The Planets, Opus 32 – Gustav Holst Born September 21, 1874, in Cheltenham, England Died May 25, 1934, in London, England
The Planets, Opus 32 – Gustav Holst Born September 21, 1874, in Cheltenham, England Died May 25, 1934, in London, England This work was premiered on September 29, 1918, before a private audience in the Queen’s Hall, London. This version is scored for two piccolos, three flutes, three oboes, bass oboe, three clarinets, bass clarinet, two bassoons, four horns, four trumpets, three trombones, tuba, timpani, percussion, two harps, celesta, and strings. A women’s chorus sings in the last movement. Primarily recognized as a composer of strangely approachable, yet austere, works, Gustav Holst was an able composer and talented orchestrator. Having composed since his teens, Holst was accepted by the Royal Conservatory where he was a classmate of Ralph Vaughan Williams, who deeply influenced his musical style. He developed an interest in Hinduism, studying its literature and the Sanskrit language. Holst became an active educator, holding positions at the St. Paul’s School for Girls and the Royal College of Music. Today’s audiences are often surprised to learn that he composed other significant works in addition to his immensely popular suite, The Planets. However, he created works for nearly every musical genre, including many fine choral settings of English folksongs, several notable pieces for wind band, and numerous stage works (including the Sanskrit opera Savitri). Although Holst was a contemporary of many of the most experimental composers of the twentieth century, he was a proponent of melodic music and found that an approachable musical language could be as profound as more abstract sounds. For this reason, he was always at odds with the more dissonant (and critically accepted) music that came from Schoenberg and his disciples in Vienna.
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