Fandom As a Remixing Culture
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Digital Fanfic in Negotiation: Livejournal, Archive of Our Own, and the Affordances of Read-Write Platforms
Digital fanfic in negotiation: LiveJournal, Archive of our Own, and the affordances of read-write platforms. Introduction Fanfiction is the unauthorized rewriting or adaptation of popular media narratives, utilizing corporately owned characters, settings and storylines to tell an individual writer’s own story (self-ref, 2017). It is often abbreviated to fanfic or even fic, and exists in a thoroughly grey legal area between copyright infringement and fair use (Tushnet 1997, McCardle 2011). Though there were a few cases of cease-and-desist letters sent to fan writers in the twentieth century, media corporations now understand it is useless to attempt to prosecute fanfic writers – for one thing, there are simply too many of us,1 and for another it would be terrible publicity. Though modern fanfic can be reliably dated to the 1960s (Jenkins 1992), it is now primarily an online practice, and the fastest growing form of writing in the world (self ref). This paper uses participant observation and online ethnography to explore how fanfiction archives utilize digital affordances. Following Murray, I will argue that a robust understanding of digital read-write platforms needs to account for the social and legal context of digital fiction as well as its technological affordances. Whilst the online platform LiveJournal in some ways channels user creativity towards a more self-evidentially ‘digital’ texts than its successor in the Archive of Our Own (A03), the Archive encourages greater reader interactivity at the level of archive and sorting. I will demonstrate that in some ways, the A03 recoups some of the cultural capital and use value of print. -
The Versatility of Microblogging
www.spireresearch.com Side Click: The versatility of microblogging Microblogging is well-established globally as a way of keeping in touch with others about events occurring in their lives in real-time. Popular microblogging sites include Twitter in the U.S., Tencent QQ in China and Me2day in South Korea. Twitter has 140 million active users1, while China’s Tencent QQ has a staggering 721 million active user accounts2, ranking only behind Facebook in terms of being the most used social networking service worldwide. Microblogging allows users to combine blogging and instant messaging to post short messages on their profiles3; including small and conversational talk, self-promotion, spam and news 4 . On a deeper level, microblogging has altered the way people consume and generate information – not only democratizing the broadcasting of information but also enabling it to be done in real-time. Connecting to stakeholders There are several benefits to integrating microblogging into a business’s regular stakeholder communication regime. Consumers who “follow” a company’s products or services would be the first to know of any promotions. The company also benefits through obtaining prompt feedback and suggestions for improvement. A concerned investor 1 Twitter turns six, Twitter Blog, 21 March 21 2012 2 QQ Continues to Dominate Instant Messaging in China, eMarketer Inc., 27 April 2012 3 An Insight Into Microblogging Trends And Toolbars, ArticlesXpert,21 January 2012 4 Twitter Study – August 2009, PearAnalytics.com, August 2009 © 2012 Spire Research and Consulting Pte Ltd would want to be the first to know of any important news which might impact her returns. -
Alkim Almila Akdag Salah
:: [email protected] :: +90 5326584255 :: SEHIR UNIVERSITY, DRAGOS/ISTANBUL TURKEY ALKIM ALMILA AKDAG SALAH PERSONAL INFORMATION Family name, First name: Alkim Almila, Akdag Salah Researcher unique identifier(s): H-7418-2012 (ResearcherID) Date of birth: 28.08.1975 Email: [email protected] Web: https://www.researchgate.net/profile/Alkim_Akdag_Salah; Nationality: Turkish EDUCATION University of California, Los Angeles, California Ph.D. Art History, September 2008 Thesis: ‘Discontents of Computer Art: A Discourse Analysis on the Intersection of Arts, Sciences and Technology’ Istanbul Technical University, Istanbul, Turkey M.A. Art History, June 2001 Thesis: ‘A Semiotic Evaluation of Flacons’ Istanbul Technical University, Istanbul, Turkey B.A. Industrial Product Design, June 1998 St. Georg Austrian High School, Istanbul, Turkey September 1986 – June 1994. RELATED EXPERIENCE Department of Social Informatics, Nagoya University, Nagoya, Japan Visiting Scholar, 2017-2018. College of Communications, Istanbul Sehir University, Istanbul, Turkey Assoc. Prof, 2016 - today e-Humanities Group, KNAW, Amsterdam, the Netherlands Associate Researcher, 2014 – 2016. Computer Science, Bogazici University, Istanbul, Turkey Adjunct Faculty, 2014 - today New Media Studies, University of Amsterdam, the Netherlands Postdoctoral Researcher and Lecturer, 2011-2014. Visual Communication and Design, Sabanci University, Istanbul, Turkey Visiting Scholar, 2011-2013. Virtual Knowledge Studio, KNAW, Amsterdam, the Netherlands Postdoctoral Researcher for -
Fan Cultures Pdf, Epub, Ebook
FAN CULTURES PDF, EPUB, EBOOK Matthew Hills | 256 pages | 01 Mar 2002 | Taylor & Francis Ltd | 9780415240253 | English | London, United Kingdom Fan Cultures PDF Book In America, the fandom also began as an offshoot of science fiction fandom, with fans bringing imported copies of Japanese manga to conventions. Rather than submitting a work of fan fiction to a zine where, if accepted, it would be photocopied along with other works and sent out to a mailing list, modern fans can post their works online. Those who fall victim to the irrational appeals are manipulated by mass media to essentially display irrational loyalties to an aspect of pop culture. Harris, Cheryl, and Alison Alexander. She addresses her interests in American cultural and social thought through her works. In doing so, they create spaces where they can critique prescriptive ideas of gender, sexuality, and other norms promoted in part by the media industry. Stanfill, Mel. Cresskill, N. In his first book Fan Cultures , Hills outlines a number of contradictions inherent in fan communities such as the necessity for and resistance towards consumerism, the complicated factors associated with hierarchy, and the search for authenticity among several different types of fandom. Therefore, fans must perpetually occupy a space in which they carve out their own unique identity, separate from conventional consumerism but also bolster their credibility with particular collectors items. They rose to stardom separately on their own merits -- Pickford with her beauty, tumbling curls, and winning combination of feisty determination and girlish sweetness, and Fairbanks with his glowing optimism and athletic stunts. Gifs or gif sets can be used to create non-canon scenarios mixing actual content or adding in related content. -
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
Submission 80988
artstall TORONTO Submission 80988 executive summary ArtStall Toronto is a unique creative place-making project that provides durable, accessible standardized public toilets that are also aesthetically pleasing, decorated in collaboration with local artists to enhance the character of Toronto’s streets, while addressing perceived problems with both public art and public toilets. On a recent CBC broadcast, a pundit argued that Toronto needs a “Percent for Public Toilets” program 10% ADMIN more than one collecting a “Percent for Public 80% Art.” He complained that the city is awash with sculpture and suggested that Toronto should instead CAPITAL spend developer’s contributions for streetscape 10% improvements on tackling the city’s glaring lack of MAINTENANCE public toilets. But why can’t we combine the two? Toronto’s Percent for Public Art policy encourages both stand-alone artistic works and the artistic treatment of functional civic infrastructure. PERCENT FOR PUBLIC ART PROGRAM 10% ADMIN 65% MAINTENANCE Enter ArtStall Toronto. This program would use 25% ENDOWMENT percent for public art funds to address Toronto’s CAPITAL ongoing lack of public washroom facilities, improving Subway access to the city for residents and tourists. By Streetcar Route applying locally-designed artistic skins to the exteriors of the “Portland Loo” – a recently developed Intersection Pedestrian Volume (Persons) public toilet winning praise for its indestructibility, 7862-10000 ease of maintenance and low cost – Toronto can take 10000-15000 a step toward creating more inclusive, beautiful and dignified streets. 15000-20000 PERCENT FOR 20000-24677 Both public art and public toilets can be controversial. However, merging the two might actually help to ARTSTALL address concerns with both. -
Copyright by Jason Todd Craft 2004 the Dissertation Committee for Jason Todd Craft Certifies That This Is the Approved Version of the Following Dissertation
Copyright by Jason Todd Craft 2004 The Dissertation Committee for Jason Todd Craft Certifies that this is the approved version of the following dissertation: Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions Committee: Adam Z. Newton, Co-Supervisor John M. Slatin, Co-Supervisor Brian A. Bremen David J. Phillips Clay Spinuzzi Margaret A. Syverson Fiction Networks: The Emergence of Proprietary, Persistent, Large- Scale Popular Fictions by Jason Todd Craft, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2004 Dedication For my family Acknowledgements Many thanks to my dissertation supervisors, Dr. Adam Zachary Newton and Dr. John Slatin; to Dr. Margaret Syverson, who has supported this work from its earliest stages; and, to Dr. Brian Bremen, Dr. David Phillips, and Dr. Clay Spinuzzi, all of whom have actively engaged with this dissertation in progress, and have given me immensely helpful feedback. This dissertation has benefited from the attention and feedback of many generous readers, including David Barndollar, Victoria Davis, Aimee Kendall, Eric Lupfer, and Doug Norman. Thanks also to Ben Armintor, Kari Banta, Sarah Paetsch, Michael Smith, Kevin Thomas, Matthew Tucker and many others for productive conversations about branding and marketing, comics universes, popular entertainment, and persistent world gaming. Some of my most useful, and most entertaining, discussions about the subject matter in this dissertation have been with my brother, Adam Craft. I also want to thank my parents, Donna Cox and John Craft, and my partner, Michael Craigue, for their help and support. -
For Fans by Fans: Early Science Fiction Fandom and the Fanzines
FOR FANS BY FANS: EARLY SCIENCE FICTION FANDOM AND THE FANZINES by Rachel Anne Johnson B.A., The University of West Florida, 2012 B.A., Auburn University, 2009 A thesis submitted to the Department of English and World Languages College of Arts, Social Sciences, and Humanities The University of West Florida In partial fulfillment of the requirements for the degree of Master of Arts 2015 © 2015 Rachel Anne Johnson The thesis of Rachel Anne Johnson is approved: ____________________________________________ _________________ David M. Baulch, Ph.D., Committee Member Date ____________________________________________ _________________ David M. Earle, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ Gregory Tomso, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean, Graduate School Date ACKNOWLEDGMENTS First, I would like to thank Dr. David Earle for all of his help and guidance during this process. Without his feedback on countless revisions, this thesis would never have been possible. I would also like to thank Dr. David Baulch for his revisions and suggestions. His support helped keep the overwhelming process in perspective. Without the support of my family, I would never have been able to return to school. I thank you all for your unwavering assistance. Thank you for putting up with the stressful weeks when working near deadlines and thank you for understanding when delays -
Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation
Intellectual Property Brief Volume 8 Issue 2 Article 1 2016 Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation Mynda Rae Krato George Washington University Follow this and additional works at: https://digitalcommons.wcl.american.edu/ipbrief Part of the Intellectual Property Law Commons Recommended Citation Krato, Mynda Rae (2016) "Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation," Intellectual Property Brief: Vol. 8 : Iss. 2 , Article 1. Available at: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in Intellectual Property Brief by an authorized editor of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Fictious Flattery: Fair Use, Fan Fiction, and the Business of Imitation This article is available in Intellectual Property Brief: https://digitalcommons.wcl.american.edu/ipbrief/vol8/iss2/1 FICTITIOUS FLATTERY: FAIR USE, FANFICTION, AND THE BUSINESS OF IMITATION Mynda Rae Krato INTRODUCTION ............. 92 L Background............................................................. 94 A. Foundational Statutory and Case Law..................................94 B. Fanfiction Case Law..............................................96 C. Popular Culture and the Power of Fandoms ............................. -
How Generation Y Talks About Sustainability on Tumblr Yeu Olivia
Yeu Olivia Han Microblogging the Environment Spring 2013 Microblogging the Environment: How Generation Y Talks About Sustainability on Tumblr Yeu Olivia Han ABSTRACT Environmental discourses represent how people understand complex environmental issues and create material consequences in policy, human behavior, and society. On microblogs, users exchange small amounts of content such as short sentences, individual images, or video links. Little research exists on the relationship between environmental discourse and microblogs, so I ask why environmental discourse takes the forms it does on the microblog Tumblr, by examining discursive content, form, and context. I coded 102 blog posts, conducted 3 interviews with bloggers, and performed discourse analysis on 8 posts. I identified environmental problem solving, which privileges human agency and seeks solutions within current political economic systems, as the most common form of environmental discourse on Tumblr. I found that Tumblr microblogs used little technical language, had many “shares” and “likes,” and communicated in a subjective tone. These features make environmental discourse accessible to a wide audience, allowing for broad diffusion of environmental information and encouraging collaboration. In the neoliberal context we lack the correct frames for understanding environmental issues. Instead of arguing about whether the science is right or wrong, policy makers should determine what to do about these issues and when to act. Though Tumblr is a part of and reflects aspects of neoliberalism, -
2. the Democratic Turn
DANIEL ARAYA 2. THE DEMOCRATIC TURN Prosumer Innovation and Learning in the Knowledge Economy INTRODUCTION As Eric Von Hippel (2005) has pointed out, the distributed nature of information and communications technologies is enabling an emergent mode of economic production that is best described as “democratic innovation”. Looking at democratic innovation from the perspective of complexity theory, I will suggest that the nature of socioeconomic production is becoming increasingly anchored to “prosumer innovation” networks. Building out from information and communications networks (ICNs), prosumer innovation blurs the boundaries between producers and consumers, joining both categories to broader systems of creative cooperation. This chapter will explore the contours of prosumer innovation and consider its potential for advancing systems of education. Focusing on prosumer innovation as an emergent cultural practice, I will suggest that the democratization of knowledge and learning should be the locus of concern for educational policy-makers over the coming decades. THE DEMOCRATIC TURN: ICNS AND CULTURAL PRODUCTION Over the past quarter century, policy discourse in advanced capitalist countries has increasingly focused on the economic needs associated with the production of knowledge. Unlike the tangible assets linked to the industrial economy- land, labor, capital, and raw materials, the knowledge economy is largely defined by abstract goods such as research, creativity, design, innovation, and learning. For theorists like Alvin Toffler (1990) and Peter Drucker (1993), the knowledge economy represents a socioeconomic shift from labour-intensive “smokestack industries” to “mind work”. Impacting the global economy in varied ways, knowledge and innovation are becoming central to commercial production. From network-driven business services and automated production systems, to complex engineering and just-in- time manufacturing, the knowledge economy is characterized as a new mode of capitalist production (Castells 1996; Womack et al., 1991). -
Alternate Universe Fan Videos and the Reinterpretation of the Media
Alternate Universe Fan Videos and the Reinterpretation of the Media Source Introduction According to the Francesca Coppa, American scholar and co-founder of the Organization for Transformative Works1, fan videos are “a form of grassroots filmmaking in which clips from television shows and movies are set to music.”2 Fan videos are commonly referred to as: fanvid, songvid, vid, AMV (for Anime Music Video); their process of creation is called vidding and their editors (fan)vidders. While the “media tradition” described above in Francesca Coppa‟s definition is a crucial part of the fan video production, many other fan videos are created for anime, especially Asian ones (AMV), for video games (some of them called Machinima), or even for other subjects, from band tributes to other types of remix. The vidding tradition – in its current “shape” – goes back to the era of the first VCR; but the very first fan videos may be traced back to the seventies in a slideshow format. When channel mixers and numerous machines available to a large group of consumers emerged, this fan activity easily became an expanding one amongst the fan communities, who were often interested in new technology, whatever era it is. Vidding has now become a digital process, thanks to the expansion of computer and related technical means, including at least semiprofessional editing software. It seems relevant to point out how rare it is that a vidder goes through editing training when they begin to create fan videos, or even become a professional editor later on. Of course, exceptions exist, but vidding generally remains a hobby.