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Prizing African Literature: Awards and Cultural Value
Prizing African Literature: Awards and Cultural Value Doseline Wanjiru Kiguru Dissertation presented for the degree of Doctor of Philosophy in the Faculty of Arts and Social Sciences, Stellenbosch University Supervisors: Dr. Daniel Roux and Dr. Mathilda Slabbert Department of English Studies Stellenbosch University March 2016 i Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this thesis electronically, I declare that the entirety of the work contained herein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. March 2016 Signature…………….………….. Copyright © 2016 Stellenbosch University All rights reserved ii Stellenbosch University https://scholar.sun.ac.za Dedication To Dr. Mutuma Ruteere iii Stellenbosch University https://scholar.sun.ac.za Abstract This study investigates the centrality of international literary awards in African literary production with an emphasis on the Caine Prize for African Writing (CP) and the Commonwealth Short Story Prize (CWSSP). It acknowledges that the production of cultural value in any kind of setting is not always just a social process, but it is also always politicised and leaning towards the prevailing social power. The prize-winning short stories are highly influenced or dependent on the material conditions of the stories’ production and consumption. The content is shaped by the prize, its requirements, rules, and regulations as well as the politics associated with the specific prize. As James English (2005) asserts, “[t]here is no evading the social and political freight of a global award at a time when global markets determine more and more the fate of local symbolic economies” (298). -
List of Participants to the Third Session of the World Urban Forum
HSP HSP/WUF/3/INF/9 Distr.: General 23 June 2006 English only Third session Vancouver, 19-23 June 2006 LIST OF PARTICIPANTS TO THE THIRD SESSION OF THE WORLD URBAN FORUM 1 1. GOVERNMENT Afghanistan Mr. Abdul AHAD Dr. Quiamudin JALAL ZADAH H.E. Mohammad Yousuf PASHTUN Project Manager Program Manager Minister of Urban Development Ministry of Urban Development Angikar Bangladesh Foundation AFGHANISTAN Kabul, AFGHANISTAN Dhaka, AFGHANISTAN Eng. Said Osman SADAT Mr. Abdul Malek SEDIQI Mr. Mohammad Naiem STANAZAI Project Officer AFGHANISTAN AFGHANISTAN Ministry of Urban Development Kabul, AFGHANISTAN Mohammad Musa ZMARAY USMAN Mayor AFGHANISTAN Albania Mrs. Doris ANDONI Director Ministry of Public Works, Transport and Telecommunication Tirana, ALBANIA Angola Sr. Antonio GAMEIRO Diekumpuna JOSE Lic. Adérito MOHAMED Adviser of Minister Minister Adviser of Minister Government of Angola ANGOLA Government of Angola Luanda, ANGOLA Luanda, ANGOLA Mr. Eliseu NUNULO Mr. Francisco PEDRO Mr. Adriano SILVA First Secretary ANGOLA ANGOLA Angolan Embassy Ottawa, ANGOLA Mr. Manuel ZANGUI National Director Angola Government Luanda, ANGOLA Antigua and Barbuda Hon. Hilson Nathaniel BAPTISTE Minister Ministry of Housing, Culture & Social Transformation St. John`s, ANTIGUA AND BARBUDA 1 Argentina Gustavo AINCHIL Mr. Luis Alberto BONTEMPO Gustavo Eduardo DURAN BORELLI ARGENTINA Under-secretary of Housing and Urban Buenos Aires, ARGENTINA Development Buenos Aires, ARGENTINA Ms. Lydia Mabel MARTINEZ DE JIMENEZ Prof. Eduardo PASSALACQUA Ms. Natalia Jimena SAA Buenos Aires, ARGENTINA Session Leader at Networking Event in Profesional De La Dirección Nacional De Vancouver Políticas Habitacionales Independent Consultant on Local Ministerio De Planificación Federal, Governance Hired by Idrc Inversión Pública Y Servicios Buenos Aires, ARGENTINA Ciudad Debuenosaires, ARGENTINA Mrs. -
Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain, Hilda Twongyeirwe, Mercy Mirembe Ntangaare, Spencer Hawkridge
Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain, Hilda Twongyeirwe, Mercy Mirembe Ntangaare, Spencer Hawkridge To cite this version: Christine Evain, Hilda Twongyeirwe, Mercy Mirembe Ntangaare, Spencer Hawkridge. Ugandan Lit- erature: the Questions of Identity, Voice and Context. International Journal of English and Cultural Studies, 2018, 1 (1), pp.46. 10.11114/ijecs.v1i1.3226. hal-01972425 HAL Id: hal-01972425 https://hal.univ-rennes2.fr/hal-01972425 Submitted on 15 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. International Journal of English and Cultural Studies Vol. 1, No. 1; May 2018 ISSN 2575-811X E-ISSN 2575-8101 Published by Redfame Publishing URL: http://ijecs.redfame.com Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain1, Hilda Twongyeirwe2, Mercy Mirembe Ntangaare3, Spencer Hawkridge1 1 Dpt. of Communication, Foreign Languages & Corporate Cultures, Centrale Nantes, France 2 Executive Director, Uganda Women Writers Association-FEMRITE. 3 Associate Professor of Drama, -
The Social Function of Writing in Post-War Sierra Leone
THE SOCIAL FUNCTION OF WRITING IN POST-WAR SIERRA LEONE: POETRY AS A DISCOURSE FOR PEACE by JOANNA KAY SKELT A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Centre for West African Studies School of History and Cultures The University of Birmingham August 2013 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT This thesis considers how creative writing contributes to social recovery and conflict transformation and uses Sierra Leone as a test case. In order to do this, existing theory in relation to the role of the writer and conflict in Africa is examined and a detailed social and literary context outlined. The civil war of 1991-2002 prompted a poetic outpouring amongst new and existing creative writers despite a chronic lack of readership. Interviews with poets based in the capital, Freetown, reveal strong social motivations to write combined with heightened feelings of agency experienced as writers. An examination of texts provides insights into the process of recovery amongst Sierra Leone’s writer-intellectuals. These combined investigations suggest that writing offers an important location for peaceful counter debate and for re-imagining and recreating the nation in the aftermath of war. -
Nzuri Na Mengi ('Good and Plenty'): the Caine Prize
Nzuri Na Mengi (‘Good and Plenty’): The Caine Prize for African Literature, 2007-2017 Review Essay Ron Singer Introduction ‘Nzuri Na Mengi’ is the sequel to an essay I wrote in 2007 about the first seven winners of The Caine Prize for African Writing, a prestigious annual award for short fiction.1 Over the ensuing decade, much has happened to Africa, to my own relationship with the continent, and to our planet. As for the Prize, per se, the sequel has been a happy one. The perks of victory continue to include a cash award of 10,000 British pounds (the world’s largest prize for African writing), as well as extensive publicity, which helps recipients garner book contracts and other plums. The 2007-2017 winners have increasingly strained the elastic criteria for eligibility: ‘someone who was born in Africa, or who is a national of an African country, or whose parents are African, and whose work has reflected that cultural background.’2 What with conferences, residencies, and so forth, even the three Caine Prize winners who currently live in Africa are global citizens. Since several recipients teach literature and writing across the continent and beyond, it is no surprise that they wield the trademark tools of post- modernism: shifting points-of-view, time-frames that slip in and out of focus, multiple registers, and so on. Like the first seven, many of the eleven subsequent stories address issues plucked from the headlines, such as political chicanery, the environmental crisis, and the plight of refugees. Given the condition today of both Africa and the world, it is unsurprising that the stories project a sense of growing urgency. -
Ugandan Literature: the Questions of Identity, Voice and Context
International Journal of English and Cultural Studies Vol. 1, No. 1; May 2018 ISSN 2575-811X E-ISSN 2575-8101 Published by Redfame Publishing URL: http://ijecs.redfame.com Ugandan Literature: the Questions of Identity, Voice and Context Christine Evain1, Hilda Twongyeirwe2, Mercy Mirembe Ntangaare3, Spencer Hawkridge1 1 Dpt. of Communication, Foreign Languages & Corporate Cultures, Centrale Nantes, France 2 Executive Director, Uganda Women Writers Association-FEMRITE. 3 Associate Professor of Drama, Makerere University, Kampala Correspondence: Christine Evain, Associate Professor, Dpt. of Communication, Foreign Languages & Corporate Cultures, Centrale Nantes, France. Received: January 23, 2018 Accepted: February 6, 2018 Online Published: April 23, 2018 doi:10.11114/ijecs.v1i1.3226 URL: https://doi.org/10.11114/ijecs.v1i1.3226 Abstract In this article, the authors attempt to describe the character of the Ugandan book focusing especially on the ways the literature is impacted and or impacts the country‟s identity, voice, and future. Sometimes, common themes that appear in the literature have come to crystalize national identity in spite of the complex issues generated by years of colonialism and neo-colonialism. Today more than before more Ugandans are able to read. The challenge, however, is that this readership seems to have conspired with the book publishing industry who thrive as business enterprises at the expense of building a national identity and voice, literary health, or cultural heritage. Where then and how can the critical voices grow or multiply? What contexts will grow the Ugandan book? How insoluble are the indigenous publishers? On the other hand, the book chain has been boosted by efforts some of them international like the literary awards and prizes, residences and book fairs. -
November 2017 Volume 10, No. 1
November 2017 Volume 10, no. 1 Complete articles Peer-reviewed Articles Mary Besemeres Evoking a Displaced Homeland: the ‘Poetic Memoir’ of Andrzej Chciuk Anna Guttman Home, Factory, World: Domestic and Global Fictions in the work of Lavanya Sankaran Bhawana Jain Intersecting Memory and Witnessing Violence in Anita Desai’s The Zigzag Way Medea Muskhelishvili Pataphysical Discourse and Georgian Reflections in Comparative Analysis of Georgian and French Avant-Garde Michael Potts Dumping Grounds: Donald Trump, Edward Abbey and the Immigrant as Pollution Fredrik Tydal Of Surface and Depth: Agnes Smedley’s Sketches of Chinese Everyday Life Rouhollah Zarei The Beloved in Nader Naderpour’s Poetry Review Essays Paul Sharrad Check your metaphors: Review Essay – Daria Tunca and Janet Wilson (eds), Postcolonial Gateways and Walls: Under Construction Ron Singer Review Essay: Nzuri Na Mengi (‘Good and Plenty’): The Caine Prize for African Literature, 2007-2016 Launch Speech Melinda Graefe Speech delivered at launch of Faithfully I Wait: Poems on Rain, Thunder and Lightning at Jhargram and Beyond by Jaydeep Sarangi, Flinders University, 20 October 2017. Complete Articles. Transnational Literature Vol. 10 no. 1, November 2017. http://fhrc.flinders.edu.au/transnational/home.html Evoking a Displaced Homeland: the ‘Poetic Memoir’ of Andrzej Chciuk Mary Besemeres Abstract This article looks at some poems by Polish Australian writer Andrzej Chciuk (1920-1978). Chciuk migrated to Australia from France in 1951, having escaped Nazi-occupied Poland as a twenty-year-old in 1940. In Australia he worked as a schoolteacher in Melbourne while continuing to write poetry and fiction in Polish. His work was published in prestigious Polish emigré outlets like the Paris-based journal Kultura and in Australia with sponsorship from the Polish migrant community; to date no English translations of it have appeared. -
Previously Shortlisted Writers 2000 - 2014
PREVIOUSLY SHORTLISTED WRITERS 2000 - 2014 2014 Diane Awerbuck (South Africa) for ‘Phosphorescence’ in Cabin Fever (Umuzi, Cape Town. 2011) Efemia Chela (Ghana/Zambia) for ‘Chicken’ in Feast, Famine and Potluck (Short Story Day Africa, South Africa. 2013) Tendai Huchu (Zimbabwe) for ‘The Intervention’ in Open Road Review, issue 7, New Delhi. 2013 Billy Kahora (Kenya) for ‘The Gorilla’s Apprentice’ in Granta (London. 2010) Okwiri Oduor (Kenya) for ‘My Father’s Head’ in Feast, Famine and Potluck (Short Story Day Africa, South Africa. 2013) 2013 Elnathan John (Nigeria) ‘Bayan Layi’ from Per Contra, Issue 25 (USA, 2012) Tope Folarin (Nigeria) ‘Miracle’ from Transition, Issue 109 (Bloomington, 2012) Pede Hollist (Sierra Leone) ‘Foreign Aid’ from Journal of Progressive Human Services, Vol. 23.3 (Philadelphia, 2012) Abubakar Adam Ibrahim (Nigeria) ‘The Whispering Trees’ from The Whispering Trees, published by Parrésia Publishers (Lagos, 2012) Chinelo Okparanta (Nigeria) ‘America’ from Granta, Issue 118 (London, 2012) 2012 Rotimi Babatunde (Nigeria) 'Bombay's Republic' from Mirabilia Review Vol. 3.9 (Lagos, 2011) Billy Kahora (Kenya) 'Urban Zoning' from McSweeney's Vol. 37 (San Francisco, 2011) Stanley Kenani (Malawi) 'Love on Trial' from For Honour and Other Stories published by eKhaya/Random House Struik (Cape Town, 2011) Melissa Tandiwe Myambo (Zimbabwe) 'La Salle de Depart' from Prick of the Spindle Vol. 4.2 (New Orleans, June 2010) Jenna Bass (South Africa) 'Hunter Emmanuel' from Jungle Jim Issue 6 (Cape Town, 2011) PREVIOUSLY SHORTLISTED