas (Promo) Gaffer. WeAreSocial Ltd. Tadashi Izumi (Japanese promo vid) Gaffer. Turn Productions Ltd. Uber with Mo Salah (Commercial) Rigging Gaffer. WigWam Films. https://youtu.be/-u4jqI4J_yg Angry birds @ Everton FC with Wayne Rooney (Promo) Lighting Tech. The Mob Films. Adidas The Answer (Commercial) Lighting Tech. Iconoclast TV. Gucci (Commercial) Lighting Tech. North Six Europe Ltd. Aleixis Sanchez Man U (Signing promo) Lighting Tech. The Mob Films. Moving on 10 (TV Drama) Lighting Tech. Dop Len Gowing. LA Productions. 2017 The Zoo (Feature Film) Gaffer. DOP Damien Elliott. Northern Ireland, Wee Bun films. https://youtu.be/TSNMPCG8m5M The Souvenir Pt1 (Feature Film). Gaffer. DOP David Raedekker. Cheated (German Feature Film) Best Boy. Gaffer Roland Schnitter. UFA Fiction Germany. Moving on 9 (TV Drama) Best Boy. -
A Guide to Shameless Happiness Ebook Free Download
A GUIDE TO SHAMELESS HAPPINESS PDF, EPUB, EBOOK Will Ross | 42 pages | 18 Jun 2014 | Createspace Independent Publishing Platform | 9781499769241 | English | United States A Guide to Shameless Happiness PDF Book Sign in to play Series 1 Episode 1. Over the past couple of seasons, we've seen each of these kids grow into their own and move in their own direction. I just think that it's each one of their individual stories, the narratives going on for each one of them. I absolutely loved what you did with Ian in Cameron Monaghan's final episode , but it did bring up this question of, is it possible for anyone on the show to have a true happy ending or is there always a Shameless twist? S9 E2 Recap. When the family finds Frank started a homeless shelter, Frank turns all but Liam away since they are now against him. Recommendations Discover Listings News. He catches Karen giving oral sex to Ian and becomes enraged. She later tells Frank that she is dying and that she returned in order to leave something behind for the children. He is a heroin addict who struggles to kick the habit. In season 7, he learns that Dominique cheated on him when he tests negative for an STD she contracted, causing the two to break up. Chuckie is presumed to be taken care of by his grandmother when Frank and Debbie leave the commune. Lip's new girlfriend Amanda helps him and his grades improve. Toward the end of the season, she begins seeing a dashing Irish man named Ford. -
Emma Burge Producer
Emma Burge Producer Agents Charles Walker Assistant [email protected] Olivia Martin +44 (0) 20 3214 0874 [email protected] +44 (0) 20 3214 0778 Credits Television Production Company Notes WOLFE Abbottvision / Sky Showrun by Paul Abbott. 2020 6x1 hour series TORVILL AND DEAN Endemol Shine UK / ITV Written by William Ivory, 1 x 2 2018 hour special CLEAN BREAK Octagon/RTE/152 Productions 2 Series 8 x 52 mins Written by Billy Roche Directed by Gillies Mackinnon and Damien O'Donnell THE VILLAGE Company Television Ltd / BBC1 6x1 hour series 2013 Written by Peter Moffat Starring John Simm and Maxine Peake SHAMELESS 12 Company Television Ltd Story lining with Shameless 2012 creator Paul Abbott TIN TOWN Company Television Ltd Series in development 2012 Co-created with Pete Jordi Wood and Tom Bidwell United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes Development Producer Touchpaper Television Development of television drama 2012 ideas Channel 4 COMING UP IWC / Channel 4 7 x 30’ films 2011 As executive producer COMING UP IWC / Channel 4 7 x 30’ films 2010 Written and directed by emerging UK talent TEN SPOT Company Television Ltd Series format 2009 OTHER PEOPLE Company Television Ltd / 30’ comedy pilot 2007 Channel 4 Written by Toby Whitehouse Starring Martin Freeman WHO GETS THE DOG? Company Television / ITV Single drama 2008 Written by Guy Hibbert, directed by Nick Renton Starring Kevin Whately, Alison Steadman SHAMELESS -
Actor Alicia Witt Turns Musician with 'Revisionary History'
ALICIA WITT Alicia Witt has had an over three-decade long career, starting with her acting debut as Alia in David Lynch's classic ‘Dune’. Alicia received rave reviews for her role as Paula in Season 6 of AMC’s critically acclaimed series The Walking Dead. Witt also appeared during Season 4 of ABC’s ‘Nashville’ as country star Autumn Chase and in the new Twin Peaks on Showtime, reprising her role as Gerstein Hayward. Witt most recently was seen haunting John Cho’s character as Demon Nikki on Season 2 of Fox’s The Exorcist; other recent credits include the Emmy-award winning Showtime series ‘House of Lies’ opposite Don Cheadle and the hit WB series ‘Supernatural’. Witt is also well known to Hallmark audiences for her annual Christmas movies; her latest, which she co-wrote and is producing, will be released later this year. She can also be seen this fall as Marjorie Cameron in Season 2 of anthology series Lore, on Amazon. In 2014, Alicia joined the 5th Season of Emmy-award winning FX series ‘Justified’ with Timothy Olyphant. Alicia played Wendy Crowe, the smart and sexy paralegal sister of crime lord Daryl Crowe (Michael Rapaport) who takes matters into her own hands to bring him to justice in the Season 5 finale. On stage, she most recently appeared at the Geffen Playhouse in the Los Angeles debut of Tony-nominated Neil Labute play ‘reasons to be pretty’. In 2013, Alicia appeared opposite Peter Bogdanovich and Cheryl Hines in the independent family dramedy 'Cold Turkey', in a performance which NY Daily News critic David Edelstein hailed as one of the best of 2013. -
Name Genre Streaming IMDB Link 8 1/2 Classic Amazon/Hulu
Name Genre Streaming IMDB Link Academy Library SF Library 8 1/2 Classic Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 8 1/2 Drama Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 8 1/2 World Cinema Amazon/Hulu/iTunes http://www.imdb.com/title/tt0056801/ X X 10 Items or Less Independent on disc http://www.imdb.com/title/tt0065214/ X 2001: A Space Odyssey Sci Fi Amazon/iTunes http://www.imdb.com/title/tt0062622/ X X 28 Days Later Horror Amazon/iTunes http://www.imdb.com/title/tt0289043/ X 39 Steps Romance Amazon/Hulu/iTunes http://www.imdb.com/title/tt0026029/ X 39 Steps Thriller Amazon/Hulu/iTunes http://www.imdb.com/title/tt0026029/ X 42nd STREET Musical Amazon/iTunes http://www.imdb.com/title/tt0024034/ X 500 Days of Summer Romantic Comedy Amazon/iTunes http://www.imdb.com/title/tt1022603/ X A CLOCKWORK ORANGE Classic Amazon/iTunes http://www.imdb.com/title/tt0066921/ X A CLOCKWORK ORANGE Drama Amazon/iTunes http://www.imdb.com/title/tt0066921/ X A Hard Day's Night Comedy Amazon /Hulu/iTunes http://www.imdb.com/title/tt0058182/ X X A Night at the Opera Classic Amazon http://www.imdb.com/title/tt0026778/ X X A Night at the Opera Comedy Amazon http://www.imdb.com/title/tt0026778/ X X A PLACE IN THE SUN Classic Amazon/iTunes http://www.imdb.com/title/tt0043924/ X X A PLACE IN THE SUN Drama Amazon/iTunes http://www.imdb.com/title/tt0043924/ X X Absolute Beginners Musical Amazon http://www.imdb.com/title/tt0090585/ X X Adam’s Rib Comedy Amazon/iTunes http://www.imdb.com/title/tt0041090/ X X Adam’s Rib Romance Amazon/iTunes -
Shameless, the Push-Pull of Transatlantic Fiction Format Adaptation, and Star Casting
Shameless, the push-pull of transatlantic fiction format adaptation, and star casting Article Accepted Version Knox, S. (2018) Shameless, the push-pull of transatlantic fiction format adaptation, and star casting. New Review of Film and Television Studies, 16 (3). pp. 295-323. ISSN 1740-7923 doi: https://doi.org/10.1080/17400309.2018.1487130 Available at http://centaur.reading.ac.uk/71997/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . To link to this article DOI: http://dx.doi.org/10.1080/17400309.2018.1487130 Publisher: Taylor & Francis All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Shameless, the Push-Pull of Transatlantic Fiction Format Adaptation, and Star Casting Simone Knox, University of Reading With a long history of transatlantic exchanges, recent years have seen a notable number of UK-to-USA format adaptations. Factually-based programming (including the Idol franchise) has generally been the most numerous, the most commercially successful and received the most sustained critical attention (e.g. Oren and Shahaf 2012). However, adaptations of fiction formats have met with increasing scholarly attention, and this article will build on this work, interested in the ways in which, as Jean K. Chalaby has noted, the adaptation process for scripted formats: cannot be as perfunctory as for other genres. -
Critically-Acclaimed, Award-Winning Original Series That Continue to Make Their Mark on the Cultural Landscape
…critically-acclaimed, award-winning original series that continue to make their mark on the cultural landscape. HOMELAND Who’s the hero – who’s the threat? SHAMELESS It’s summertime and the Gallaghers Golden Globe® winner Claire Danes and Damian Lewis star are cooking up fresh ways to bring home the bacon in a in the suspenseful Showtime Original Series HOMELAND. new season of the Showtime Original Series SHAMELESS When rescued MIA Marine Sgt. Nicholas Brody returns starring William H. Macy and Emmy Rossum. Their ventures home to a hero’s welcome after eight years in torturous may not be moral – or even legal – but they certainly are enemy confinement – volatile CIA officer Carrie Mathison outrageous. While Fiona works and parties at the hottest is convinced he’s a dangerous and determined traitor club in town, Lip, Ian, Debbie, Carl and Liam are getting with terrorist intent. SHOWTIME has ordered season into trouble of their own. And Frank is messing with the two of this award-winning drama series. wrong people. CALIFORNICATION Golden Globe® winner David Duchovny is back in a bangin’ new season of HOUSE OF LIES Don Cheadle and Kristen Bell CALIFORNICATION – and Hank Moody has become are twisting the facts, spinning the numbers and playing hip hop’s most wanted. Rich and powerful rap mogul corporate America for everything they’ve got in the extraordinaire Samurai Apocalypse (Wu-Tang’s RZA) is outrageous new series HOUSE OF LIES. pimped-out famous – and hell bent on getting our bad boy writer into more trouble than he’s ever known. -
GARBAGE a Short Film
GARBAGE a short film TAG: Jean and Jacob decide it's time to make some changes, but Jean and Jacob need to get trashed first. Synopsis: Garbage follows two deadbeat millennials whose friendship is strong but whose convictions are not. Tired of a life of cheap thrills, they decide they are going to get their act together after one last night of shameless debauchery. Through the hazy neon of East L.A., they wind up at their friend's summer solstice soiree where everything comes to a head, and they are forced to confront each other as well as themselves. Director’s Bio: Tayler was raised in Crystal Lake, IL by a U.S. Marine and a saleswoman at Macy's, so filmmaking has always been in her blood. She trained at New York University’s Tisch School of the Arts where she met three of the women who would later become producers on this film. Though this is her film directing debut, she’s no stranger to film and TV; she’s been an actress for years and recently appeared opposite Viola Davis in ‘How to Get Away with Murder.’ She is an active member of the female director collective Film Fatales, and she strives to play a major role in changing the landscape of the film industry so that women and other underrepresented groups can go to the movies and see themselves up there on the screen. Garbage was born out of this desire to do so. Cast (in order of appearance): Jean: Tayler Robinson Jacob: Arne Gjelten Barista: Justin Sherman Charles: Charles Morris Yard Sale Customer #1: Kristen Laffey Yard Sale Customer #2: Christine Treibel Marlon: Todd Dunham -
Shameless Season 7: Who Will Ian Choose, Mickey Or Trevor?
Shameless Season 7: Who will Ian choose, Mickey or Trevor? Author : Robert D. Cobb Shameless ended off their ninth episode of season seven with a bit of a cliffhanger. Lip and Fiona were sitting outside in front of the Gallagher house when a car pulls up with really bright lights. Finally, an unknown man gets out of the car and asks the siblings if Ian was home. Ian comes outside and the man, who revealed himself to be a detective, dropped the bombshell Shameless fans have been waiting for: Mickey is out of prison! The problem is, in typical Mickey fashion, he broke out of prison, and now the hunt is on. The detective was looking to see if Ian had seen or talked to Mickey recently, given he had been a frequent visitor of his former boyfriend while he was in prison. While he did not make a physical appearance, the announcement of Mickey's return is one that is set to have some significant implications over the course of the final three episodes in season seven of the hit Showtime series. Particularly for Cameron Monaghan's Ian Gallagher. This season has seen Ian moving forward in his life, as he dumped Caleb and ended up with Trevor. At first, Ian was a bit skeptical about dating Trevor, who is transgender, as Ian did not fully understand what that meant. But as the episodes have gone on, the two have grown closer, and their relationship has taken a few steps forward and has reached a fairly serious level. But it has not been total paradise for the two, as they engaged in a fight in the ninth episode.