I Fought the Law ( Sonny Curtis / the Crickets '59

Total Page：16

File Type：pdf, Size：1020Kb

Enjoy your FREE content downloaded from http://www.sheetleader.com I Fought The Law ( Sonny Curtis / The Crickets ’59 / Bobby Fuller 4 ’66 / The Clash ’79) 1 Clash Version RS 177 --- (drums: ////) 4x ~ (D //// ~ G // ~ A // ~ D //// ~ A / ~ G \ ~ D/F# / ~ D \ //) 2x D //// G // D // --- Breaking Rocks In A ~ Hot Sun D //// A // D // D //// A // D // I Fought The Law And A ~ The Law Won ~ I Fought The Law And A ~ The Law Won ~ I D //// G // D // Needed Money Cause ~ I Had None D //// A // D // D //// A // D // I Fought The Law And A ~ The Law Won ~ I Fought The Law And A ~ The Law Won ~ I G //// //// D //// //// --- Left My Baby ~ And It Feels So Bad ~ I Guess My Race Is Run G //// //// She's The Best Girl That I ~ Ever Had D //// A // D // I Fought The Law And A ~ The Law Won D //// A / ~ G \ ~ D/F# / ~ D \ // I Fought The Law And A --- Solo: (G //// //// ~ D //// ////) 3x G //// //// ~ D //// ~ A // ~ D // ~ D //// ~ A / ~ G \ ~ D/F# / ~ D \ // D /// ! //// --- Robbing People With A ~ Six-Gun D //// A // D // D //// A // D // I Fought The Law And A ~ The Law Won ~ I Fought The Law And A ~ The Law Won D //// G // D // I Lost My Girl ~ And I Lost My Fun D //// A // D // D //// A // D // I Fought The Law And A ~ The Law Won ~ I Fought The Law And A ~ The Law Won ~ I G //// //// D //// //// --- Left My Baby ~ And It Feels So Bad ~ I Guess My Race Is Run G //// //// She's The Best Girl That I ~ Ever Had D //// A // D // I Fought The Law And A ~ The Law Won D //// A / ~ G \ ~ D/F# / ~ D \ // I Fought The Law And A Enjoy your FREE content downloaded from http://www.sheetleader.com I Fought The Law (Sonny Curtis) 2 --- Solo: D //// ~ G // ~ A // ~ D //// ~ A / ~ G \ ~ D/F# / ~ D \ // D //// ~ G // ~ A // ~ D //// ~ A / ~ G \ ~ D/F# / ~ D \! // //// //// //// //// --- (I Fought The Law And A ~ The Law Won ~ I Fought The Law And A ~ The Law Won) 2x D //// A // D // D //// A // D // --- I Fought The Law And A ~ The Law Won ~ I Fought The Law And A ~ The Law Won D //// A // D // I Fought The Law And A ~ The Law Won D //// I Fought The Law And A --- A / ~ G \ ~ D/F# / ~ D \!.

Copy Link

Recommended publications

Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A
Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A Culture and Contexts (intro from printed book) News stories don’t satisfy on a human level. We know that Guantanamo is still open, but do we really know what that means?’ The idea is to experience an emotional understanding, so it’s not just an intellectual abstraction. -Laura Poitras, filmmaker The structure, process and narrative units that make up most of the book rely on language in presenting facts and argument. In contrast, the emphasis in this unit is on forms of artistic expression. .Images and music are one component of the culture of surveillance that so infuses our minds and everyday life. The symbolic materials and meanings of culture are social fabrications (though not necessarily social deceptions). They speak to (and may be intended to create or manipulate) needs, aspirations, and fears. Culture communicates meaning and can express (as well as shape) the shared concerns of a given time period and place. Surveillance technology is not simply applied; it is also experienced by agents, subjects, and audiences who define, judge and have feelings about being watched or a watcher. Our ideas and feelings about surveillance are somewhat independent of the technology per se. As with the devil in Spanish literary tradition (image below) the artist can serve to take the lid off of what is hidden, revealing deeper meanings. Here the artist acts in parallel to the detective and the whistleblower: Marx, Windows Into the Soul: Surveillance and Popular Culture, Chapter A In the original version of the book I divided the cultural materials into two units.
[Show full text]
JGF"SUT 1BHF% 8FEOFTEBZJO /FXTGFBUVSFT!TUBUFTNBODPNPS $Mbttjlfet 4VCTDSJCFTUBUFTNBODPNTVCTDSJCF 'PPE-JGF
3FBM"VTUJO3FBM/FXT 5VFTEBZ 'FCSVBSZ 8IBUTOFXJO "MPPLBUGPPE WJEFPHBNFT SFMBUFEQBOFMT 'JOEPVUPO BU4948 % -JGF"SUT 1BHF% 8FEOFTEBZJO /FXTGFBUVSFT!TUBUFTNBODPNPS $MBTTJlFET 4VCTDSJCFTUBUFTNBODPNTVCTDSJCF 'PPE-JGF 130'*-& .64*$ (JGUPG TFSWJDF ."+03-&"(6&5"-&/5 #Z.JDIBFM$PSDPSBO BUSVF 4POOZ$VSUJT 3POOJF%VOOBOE3PHFS.JMMFS 4QFDJBMUPUIF"NFSJDBO 4UBUFTNBO CMFTTJOH BEEFEUP5FYBT)FSJUBHF4POHXSJUFST)BMMPG'BNF West Texan Sonny Curtis very well could be the Bo "UXPSLBOEUISPVHI Jackson of songwriting. Instead of excelling in two IFSNBOZDIBSJUJFT sports, the 75-year-old Curtis &MJ[BCFUI(PO[BMFTJT penned two classics that are as NBLJOHBEJƅFSFODF divergent as football and base- ball. As a Lubbock sandstorm #Z.JDIBFM#BSOFT howled outside his window in NCBSOFT!TUBUFTNBODPN the summer of 1958, he wrote “I Fought the Law,” one of The daughter of a single the !rst rock rebellion songs, working mom, diligent stu- which was !rst recorded by dent Elizabeth S. Gonzales the Crickets three months dropped out of a Corpus after Buddy Holly died, made Christi high school when she famous by the Bobby Fuller became pregnant. Four in 1965, then "agged as “A lot of my passion about a nascent punk song by the education comes from that Clash. experience,” says Gonzales, The other landmark compo- now 63, who put a young sition was the theme song on a husband through pharmacy TV show that debuted in 1970 school, then raised three and ran seven groundbreaking children on her own while seasons. Curtis received a working full time. four-page synopsis of a show She earned her GED about a 30-year-old woman diploma and attended com- out on her own in Minneapolis munity college, then tri- after an engagement breakup, umphed in business while and two hours later came up becoming two-time chair- with “Love Is All Around,” aka woman of the Greater Austin the theme to “The Mary Tyler Hispanic Chamber of Com- Moore Show.” merce and volunteering for The garage rock holy grail area charitable groups.
[Show full text]
Hundreds of Country Artists Have Graced the New Faces Stage. Some
314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum.
[Show full text]
Rock & Roll Rock & Roll L L O R & K C
108 ROCK & ROLL ROCK & ROLL ART ADAMS PAUL ANKA ROCK CRAZY BABY CD CL 4477 € 15.50 ITALIANO CD CNR 13050 € 15.50 · contains his single releases plus alternates & rehearsals and a PAUL ANKA / FEELINGS CD COL 2849 € 20.50 TV interview from 1959 - 30 tracks with 16 page booklet ! VOL.2, SINGS HIS BIG 10 CD D2 77558 € 11.90 BILLY ADAMS GERMAN-AMERICAN LINE OF LEGACY CD BA 0200 € 19.50 HITS CD RCA 84444 € 17.90 ESSENTIA L RCA ROCK & ROLL · Fantastic rough new recordings from the Sun Studio - diese Platte ist ein Muss für jeden bekennenden Rocker - Danke Billy, RECORDINGS 62-68 CD TAR 1057 € 18.90 wo warst du ? 17 Killer - no Filler (21.03.2000 SK) Love Me Warm And Tender- I’d Like To Know- A Steel Guitar And A ROCKIN’ THRU THE YEARS Glass Of Wine- I Never Knew Your Name- Every Night (With out 1955-2002 CD CMR 581 € 12.90 You)- Eso Beso (That Kiss)- Love (Makes The World Go ‘Round)- CHARLIE ADAMS Remem ber Diana- At Night- Hello Jim- It Does n’t Matter Anymore- The Longest Day- Hurry Up And Tell Me- Did You Have A Happy CATTIN’ AROUND BCD 16312 € 15.34 Birth day- From Rocking Horse To Rocking Chair- My Baby’s Comin’ ADDRISI BROS Home- In My Imagi nation- Ogni Volta (Every Time)- Every Day A CHER RY STONE CD DEL 71254 € 17.90 Heart Is Broken- As If There Were No Tomor row- I Can’t Help Loving HASIL ADKINS You- When We Get There OUT TO HUNCH...PLUS (50S · brand new US compilation in superb Sound ! RECORD INGS) CD CED 201 € 18.50 ANN MARGRET POUL TRY IN MOTION - THE VERY BEST OF CD BMG 69389 € 14.50 CHICKEN COLLECTION 55-99 CD CED 281 € 18.50
[Show full text]
WDAM Radio Presents the Rest of the Story
WDAM Radio Presents The Rest Of The Story # Artist Title Chart Comments Position/Year 0000 Mr. Announcer & The “Introduction/Station WDAM Radio Singers Identification” 0001 Big Mama Thornton “Hound Dog” #1-R&B/1953 0001A Rufus Thomas "Bear Cat" #3-R&B/1953 0001A_ Charlie Gore & Louis “You Ain't Nothin' But A –/1953 Innes Female Hound Dog” 0001AA Romancers “House Cat” –/1955 0001B Elvis Presley “Hound Dog” #1/1956 0001BA Frank (Dual Trumpet) “New Hound Dog” –/1956 Motley & His Crew 0001C Homer & Jethro “Houn’ Dog (Take 2)” –/1956 0001D Pati Palin “Alley Cat” –/1956 0001E Cliff Johnson “Go ‘Way Hound Dog” –/1958 0002 Gary Lewis & The "Count Me In" #2/1965 Playboys 0002A Little Jonna Jaye "I'll Count You In" –/1965 0003 Joanie Sommers "One Boy" #54/1960 0003A Ritchie Dean "One Girl" –/1960 0004 Angels "My Boyfriend's Back" #1/1963 0004A Bobby Comstock & "Your Boyfriend's Back" #98/1963 The Counts 0004AA Denny Rendell “I’m Back Baby” –/1963 0004B Angels "The Guy With The Black Eye" –/1963 0004C Alice Donut "My Boyfriend's Back" –/1990 adult content 0005 Beatles [with Tony "My Bonnie" #26/1964 Sheridan] 0005A Bonnie Brooks "Bring Back My Beatles (To –/1964 Me)" 0006 Beach Boys "California Girls" #3/1965 0006A Cagle & Klender "Ocean City Girls" –/1985 0006B Thomas & Turpin "Marietta Girls" –/1985 0007 Mike Douglas "The Men In My Little Girl's #8/1965 Life" 0007A Fran Allison "The Girls In My Little Boy's –/1965 Life" 0007B Cousin Fescue "The Hoods In My Little Girl's –/1965 Life" 0008 Dawn "Tie A Yellow Ribbon Round #1/1973 the Ole Oak Tree"
[Show full text]
The Famous Flames 2012.Pdf
roll abandon in the minds o f awkward teens everywhere. Guitarist Sonny Curtis had recorded with Holly and Allison on the unsuccessful Decca sessions, and after Holly’s death in 1959, Curtis returned to the group as lead singer- guitarist for a time. The ensuing decades would see him become a hugely successful songwriter, penning greats from “I Fought the Taw” (covered by the Bobby Fuller Four and the Clash, among others) to Keith Whitleys smash T m No Stranger to the Rain” (1987’s CM A Single of the Tear) to the theme from The Mary Tyler Moore Show. He still gigs on occasion with Mauldin and Allison, as a Cricket. THE FAMOUS FLAMES FROM TOpi||lSly Be$pett, Lloydliisylfewarth, Bp|i§>y Byrd, apd Ja m ^ Brown (from left), on The TA.M.I. 4^ihnny Terry, BennettTfyfiff, and Brown fwomleft), the Ap®fp® James Brown is forever linked with the sound and image Theatre, 1963. -4- of the Famous Flames vocal/dancing group. They backed him on record from 1956 through 1964» and supported him as sanctified during the week as they were on Sundays. Apart onstage and on the King Records label credits (whether they from a sideline venture running bootleg liquor from the sang on the recording or not) through 1968. He worked with a Carolinas into Georgia, they began playing secular gigs under rotating cast of Flames in the 1950s until settling on the most various aliases. famous trio in 1959, as the group became his security blanket, By 1955, the group was calling itself the Flames and sounding board, and launching pad.
[Show full text]
User's Guide to WDAM Radio's History of Buddy Holly & the Crickets
User's Guide To WDAM Radio's History Of Buddy Holly & The Crickets Preface To The 2020 Edition This across-four-decades-and-two-centuries-long work-in-progress now has been converted to MP3. This new version is expanded from the most recent edition (2009) and contains even more hit and significant non-hit covers of Buddy Holly “solo” and Buddy Holly & The recordings ... as well as newly discovered Buddy Holly "salute" songs, interviews, and recorded historical artifacts that WDAM Radio has identified and acquired. The Collection Congratulations! You now own every hit record ever recorded by Buddy Holly (and/or records on which Buddy appeared as a back-up singer/musician) in both the United States and the United Kingdom. It also includes all charted hits by the Crickets [including all of their many United Kingdom hits, too!] after Buddy's death, as well as their remaining discography. All are in chronological order! .... or at least, sort of. You'll also enjoy original versions of songs that were later re-made into hits by Holly...plus every other artists' hit covers [including those that were only hits in the United Kingdom] of Holly originals ever recorded...plus almost all of those glorious "Buddy Holly death-salute" songs (along with similar tributes to J.P. Richardson and Ritchie Valens). It's the only collection of its kind this side ... or any side of Lubbock, Texas; Clovis, New Mexico; New York City; or Clear Lake, Iowa. (If you know the history of Buddy Holly, you will know why those locations were chosen.) Every release on single 45's (or 78's) is followed by the highest position reached in Billboard magazine and the year.
[Show full text]
BUDDY HOLLY (Charles Hardin Holley) 7Th September 1936 - 3Rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie Van Varik
BUDDY HOLLY (Charles Hardin Holley) 7th September 1936 - 3rd February 1959 LYRICS Coordinated by Robin Dunn & Chrissie van Varik. Buddy Holly was born Charles Hardin Holley on 7th September 1936 in Lubbock, Texas. At a young age he learned to play guitar, fiddle and piano. He released only three albums during his short lifetime, before his untimely death in an airplane crash that fateful “day the music died”, 3rd February 1959. However, he had been a prolific writer and a couple of albums consisting of unreleased material and demo recordings were issued posthumously. Buddy Holly was one of the inaugural inductees into the Rock and Roll Hall of Fame in 1986, together with The Everly Brothers. The songs are as performed in principal recordings (or demos) by Buddy Holly alone and/or with The Crickets plus those released by other artistes where Buddy was involved. Additionally included, for diehard collectors of all things Holly, are songs where lyrics refer to Buddy Holly or his songs. The bracketed date following the title denotes the year of the initial recording. Where it was difficult to detect precisely what is being sung, queries/gaps or alternative suggestions are included in blue and/or indicated by ??. Details of backing musicians are shown both for the pre and posthumous releases. Reference to The Picks 1980s/90s additional overdubs is omitted. Some very obscure titles have been discovered; information is wanted - dates and any recordings. NB: the notes are from various, sometimes contradictory, sources. In many instances Norman Petty (25th May 1927 - 15th August 1984) is included as a co-composing credit.
[Show full text]
Mr Angry, Still Angry Keith Talks to Billie Davis Jeff
August 2017 98 In association with "AMERICAN MUSIC MAGAZINE" ALL ARTICLES/IMAGES ARE COPYRIGHT OF THEIR RESPECTIVE AUTHORS. FOR REPRODUCTION, PLEASE CONTACT ALAN LLOYD VIA TFTW.ORG.UK Raye Duval, TFTW Heritage Show 10, The Borderline 2015 © Paul Harris Mr Angry, still angry Keith talks to Billie Davis Jeff Two-Tone Boogie says “Hi” We “borrow” more stuff from Nick Cobban Soul Kitchen, Jazz Junction, Blues Rambling And more.... 1 2 The original Holy Batman’s dying Promotion! Now’s my wish was to: chance! “ HOLD THE THIRD PAGE! ” Hi Gang, Welcome to the mid-summer edition of Tales From The Woods magazine. Now if the advert above does not press all the right buttons, I guess you’re reading the wrong publication, subscribing to the wrong organization. This promises to be one hell of a show, another landmark in the making, I can feel it in my gut folks. I have spoken to all artists over these last few weeks at the time of typing, and they are really up for it, I mean really raring to go. As you can see we are returning to the 100 Club after a break of a few years. Unfortunately we have decided to leave the Borderline, as I truly feel the ambience of the refurbished venue is unsuitable for our type of show. I must point out before any cries of disloyalty towards the 100 Club for leaving that venue for the Borderline, it was purely that at the time the veteran Oxford Street establishment was under threat. It was suggested by the management that we move our event to a temporary home whilst the problems were in the process of being sorted out.
[Show full text]
This'll Be the Day.P65
Rock the Halls with Bows of Holly 1 Part One: Stairway to Whatever 1. Rock the Halls with Bows of Holly “The levee ain’t dry, And the music didn’t die, ‘Cause Buddy Holly lives Every time we play rock and roll.” —Cricket bandmate Sonny Curtis, 1980 This is a book mostly about Buddy Holly. And his Crickets. The world knows Buddy as the martyred hero of “American Pie,” Don McLean’s #1 rockin’ 1971 saga of dry levees, roaring Chevys, and a golden-age America when rock was young. Long before leaded Zeppelin dreams soared aloft to the stars on ‘Stairways to Heaven,’ rock and roll first honored lean Texan Buddy Holly with his fiery Fender Stratocaster and magic voice. Holly and his rockin’ Crickets brought 1957-59 America and the English-speaking world its first torrid affair with a genuine rock and roll band. After Elvis This’ll Be The Day 2 Presley’s vocals, Chuck Berry’s lead guitar and teen lyrics, and dozens of dynamic drummers perfo- rated 50s quietude with new molten music, Buddy’s electric guitar and bass-powered rock band the Crickets gave us our first taste of rock band glory. Buddy also jump-started the Beatles and Bob Dylan. And yes, of course, the Fab Four owe the Crickets for their style, their gung-ho gusto, and their name. By now, the Beatles’ reputation as premier rock band has never been higher. This’ll Be the Day is about the world’s first and the world’s greatest rock and roll band.
[Show full text]
2012 Catalogue
Catalogue Rollercoaster Records was founded in RRC 2006 1976. Since our first release by the SINGLES Crickets in 1977 we have continued to Vinyl still lives at Rollercoaster! The HARDROCK release what we feel are important re- following RRC series 7” 45rpm singles are GUNTER issues together with releases featuring new all in picture sleeves, except where noted. JUKEBOX material, mostly from 50s and 60s artists. HELP ME With only a few releases every year we try RRC 2001 FIND MY to make each one worthwhile and BABY interesting with quality sound and THE informative packaging. If you have any CRICKETS comments, we’d like to hear from you. We have recently discovered a few forgotten CRUISE IN IT Our email address is copies of this great 45s in our warehouse - order [email protected]. now if you'd like one. And isn't that our very Or you can send letters the old-fashioned own design and artwork master, David Gibsone, way to: in the background next to the Rock-Ola on the cover - another reason to buy a copy! Rollercoaster Records Ltd, Rock House, Jukebox help me find my baby/Fiddle bop London Road, St Marys, Stroud, A 1979 single, recorded in Nashville with Gloucestershire, GL6 8PU England Sonny Curtis, JI Allison and Joe B Mauldin Barcode 5 012814 000065 Please note we do not have retail sales Cruise In It/Rock Around With Ollie Vee RRC 2007 premises and all enquiries should be made Barcode 5 012814 000010 to the above address by mail. The Crickets THE RRC 2004 CRICKETS If you telephone please note that our lines Forever in mind (PLAIN COVER) are open from 10am to 4.30pm Monday to BILL HALEY The weekend Friday only.
[Show full text]
The Buddy Holly Story Production Written by Alan Janes November 21 — December 20, 2015 Table of Contents
Buddy- The Buddy Holly Story Production written by Alan Janes November 21 — December 20, 2015 Table Of Contents Page 3 Buddy Holly Page 8 The Crickets Page 11 Ritchie Valens Page 13 The Big Bopper Page 15 Dion & The Belmonts Page 16 Frankie Sardo Page 17 Winter Dance Party Tour Page 19 The Day the Music Died Page 21 Discussion Questions & Class Activities Page 24 Bibliography Study guide published by History Theatre © 2014 historytheatre.com 2 Buddy Holly 1936-1959 Charles Hardin Holley was born on September 7, 1936 in Lub- bock, Texas. Being the youngest of four children, he was always called “Buddy” by his family. Holly, the popularized spelling of his last name, came later from a spelling error in a record con- tract. His two older brothers taught him how to play the guitar and, at age eleven, he began taking piano lessons, but soon switched to the steel guitar. Thoroughly inspired by the blues and country that he heard on the radio, Holly won five dollars at age five singing Down the River of Memories. In 1951, Holly met Bob Montgomery, a fellow seventh-grader at Hutchinson Jr. High, who also played guitar and sang country songs. By the time Holly and Montgomery entered high school, they were growing their audience by appearing at youth clubs, performing music they now dubbed as "Western and Bop." Local radio stations also developed Holly and Montgomery’s career. KDAV, the nation's first all-country radio station, held a weekly "Sunday Party" live on air, where Holly and Montgomery were frequent guests.
[Show full text]