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Nationalism in the French Revolution of 1789
The University of Maine DigitalCommons@UMaine Honors College 5-2014 Nationalism in the French Revolution of 1789 Kiley Bickford University of Maine - Main Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Cultural History Commons Recommended Citation Bickford, Kiley, "Nationalism in the French Revolution of 1789" (2014). Honors College. 147. https://digitalcommons.library.umaine.edu/honors/147 This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. NATIONALISM IN THE FRENCH REVOLUTION OF 1789 by Kiley Bickford A Thesis Submitted in Partial Fulfillment of the Requirement for a Degree with Honors (History) The Honors College University of Maine May 2014 Advisory Committee: Richard Blanke, Professor of History Alexander Grab, Adelaide & Alan Bird Professor of History Angela Haas, Visiting Assistant Professor of History Raymond Pelletier, Associate Professor of French, Emeritus Chris Mares, Director of the Intensive English Institute, Honors College Copyright 2014 by Kiley Bickford All rights reserved. Abstract The French Revolution of 1789 was instrumental in the emergence and growth of modern nationalism, the idea that a state should represent, and serve the interests of, a people, or "nation," that shares a common culture and history and feels as one. But national ideas, often with their source in the otherwise cosmopolitan world of the Enlightenment, were also an important cause of the Revolution itself. The rhetoric and documents of the Revolution demonstrate the importance of national ideas. -
Discover the Styles and Techniques of French Master Carvers and Gilders
LOUIS STYLE rench rames F 1610–1792F SEPTEMBER 15, 2015–JANUARY 3, 2016 What makes a frame French? Discover the styles and techniques of French master carvers and gilders. This magnificent frame, a work of art in its own right, weighing 297 pounds, exemplifies French style under Louis XV (reigned 1723–1774). Fashioned by an unknown designer, perhaps after designs by Juste-Aurèle Meissonnier (French, 1695–1750), and several specialist craftsmen in Paris about 1740, it was commissioned by Gabriel Bernard de Rieux, a powerful French legal official, to accentuate his exceptionally large pastel portrait and its heavy sheet of protective glass. On this grand scale, the sweeping contours and luxuriously carved ornaments in the corners and at the center of each side achieve the thrilling effect of sculpture. At the top, a spectacular cartouche between festoons of flowers surmounted by a plume of foliage contains attributes symbolizing the fair judgment of the sitter: justice (represented by a scale and a book of laws) and prudence (a snake and a mirror). PA.205 The J. Paul Getty Museum © 2015 J. Paul Getty Trust LOUIS STYLE rench rames F 1610–1792F Frames are essential to the presentation of paintings. They protect the image and permit its attachment to the wall. Through the powerful combination of form and finish, frames profoundly enhance (or detract) from a painting’s visual impact. The early 1600s through the 1700s was a golden age for frame making in Paris during which functional surrounds for paintings became expressions of artistry, innovation, taste, and wealth. The primary stylistic trendsetter was the sovereign, whose desire for increas- ingly opulent forms of display spurred the creative Fig. -
Admirable Trees of Through Two World Wars and Witnessed the Nation’S Greatest Dramas Versailles
Admirable trees estate of versailles estate With Patronage of maison rémy martin The history of France from tree to tree Established in 1724 and granted Royal Approval in 1738 by Louis XV, Trees have so many stories to tell, hidden away in their shadows. At Maison Rémy Martin shares with the Palace of Versailles an absolute Versailles, these stories combine into a veritable epic, considering respect of time, a spirit of openness and innovation, a willingness to that some of its trees have, from the tips of their leafy crowns, seen pass on its exceptional knowledge and respect for the environment the kings of France come and go, observed the Revolution, lived – all of which are values that connect it to the Admirable Trees of through two World Wars and witnessed the nation’s greatest dramas Versailles. and most joyous celebrations. Strolling from tree to tree is like walking through part of the history of France, encompassing the influence of Louis XIV, the experi- ments of Louis XV, the passion for hunting of Louis XVI, as well as the great maritime expeditions and the antics of Marie-Antoinette. It also calls to mind the unending renewal of these fragile giants, which can be toppled by a strong gust and need many years to grow back again. Pedunculate oak, Trianon forecourts; planted during the reign of Louis XIV, in 1668, this oak is the doyen of the trees on the Estate of Versailles 1 2 From the French-style gardens in front of the Palace to the English garden at Trianon, the Estate of Versailles is dotted with extraordi- nary trees. -
Introduction: the Queen Versus the People 1
N OTES Introduction: The Queen versus the People 1 . J e a n n e L o u i s e C a m p a n , Memoirs of the Court of Marie Antoinette, Queen of France , ed. M de Lamartine (Philadelphia, PA: Parry and McMillan, 1854), pp. 158–159. 2 . Nancy Nichols Barker, “Revolution and the Royal Consort,” in Proceedings of the Consortium on Revolutionary Europe (1989): 136–143. 3 . Barker, “Revolution and the Royal Consort,” p. 136. 4 . Clarissa Campbell Orr notes in the introduction to a 2004 collection of essays concerning the role of the European queen consort in the Baroque era that “there is little comparative work in English on any facet of European Court life in the period from 1660 to 1800.” See Clarissa Campbell Orr, “Introduction” in Clarissa Campbell Orr (ed.), Queenship in Europe: 1660–1815: The Role of the Consort (Cambridge: Cambridge University Press, 2004), p. 2. There are strong exceptions to Orr’s conclusion, including the works of Jeroen Duidam and T.C.W. Blanning, which compare the culture, structure, and politics of Early Modern courts revealing both change and continuity but these stud- ies devote little space to the specific role of the queen consort within her family and court. See Jeroen Duindam, Vienna and Versailles: The Courts of Europe’s Dynastic Rivals 1550–1780 (Cambridge: Cambridge University Press, 2003), and T.C.W. Blanning, The Culture of Power and the Power of Culture: Old Regime Europe 1660–1789 (Oxford: Oxford University Press, 2002). 5 . See Kevin Sharpe, The Personal Rule of Charles I (New Haven, CT: Yale University Press, 1996); Bernard Bourdin, The Theological-Political Origins of the Modern State: Controversy between James I of England and Cardinal Bellamine (Washington, DC: The Catholic University of America Press, 2010), pp. -
Le Sourire De Marie-Antoinette: La Mort En Surimpression Dans Mémoires D'outre-Tombe
Le Sourire de Marie-Antoinette: La mort en surimpression dans Mémoires d'outre-tombe Dominique Jullien Nineteenth-Century French Studies, Volume 46, Numbers 3 & 4, Spring-Summer 2018, pp. 324-341 (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/ncf.2018.0002 For additional information about this article https://muse.jhu.edu/article/692201 Access provided by University of California , Santa Barbara (8 May 2018 02:04 GMT) Le Sourire de Marie- Antoinette La mort en surimpression dans Mémoires d’outre- tombe Dominique Jullien In book fi ve of the Mémoires d’outre- tombe Chateaubriand recalls Marie- Antoinette, superimposing the memory of her smile with that of her skull exhumed in 1815. Starting with this hallucinatory overlay (smiling woman / grimacing skull) this article discusses the kinship between Chateaubriand’s writing of memory and the various optical techniques popular at the time, including daguerreotypes, dioramas, waxworks, fantasmagorias, ghost photography, stereoscopy, double exposures, etc. Focusing mainly on the memoir’s female portraits, I show that, while they are obviously indebted to the venerable tradition of the vanitas, they also owe something to modern illusionistic spectacles, and I explore the affi nity between the techniques of image mobility and memory phenomena, which were naturally troped in terms of the new optical inventions. (In French) Dans un épisode célèbre du livre cinq des Mémoires d’outre- tombe, Chateaubriand évoque sa rencontre avec Marie- Antoinette et le souvenir de son sourire, avec, en surimpression macabre, l’image de son crâne reconnu lors des exhumations de 1815: Elle me fi t, en me jetant un regard avec un sourire, ce salut gracieux qu’elle m’avait déjà fait le jour de ma présentation. -
Kings and Courtesans: a Study of the Pictorial Representation of French Royal Mistresses
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2008 Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Shandy April Lemperle The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Lemperle, Shandy April, "Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses" (2008). Graduate Student Theses, Dissertations, & Professional Papers. 1258. https://scholarworks.umt.edu/etd/1258 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. KINGS AND COURTESANS: A STUDY OF THE PICTORIAL REPRESENTATION OF FRENCH ROYAL MISTRESSES By Shandy April Lemperlé B.A. The American University of Paris, Paris, France, 2006 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in Fine Arts, Art History Option The University of Montana Missoula, MT Spring 2008 Approved by: Dr. David A. Strobel, Dean Graduate School H. Rafael Chacón, Ph.D., Committee Chair Department of Art Valerie Hedquist, Ph.D., Committee Member Department of Art Ione Crummy, Ph.D., Committee Member Department of Modern and Classical Languages and Literatures Lemperlé, Shandy, M.A., Spring 2008 Art History Kings and Courtesans: A Study of the Pictorial Representation of French Royal Mistresses Chairperson: H. -
Marie Antoinette
Louis XVII - CHILD PRISONER 0. Louis XVII - CHILD PRISONER - Story Preface 1. A ROYAL CHILDHOOD 2. THE YOUNG ANTOINETTE 3. WEDDING at the PALACE of VERSAILLES 4. DEATH of LOUIS XV 5. A GROWING RESENTMENT 6. CHILDREN of MARIE ANTOINETTE 7. THE DIAMOND NECKLACE AFFAIR 8. THE FRENCH REVOLUTION 9. EXECUTION of LOUIS XVI 10. THE GUILLOTINE 11. TRIAL of MARIE ANTOINETTE 12. MARIE ANTOINETTE and the GUILLOTINE 13. Louis XVII - CHILD PRISONER 14. DNA EVIDENCE and LOUIS XVII Jean-Louis Prieur (1759-1795) created this illustration of Louis-Charles, the French Dauphin, depicting his treatment in prison. The title of this 1794 work is: Simon le cordonnier et Louis XVII au Temple (“Simon the Shoemaker and Louis XVII at the Temple”). Once his father was executed, royalists referred to the Dauphin as King Louis XVII. The illustration is maintained at the BnF and is online via Gallica (the BnF’s digitized gallery). Louis-Charles, the orphaned son of a king and—to royalists—a king (Louis XVII) himself, would have been better off had his captors simply killed him. Instead, he endured unimaginable conditions in Temple prison, existing in a room above his sister. When first imprisoned, he was a bright, good-looking child: ...his blue eyes, aquiline nose, elevated nostrils, well-defined mouth, pouting lips, chestnut hair parted in the middle and falling in thick curls on his shoulders, resembled his mother before her years of tears and torture. All the beauty of his race, by both descents, seemed to reappear in him. (Campan, Memoirs of Marie Antoinette, Supplement to Chapter IX - scroll down 60%.) An acquaintance of Robespierre, Antoine Simon (often called "Simon the shoemaker"), was charged with caring for the young prince. -
FRENCH REVOLUTION PART 3 from the Directory 1794-1799 To
FRENCH REVOLUTION PART 3 From the Directory 1794-1799 to Napoleon Bonaparte The Terror July 1793-July 1794 Robespierre and the Committee of Public Safety Inscription on Engraving from 1795, after pyramid: Thermidor “Here lies all Robespierre guillotines the France.” executioner, after all France has been guillotined Constitutions of 1791 and 1793 are beneath his feet COUP D’ĖTAT OF THERMIDOR JULY Execution of Robespierre, 1794 Saint Just, Couthon July 1794 End of the Jacobin Terror, start of White Terror" -- execution of 72 leading Jacobins in one day The Directory takes power 1794- 1799 The Directory: July 1794-1799 Paul Barras one of the five Directors making up the executive council Legislature under Directory is Drawing of bicameral: member of Council of Council of Elders = upper house Elders -- pseudo-Roman Council of 500 = lower house robes Constitution of the Year V 1795 Third constitution – one every two years 1791, 1793 Ends universal male suffrage Indirect elections (electoral college like USA) Bicameral legislature upper house as more elite restraint on lower house LOUIS XVII -- never reigned son & heir of Louis XVI & Marie Antoinette b. 1785 d. 1795 June in prison of illness at age 10 (age 8 at time of Marie Antoinette’s trial) Set back for royalist hopes for restoration of monarchy – but the eventual Louis XVIII restored in 1814 was the brother (in exile since 1792) of King Louis XVI executed in Jan 1793. REVOLT OF GERMINAL (Spring 1795): Parisian sans culottes riot, call for "bread & Constitution of 1793," but no more political -
The Pitiful King: Tears, Blood, and Family in Revolutionary Royalism
The Pitiful King: Tears, Blood, and Family in Revolutionary Royalism Victoria Murano Submitted to Professors Lisa Jane Graham and Linda Gerstein In partial fulfillment of the requirement of History 400: Senior Thesis Seminar Murano 1 Abstract When the French Revolution erupted in 1789, revolutionaries strove to foster a sense of freedom of expression, guaranteeing a brief freedom of the press. The eleventh article of the 1791 Declaration of the Rights of Man asserts that “The free communication of thoughts and opinions is one of man’s most precious rights; all citizens may therefore speak, write, print freely, except to answer for the abuse of this liberty in cases determined by law.” However, as France became further embroiled in the Revolution, it abandoned its allegiance to the universality of these rights, propagating pro-republican thought, and persecuting anyone who did not share these views. The royalist press was a major concern to the new republican government, because it continued to speak out in support of the king and criticize the Revolution. The existence of royalist journalists and writers thus posed a problem for revolutionaries who wanted to establish a monolithically-minded republic. Therefore, over time, they enacted repressive censorship and punishment to crack down on royalist sympathizers. Although they sent many royalist writers to prison or the guillotine, the revolutionaries ultimately failed to silence their political enemies. This thesis uses newspapers, images, and other printed media to explore royalist coverage of three events that diminished royal power: Louis XVI’s flight to Varennes in June 1791, his execution in January 1793, and the death of his nine-year-old son and heir, Louis XVII, in June 1795. -
Open Finalthesis Weber Pdf.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF HISTORY AND RELIGIOUS STUDIES FRACTURED POLITICS: DIPLOMACY, MARRIAGE, AND THE LAST PHASE OF THE HUNDRED YEARS WAR ARIEL WEBER SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Medieval Studies with honors in Medieval Studies Reviewed and approved* by the following: Benjamin T. Hudson Professor of History and Medieval Studies Thesis Supervisor/Honors Adviser Robert Edwards Professor of English and Comparative Literature Thesis Reader * Signatures are on file in the Schreyer Honors College. i ABSTRACT The beginning of the Hundred Years War came about from relentless conflict between France and England, with roots that can be traced the whole way to the 11th century, following the Norman invasion of England. These periods of engagement were the result of English nobles both living in and possessing land in northwest France. In their efforts to prevent further bloodshed, the monarchs began to engage in marriage diplomacy; by sending a young princess to a rival country, the hope would be that her native people would be unwilling to wage war on a royal family that carried their own blood. While this method temporarily succeeded, the tradition would create serious issues of inheritance, and the beginning of the last phase of the Hundred Years War, and the last act of success on the part of the English, the Treaty of Troyes, is the culmination of the efforts of the French kings of the early 14th century to pacify their English neighbors, cousins, and nephews. ii TABLE OF CONTENTS Chapter 1 Plantagenet Claim to France................................................................................... -
Timeline (PDF)
Timeline of the French Revolution 1789 1793 May 5 Estates General convened in Versailles Jan. 21 Execution of Louis XVI (and later, Marie Jun. 17 National Assembly Antoinette on Oct. 16) Jun. 20 Tennis Court Oath Feb. 1 France declares war on British and Dutch (and Jul. 11 Necker dismissed on Spain on Mar. 7) Jul. 13 Bourgeois militias in Paris Mar. 11 Counterrevolution starts in Vendée Jul. 14 Storming of the Bastille in Paris (official start of Apr. 6 Committee of Public Safety formed the French Revolution) Jun. 1-2 Mountain purges Girondins Jul. 16 Necker recalled Jul. 13 Marat assassinated Jul. 20 Great Fear begins in the countryside Jul. 27 Maximilien Robespierre joins CPS Aug. 4 Abolition of feudalism Aug. 10 Festival of Unity and Indivisibility Aug. 26 Declaration of Rights of Man and the Citizen Sept. 5 Terror the order of the day Oct. 5 Adoption of Revolutionary calendar 1791 1794 Jun. 20-21 Flight to Varennes Aug. 27 Declaration of Pillnitz Jun. 8 Festival of the Supreme Being Jul. 27 9 Thermidor: fall of Robespierre 1792 1795 Apr. 20 France declares war on Austria (and provokes Prussian declaration on Jun. 13) Apr. 5/Jul. 22 Treaties of Basel (Prussia and Spain resp.) Sept. 2-6 September massacres in Paris Oct. 5 Vendémiare uprising: “whiff of grapeshot” Sept. 20 Battle of Valmy Oct. 26 Directory established Sept. 21 Convention formally abolishes monarchy Sept. 22 Beginning of Year I (First Republic) 1797 Oct. 17 Treaty of Campoformio Nov. 21 Berlin Decree 1798 1807 Jul. 21 Battle of the Pyramids Aug. -
Bread, Politics and Political Economy in the Reign of Louis Xv Archives Internationales D'histoire Des Idees
BREAD, POLITICS AND POLITICAL ECONOMY IN THE REIGN OF LOUIS XV ARCHIVES INTERNATIONALES D'HISTOIRE DES IDEES INTERNATIONAL ARCHIVES OF THE HISTORY OF IDEAS 86 STEVEN L. KAPLAN BREAD, POLITICS AND POLITICAL ECONOMY IN THE REIGN OF LOUIS XV Directors: P. Dibon (Paris) and R. Popkin (Washington Univ., St. Louis) Editorial Board: J. Aubin (Paris)~ J. Collins (St. Louis Univ.)~ P. Costa bel (Paris)~ A. Crombie (Oxford) ~ I. Dambska (Cracow); H. de la Fontaine-Verway (Amsterda~); H. Gadamer (Heidelberg)~ H. Gouhier (Paris); T. Gregory (Rome)~ T.E. Jessop (Hull); P.O. Kristeller (Columbia Univ.)~ Elisabeth Labrousse (Paris); A. Lossky (Los Angeles); S. Lindroth (Upsala)~ J. Orcibal (Paris); I.S. Revaht (Paris); Wolfgang Rod (Miinchen); J. Roger (Paris); G.S. Rousseau (Los Angeles); H. Rowen (Rutgers Univ., N.J.); Ch. B. Schmitt (Warburg Inst. London); G. Sebba (Emory Univ., Atlanta); R. Shackleton (Oxford); J. Tans (Groningen); G. Tonelli (Binghamton, N.Y.). R' " D L A' T '_ TE I MER DIT' Plate 1. Map of France in the eighteenth century showing provinces and customs divisions. Necker, Compte-rendu (Paris, 1781). BREAD, POLITICS AND POLITICAL ECONOMY IN THE REIGN OF LOUIS XV by STEVEN L. KAPLAN Volume One MARTINUS NIJHOFF - THE HAGUE - 1976 THIS BOOK HAS BEEN PUBLISHED WITH THE AI D OF A GRANT FROM THE HULL MEMORIAL PUBLICATION FUND OF CORNELL UNIVERSITY ~ 1976 by Martinus Nijhoff, The Hague, Netherlands Softcover reprint ofthe hardcover 1st edition 1976 A II rights reserved, including the right to translate or to reproduce this journal or parts thereof in any form ISBN-13: 978-94-010-1406-9 e-ISBN-13: 978-94-010-1404-5 001: 10.1007/978-94-010-1404-5 TABLE OF CONTENTS VOLUME ONE List of Illustrations IX Acknowledgements XI List of Abbreviations.