The Conversos and Socio-Religious Non- Conformism in the Spanish Golden Age
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The Moslim Saint in Toledo Cathedral By: Angus Macnab
The Moslim Saint in Toledo Cathedral By: Angus Macnab Studies in Comparative Religion, Vol. 2, No. 2. (Spring, 1968) © World Wisdom, Inc. www.studiesincomparativereligion.com THE main chapel of Toledo Cathedral has one curious feature which is sometimes allowed to pass unnoticed, though it must surely be unique among Christian churches. Amid the effigies of saints, holy bishops, abbots, and Christian monarchs—defenders of the faith—there stands a fine polychrome statue of an Islamic doctor of theology. This cathedral was not begun until the early thirteenth century; but the memory of the saintly Mussulman was still held in such regard at Toledo a century and a half after the reconquest of the city from the Arabs, that his image was set up in one of the two most prominent positions of honour. These two conspicuous sites are the two pillars which, with the two others beside the twin pulpits, sustain the vault of the main chapel. The one on the Gospel side has a statue of the mysterious Shepherd of Las Navas—thought by some to have been an apparition of St. Isidore the Farm-Hand, Patron of Madrid—who showed King Alfonso the Good the secret mountain pass that enabled the Christian army to win the decisive victory of the Reconquest at Navas de Tolosa in 1212, and who vanished after showing the path to the leaders; the statue is said to have been made from a rough sketch drawn by the king himself. And in the corresponding position on the Epistle-side pillar stands the Moslem who won the great victory of renunciation and peace. -
Datos De Explotación 16/03/2018 Datos Explotación Por Contrato
DATOS DE EXPLOTACIÓN 16/03/2018 DATOS EXPLOTACIÓN POR CONTRATO Contrato: VAC-023 MADRID-TOLEDO CON HIJUELAS Viajeros Veh-km Min Total Veh-km prop. no Veh-Km Veh-Km Recaudación Recauda. Recauda. Veh- Ocupación Recorrido Año Trimestre Percecp. Viajeros Viajeros Km propios adscritos colabora. total Total Viaj-Km Km media medio 2008 Primero 0 772.859 33.022.814 917.127 0 20.357 937.484 1.139.484,52 0,03451 1,21547 35,22 42,73 2008 Segundo 0 766.962 33.331.738 928.755 0 14.384 943.139 1.175.018,53 0,03525 1,24586 35,34 43,46 2008 Tercero 0 628.277 26.343.534 899.178 0 4.824 904.002 1.147.127,25 0,04354 1,26894 29,14 41,93 2008 Cuarto 0 627.063 25.917.849 817.318 0 16.462 833.780 1.050.041,68 0,04051 1,25937 31,08 41,33 Total año 0 2.795.161 118.615.935 3.562.378 0 56.027 3.618.405 4.511.671,98 0,03804 1,24687 32,78 42,44 Total contrato 0 2.795.161 118.615.935 3.562.378 0 56.027 3.618.405 4.511.671,98 0,03804 1,24687 32,78 42,44 Total 0 2.795.161 118.615.935 3.562.378 0 56.027 3.618.405 4.511.671,98 0,03804 1,24687 32,78 42,44 1/1 DATOS DE EXPLOTACIÓN 16/03/2018 DATOS EXPLOTACIÓN POR CONTRATO Contrato: VAC-152 MADRID-PIEDRABUENA Viajeros Veh-km Min Total Veh-km prop. -
Spanish, French, Dutch, Andamerican Patriots of Thb West Indies During
Spanish, French, Dutch, andAmerican Patriots of thb West Indies i# During the AMERICAN Revolution PART7 SPANISH BORDERLAND STUDIES By Granvil~ W. andN. C. Hough -~ ,~~~.'.i~:~ " :~, ~i " .... - ~ ,~ ~"~" ..... "~,~~'~~'-~ ,%v t-5.._. / © Copyright ,i. "; 2001 ~(1 ~,'~': .i: • by '!!|fi:l~: r!;.~:! Granville W. and N. C. Hough 3438 Bahia Blanca West, Apt B ~.l.-c • Laguna Hills, CA 92653-2830 !LI.'.. Email: gwhough(~earthiink.net u~ "~: .. ' ?-' ,, i.. Other books in this series include: • ...~ , Svain's California Patriots in its 1779-1783 War with England - During the.American Revolution, Part 1, 1998. ,. Sp~fin's Califomi0 Patriqts in its 1779-1783 Wor with Englgnd - During the American Revolution, Part 2, :999. Spain's Arizona Patriots in ire |779-1783 War with Engl~n~i - During the Amcricgn RevolutiQn, Third Study of the Spanish Borderlands, 1999. Svaln's New Mexico Patriots in its 1779-|783 Wit" wi~ England- During the American Revolution, Fourth Study of the Spanish Borderlands, 1999. Spain's Texa~ patriot~ in its 1779-1783 War with Enaland - Daring the A~a~ri~n Revolution, Fifth Study of the Spanish Borderlands, 2000. Spain's Louisi~a Patriots in its; 1779-1783 War witil England - During.the American Revolution, Sixth StUdy of the Spanish Borderlands, 20(~0. ./ / . Svain's Patriots of Northerrt New Svain - From South of the U. S. Border - in its 1779- 1783 War with Engl~nd_ Eighth Study of the Spanish Borderlands, coming soon. ,:.Z ~JI ,. Published by: SHHAK PRESS ~'~"'. ~ ~i~: :~ .~:,: .. Society of Hispanic Historical and Ancestral Research ~.,~.,:" P.O. Box 490 Midway City, CA 92655-0490 (714) 894-8161 ~, ~)it.,I ,. -
The Dark Romanticism of Francisco De Goya
The University of Notre Dame Australia ResearchOnline@ND Theses 2018 The shadow in the light: The dark romanticism of Francisco de Goya Elizabeth Burns-Dans The University of Notre Dame Australia Follow this and additional works at: https://researchonline.nd.edu.au/theses Part of the Arts and Humanities Commons COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 WARNING The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. Do not remove this notice. Publication Details Burns-Dans, E. (2018). The shadow in the light: The dark romanticism of Francisco de Goya (Master of Philosophy (School of Arts and Sciences)). University of Notre Dame Australia. https://researchonline.nd.edu.au/theses/214 This dissertation/thesis is brought to you by ResearchOnline@ND. It has been accepted for inclusion in Theses by an authorized administrator of ResearchOnline@ND. For more information, please contact [email protected]. i DECLARATION I declare that this Research Project is my own account of my research and contains as its main content work which had not previously been submitted for a degree at any tertiary education institution. Elizabeth Burns-Dans 25 June 2018 This work is licenced under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International licence. i ii iii ACKNOWLEDGMENTS This thesis would not have been possible without the enduring support of those around me. Foremost, I would like to thank my supervisor Professor Deborah Gare for her continuous, invaluable and guiding support. -
Diego Hurtado De Mendoza, Arcipreste De Maqueda
Lemir 22 (2018): 53-60 ISSN: 1579-735X ISSN: Diego Hurtado de Mendoza, arcipreste de Maqueda M.ª del Carmen Vaquero Serrano IES «Alfonso X el Sabio», Toledo Juan José López de la Fuente Hospital de la Misericordia, Toledo RESUMEN: En Maqueda, en un documento de 1542, hemos encontrado a un arcipreste llamado Diego Hurtado de Mendoza. ¿Fue él el escritor o no? PALABRAS CLAVE: Maqueda, arcipreste. ABSTRACT: In Maqueda, in a document of 1542, we have found an archpriest, whose name was Diego Hurtado de Mendoza. Was he the writer or not? KEYWORDS: Maqueda, archpriest. ______________________________ Siglas ADT Archivo Diocesano de Toledo AHN Archivo Histórico Nacional APN Archivo Parroquial de Novés (Toledo) CSIC Consejo Superior de Investigaciones Científicas PARES Portal de Archivos Españoles Nota preliminar por M.ª del Carmen Vaquero Serrano Hace algunos meses sugerí a mi colaborador desde hace nueve años Juan José López de la Fuente una línea de investigación, y nos pusimos manos a la obra. Cuando ya había- mos dado el estudio casi por concluido, nos acercamos al Archivo Diocesano de Toledo Fecha de recepción: 21/11/2017 Fecha de aceptación: 25/01/2018 54 Lemir 22 (2018) M.ª del Carmen Vaquero & Juan José López a comprobar dos o tres referencias. Y cerciorados de ellas, por no perder la mañana ya que estábamos allí, decidimos revisar cada uno una caja más del Fondo de Capellanías. Y, cuando llevábamos una media hora en ello, Juan José me dijo, asombradísimo, que en el expediente que en ese momento él estaba revisando, del año 1542, aparecía «el muy reve- rendo y magnífico señor don Diego Hurtado de Mendoza, arcipreste de la dicha villa [de Maqueda]». -
Guiteras, Wardwell· and Allied Families
GUITERAS, WARDWELL· AND ALLIED FAMILIES GENEALOGICAL AND BIOGRAPHICAL - Prepared and Privately Printed for GEllTRUDE ELIZABETH GUITERAS BY THE AMElUCAN HISTOlllCAL SOCIETY, lac. NEW YC>IU( 1926 ·Bt> IC)llJfl f> Jt · Jn l)euoteb ~emo~ of llanlon ~uitnas II)tt Satbn, tuottl)p scion of a Distin== gufsbeb .Dlb morlb Samilp, 4tliJabetl, eanrteitn (lllatb\llrll) •uiterai Ott •otber, of like gentle llittb, be== sunbant of manp notallle colonial Smttican lines, anb · l>r. l\amen •uittraf lilbose ricb professional talents were unsparinglp useb in tilt serttiu of bis -ftllotu men, ~bis tJolume is JDellicattb fl1! en~rutJe eri;alJttf) ~tritera, ~ & ~ ~ ~ ~ " j:$' ~~ ~ GUITERAS ARMS Arms-Vert, five greyhounds' heads erased proper, vulned, and distilling drops of blood gules, posed two, one and two. Guiteras HE Guiteras family of Rhode Island ( which lineage was transplanted from Spain by way of Cuba) was long notably distinguished in Spain before the removal of a scion thereof to the Island of Cuba, in which lat~er vicinity it maintained without diminution the honor of its ancestry, and removing thence to the United States, in unbroken continuity has flourished in excellence in that land of its adoption. II DON MATEO GUITERAS, son of Don Juan Guiteras, ancestor of the Rhode Island line, was a native of Canet Le Mar, Spain. He died in Spain. His son, Don Mateo Guiteras, married Dofia Maria De Molins. (See De Molins.) Their son; Ramon, of whom further. III RAM6N GUITERAS was born at Canet Le Mar, Spain, in 1775, and removed in early manhood to Cuba, where he engaged in mercantile pur suits; he acquireg extensive lands., which he devoted largely to the cultiva tion of coffee, and had his residence at Matanzas, on that Island. -
Las Casas, Alonso De Sandoval and the Defence of Black Slavery
Topoi vol.2 no.se Rio de Janeiro 2006 Las Casas, Alonso de Sandoval and the defence of black slavery Juliana Beatriz Almeida de Souza ABSTRACT The aim of this paper is to analyse the contributions made by the Dominican Bartolomé da Las casas, in the XVI century, and the Jesuit Alonso de Sandoval, in the XVII century, to legitimaze and regularize discourses about the slave trade and black slavery in the Spanish Americas. Key-words: Colonization of the Hispanic America; Evangelize of blacks; Black slavery. David Brion Davis in the 1960s warned that many historians were exaggerating the antithesis between slavery and Catholic doctrine. The purpose of this article is to move away from a value-laden analysis of the actions of the Catholic Church both in defence of black slavery and in defence of the blacks.1 Rather, I seek to revise the work of two missionaries who worked in Spanish America and who played an important role in the construction of a discourse that at the same time legitimated and regulated the black slave trade. I refer to the Dominican Bartolomé de Las Casas in the sixteenth century and the Jesuit Alonso de Sandoval in the seventeenth. Las Casas and the blindness of Christians 1 Preliminary and partial versions of this article were presented at the XXII National Symposium of History of ANPUH (2003), the II National Symposium of Cultural History (2004) and the XXIII National Symposium of History of ANPUH (2005). I would also like to acknowledge the help of my student Wallace R. S. de Farias in part of the research. -
Pedigree of the Wilson Family N O P
Pedigree of the Wilson Family N O P Namur** . NOP-1 Pegonitissa . NOP-203 Namur** . NOP-6 Pelaez** . NOP-205 Nantes** . NOP-10 Pembridge . NOP-208 Naples** . NOP-13 Peninton . NOP-210 Naples*** . NOP-16 Penthievre**. NOP-212 Narbonne** . NOP-27 Peplesham . NOP-217 Navarre*** . NOP-30 Perche** . NOP-220 Navarre*** . NOP-40 Percy** . NOP-224 Neuchatel** . NOP-51 Percy** . NOP-236 Neufmarche** . NOP-55 Periton . NOP-244 Nevers**. NOP-66 Pershale . NOP-246 Nevil . NOP-68 Pettendorf* . NOP-248 Neville** . NOP-70 Peverel . NOP-251 Neville** . NOP-78 Peverel . NOP-253 Noel* . NOP-84 Peverel . NOP-255 Nordmark . NOP-89 Pichard . NOP-257 Normandy** . NOP-92 Picot . NOP-259 Northeim**. NOP-96 Picquigny . NOP-261 Northumberland/Northumbria** . NOP-100 Pierrepont . NOP-263 Norton . NOP-103 Pigot . NOP-266 Norwood** . NOP-105 Plaiz . NOP-268 Nottingham . NOP-112 Plantagenet*** . NOP-270 Noyers** . NOP-114 Plantagenet** . NOP-288 Nullenburg . NOP-117 Plessis . NOP-295 Nunwicke . NOP-119 Poland*** . NOP-297 Olafsdotter*** . NOP-121 Pole*** . NOP-356 Olofsdottir*** . NOP-142 Pollington . NOP-360 O’Neill*** . NOP-148 Polotsk** . NOP-363 Orleans*** . NOP-153 Ponthieu . NOP-366 Orreby . NOP-157 Porhoet** . NOP-368 Osborn . NOP-160 Port . NOP-372 Ostmark** . NOP-163 Port* . NOP-374 O’Toole*** . NOP-166 Portugal*** . NOP-376 Ovequiz . NOP-173 Poynings . NOP-387 Oviedo* . NOP-175 Prendergast** . NOP-390 Oxton . NOP-178 Prescott . NOP-394 Pamplona . NOP-180 Preuilly . NOP-396 Pantolph . NOP-183 Provence*** . NOP-398 Paris*** . NOP-185 Provence** . NOP-400 Paris** . NOP-187 Provence** . NOP-406 Pateshull . NOP-189 Purefoy/Purifoy . NOP-410 Paunton . NOP-191 Pusterthal . -
Francisco Goya, the American Revolution, and the Fight Against the Synarchist Beast-Man by Karel Vereycken
Click here for Full Issue of Fidelio Volume 13, Number 4, Winter 2004 Francisco Goya, the American Revolution, And the Fight Against The Synarchist Beast-Man by Karel Vereycken s in the case of Rabelais, entering the ly to reassert itself in the aftermath of the British- visual language of Francisco Goya takes orchestrated French Revolution (1789). Aan effort, something that has become Despite this political reversal, Goya continued increasingly difficult for the average Baby in his role as Court Painter to Carlos III’s succes- Boomer. By indicating some of the essential events sors. He was appointed by Carlos IV in 1789, and of Goya’s period and life, I will try to provide you then later, after the Napoleonic invasion of Spain with some of the keys that will enable you to draw in 1808 and the restoration of the Spanish Monar- the geometry of his soul, and to harmonize the chy in 1814, his appointment was reinstated by rhythm of your heart with his. King Ferdinand VII. Francisco Goya y Lucientes was born in 1746, Fighting against despotism while simultaneous- and was 13 years old when Carlos III became ly holding a sensitive post as Painter in the service King of Spain in 1759. Carlos, who was dedicated of the latter two kings—and, what’s more, stricken to the transformation of Spain out of Hapsburg with total deafness at the age of 472—Goya, like all backwardness through Colbertian policies of eco- resistance fighters, was well acquainted with the nomic and scientific development, supported the world of secrecy and deception. -
The Acoustics of the Choir in Spanish Cathedrals
acoustics Article The Acoustics of the Choir in Spanish Cathedrals Alicia Alonso * , Rafael Suárez and Juan J. Sendra Instituto Universitario de Arquitectura y Ciencias de la Construcción, Escuela Técnica Superior de Arquitectura, Universidad de Sevilla, Seville 41012, Spain; [email protected] (R.S.); [email protected] (J.J.S.) * Correspondence: [email protected]; Tel.: +34-954-559-51 Received: 13 November 2018; Accepted: 4 December 2018; Published: 6 December 2018 Abstract: One of the most significant enclosures in worship spaces is that of the choir. Generally, from a historical point of view, the choir is a semi-enclosed and privileged area reserved for the clergy, whose position and configuration gives it a private character. Regarding the generation and transformation of ecclesial interior spaces, the choir commands a role of the first magnitude. Its shape and location produce, on occasions, major modifications that significantly affect the acoustics of these indoor spaces. In the case of Spanish cathedrals, whose design responds to the so-called “Spanish type”, the central position of the choir, enclosed by high stonework walls on three of its sides and with numerous wooden stalls inside, breaks up the space in the main nave, thereby generating other new spaces, such as the trascoro. The aim of this work was to analyse the acoustic evolution of the choir as one of the main elements that configure the sound space of Spanish cathedrals. By means of in situ measurements and simulation models, the main acoustic parameters were evaluated, both in their current state and in their original configurations that have since disappeared. -
Century Seville Painting
ROCZNIKI HUMANISTYCZNE Volume 66, issue 4 – 2018 SELECTED PAPERS IN ENGLISH DOI: http://dx.doi.org/10.18290/rh.2018.66.4-6e FR. ANDRZEJ WITKO * STILL LIFE IN 17TH-CENTURY SEVILLE PAINTING Still life representations showing various man-made objects such as dishes, weapons, books, candles, kitchen utensils, musical instruments, cards, but also food items such as fruit, vegetables, bread, sweets, eggs, fish and animals, as well as flowers and human skulls, are referred to in Spanish as the bodegón.1 Originally, the term had a much broader meaning and in- cluded so-called kitchen scenes, which were of particular interest to young Diego Velázquez, today considered a part of genre painting. Man-made ob- jects were rarely the main theme of Spanish bodegones. If they appeared, they usually accompanied other natural products. Although this genre of painting never developed especially in Seville, it did enjoy a certain popular- ity there. This was due to both typical aesthetic feelings and the experience of Black Death. The resulting hunger, lack of food and meagre harvests pro- voked the creation of unusually “appetizing” still lifes, which were supposed to compensate for the acute food shortages. The plague and the spreading death toll moreover inspired the creation of superb still lifes that emphasized the futility of human life. There were also still lifes referring to specific litur- gical periods, e.g. Christmas or Lent, particular seasons and months, taking Fr. Prof. Dr Hab. ANDRZEJ WITKO – head of the Department of Modern Art History, Institute of Art and Culture History, John Paul II Pontifical University in Krakow; address for correspon- dence: ul. -
The Immaculate Conception C
[5] granada school, second half of the 17th century The Immaculate Conception c. 1650-1680 Black chalk, pen and black ink and white wash on paper 360 x 235 mm he frequent depiction of the Immaculate Conception rosy cheeks, her beautiful hair spread out and the colour of in 17th -century Spain can be seen as a responding gold [...]. She must be painted wearing a white tunic and to a desire to defend the cult of the Virgin and her blue mantle [and be] crowned with stars; twelve stars forming T 1 virginity against Protestant doubts. Stylistically, depictions a bright circle between glowing light, with her holy brow as of this subject evolved in parallel to the general evolution of the central point.” 2 17 th -century art. Thus, in the fi rst third of the century such Cano’s Immaculate Conceptions evolved in parallel to images were characterised by a restrained, tranquil mood with his work as a whole but always remained faithful to Pacheco’s the Virgin presented as a static, frontal fi gure. In the second precepts. They range from his most static depictions of the third of the century, however, a new approach showed her as early 1620s, such as the one in a private French collection, 3 advancing forward majestically with a suggestion of upward to those from the end of his career, which convey the greatest movement in the draperies. Finally, in the last third of the sense of movement, including the ones painted for the century the fi gure of Mary soared upwards, enveloped in cathedrals in Granada (c.